Power Supply
August 4th, 2011
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What power supply should I get for this guitar pedalboard setup? And how do we connect it all up?
my brother is creating his pedal board, he has a boss tuner and a RAT distortion so far, he is looking into getting more boss and possibly a EHX big muff sometime soon. What power supply do we need to power this pedalboard? We can only afford something less than £65. He has a VOX Valvetronix VT30 amp.
So along with what power supply do we use. How do we connect everything up?
Here, this is excellent for powering your pedals, especially on a budget. There is something called the DC Brick also, but its much more expensive and wont power as many things. The one spot comes with a few adapters too. I use it and have never had a problem.
Ultra X3 1000-Watt Modular Power Supply
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Frigidaire WF2CB PureSource2 Ice And Water Filtration System
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Lodge Logic Pre-Seasoned Skillet $22.99 Made by the cast iron experts at Lodge, this revolutionary pan is preseasoned, so it's ready to cook right out of the box. It's perfect for making virtually anything from bacon and eggs to grilled sandwiches, pan-fried fish, and fabulous cornbread. Each has dual pour spouts and a helper handle. Lodge Logic's new preseasoning process penetrates the metal's pores thoroughly and uniformly, so it look... |
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Cuisinart GR-4N 5-in-1 Griddler $185.00 The Cuisinart(tm) Griddler makes "multifunctional" an understatement! Make perfect panini... plus! With four separate cooking options, it can handle everything from pancakes to sausages to grilled cheese to steaks, hamburgers and panini. It helps you prepare more servings of more kinds of food in less time, so you can cook for a crowd -- no one has to wait!Simply change the cooking plates and adju... |
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Blood Sugar Sex Magik $5.22 With valuable assistance from producer Rick Rubin, the Peppers find just the right blend of punk, funk, and hip-hop. Even with a running time of 74 minutes, this 1991 breakthrough has continuity and cohesion both within and across the 17 cuts. Riding Flea's surging bass, Anthony Kiedis delivers his explicit lyrics with a rapper's flair, extolling the virtues (and outlining the dangers) of sex and ... |
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It Was Written $4.26 No Description AvailableNo Track Information AvailableMedia Type: CDArtist: NASTitle: IT WAS WRITTENStreet Release Date: 07/02/1996... |
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1202-VLZ3 Compact Mixer $269.99 The Mackie 1202-VLZ3 Premium 12-Channel Compact Mixer builds on the legacy of the best-selling 1202-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Four studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1202-VLZ3 its high-headroom, low-noise functionality. The 1202-VLZ3 is the model of efficiency, packing more features into its small footprint than any other mixer in this class. With its outstanding sound quality, just the right amount of control, and multi-voltage power supply, the 1202-VLZ3 is the perfect choice for smaller mixing applications, anywhere in the world. Features:12-channel ultra-low noise compact mixer with highest possible headroom 4 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz ­ 20kHz) oPhantom power for studio condenser mics 12 high-headroom line inputs Advanced DC pulse transformer RF rejection 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut filter on Mic input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1202-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals |
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1402-VLZ3 Compact Mixer $399.99 The Mackie 1402-VLZ3 Premium 14-Channel Compact Mixer builds on the legacy of the best-selling 1402-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Six studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1402-VLZ3 its high-headroom, low-noise functionality. With its outstanding sound quality, multi-voltage power supply, and 60mm faders for precise mix control and visibility, the 1402-VLZ3 becomes the ideal choice for small and medium-sized mixing applications, anywhere in the world. Features: 14-channel ultra-low noise compact mixer with highest possible headroom 6 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz­20kHz) oPhantom power for studio condenser mics 14 high-headroom line inputs Advanced DC pulse transformer RF rejection 60mm long-wearing log-taper faders 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut Filter on Mic input channels Switchable +4/-10 operation on Line input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-le |
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20/20BAS V3 Studio Monitor, Single $449.5 The Event 20/20BAS speaker incorporates a number of fundamental improvements over the original model while remaining true to its character and performance strengths. The original transducer design and cabinet volume have been maintained, however the high and low frequency amplifiers, cabinet bracing and overall construction have been revolutionized to improve audio characteristics, increase dynamics and extend reliability.Event's engineering team used ideas and technologies from its flagship Opal speaker in order to achieve performance in keeping with the company design philosophy of high output, low distortion and excellent dynamics.Fully discrete Class AB amplifiers for the tweeter and woofer provide up to 250 watts of burst power with less than .01% Total Harmonic Distortion (THD). This more than doubles the power provided by the original 20/20bas amplifier design with less than half the distortion. Sustained high output performance is ensured through a new oversized toroidal power supply that can ensure sustained extreme low frequency reproduction. The new low frequency amp can deliver up to 250w of peak power into the woofer. This gives you the BOOM... the definition in the bottom end that you're looking for.Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery.*Price is for 1 SpeakerSystemFrequency Response - 35Hz - 20kHz 2dBCrossover Frequency - 2300Hz3rd Harmonic Distortion @ 90dB SPL, 1m, 500-7kHz - 0.08%3rd Harmonic Distortion @ 90dB SPL, 1m, 200 - 20kHz - 0.2%3rd Harmonic Distortion @ 90dB SPL, 1m,<200Hz - 1.5%Acoustic Output - SPL @ 1m, Long term (80Hz - 20kHz) - 105dBAcoustic Output - SPL @ 1m, Peak (80Hz - 20kHz) -108dBSignal Input - XLR (balanced)Low Frequency TransducerPiston Diameter - 180mm (7.1")Voice Coil Configuration - High temperature single coilVoice Coil Diameter - 38mm (1.5")Former Material - High-strength Polyamide - Glass FiberMagnet Typ |
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2BA221 Line and Microphone Preamp $679.99 The 2BA-221 is a continuously variable impedance microphone preamp. Featuring microphone level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state input controls to mix the microphone input with the Hi-Z or line input into the variable vacuum tube output. Mix them together through the 12AX7A/ECC83 vacuum tube output or separately through individual solid state outputs. The 2BA-221 also features a stackable input design; multiple 2BA-221's can be linked together to form a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable Mic input impedance from 100 ohms to 10K ohms Variable Highpass Filter Hi-Z Instrument, Line, and Mic Level Input Hi-Z input and Mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert Jack Stackable with more 2BA-221's Rack Size 3 Year Warranty XLR and " outputs and inputs Three variable, independent gain stages |
