Space Rack
October 27th, 2010
how long can you keep spices in a spice jar for?
So I had spices on my space rack for about a year. The jars are made of glass and sealed pretty tight. How long are the spices in there good for?
I like to replace mine every 18 months or so. Spices don't go bad, they just begin to stale and lose vibrancy. Whole spices will last about 50% longer than ground.
Maximize Cargo Space with a WeatherTech Rack Sack
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1U Rack Mount dB Display $59 Technical Pros groundbreaking new approach to industrial design incorporates advanced technology and striking good looks with rugged construction and a long list of features, providing years of audio enjoyment. Designed to set in an amp rack to view your decibel level Creates a great light show in your rack Display progresses from blue through green to red Sensitivity adjustment on both left and right channels 2 separate modes: dot and bar Built in power adaptor (no need for special plug; uses standard power cable) Plays .mp3 files from USB drives and SD Cards LCD display with ID3 Tag support for folder and track information Folder / Track browsing knob for quick search & playback Oversized jog wheels for easy control Line Inputs: Left & Right RCA Rack Space 1U Range: 5dB-140dB 110-220V SwitchableFunctions: Seamless loop and reloop (in & out) Single / Continuous Playback Repeat and Relay Playback Reverse playback Built-in Brake effect for smooth transition Scratch function BPM readout Cue, search and Pitch controls Illuminated control buttonsGet yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery. |
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24 IO Core 96K PCI Audio Interface (PCIe) $1419.99 Now compatible with PCIe machines! The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources. The 24I/O uses the same PCI-424 card that comes with the 2408mk3. You can connect up to four audio interfaces to a PCI-424 in any combination to create a system that fits your needs. MeteringThe 24I/O's front panel is essentially a dedicated meter bridge for your hard disk recording system. Audio activity for every input and output is represented by its own five-segment LED bar graph. Front Panel Power SwitchUseful in the unlikely event you wish to turn off your 24I/O. An interesting fact about MOTU Audio interfaces is that they are hot swappable. This means you can power off, plug-in, add and remove interfaces without turning your computer off or restarting. In fact, if you already have a 2408mk3 or other PCI-424 system, adding a 24I/O is as easy as plugging in an AudioWire cable. 24-bit analog TRS Input and OutputThe 24 analog inputs and outputs are professional-grade TRS (balanced/unbalanced) connectors operating at either -10 dB or +4 dB. The input level can be switched via software in banks of eight inputs. In addition, CumixDSP provides continuously variable input trim with up to 12 dB boost per channel. Word Clock I/OThe 24I/O audio interface provides industry standard word clock sync on a single BNC connector tht can be programmed for input or output via software. When operating as a word clock input, the word connector allows the 24I/O to synchronize smoothly with today's digital audio studio. When operating as a word clock output, the word connector can be used as a master clock to drive other digital devices in your studio, such as a digital mixer. |
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2408mk3 PCI Audio Interface $949.99 The 2408mk3 represents a significant improvement to the award winning 2408 including 96kHz support, SMPTE synchronization, support for four interfaces and a 96-channel DSP-driven monitor mixer. The 2408mk3 provides 8 channels of pristine 96kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O the most ever offered in a single rack space audio interface. Connect up to four interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96kHz. The 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size. For the computer-based studio, the included PCI-424 card features CueMix DSP, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer. With 24 channels of digital I/O, the 2408 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96kHz. And here's another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracy - without a dedicated synchronizer. The 2408mk3 provides cross-platform compatibility with Macintosh, Windows 98SE/Me/2K/XP and all of your favorite audio software and host-based effects via WDM/ASIO/Sound Manager drivers. Or you can use the included AudioDesk workstation software for Macintosh, with 24-bit recording/editing and 32-bit mixing/processing/mastering. The 1U rack-mountable 2408mk3 provides seven banks of I/O: one bank of 24-bit, 96kHz analog on balanced TRS connectors, three banks of 96kHz ADAT optical, three banks of 96k |
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2408mk3 PCI Audio Interface (PCIe) $949.99 Now PCIe compatible! The 2408mk3 provides 8 channels of pristine 96kHz analog recording and playback, combined with 24 channels of ADAT and Tascam digital I/O the most ever offered in a single rack space audio interface. Connect up to four interfaces to the included PCI-424 card for an expanded system capable of 96 simultaneous active input and output connections at 96kHz. The 2408mk3 is ideal for both the computer-based studio with no mixing board and more elaborate studios built around a digital mixer of any size. For the computer-based studio, the included PCI-424 card features CueMix DSP, a flexible DSP-driven mixing and monitoring matrix that eliminates the need for an external mixer or patch-bay. Connect all of your studio gear, including synths, keyboards, and even effects processors. Then control it all from your desktop with no audible monitoring latency and no processor drain on your computer. With 24 channels of digital I/O, the 2408 is ideal for connecting your computer to a digital mixer. Both ADAT lightpipe and Tascam TDIF digital connections are supported at any sample rate up to 96kHz. And heres another 2408mk3 first: built-in video and SMPTE synchronization. Slave your entire workstation directly to video or SMPTE time code with sub-frame accuracy - without a dedicated synchronizer. The 2408mk3 provides cross-platform compatibility with Macintosh, Windows 98SE/Me/2K/XP and all of your favorite audio software and host-based effects via WDM/ASIO/Sound Manager drivers. Or you can use the included AudioDesk workstation software for Macintosh, with 24-bit recording/editing and 32-bit mixing/processing/mastering. The 1U rack-mountable 2408mk3 provides seven banks of I/O: one bank of 24-bit, 96kHz analog on balanced TRS connectors, three banks of 96kHz ADAT optical, three banks of 96kHz Tascam TDIF, plus stereo S/PDIF. You can choose any three banks (up to 24 channels) to be active at one time. This means you can hook up three ADATs, three DA-88s, and |