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341 Dual 15 Band Equalizer $109.99 A R T's 341 Dual Channel 15 band 2/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, variable input level control, clip level indicators, ground lift switch, internal power supply and selectable line voltage switch. A range control switch is provided allowing you to set the maximum boost or cut for each band of equalization to either 6dB or 12dB. Each channel has its own bypass switch with LED indicator. The rugged, all-steel constructed chassis occupies 1U rack space and is intended for installation in standard 19" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1/4" TRS connectors use active balanced, low noise circuitry. XLR connections are: Pin 1 = ground, Pin 2 = Hot (+ ), and Pin 3 = Cold (-). The 1/ 4" TRS connections are: Tip = Hot (+), Ring =Cold (-), and Sleeve = ground. Both the XLR and 1/4" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The 341 is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. A clip LED will light when a signal level of 5dB before clipping occurs. The 341 may be used in a variety of applications such as live sound, recording studios, instrument racks as well as any conventional fixed installation environment. Use the 341 equalizer wherever modification of the frequency contour of a sound is needed. The 341 graphic equalizer is a powerful tool for solving a number of audio problems and creating interesting sound textures. Patch the EQ between your mixing console and power amps to allow you to alter the overall mix to better match your environment. Use the 341 between your monitor mixer and monitor power amps to aid in the removal of fee |
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3I Laptop Utility Case $199.99 SKB 3I Series Injection Molded Mil-Standard Waterproof Cases are molded of ultra high-strength polypropylene copolymer resin, featuring a gasketed, water and dust tight, submersible design that is resistant to corrosion and impact damage. This customized version of 1813 Mil Standard case offers quality waterproof protection for your valuable laptop. Designed to accommodate up to 17-inch laptop computers including those by Apple, Compaq, Dell, IBM, and Sony. The convenient leather organizer in the lid has a rigid fold down cover with compression foam for added protection to the laptop. The base of the 3I-1813-5B-N case has a recessed foam cutout to accommodate power supply; cables and accessories with the removable hook and loop workspace with corner cleats to securely mount the laptop, making it truly portable. The 3I-1813-5B-N features a molded-in hinge, patent pending "trigger release" latch system, comfortable, snap-down rubber over-molded cushion grip handle, automatic ambient pressure equalization valve, resistance to UV, solvents, corrosion, fungus and impact damage.Get yours today, with the security of our 85 plus years of experience and the Sam Ash Direct 45/60day return/price protection policy. |
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5100 Flute Pickup (with Preamp) $291.67 The model 5100 has been specifically engineered for use with the C-Flute. It is ideal for both ensemble and solo applications. It offers superior audio performance, and a unique mounting arrangement which makes attachment to or removal from the instrument extremely quick and easy. It includes the 3000a preamp/power supply and microphone. |
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5600 Harmonica Pickup (with Preamp) $283.32 The model 5600 designed to be lightweight for use on a harmonica. The system has wide- band frequency response, excellent dynamic range, and provides clean, faithful reproduction of the acoustic sound. The system includes the 3000a preamp/power supply, microphone and attachment adheasives. |
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6100 Flute Pickup (with Preamp) $249.92 The model 6100 has been designed to deliver studio quality sound, yet is rugged enough to be practicl for on stage use. It is totally moisture-proof, has excellent dynamic range and can provide a clean reproduction of the original sound in any acoustical environment. It is ideal for use with both analog an digital effects and is also the perfect choise for use with wireless transmitters. System includes 3000a preamp/power supply, headjoint cork, microphone and cable. |
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8va Octave Fuzz Pedal $139.99 The Hartman Electronics 8va Octave Fuzz is a one-octave-up analog fuzz pedal. A meticulous recreation of the original Tycobrahe Octavia guitar pedal, the 8va offers unprecedented sonic fidelity combined with essential modern amenities: heavy-duty true-bypass switching, LED indicator, and a 9VDC input jack for use with external power supply.Like the original, the 8va uses a transformer-coupled Germanium-diode output stage to produce a tone an octave higher than its input. The higher the note that is played, the stronger the octave tone produced. The pedal's circuitry is entirely analog. The results are immediate--there is no delay or latency commonly associated with digital pitch shifters. The octaves literally bloom.Because of the way the 8va achieves its octave effect it is capable of producing unusual sonic artifacts distinctly analog in nature, not unlike certain sounds produced by ring-modulators and 4-quadrant multiplier circuits of vintage analog synthesizers: at low settings of the Boost knob, where the octave-up is at its most prominent and the level of fuzz is at its lowest, single notes will produce the anticipated octave pitch, but double stops, chords, etc., will produce NEW tones. The bell-like quality of the tones is a function of the musical interval(s) between the notes played. In other words, 3rds and 6ths produce different results than 4ths and 5ths. You can experiment with this effect in different registers of the instrument, e.g. letting the low E string drone quietly (acting as a carrier wave, to use ring-mod terminology) while playing a line in Bb Major high on the neck on the upper strings, and get some pretty interesting sounds.Hartman Electronics offers (2) additional features not available on the originals:Input Trim: passive filter reduces gain of certain frequencies prior to the first gain stage to reduce the rasp typically associated with this type of fuzz. As a by-product of this action, the Input Trim evokes the octave-u |
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AC109 AC Adapter (for Ibanez Effect Pedals) $17.99 The AC-109 power supply is the perfect companion for all standard Ibanez effect pedals. |
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AD12M2 12V Power Supply $27.99 12V Adapter for CTK5000, WK500, WK3800This Adapter replaces the AD12M Power Adapter |
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ATW2129 True Diversity UHF Lavalier Wireless System $349.99 Serious advances in affordable professional wireless allow for clear sound quality and rock-solid, dependable performance. Automatic frequency scanning finds an open channel at the touch of a button. And all 10 user-switchable channels are compatible for easy use with multiple systems; no confusing frequency groups.The True Diversity operation selects the best signal from the two receiver sections, thus reducing dropouts and the Tone Lock tone squelch system fights background interference. Built from rugged metal half-rack receiver with soft-touch controls and LCD display featuring RF and AF metering. Balanced XLR and unbalanced 1/4 output jacks enable use with a wide variety of audio gear. Ground-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiver. Includes rack-mount kit and detachable UHF antennas. Features:Operating Frequency 656.125 to 678.500 MHz Number of Channels 10 total Frequency Stability 0.005%, Phase Lock Loop frequency control Modulation Mode FM Normal Deviation 5 kHz Operating Range 300' typicalOperating Temperature Range 41 F (5 C) to 113 F (45 C)Frequency Response 100 Hz to 15 kHz RECEIVER SPECIFICATIONS:Receiving System Dual independent RF sections, automatic-switching diversity Image Rejection 55 dB nominal, 50 dB minimum Signal-to-noise Ratio >100 dB at 40 kHz deviation (A-weighted), maximum modulation 40 kHz Total Harmonic Distortion <1% (10 kHz deviation at 1 kHz) Sensitivity 20 dBV (S/N 60 dB at 5 kHz deviation, IEC-weighted)Intermediate Frequency 65.75 MHz, 10.7 MHz Audio Output Unbalanced: 25 mV (at 1 kHz, 5 kHz deviation, 100k ohm load) Balanced: 12.5 mV (at 1 kHz, 5 kHz deviation, 100k ohm load) Output Connectors Unbalanced: 1/4" (6.3 mm) phone jack Balanced: XLRM-type Power Supply: 120V AC 60 Hz, or 12-18V DC, 350 mA, with external supply Dimensions 8.27" (210.0 mm) W x 1.73" (44.0 mm) H x 6.39" (162.2 mm) D Weight 2.2 lbs (1.0 kgs)Accessories Included Two fl |
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ATW251L Freeway 200 Lavalier Wireless System $124.95 Audio-Technicas Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. The 200 Series Freeway Wireless Systems are single-channel, fixed-frequency systems available in three VHF frequencies (169.505, 170.245, and 171.905 MHz). Each ATW-251 Freeway Wireless System includes the ATW-R250 receiver and a body-pack transmitter. The ATW-R250 is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R250 also offers volume control along with AF Peak, RF and Power indicator lights. Features:Easy operation and clear, natural sound quality Reliable performance and durable construction Advanced dipole antenna system for extended operating range Power, RF, and AF Peak indicators Volume control, output jack and space-saving power supply Rugged unidirectional dynamic element on handheld microphone/transmitter Variable microphone trim control and easily accessible On/Standby/Off switch on transmitters Professional locking connector on UniPak body-pack transmitter Consumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website atwww.fcc.gov/cgb/wirelessmicrophones. |
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Analog Flanger Effect Pedal $229.99 The Hartman Analog Flanger is a meticulous recreation of one of the early greats (not the Deluxe, not the Stereo, the original). Built around the rapidly vanishing bucket-brigade analog delay chip, the Hartman achieves vivid but transparent sounding flange and static-filter effects and combines them with heavy-duty true-bypass switching, LED indicator, and the ability to run off of a single 9V battery.Incorporating components critical to faithfully reproduce the signal path of the original, the Hartman exploits the tighter tolerances and lower noise floor of modern components for clarity and superior sonic fidelity. Great care was taken to establish a power supply and signal trace layout that minimize the problems with crosstalk, clock-noise, and oscillator bleed-thru that plagued many originals.The Hartman Analog Flanger completely eliminates "volume-drop" issues inherent in the original non true-bypass design. The Flange/Filter (effect "on") signal is exactly as loud as the true-bypass signal. |
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Audiogram3 USB Audio Interface $99.99 With a focus on simplicity and ease-of-use, the AUDIOGRAM3 delivers a compact audio interface complete with both a mono and stereo input channel. Providing maximum flexibility for recording from almost any audio source, the mono input channel features a combo-type connector that can be set for microphone or line level input, while the stereo channel has both phone and RCA connectors. Of course, as this interface is USB bus-powered, it needs no external power supply and is an ideal solution for mobile applications. |
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B2.1u Bass Effects Pedal with USB and Expression Pedal $179.99 The B2.1U is a 32-bit multi-effect pedal with a whole array of amplifier models perfect for live or studio. It even goes a step further by adding USB connectivity, as well as Cubase LE. By utilizing this free program, bassists can turn this pedal into a USB recording interface with no-latency monitoring and 24 bit analog/digital conversion. Additional features include a built-in drum machine with PCM drum sounds and 40 patterns, space for 40 effects settings, and an onboard chromatic tuner. It runs on 4 AA batteries, USB bus power (when recording) or the AC power supply (not included). Features: 40 preset effects patches, 40 programmable memory patches 9 effect modules with 54 effect types 32-bit processing, 96kHz sampling rate 24-Bit A/D, D/A converters Built-in drum machine with 40 rhythm patterns Integrated chromatic tuner Sturdy metal chassis with rubber side-guard shells USB interface Bulit-in Expression Pedal Operates on 4 AA batteries, oran AC power adapter (not included) Steinberg Cubase LE software bundled & Remote Patch Editor available |
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BCM705 Hypercardioid Dynamic Microphone $719.95 The BCM705 is Neumann's first mic with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Dynamic capsule Hypercardioid directional characteristic Integrated, neutral pop protection Integrated elastic suspension Individual headgrilles for different users Colored rings to identify the replacement headgrilles Easy removal and cleaning of microphone headgrille (with bayonet mount) Mechanical compatibility with standard studio boom arms Multi-level isolation from structure-borne noise No power supply required The BCM 705 is Neumanns first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment. Mechanical FeaturesThe microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen. The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms. Acoustic Features The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect. The integrated Pop ScreenA pop screen not only prevents the occurre |