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24I/O Expander PCI Audio Interface $1135 The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources. This expander will readily plug into any MOTU system based on the PCI-424 card to upgrade your studio's I/O capability. |
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341 Dual 15 Band Equalizer $109.99 A R T's 341 Dual Channel 15 band 2/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, variable input level control, clip level indicators, ground lift switch, internal power supply and selectable line voltage switch. A range control switch is provided allowing you to set the maximum boost or cut for each band of equalization to either 6dB or 12dB. Each channel has its own bypass switch with LED indicator. The rugged, all-steel constructed chassis occupies 1U rack space and is intended for installation in standard 19" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1/4" TRS connectors use active balanced, low noise circuitry. XLR connections are: Pin 1 = ground, Pin 2 = Hot (+ ), and Pin 3 = Cold (-). The 1/ 4" TRS connections are: Tip = Hot (+), Ring =Cold (-), and Sleeve = ground. Both the XLR and 1/4" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The 341 is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. A clip LED will light when a signal level of 5dB before clipping occurs. The 341 may be used in a variety of applications such as live sound, recording studios, instrument racks as well as any conventional fixed installation environment. Use the 341 equalizer wherever modification of the frequency contour of a sound is needed. The 341 graphic equalizer is a powerful tool for solving a number of audio problems and creating interesting sound textures. Patch the EQ between your mixing console and power amps to allow you to alter the overall mix to better match your environment. Use the 341 between your monitor mixer and monitor power amps to aid in the removal of fee |
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3630 2 Channel Compressor $99 Since its introduction, the 3630 Compressor has become the most popular dynamics processor ever made. The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast. The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals. You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise. Other advanced dynamics processing features such as precise signal metering, a sidechain for keying or ducking effects and stereo linkable operation make the 3630 the most powerful compressor in its class. Input Impedance: greater than 100k ohms, unbalanced Max. Input Level: 10VRMS (+22dBu) Dynamic Range: 118dB, A-weighted Signal to Noise Rati >100dB Headroom: 18dB <0.05% @ +4dBu, A-weighted with 6dB compression, any switch setting, nominal attack and release times Distortion: <0.05% @ +4dBu, A-weighted with 6dB compression, any switch setting, nominal attack and release times Threshold of Limiting: -40dBu to +20dBu Peak Mode Attack Time: 0.1ms - 200ms Peak Mode Release Time: 50ms - 3S RMS Average Mode Attack and Release Times: Program dependent Compression Rati 1:1 - :1 with selectable hard or soft compression knee Gate Threshold: Continuously open to 10dBu Gate Rate Time: 20ms - 2S Output Impedance: 470, unbalanced Output Gain Control Range: -20 to +20dB Nominal Output "Zero" Level: +4dBu or -10dBV, switchable Indicators: 12-segment gain reduction LED display with -1 to -30dB range, 12 |
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4.24C Dual Stereo 4 Way Digital Crossover $1435 Four inputs and eight outputs coupled with a user interface thats so easy you wont even need the manual, the Ashly Protea 4.24C Digital Crossover/System Processor has all the audio processing tools youll ever need for precise crossover and sound control. Each input allows you to control gain, delay and six filters (each of them your choice of parametric, low or high shelf). Each output permits you to set your crossover frequencies and may be assigned to any one or a combination of inputs. Additionally, you can program four filters (each of them your choice of parametric, low or high shelf), control delay for time delay adjustments, adjust output gain, reverse polarity and control a compressor/limiter for speaker protection. All this in a one rack space with XLR input and output connections. You may also program and control the 4.24C with a PC and Ashlys Protea System Software, MIDI or SIA-Smart software. Preset recall, input level, output level and mute functions may also be controlled by an AMX NetLinx system. The Protea 4.24C is a powerful tool for use in live sound or fixed installation applications. |
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ACD100 AC Power Distribution $564.95 The ACD-100 AC Power Distro is an extremely compact, low cost rack-mount power distribution system that is ideal for touring PA systems, touring musical and theatrical acts, mobile recording facilities, on-location film and video shoots, etc.-any situation where AC power must be distributed to multiple circuits and a hard-wired, built-in system is missing, inadequate, or impractical. Use of a Power Distro is cost-effective, both in terms of the convenience it offers and the elimination of bulky and expensive parallel feeds and related connectors. 100 amp total load Five 20 amp, 120 volt circuits, each with a status indicator Oversized buss bars 4 buss design accommodates 120V or 240V single phase, or 208V three phase power High-inrush magnetic circuit breakers Varistor spike and surge protection Compact two rack space package Most economical product of its type The ACD-100 can handle up to 100 amps of incoming power, distributing it to five 20 amp, 120V circuits. Each circuit has a neon status indicator that lights up when its breaker is turned on, and a 20 amp duplex outlet on the rear panel. The circuit breakers used in the ACD-100 are high-inrush magnetic types designed specifically for critical data processing and broadcast applications where nuisance tripping cannot be allowed. They have a pulse tolerance* of 10 times the rated current, or 200 amperes. This makes them particularly suited for use with power amps and other devices with high-reactance loads, since the high pulse tolerance will keep them from tripping falsely at the instant power is applied or on musical peaks. If a breaker should trip, it can be reset as soon as the overload is corrected-there is no cool-down delay time required. Temperature compensations which affect fuses and inexpensive thermal breakers are not a concern. The breakers are of the highest industrial grade, UL/CSA listed, precise in operation and rugged in construction. They may be used as on-off switches for the five circuits. T |
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ALESIS DM6 Session Electronic Drum Set $399 The ALESIS DM6 Session Kit is an ultra-compact and affordable five-piece electronic drumset that includes everything drummers need including the best-selling DM6 drum module, the new ProRack II drum rack, five drum pads, three cymbal pads, hi-hat and bass drum pedals. It is Alesis most compact, quiet and affordable 5-piece electronic drum set yet. The ALESIS DM6 Session Kits compact rack and quiet rubber pads give you a versatile, low-noise instrument that takes up minimal space so you can play and practice at any time, day or night. The compact ProRack II comes preassembled in the box for a fast, easy set up. Here are many of the features! ALESIS most compact, quiet, easy-to-assemble electronic drumsetUSB connection for playing virtually any music apps on your Mac, PC, and iPad*(*requires an Apple USB adapter available from Sam Ash Direct or any Apple dealer)Over 100 drum, cymbal, and percussion sounds in 15 drum setsLow noise rubber playing surfaces play any time!Works with iPad via Apple USB Adaptor (sold separately)Includes compact, preassembled rack, pedals, drumsticks and drum keyNatural drum and cymbal feel including genuine cymbal motionRock out with headphones, speaker systems, amplifiers, and morePlay along with 40 music tracks, metronome, or your iPod or CD playerUsing Apples iPad USB connector, you can even connect the DM6 Session Kit to your iPad to trigger Core MIDI-compliant apps. By connecting your DM6 Session Kit to your iPad, you can take full advantage of the world of iPad apps that expand your recording or performance pallete.NATURAL DRUM FEELThe DM6 Session Kit has great-feeling rubber drum pads: three toms, a dual-zone snare for triggering head and rimshot sounds, a compact StealthKick kick pad, and hi-hat, crash, and ride cymbals that move naturally.THE DM6 MODULEThe ALESIS DM6 drum-sound module is a compact electronic drum "brain" with 108 quality drum, cymbal, and percussion instruments; a sequencer with play-along tracks, metro |
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AR1215 Line Regulator $549.95 The 15 amp AR-1215 AC Line Voltage Regulator is intended to protect audio, video, computer and other electronic equipment from problems caused by AC line voltage irregularities-sags, brownouts, or overvoltages that can cause sensitive digital equipment to malfunction, or, in extreme cases, to sustain damage. The AR-1215 is designed to provide a steady, stable 120 VAC output. It accepts any input voltage from 97V to 141V and transforms it to a constant 120V, 5V. Voltages beyond that range may also be converted to usable levels, depending on how far out of range they are. The AR-1215 has eight outlets on the rear panel, and one on the front panel. All outlets are regulated, spike- suppressed, and filtered against RFI with a 3-pole filter. There are no controls except the circuit breaker/on- off switch. A bar-graph meter comprised of 10 LED's indicates input voltage, while another LED indicates "In Regulation" status (i.e., that the output voltage is within 5V of 120V.) The unit is housed in a compact, single-space rack- mount chassis, 1.75" high and 8" deep (8.9 x 43.2 cm) and weighs only 12 lbs. (5 kg). Delivers a stable 120 5 VAC whenever the input AC line voltage is between 97V and 141V Eight outlets on the back panel, one on the front Output capacity 15 amps Eight-tap toroidal autoformer 10-LED bar-graph Input Voltage meter Extreme overvoltage/undervoltage causes instant shutdown, protecting equipment Extreme Voltage Shutdown indicator LED Output In Regulation indicator Low stray magnetic field leakage |
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ATW3192a Headset Wireless System $639 TW-R3100 receiver and ATW-T310 UniPak transmitter with MicroSet omnidirectional condenser headworn microphone. Includes element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitters control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic designAutomatic frequency scanning200 PLL-synthesized channels per band selectable via soft-touch controls on receiver and transmitterTrue Diversity operation selects the better signal from two independent receiver sections, reducing dropoutsInterference-resistant UHF band operationAdvanced digital Tone Lock squelchRed alert light that warns of low battery power, signal loss and input overloadTransmitter battery-life fuel gauge on the receiverGround-lift switchBalanced and unbalanced audio output jacksTwo receivers can be mounted side-by-side in a single 19" rack space |