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BP355 Modeling/USB Interface Effect Pedal $199.95 The BP355 gives more sounds, effects, flexibility, and control to bass players than any other bass multi-effects pedal for the money. Most bass players don't ask for much in the way of effects. Powered by the AudioDNA2 processor, the BP355 features advanced modeling of 20 amps, 17 different cabinets, and more than 70 different effects.Using the USB port on the BP355 bas players can stream audio to their computer and customize their presets. There are 70 pre-programmed factory presets with 70 more user preset spaces available.Although the durable die-cast metal chassis of the BP355 is made for the stage, it is the perfect tool for virtually every bass player to perfect their playing. The BP355 has an additional input for your MP3 player, 60 different CD-quality drum patterns, and 20 second looper players can use to jam, to practice, or to play along with. It also has a built-in tuner and expression pedal; the power supply is also included.21 Amp Models'01 Mesa Boogie Dual Rectifier'57 Fender Tweed Deluxe'63 Vox AC30 Top Boost'65 Fender Blackface Twin Reverb'77 Marshall Master VolumeAmpeg B15Ampeg SVTAshdown Bass MagniferDemeter VTBP-201SDigiTech Clean TubeDigiTech High GainDigiTech SoloDirect -- No amp modelFender BassmanFender Dual ShowmanHiwatt Custom 50Mesa Boogie 400+SWR Basic BlackSWR Interstellar OverdriveSunn 200STrace-Elliot Commando14 Cabinet Models1x12" '57 Fender Tweed Deluxe Reverb1x15" Ampeg Portafex1x15" SWR Basic Black1x18" Acoustic 3602x12" '63 Vox AC30 Top Boost w/Jensen Blue Backs2x12" Fender Dual Showman2x15" '68 Sunn 200S w/JBL-Lansings4x10" '59 Fender Tweed Bassman4x10" Eden with horn4x12" '07 Mesa/Boogie w/Celestion Vintage 30's4x12" Hiwatt Custom w/Fane Speakers4x12" Marshall 1969 Straight w/Celestion G12-T708x10" AmpegDirect - No Cabinet66 Effects ModelsWah: * DigiTech Full Range * Dunlop Cry Baby Wah * Vox Clyd |
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C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C430 Cardioid Condenser Microphone $229 Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality. The major benefits of the C 430 include: Frequency response tailored to cymbal and overhead miking Extremely compact, professional quality overhead MicroMic Phantom or battery powering options Easy to use with any mixer, with no need to use the EQ Trouble-free use on open-air stages Mounts securely on all commercial microphone stands Specifications: Polar pattern: cardioid Frequency range: 20 to 20,000 Hz Sensitivity: 7 mV/Pa (-43 dBV) Max. SPL: 126/130 dB (k=1 %/3 %) Equivalent noise level (CCIR 468-3): 33 dB-A Signal/noise rati (A-weighted) 61 dB Impedance: 200 ohms Recommended load impedance: >2000 ohms Supply voltage: 9 to 52 V phantom power Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte black Dimensions: 19 dia. x 79 mm / 0.7 x 3.1 in. Net weight: 23 g / 1.1 oz. Shipping weight: 192 g / 6.8 oz. |
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C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CTK-4200 Portable Keyboard $149.99 The Casio 61-key CTK-4200 WK, is designed for musicians at various levels who wish to improve their keyboard skills, compose, and realize their music. It features a 5-song/6-track recorder and 600 dynamic, inspirational sounds to choose from, including a stereo grand piano. Built-in reverb and chorus effects add depth and realism to the sounds. Plus, 180 built-in rhythms provide individual drum patterns or a full range of accompaniment, providing a virtual band at your fingertips that follows your chord changes. The CTK-4200 has 1/8" (3.5mm) mini input for connecting external portable MP3 players that transforms the keyboard into a stereo speaker system. A USB port for class-compliant MIDI operation lets you connect to a Mac or PC easily (no drivers needed), giving you access to music education software and the net. Includes an AC power supply, music rest, and music book. The CTK-4200 also features Casio's Step-Up Lesson System, which allows novice users to learn at their own individual pace. Utilizing the LCD display, aspiring musicians can learn both music notation and correct hand positioning, while Casios innovative lesson system evaluates performance so you can track your progress.61 Note, touch response, piano style keyboard 600 Built-in tones including stereo pianos 180 Rhythm & accompaniment patterns 48 Note polyphony Large backlit display with notation and fingering display Integrated step-up lesson system 5 Song, 6 track recorder Class compliant USB MIDI port 1/8" Audio line input Headphone output Power adapter included Get yours today, with the security of our 85 plus years of experience and the Sam Ash Direct efficient order processing, your satisfaction is guaranteed |
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Classic II Multi Pattern Tube Condenser Microphone $2099.99 The Classic II is RDEs top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments. Features:9 polar patterns, Variable Pad and filter. Shock mount. Machined from solid Brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30 copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminium flight case. |
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Control Pad USB and MIDI Percussion Pad $158.99 The Alesis Control Pad USB/MIDI Percussion Controller is a compact percussion pad controller that is equally at home as a performance instrument and as a MIDI programming tool for studio recording. The Control Pad features 8 velocity sensitive pads with gum rubber surfaces for excellent stick response as well as two trigger inputs for connecting external pads such as the Alesis Drum Pad and Cymbal Pad expansion kits. Further, there are two switch pedal inputs to accommodate open and closed hi-hat as well as kick drum. Percussion setups are stored to internal memory and are accessible via MIDI Program Change commands. In addition to being USB bus-poweredeliminating the need for an external power supply while connected to a computerthe Control Pad includes an AC adapter for use without a computer.The Control Pad is a compact drum/percussion system that functions equally well as a recording tool and as an on stage electronic trap table. It is a must have item for serious recording musicians and a valuable tool for percussionists seeking to lighten the load in terms of the number of accessory instruments they carry.The Alesis Control Pad is limited only by the sound sources connected to it. As a MIDI controller, it can trigger samplers (sampled sounds and sampled sound effects), drum machines, and synthesizers. Melodic percussion (mallet instruments such as vibes and marimba) can be played by assigning the desired MIDI note numbers to the controllers various pads. The Alesis Control Pad is perfect for the following applications:Features:Programming of drum and percussion parts with a MIDI sequencer Studio recordingLive performanceprimarily as an expander instrument for shakers, congas, bongos, etc.The Control Pad is bundled with FXPansion's BFD Lite, a professional drum module with high-quality acoustic and electronic drum kit libraries.Specs:8- Piezo trigger pads2- 1/4" External trigger inputs1- 1/4" Footswitch input (kick)1- 1/4" Footswitch input ( |