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Abbey Road Keyboards ReFill (for Reason) $185 The classic instruments. Recorded with the original mics. In the original recording room. With the original equipment. This is Abbey Road in a box. The Abbey Road Keyboards ReFill brings the sound of legendary Abbey Road Studios into your Reason rack. Recorded on location using Abbey Road's recording rooms and vintage equipment, this ReFill gives you access to seven time-honored Abbey Road instruments - these are the keyboards heard on all those immortal Abbey Road recordings. The Abbey Road Keyboards were recorded using the original mics, outboard and vintage mixing desk from Abbey Road's Studio Two, recreating not only the sound of the instruments themselves, but the very signal paths, technology and recording techniques that is the Abbey Road sound. Each instrument was captured using multiple microphones placed at different locations in Studio Two's beautiful sounding recording space, allowing for full ambience control in Reason. Recorded with the original mics in the original recording room. Steinway Upright the Mrs. Mills Piano Challen Studio Piano Hammond RT-3 Mannborg Harmonium Schiedmayer Celeste Mellotron MKII Tubular Bells Preset patches and Combinator patches for various mic blends. Style patches and processed Combinator patches. Template patches (Empty, pre-wired user patches) 40-page full color booklet includedEnclosed in the Abbey Road Keyboards ReFill box is "Guide to Abbey Road Keyboards", a 40-page booklet by author by Mark Vail. Jam-packed with full color pictures and descriptive session diagrams, this book gives you in-depth info on the featured instruments and the Abbey Road technology used to record them. |
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AirLine 77 Wireless Guitar System AF1 $249 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Guitar System offers a true wireless experience with no beltpacks or cables, allowing total freedom of mobility. The system includes either a Gibson (AG1) or a Fender (AF1) style transmitter that plugs into your guitar or bass, along with the CR77 receiver. AG1 and AF1 AirLine Guitar transmitters plug directly into the jack of the guitar with no cables running to a pack. The AG1 is a 90-degree plug suitable for most popular straight angle jacks while the AF1 plugs in at a 45-degree angle for body mounted recessed jacks. Both offer complete wireless freedom with no beltpacks and solid UHF performance. All of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery. The core of this system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all of the guesswork out of making your wireless system perform. It's synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. In addition, two CR77 receivers can be rackmounted together in a single space rack adapter available as an added accessory. With the AirLine Wireless Guitar System, you get complete wireless freedom that's good to go anywhere the music takes you..True diversity UHF wireless guitar system with PLL frequency control.CR77 rece |
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Airline 77 Guitar System $249 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Guitar System offers a true wireless experience with no beltpacks or cables, allowing total freedom of mobility. The system includes either a Gibson (AG1) or a Fender (AF1) style transmitter that plugs into your guitar or bass, along with the CR77 receiver.AG1 and AF1 AirLine Guitar transmitters plug directly into the jack of the guitar with no cables running to a pack. The AG1 is a 90-degree plug suitable for most popular straight angle jacks while the AF1 plugs in at a 45-degree angle for body mounted recessed jacks. Both offer complete wireless freedom with no beltpacks and solid UHF performance.All of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery. The core of the receiver system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all of the guesswork out making your wireless system perform.Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. In addition, two CR77 receivers can be rackmounted together in a single space rack adapter available as an added accessory.With the AirLine Wireless Guitar System, you get complete wireless freedom that's good to go anywhere the music takes you.Consumer AlertMost users do not need a license to operate this wireless microphone sys |
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AudioFire12 Firewire Audio Interface $599 AudioFire12 offers the same high quality hardware and software as the new AudioFire8, but with 12 balanced analog inputs and outputs for 24 bit 192kHz recording and playback. If you already have a mixer and tons of microphone / instrument preamps, but you need to get all that audio into your computer then the AudioFire12 is just for you. The AudioFire12 has 12 balanced analog inputs and outputs (TRS), 2 FireWire ports, MIDI I/O, word clock synchronization, and 12 channels of full duplex 24 bit 192kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 12 balanced " analog inputs: 113dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels 12 balanced " analog outputs: 114dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels MIDI I/O Sync via word clock Supports full duplex 12 channel in, 12 channel out operation at 24 bit, 192kHz sample rate Rack mountable single space breakout box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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CRS08 Slanted Carpeted Rack (8 Space) $89.99 This carpeted studio rack features 3/4" plywood construction and an angled face for easy viewing and access. Open back, no panels front or rear. 8 spaces. Dimensions: 21W x 19H x 12D. Weight: 28 lbs |
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CRS16W Carpeted Studio Rack (16 Spaces with Wheels) $209.99 Carpeted Studio Rack with Wheels - 16 space slanted, 2 in. wheels. Dimensions: 21W x 36H x 16D. Approx 53 lbs. |
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Concert 77 Fitness System $179 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Fitness System is a high-performance UHF wireless solution that's ideal for fitness instructors looking for clear vocal reproduction while keeping their hands free.Featuring the SE10, a low profile, omnidirectional headworn microphone that provides outstanding audio reproduction, making it perfect for fitness and other vocal applications.The SE10 can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Thanks to the omnidirectional pickup pattern, the SE10's off-axis frequency response is linear, resulting in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source.The SE10 has also been specially treated with a water resistant coating, providing extra protection from sweat and other moisture. Additionally, there is a moisture-guard drip ring to further protect the capsule and ensure reliable performance.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Fitness System, advanced technology and total convenience combine to provide profes |
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Concert 77 Presentation System $149.99 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Presentation System is a high-performance UHF wireless solution thats ideal for any application where the freedom of mobility is an important part of your presentation.Whether youre giving a speech or leading a presentation, the included LM10 professional lavalier mic clips right to your shirt or jacket and sounds great for a variety of vocal applications.The CT7 beltpack transmitter clips securely inside your jacket or on your belt, and features a three-segment battery indicator, separate power and audio on/off switches and adjustable AF level (audio gain). The CT7 also provides 12 hours of battery life on a single 9-volt battery.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Presentation System, advanced technology and total convenience combine to provide professional wireless performance wherever you need it.Features: High-performance UHF true diversity wireless systemPhase-Locked Loop (PLL) circuitry for flawless receptionLocking Mini-XLR connector for all systemsBalanced XLR and 1/4" output jacksFront panel power switch, RF level meter and squelch controlMute switch, |
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Converta Raxx 10x10 Space Combo Rack Case $249.99 A great design to maximize rack storage in a minimum of vertical space. Ideal for the DJ or musician who wants to get on and off the job in as short a time as possible. After removing the top of the rack, 10 or 12 spaces of gear can be moved to any of 8 different stops from zero to 45 degrees. Removing the front panel allows the use of 6 or 10 spaces of equipment. Remove the rear cover and there is easy access for patching and connecting cables. Rugged plywood construction, grey carpet covering, heavy-duty butterfly latches, releasable hinges and nickel-plated corners. 10 spaces over 10 spaces with casters. |
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Converta Raxx 10x6 Space Combo Rack Case $279.99 A great design to maximize rack storage in a minimum of vertical space. Ideal for the DJ or musician who wants to get in and out in as short a time as possible. After removing the top of the rack, 10 spaces of gear can be moved to any of 8 different stops from zero to forty-five degrees. Removing the front panel allows the use of 6 or more spaces of equipment. Remove the rear corner and there is easy access for patching and connecting. Rugged plywood construction, carpet covering, nickle-plated latches and corners. |
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DB4A 4 Channel Direct Box $299 The DB-4 provides four independent "direct-box" channels in a convenient single space (1 3/4" , 44.45mm) rack-mounting package. Ideal for the multi-keyboardist, it is equally well suited to any application requiring the interface of unbalanced high-impedance equipment and balanced low-impedance mixer inputs. The versatile design of the DB-4 allows easy integration with any high-quality audio system. Three parallel-connected IN/OUT jacks for unbalanced signals make "patching in" at virtually any stage of the signal path a simple task. Signals may be taken straight from the instruments (and effects devices) themselves, or from sub-mixer outputs (if you have to run out of mixer channels). Of course, multiple DB-4's can be used when separate outputs from each instrument or effect are needed. The DB-4's rugged 16gauge steel and aluminum "Unibox" construction enclosure is finished in a durable black texture powder coat finish with black anodized aluminum side channels. Easytoread control graphics are incorporated into the Lexan front and back panel overlays. Inside, the specially designed transformers combine superb audio quality with unsurpassed noise rejection. The DB-4 can be mounted in any standard 19" (482.6mm) rack. Features: Floating Transformer-Balanced XLR Output for Maximum Isolation 4 Independent Channels for 4 Keyboards, Drum Machine Outputs, etc. 3 IN/OUT Jacks per Channel for Convenient Loop-Through LINE Mode Handles Signal Levels to +34 dBv GND/LIFT Switch Eliminates Hum and Buzz Rugged "Unibox" Construction for Super Strength and Shielding Passive Design Requires No Batteries or Phantom Power. |