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DEQ830 8 Channel 30 Band Digital Graphic Equalizer $499 The DEQ830 is the worlds most affordable 8-channel 1/3-octave digital graphic EQ. Though it fits in a compact one-space rack, Alesis didnt skimp on connections or features. Sonic performance is superb, with 1/4" TRS balanced and ADAT Optical I/O. Change any of 30 bands on eight discrete channels with the press of a button. Get instant, slider-style visual feedback rather than squinting at a tiny LCD. And store your changes in 100 user programs, with 50 curve templates to get you started in any room. 8 independent 1/3-octave digital graphic equalizers Enhanced 24-bit sound quality, 28-bit internal processing 8 channels of balanced 1/4" (+4/10 switchable) inputs and outputs, 8 channels of ADAT Optical in and out, MIDI in and out At-a-glance display lets you quickly check settings for each band and channel. Locking feature prevents unwanted changes 100 user programs, 50 curve templates for rapid setup Independent 10-segment level LEDs for each channel Bypass, compare, and channel A-B link controls 1U rackmount with internal power supply Specifications CONTROL: 30 band-select buttons covering 25Hz to 20kHz, 13-segment LEDs for each band. 8 channel-select buttons with 10-segment level LEDs. Dedicated link, store, bypass, and compare buttons. 3-digit LED for program numbers and editing. CONNECTIONS: Analog: 8 inputs, 8 outputs (1/4" TRS, 10dBV/+4dBu). Digital: 8-channel ADAT Optical in, out. Other: MIDI in, out. AUDIO SPECS: Converters and resolution: 24-bit A/D/A, 28-bit internal processing, 48kHz sample rate. Frequency response: 22Hz22kHz 0.5dB. Distortion: <0.005% THD+N. Signal-to-noise ratio: >100dB (A-weighted). Maximum input and output levels: +6dBV/+19dBu. POWER: 15 watts max, 100240V AC, 50/60Hz DIMENSIONS: (H x W x D): 1.75" x 19" x 5" (45mm x 483mm x 127mm), 1U rackmount WEIGHT: 3lbs (1.4kg) |
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DJ Control MP3 e2 USB DJ Controller $99.95 Digital mixing for everyone! Lighter and smaller than a laptop and USB powered; No extra power supply needed. Mix 2 music tracks with Hercules' DJ Control MP3 e2's easy controls. Perfect for mobile use.2 decks to mix 2 music tracksMix 2 music tracks with DJ Control MP3 e2s controls:2 jog wheels to navigate within tracksCross fader and 2 volume faders to mix 2 tracksSimplify DJing operations: User-friendly automations for beginnersCue point suggested by the DJ software in audio file analysisSynchronization with 1 push of a button if you cannot manually adjust the pitchAutomatic loops on 1, 2 or 4 beatsEasily make your mark on music filesEqualize music to produce big soundAlter your music files with your own effectsSave your mixes as your own music filesPerfect for mobile use |
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DNHC4500 DJ USB MIDI and Audio Interface $539 Ever since the needle hit vinyl, DJs have been setting the standard for whats hot. Denon comes from that same philosophy and passionleading the way and creating the path for DJ evolution. That path has lead to the DN-HC4500, Denons first USB MIDI/Audio interface designed exclusively for computer performance club and mobile DJs worldwide. This feature packed professional PC/MAC compatible controller combines unmatched hardware performance with internal high quality audio processing offering low latency ASIO/OSX Core Audio support.For total flexibility in the field, the Denon DN-HC4500 offers support of both PC and Mac platforms, and features internal 24-Bit Processing & USB Audio. Among the DN-HC4500s other advanced features is a Multi Functional Touch Sensitive Jog Disc constructed with an ultra high-resolution pulse and touch sensor to accurately reproduce the most subtle or swift scratching movements made by the human hand. Highly responsive soft rubber buttons, switches and knobs, plus 5 easily accessible function keys at top of each deck add to the DN-HC4500s ease-of-use and utility, and 45mm pitch sliders are capable of providing deep resolution or wide pitch ranges. Includes Traktor LE SoftwareInternal 24-Bit Processing & USB Audio BU4500 Drive Support Multi Functional Touch Sensitive Jog Disc Vibrant Tube Display w/ 2-line Character Text Support Highly Responsive Soft Rubber Buttons, Switches & Knobs High Speed USB 2.0 InterfaceDN-HC4500 & Reflex both support PC/MAC platforms Fully compatible and pre-mapped, just Plug and Play See more Reflex product description on next pageInternal 24-Bit Processing and USB AudioUnlike most DJ midi controllers that are only USB bus powered, the DN-HC4500 encompasses its own internal power supply to achieve the highest electrical specifications, resulting in the best possible performance. It also features industry-leading Burr Brown (a product of TI) 24-bit DAC processing for superior output audio fide |
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DP-008 8 Track Digital Multitrack Recorder $249.99 TASCAM culminates 30 years of Portastudio Recording with the DP-008, a portable 8-track recorder for all musicians. TASCAM's DP-008 is an eight-track recorder that captures CD-quality audio, two tracks at a time. You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. There's even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free.Each track on the DP-008 has its own row of knobs for level, pan and effects, just like our classic cassette Portastudios of the past. The effects knob sends to a built-in stereo reverb processor with hall, room, stage and other effects. Each track also has EQ to tailor the sound for your mix. When your song is complete, mix it to a dedicated stereo track while riding levels and flipping pan as much as you want. You can export your mix, or even individual tracks, as a WAV or MP3 file.TASCAM invented the home recording studio with the original cassette Portastudio. The DP-008 takes the ease-of-use of those classic songwriting tools and adds portability, digital sound quality, effects and mixdown to bring home recording into the 21st century. Simplify your recording workflow with TASCAM's DP-008.Specifications:8-track Digital Portastudio2-track simultaneous recording(2) XLR microphone inputs with phantom power(2) 1/4" line inputs, one switchable to guitar level for direct recording1/4" footswitch input and Autopunch features for punch-in recordingRCA line outputs1/8" stereo headphone outputPowered by four AA batteries (included) or PS-P520 power supply (optional)Chromatic tuner and metronome featuresStereo reverb effect on send/return pathLevel, Pan and 2-band EQ controls per channel44.1kHz/16-bit recording resolutionRecords to SD or SDHC Card media, up to 32GB supportedUSB 2.0 connect |
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DR-05 Portable Handheld Recorder $99.99 The Tascam DR-05 Portable Handheld Recorder records in MP3 or WAV format (including 96kHz/24-bit high-resolution audio) to microSD or microSDHC media. A pair of all-new microphones handles up to 125dB SPL with the sensitivity to capture every detail. With new recording features like Peak Reduction and Quick Menu, the DR-05 puts album-quality recording in the palm of your hand.Premium-quality SoundEverything about the Tascam DR-05 is designed to get the best quality recordings of your music. A new pair of built-in microphones withstands up to 125dB SPL the volume of a jet plane from 200 feet away yet still have the sensitivity to capture every detail of a performance. You can add your own microphone or line-level source through the 1/8 stereo input, including plug-in power for microphones that need it.Internally, the DR-05s digital and analog circuit boards are built separately to increase noise performance, with a low-impedance design to further decrease hiss. A separate power supply is sent to the A/D and D/A converter for even better audio performance. The result is clean sound quality over 92dB signal to noise ratio, under 0.05% total harmonic distortion and 20Hz to 40kHz response (-1/+3dB) at 96kHz/24-bit resolution.Simple to OperateThe layout of the Tascam DR-05 has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding markers are just a button press away. Dig deeper to find features like limiting, low cut filtering, a built-in chromatic tuner and more.One new feature that makes the Tascam DR-05 easy to operate is the new Peak Reduction feature. This setting automatically sets your recording level by listening to the input and adjusting for the best level. Unlike Auto Gain settings, this one only goes down to prevent accidental distortion after a period of low level like a break. Peak Recording works in rehearsal mode or in record, so if the performance is louder than the sound c |