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DEQ830 8 Channel 30 Band Digital Graphic Equalizer $499 The DEQ830 is the worlds most affordable 8-channel 1/3-octave digital graphic EQ. Though it fits in a compact one-space rack, Alesis didnt skimp on connections or features. Sonic performance is superb, with 1/4" TRS balanced and ADAT Optical I/O. Change any of 30 bands on eight discrete channels with the press of a button. Get instant, slider-style visual feedback rather than squinting at a tiny LCD. And store your changes in 100 user programs, with 50 curve templates to get you started in any room. 8 independent 1/3-octave digital graphic equalizers Enhanced 24-bit sound quality, 28-bit internal processing 8 channels of balanced 1/4" (+4/10 switchable) inputs and outputs, 8 channels of ADAT Optical in and out, MIDI in and out At-a-glance display lets you quickly check settings for each band and channel. Locking feature prevents unwanted changes 100 user programs, 50 curve templates for rapid setup Independent 10-segment level LEDs for each channel Bypass, compare, and channel A-B link controls 1U rackmount with internal power supply Specifications CONTROL: 30 band-select buttons covering 25Hz to 20kHz, 13-segment LEDs for each band. 8 channel-select buttons with 10-segment level LEDs. Dedicated link, store, bypass, and compare buttons. 3-digit LED for program numbers and editing. CONNECTIONS: Analog: 8 inputs, 8 outputs (1/4" TRS, 10dBV/+4dBu). Digital: 8-channel ADAT Optical in, out. Other: MIDI in, out. AUDIO SPECS: Converters and resolution: 24-bit A/D/A, 28-bit internal processing, 48kHz sample rate. Frequency response: 22Hz22kHz 0.5dB. Distortion: <0.005% THD+N. Signal-to-noise ratio: >100dB (A-weighted). Maximum input and output levels: +6dBV/+19dBu. POWER: 15 watts max, 100240V AC, 50/60Hz DIMENSIONS: (H x W x D): 1.75" x 19" x 5" (45mm x 483mm x 127mm), 1U rackmount WEIGHT: 3lbs (1.4kg) |
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DM10 Studio 6 piece Electronic Drum Set with Cymbals and Rack $999 The Alesis DM10 Studio electronic drum set is a value priced professional kit, featuring 6 RealHead drum pads, 4 DMPad Cymbals, and the top of the line Alesis DM10 sound module. All this comes with the ergonomically designed StageRack for easy set up and mounting of your drum kit in a compact space, perfect for the recording or rehearsal studio. Alesis has succeeded in replicating the experience of an acoustic kit with the versatility and compact size of an electronic drum set. Just look at these features:DM10 high-definition drum module with 12 trigger inputs and mixerLoad custom third-party sound sets or control computer software, all via USBRealHead 10" snare and four 8" toms: dual-zone drum pads with real mylar headsDMPad Cymbals: DMPad 12" Hi-Hat, DMPad 12" Crash, DMPad 14" Triple-Zone Ride, and DMPad 12" CymbalCompact, four-post StageRack with integrated boom cymbal armsPremium sound library of uncompressed samples from real drums and cymbalsDynamic Articulation changes sounds' timbre along with dynamics for realismWorks with iPad via Apple USB Adaptor (sold separately) Play along and record yourself with the sequencerMix input for practicing with CD and MP3 players Here are the details:The ultimate in drum sound reproduction: Alesis DM10 Drum Sound ModuleAlesis has long been a leader in drum sound reproduction and the DM10 module is the best Alesis has to offer. Using the exclusive Alesis Dynamic Articulation system, Alesis makes sure that as you play harder or softer you hear not only the changes in volume, but also the subtle changes in timbre that makes for the true sound of drums and cymbals. Your DM10 gives you the sounds of classic studio drums and prized cymbals along with the most in-demand acoustic drum sounds from legendary drum brands, a huge arsenal of top producers go-to snare drums, real American, Canadian, Chinese, and Turkish cymbals, and a choice selection of classic drum machine and electronic percussi |
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DTX750K Electronic Drum Set $3199.99 The Yamaha DTX750K Electronic Drum Set comes loaded with Advanced Features and the acclaimed DTX-PAD Acoustic Drum Feel in larger pad sizes , Real Hi-Hat Action and Large 3-zone, Choke-able Cymbals. Get yours at Sam Ash Direct with Free Shipping and the Guaranteed Lowest Price!The Yamaha DTX750K Electronic Drum Set brings you the feel and comfort of an acoustic drum set but with the versatility that only an electronic drum set can bring. The DTX750K sits in the middle of the DTX 700 Series of professional level electronic drum sets and comes fully loaded with the DTX700 Drum Sound Module, DTX-PAD acoustic-feel snare and tom pads, Real hi-hat feel and three large 3-zone choke-able cymbal pads. Check out the features listed below.At the heart of the Yamaha DTX750K electronic drum set is the Yamaha DTX700 Drum Trigger Module. The DTX700 module is bursting with sounds and features. It has 1,268 drums and percussion sounds, 128 keyboard & melodic sounds and if that wasnt enough, there is 64 MB of Flash-ROM space for loading your own samples! The DTX700 has 50 preset drum kits at the ready, covering a wide and diverse range of musical styles and there are 60 user-editable kits for you to assemble and store. And along with 93 preset songs in a wide range of genres, the onboard training functions Groove-Check and Rhythm Gate will help you to perfect your timing, feel and versatility. In addition, the DTX700 module includes loads of built-in effects and mixing so your performance can go straight to the PA or recording mixer with no additional treatment needed. Beyond being a sensational drum module, the DTX700 is a powerful production tool with a huge assortment of great sounds and state-of-the-art features. Coupled with the DTX750K pads and rack, you will be ready for anything.To get the sensation of playing a Yamaha acoustic drum set, the DTX750K uses the acclaimed DTX-PAD series snare and tom pads featuring Textured Cellular Silicone drumhead technology. T |
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EMX5014C Multi Mode 14 Input 10 Channel Stereo Powered Mixer $729.99 The EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section. A total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications. MIX, PROCESS AND DELIVER WITH THE EMX5014C For sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output, and a separate graphic for the monitor output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar. Onboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha's renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha's Club Series loudspeakers. The EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience. |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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ER128 Economy Rack (12 by 8 Space) $159.99 These economy racks are constructed with heavy duty 3/4" medium density fiberboard, attractively finished with a black oak laminate. Shipped knocked down, they assemble in minutes with the hardware kit provided. The included rack rail is made of 11-gauge cold rolled steel. Furniture grade casters are standard equipment. 12 spaces over 8 spaces. |
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ERK128 Elite Series Slant Rack (12 by 8 Space) (Ebony Fleck) $249.99 12 rackspaces over 8 design.Gently sloping fronts for easy viewing of equipment. Casters are standard as is high-grade furniture hardware. Great for dressing up your home studio. |
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ERK128M Elite Series Slant Rack (12 by 8 Space) (Maple) $249.99 The Elite Series of fine audio racks are of knock down construction using the highest grade of fused 3/4" melamine. They come equipped with 11-gauge steel rack rail set and the finest knockdown furniture hardware available. The depth has been increased to 20" to accommodate all gear options. Furniture grade casters are standard on 12 spaces and larger. |
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FRP16W ATA 16 Space Rack Case (with Wheels) $389.99 This FRP amp rack features an 18 inch rackable body depth to accommodate most amplifiers and larger equipment. Standard rear rack rail, 4" caster kit, 16 spaces. |
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FVP1 Vented 1 Space Rack Panel $10.99 FVP perforated vent panels are of one piece 16-gauge steel construction; finished in black baked enamel and available in 1, 2 and 3 space configurations. The 1/16" perforations of the FVP series allow for air circulation. |
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FVP2 Vented 2 Space Rack Panel $12.99 Perforated vent panels are of one piece 16-gauge steel construction; finished in black baked enamel and available in 1, 2 and 3 space configurations. The 1/16" perforations of the FVP provide a more limited view. |
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Fireface UFX USB and Firewire Audio Interface $2099 The RME UFX is an all-in-one computer audio interface featuring high-quality construction, an abundance of useful features and accurately stunning audio quality. Its RMEs newest flagship audio interface and covers a lot of ground for a 1-space rack unit. Connectable to your computer using either the Firewire or USB 2.0 interface, the Fireface UFX is flexible enough to cover your studios ever-evolving technology needs. It can record at rates of 44.1 kHz up to 192 kHz.The RME Fireface UFX sports a wealth of I/O connectivity that's ready for just about any audio task you send its way. The UFX provides 60 channels of audio, 30 input and 30 output channels that can all be used at the same time. There are 12 analog inputs (8 balanced TRS on the back and 4 XLR inputs with mic/instrument preamps on the front panel) along with 12 analog outputs (6 balanced TRS and 2 XLR which can be hooked up directly to your main studio monitors). There are also 2 headphone jacks on the front panel able to drive hi-impedance headphones to high volume. Two 8-channel ADAT I/Os allow you to expand the UFX by 16 channels. In addition, there is AES/EBU I/O as well as SPDIF providing you with the ultimate flexibility todays digital studios demand.Included with the RME UFX is TotalMix FX software that serves as a router and mixer of all the UFX channels. All the inputs and channels benefit from the built=in DSP, providing console-type features and effects along with signal processing technology. Effects per channel include 3-band parametric EQ, compressor, expander, MS processing and adjustable low-cut. There are also reverb and echo effects further increasing the value of this amazing package. All effects have the ability to run at 192 kHz.A high-end circuit design, high-grade converter chips, first-rate components, flexible connectivity and seriously pristine high-end sound quality make the RME Fireface UFX USB and Firewire Audio Interface a must-have for professional studios, project studi |
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G-PRO Molded Rack Case (Assorted Sizes) $114.99 Rotationally modeld rack case; 19.25" deep. Virtually indestructible roto molded polyethylene design. 19" rackable depth. Full sized front and rear lids. Molded-in, ergonomic side carry handles. Recessed steel twist latches. Includes 10-32 mounting screws with protective washers. Stackable design. Available in 8U; 6U & 4U space. Made in the USA. Made from recycled materials. |
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GL2800M 824 8 Buss 24 Channel Mixer $5999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes 1/4" and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes lett |
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GL2800M 832 8 Buss 32 Channel Mixer $6999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you c |
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GL2800M 840 8 Buss 40 Channel Mixer $7999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you c |
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GRFWS Graphite Series Workstation $899.99 Attractive! Elegant! Smart! These are just a few ways to describe the Graphite Furniture Group from Raxxess. The workstation itself is built on cold rolled steel, beautifully finished in a silver powdercoat. The keyboard shelf (included) is a solid 3/4", as is the optional monitor shelf (GRF-WSRB). Monitor shelves can be placed left, right, or center. Also available as an option is a 12 space all steel rack (GRF-WSR). GRFSS-42 Speaker Stands are the perfect complement to the GRF Workstation. The tops and bottoms are attractively and durably finished in vinyl clad medium density fiberboard and measure 14" square for stability and to allow a spacious fit for most near-field monitors. |