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DR-07mkll Portable Digital Recorder $149.99 Superior Sound QualityThe Tascam DR-07mkII stereo recorder features a pair of adjustable condenser microphones. The built-in cardioid pattern mics can be moved from an XY position, for tight imaging, to an AB position, for a wider ambient sound. A separate power supply for the codec enables the full capabilities of the A/D and D/A converter, and separate analog & digital circuit boards and low impedance circuit design reduce noise in the design. The DR-07mkII records to microSD or microSDHC media, recording in MP3 or WAV (BWF) file format at up to 96kHz/24-bit resolution.The 1/8 mic/line input allows you to plug in your own microphones and can supply plug-in power for mics that need it. The Level Align function prevents uneven volume levels during playback through the 1/8 headphone output or built-in speaker. Variable-Speed Audition which changes playback speed without affecting pitch and looping are also available during playback for transcription or learning new music. 17.5 hours of longer battery life at 44.1kHz/16-bit, WAV (BWF) is long enough for any recording situation.Advanced Recording FeaturesThe Tascam DR-07mkII makes recording simple enough for any musician. The Peak reduction function sets the optimum recording level even in recording to avoid the over level. Quick Menu selects commonly used parameters in playback or record like auto level setting or limiting, while deeper settings are available through a full-featured setup menu.Features include Overdub mode, which records over your previous take but keeps a copy of the original. The portable recorder also includes Auto Record and Auto Mark settings for hands-off operation. A reverb effect is also provided to give your recordings that mastered polish. Getting great-quality stereo recordings has never been easier than TASCAMs DR-07mkII. Get your Tascam DR-07mkll Portable Digital Recorder from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price an |
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DSR112 Powered Speaker $899.99 Yamahas revolutionary DSR Series of active loudspeakers take full advantage of our expertise and experience amassed as one of the worlds leading pro audio manufacturers. The DSR Series feature an ideal combination of ultra-sophisticated digital sound processing and the latest acoustic technologies for Integral Digital Tuning, plus our all-new D-CONTOUR multi-band dynamic processing for Intelligent Dynamic Control. Furthermore, they harness our next-generation high power Class-D amplifiers, featuring PFC switching mode power supply for Powerful Digital Drive while power supply, amplifiers, and transducers are continuously monitored by Extensive DSP Protection. These core elements give the DSR Series the capability to deliver class leading power, extreme sound pressure levels and a listening experience that re-defines high definition audio. For loudspeakers you can count on to deliver the musicality and sound that will thrill audiences night after night, let the DSR Series power your performances to incredible new heights.Features:Next-generation active loudspeakers incorporating high performance DSP* and all-new highpower Class-D amplifiers with PFC switching mode power supply *full range models onlyAdvanced digital sound processing includes:FIR-X tuning for the smoothest possible crossover transitionsHigh power DSP and 24-bit discrete AD and DA converters for maximum dynamic rangeD-CONTOUR multi-band dynamic processing provides consistent clarity at both high and low output levels.Compact and lightweight, yet capable of 1300W*(LF850W, HF450W) power output. Loudest, cleanest output of any loudspeakers in their class. *DSR118W:800WExtensive protection of the transducers, amplifiers and power supply from high performance DSP.Premium-grade, custom-designed transducersExclusive LTBD (Long Throw, Broad Dispersion) Constant Directivity Waveguide Horns provide expansive 90 60 coverage.Stand and pole mountable, with 35mm pole sockets (DSR112, DSR115).M10 rigging points for |
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ECB03 AC Adapter (for Dunlop Effect Pedals) $9.99 Designed to provide the proper 9V DC power for post 1992 Dunlop pedals, center negative, 5.5mm coax plug. This power supply works with the GCP-95 Crybaby(R) Wah Wah, 95Q Crybaby Wah Wah, QZ1 Crybaby Q Zone, Crybaby BB-535 Series Wah, and EW-95V Mister Crybaby Super Volume Wah. Power: 9V DC, 200mAPlug: 5.5mm barrel, center negative |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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EW 172 G3 Guitar Wireless System $499.95 You have worked hard to get your guitar tone, now retain that great tone but go wireless. The systems cable emulator feature allows you adjust virtual cable lengths to get sound response just like a cable. Another great feature for guitarists is the built-in guitar tuner, right on the display. A built in 5 band EQ allows you to fine tune your sound even further. Bass players in particular will be pleased with the enhanced AF frequency response: it starts at a thundering 25 Hz, which will especially please players with 5 string bass guitars. Plug in and play!FeaturesSturdy metal housing (transmitter and receiver)42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 12 compatible frequenciesHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitters via infrared interfaceUser-friendly menu operation with more control optionsIlluminated graphic display (transmitter and receiver)Auto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indicatation in 4 steps, also shown on receiver displayProgrammable Mute functionIntegrated Equalizer, Soundcheck mode and guitar tunerContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementDelivery Includes1 EM 100 G3 rack-mount receiver1 SK 100 G3 bodypack transmitter1 CI 1 instrument cable1 NT 2 power supply unit2 antennas2 stacking elements2 AA batteriesOperating instructionsConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interferenc |
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Europower PMP960M 6 Channel Powered Mixer (with Effects) $359.99 If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.Features:Ultra-compact 450-Watt dual mono powered mixerRevolutionary amplifier technology: enormous power, incredible sonic performance and super-light weightUltra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weightMixer section features 6 mono channels plus separate tape returnsStudio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects6 high-quality mic preamps with switchable +48 V phantom power for condenser microphonesEffective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all channelsDual 7-band graphic EQ allows precise frequency correction of monitor and main outputsVoice Canceller function removes singer's voice from recordings for Karaoke applicationsSelectable double mono (main/main, main/monitor) or bridged mono amplifier operation modeSpeaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.Standby switch mutes all input channels during breaks while background music is provided via tape inputsAdjustable Aux input for connecting external signal sourcesInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumptionRack mount brackets includedHigh-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER Germany |
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Eurorack Pro RX1202FX 12 Channel Rackmount Mixer (with Effects) $217.99 The versatile and multi-purpose Behringer Eurorack Pro RX1202FX 12-channel rack-mount mixer has been designed as submixer for your keyboard and drum setup, multi-track monitoring or as a line mixer in fixed audio/video installations. It boasts 8 renowned studio-grade IMP Invisible Mic Preamps with ultra-low noise and transparent audio quality! The mixer also features an outstanding 24-bit digital stereo FX processor with 100 awesome presets, switchable +48 V phantom power for condenser microphones and offers 2-band EQing with Clip LED for each channel. This Jack of all trades fits perfectly into your 19 rack (and your budget). Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio 8 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with: - 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs, - Ultra-wide 60 dB gain range Integrated 24-bit digital stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Effective, extremely musical 2-band EQ and Clip LED on all channels 4 balanced high-headroom line inputs State-of-the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps 2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external send CD/tape inputs assignable to main mix or control room/phones outputs Separate control room, phones and stereo CD/tape outputs Balanced main mix outputs with gold-plated XLR connectors Switchable +48 V phantom power for condenser microphones Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal switch-mode power supply for maximum flexibility (100 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Warranty:One year parts and labor. |
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FC-300 MIDI Foot Controller $449 The Next-Generation Control StationThe FC-300 sets a new standard of power, versatility and innovation for MIDI foot control. With features such as bi-directional MIDI data flow to the Roland VG-99 via newly adopted RRC2, patch memory recall, twin expression and control pedals and more, this advanced control station is a perfect companion for Rolands new VG-99 V-Guitar System or any other performance-based MIDI instrument or device.Advanced MIDI foot controller with two assignable expression pedals, two control pedals, nine footswitches and expandabilityNew Patch Mode stores up to 100 MIDI setupsIn addition to standard MIDI connection, newly developed RRC2 protocol adapted for bidirectional data flow between FC-300 and Roland RRC2-equipped products3-way power supply and rock-solid metal construction for stage useTwo Amp Control switches for controlling amp channels or effectsPerfect companion for the new VG-99Control & ExpressionThe FC-300 is outfitted with nine industrial-grade footswitches and two programmable expression pedals for fast, easy control and expanded performance capabilities. The backlit LCD offers a high contrast view of patch names (when used with VG-99) and other important data, even in the darkest stage environments.Power PatchesUp to 100 sets of MIDI messages/parameters can be stored simultaneously in the FC-300 as patches. Complex MIDI transmission is made simple thanks to the FC-300s ability to package chunks of data together in a single patch, and then transmit each data-burst via footswitch.Advanced ConnectivityUsing commercially available LAN (Ethernet, CAT5) cable and the newly-adapted RRC2 protocol, the FC-300 provides both bidirectional MIDI transmission and electrical power supply with one simple connection between VG-99 and FC-300.Programmable SwitchingTwo multipurpose switch-jacks are built into the FC-300. These programmable outputs are an ideal feature for guitarists, as they allow amp channels to be switched from clean to lead, |
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FEQ50 Tube and Solid State Equalizer $899 The FeQ-50 is a four band parametric, passive equalizer. Each of the four bands has six switch selectable frequencies and 14dB of fully sweepable cut or boost. The low and high bands can switch between peaking and shelving filters, the low mid and high mid can switch between narrow and wide bandwidths. Also included is a switchable highpass filter fixed at 30Hz with a gentle 6dB/octave rolloff to reduce rumble. I/O includes a total of four simultaneous outputs, -10dB and +4dB vacuum tube out and -10dB and +4dB solid state out. The FeQ-50 has an internal power supply and 3 year warranty. The focus of the FeQ-50 from the very beginning has been the sound. Passive circuitry excels at rich harmonic content and phase coherency, resulting in a musically satisfying sonic experience. It was a challenge to fit fully passive circuitry into a box this size and at this price but Summit wanted to make the world of passive EQ available for anyone with an ear for quality. Although production costs can be high due to the high quality inductors needed to meet the strict tolerances necessary and the high value capacitors in the audio path, by creative and thoughtful engineering they were able to both fit the components in a rack size and keep the price down. The result? A rich and accessible passive equalizer, simple yet versatile, and sure to complement your sound with a dash of flavor unlike any other. Features: Four frequency bands +/- 14dB cut and boost Six switch selectable frequencies per band Separate, bypassable high pass filter Master bypass Four simultaneous outputs, both vacuum tube and solid state Fully passive design (no amplifier in filter circuit) Internal high voltage power supply One 12AX7A/ECC83 vacuum tube 3 year warranty |
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Fireface 400 Firewire Audio Interface $1299 The Fireface 400 is the only FireWire Audio Interface in its class with active jitter suppression, stand-alone functionality, off-line MIDI remote controllability, highly flexible I/Os in professional quality, an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. Two digitally controlled Mic Preamps in high-end quality Two balanced universal inputs for line and instrument signals SteadyClock for maximum jitter suppression and clock refresh Simple stand-alone operation with rotary encoder and front panel display 54 Level Meter Peak/RMS, hardware-calculated Full mobility by Bus Power support DIGICheck, RME's unique meter and analysis tool TotalMix: 648-channel mixer with 42-bit internal resolution The DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. A word clock input and output (BNC) plus two MIDI I/Os (breakout cable, 5-pin DIN) complete the analog/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. The Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. ANALOG I/O |
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G-IN EAR Monitoring System Bag $39.99 The Gator G-IN EAR SYSTEM rack bag provides storage for transmitter, ear buds, receiver body pack, and power supply. Top access allows the antenna to be extended and system to be used while in the bag. The rugged nylon exterior bag has a heavy duty padded interior and is designed to fit most half rack wireless in-ear personal monitoring systems.Get yours today, with the security of our 85 plus years of experience and the Sam Ash Direct 45/60day return/price protection policy.Interior Dimensions Interior Length: 8.75" Interior Width: 8.00" Interior Height: 1.71" |
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G-Mega Bone Molded PE Pedal Board and Carry Case $109.99 The Gator G-Mega Bone ergo friendly arch shaped pedal board can accommodate up to 10 pedal boxes. The hoop and loop angled surface for pedal mounting also features a 9V daisy chain power supply. The 2 larger surfaces accommodate wah and volume pedals. Included with this all-encompassing pedal board is a heavy-duty padded lightweight carry case. It has a convenient front pocket for all of your required accessories. Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery.Interior DimensionsInterior Length: 28.50"Interior Width: 11.00"Interior Height: 2.50" |
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G-Mega Bone Molded PE Pedal Board and Rolling Bag with Power Supply $139.99 The Gator G-Mega Bone W ergo friendly arch shaped pedal board can accommodate up to 10 pedal boxes. The hoop and loop angled surface for pedal mounting also features a 9V daisy chain power supply. The 2 larger surfaces accommodate wah and volume pedals. Included with this all-encompassing pedal board is a heavy-duty padded lightweight carry case with wheels. It has a convenient front pocket for all of your required accessories. Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery.Interior DimensionsInterior Length: 28.50"Interior Width: 11.00"Interior Height: 2.50" |
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G-TABLETMIX-BAG iPad and Small Mixer Bag $49.99 This unique Tablet/Mixer bag from Gator features and iPad storage pocket with a clear vinyl cover that allows use of the touch screen without removal. The large padded compartment will fit a small format mixer or docking station. There are 2 zippered side pockets to hold microphones, cables and a power supply. The messenger flap includes zippered access to your iPad pocket while the EVA soft grip carry handle and adjustable shoulder strap offer supreme comfort for carrying your portable studio. Remember, accessories ship fast and free from Sam Ash Direct |
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GL2400 Live Sound 24 Channel Mixer $1999 Engineered for modern engineering techniques, every detail in this mixer has been carefully thought out to provide the very best mixing experience. For example, the mono output can be configured as LR sum, wedge, or aux-fed sub or centre master. In Monitor mode, all six auxes are available on faders with mutes, inserts, meters and XLR drive. The new 7x4 matrix with ambient mic capability opens up a huge number of mixing applications, including stereo recording, zone feeds, delay fill speakers and stereo in-ear monitor mixes. With its amazing headroom and new ultra-quiet mix head amp, this model is well suited for mixing FOH, monitors, or both, recording live or in the studio, installed in a busy or house of worship, out on the road touring or earning its keep in rental stock. Features 16, 24, 32, 40 channel frames LR and M main outputs 4 Audio groups with pan control 6 Auxiliary sends with per-channel pre/post fader switching 2 stereo channels each with mic and dual stereo line inputs 7x4 Matrix Proper dual functionality for FOH and/or Monitor mixing M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master Recording capable with channel direct outputs Matrix external inputs with level trims and common input capability Stereo channel line inputs can be independently routed to LR Stereo channel mic input breakpoints for cross patching into matrix Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and Polarity switching Dedicated Channel, Master and stereo Monitor meters Internal jumper plugs for pre/post-EQ aux, direct out and other options Mutes, meters and AFL on all fader masters Assignable talkback 1kHz oscillator and pink noise generator 2-track monitoring and replay to LR Headphones and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp +34dBu maximum input capability for mic or line Ultra low noise mix head amp design Internal power supply with MPS12 |
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GL2400 Live Sound 32 Channel Mixer $2499 Engineered for modern engineering techniques, every detail in this mixer has been carefully thought out to provide the very best mixing experience. For example, the mono output can be configured as LR sum, wedge, or aux-fed sub or centre master. In Monitor mode, all six auxes are available on faders with mutes, inserts, meters and XLR drive. The new 7x4 matrix with ambient mic capability opens up a huge number of mixing applications, including stereo recording, zone feeds, delay fill speakers and stereo in-ear monitor mixes. With its amazing headroom and new ultra-quiet mix head amp, this model is well suited for mixing FOH, monitors, or both, recording live or in the studio, installed in a busy or house of worship, out on the road touring or earning its keep in rental stock. Features 16, 24, 32, 40 channel frames LR and M main outputs 4 Audio groups with pan control 6 Auxiliary sends with per-channel pre/post fader switching 2 stereo channels each with mic and dual stereo line inputs 7x4 Matrix Proper dual functionality for FOH and/or Monitor mixing M can be configured as LR sum, Wedge, or Aux-Fed Sub or C master Recording capable with channel direct outputs Matrix external inputs with level trims and common input capability Stereo channel line inputs can be independently routed to LR Stereo channel mic input breakpoints for cross patching into matrix Responsive 4 band, 2 sweep EQ 100Hz channel high pass filters Individual phantom power and Polarity switching Dedicated Channel, Master and stereo Monitor meters Internal jumper plugs for pre/post-EQ aux, direct out and other options Mutes, meters and AFL on all fader masters Assignable talkback 1kHz oscillator and pink noise generator 2-track monitoring and replay to LR Headphones and local monitor outputs Electronically balanced XLR outputs with +26dBu drive capability Preamp +34dBu maximum input capability for mic or line Ultra low noise mix head amp design Internal power supply with MPS12 |
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GL2800M 824 8 Buss 24 Channel Mixer $5999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes 1/4" and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes lett |