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GRFWSR Graphite Series Workstation Rack $229.99 This 12-space rack is designed to complement a Graphite Series setup. Attractive! Elegant! Smart! These are just a few ways to describe the Graphite Furniture Group from Raxxess. Centered around the GRF-WS Workstation, this group stands out as being "built for todays home recordist". |
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GRS850DBL Curved Double Bass Drum Rack $387.99 Just the rack system needed to provide double-bass players with set-up flexibility at an affordable price. The GRS-850DBL takes up a minimum amount of space, yet it will accommodate a kit with as many as 6 toms and 8 cymbals. The GRS-850DBL also makes a great single-bass rack with side extension. Includes: (2) GRSTLA T-Leg assemblies (1) GRSMTLA mini T-Leg assembly (3) 36" vertical bars (2) 40" curved horizontal bars (4) GRSMC multi-clamps (4) GRSHML hinged memory locks (10) GPRML memory locks (2) GRSRA right angle clamps (2) GRSSRA stackable right angle clamps (1) GPR-LOGO badge |
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GT103 GT Key Rackmount Chassis (with 3 Hot Swap Firewire 800 Drive Bays) $492 Custom configure three drives in a single rack space with the Glyph GT 103! The GT 103 combines your choice of GT Key FireWire hot-swap drives in any available capacity. The 1U stainless steel enclosure features Glyph's own Integrity, an advanced FireWire interface that improves hot-swap integrity over existing ATA-to-FireWire products. The hot-swap drives in the GT 103 can be interchanged with the GT 051 tabletop and the GT 308 8-bay 3U enclosures. The GT 103 is configurable in any combination of up to three GT Key hot-swappable drives. GT Key Hard Drives sold separately. Specifications: Includes: Cables & Hardware; FireWire cable; Power cable; Rack mounting screws; Documentation; Glyph CD Warranty: 3 years Supported drive capacity (per drive): 80GB, 120GB, 160GB, 200GB, 250GB, 300GB, 400GB Supported Rotational speed: 7,200 RPM Interface connectivity: IEEE 1394a (FireWire) Firewire 400 and 800 compatible Hot-Swap drives use Integrity Bridging Chip Oxford 911 Average seek time (read) 8 msec Max external transfer rate 400 Mb/sec (50MB/sec) Sustained transfer rate >36 MB/sec Hard drive buffer size (cache) 8 MB (120-400GB), 2 MB (80GB) Dimensions 19" Rack width, 16" deep Physical configuration 1U rack-mount enclosure Weight 11.5 lbs. / 5.2 kg (w/o GT Keys); 16 lbs. / 7 kg (fully loaded) Power Supply Universal 100-240v 50/60 Hz |
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Helix 24 Firewire / USB 24 Channel Mixer $999.99 The Helix Board 24 FireWire MKII is the newest addition to Phonics popular HelixBoard series of FireWire-enabled Mixers. It features a 96 KHz FireWire interface that lets you individually stream up to 18 independent channels of audio to the computer and return two channels to the mixer for monitoring - all with zero latency. Pre/post Buttons, located underneath the console, allow each channels EQ and fader (among other controls) to affect the channels outgoing FireWire signal, allowing more versatile use. Digital S/PDIF output is also provided for direct connection to recording devices like DAT decks. The 3-band EQ with swept mids, insert points for connection to external processors, 6 Aux send mixing bus (2 Aux sends with pre/post buttons), and direct outputs for multi-track recording allow users incredible flexibility with mix control and signal routing. Mono channels have an AUX 5/6 shift button, expanding the number of outputs available. But thats not all. The mixer features a dual-position input/output (I/O) pod that lets you use it as a desktop mixer or convert for rack mounting. The I/O pod rotates out of the way to save space in your rack. The built-in 32/40-bit digital effect processor has 100 popular programs, tap-delay, test tones (pink noise, 1kHz, etc), and footswitch jacks. Low cut filters eliminate P-pops, stage rumble and wind noise. Top it off with a subwoofer output, four true subgroups and individual phantom power switches on every channel, and youve got a perfect medium-sized rack-mountable mixer for live events or studio recording. Steinbergs Cubase LE digital audio workstation software also included.Features:FireWire Pre/post setting for swapping streaming input channels to computer from pre low cut, EQ to post EQ, post fader 96kHz FireWire interface for streaming 18 independent channels of audio to computer with zero latency 2 channels of monitoring from computer via FireWire interface, can be assigned to control room monitors, main mix and au |
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LLS2XLR Line Level Shifter Analog Signal Converter $96.99 Solve your 10dBV to +4dBu problems, now! What do you do when you need to connect a low volume 10dBV output (like cassette deck, CD player or synthesizer) into a high volume, +4dBu input (like a multi-track recorder or DAT machine)? What you need is a Line Level Shifter from Ebtech! The Line Level Shifter uses the physics of inductance and impedance matching to increase or decrease the signal voltage without the added noise of active electronics. The Line Level Shifter also converts back and forth between balanced and unbalanced signals automatically. This is great because most 10dBV signals are unbalanced while most +4dBu signals are balanced. The Line Level Shifter also contains Ebtechs Hum Eliminator technology to break ground loops that cause AC hum. Converts back and forth between 10dBV and +4dBu Converts automatically back and forth between balanced and unbalanced lines at either end XLR inputs and outputs Built-in Hum Eliminator technology eliminates AC hum / 60Hz buzz and noise Automatically translates signal voltages to match differences in ground potentials, avoiding clipping Completely passive design with audiophile quality components assures the best possible noise and distortion performance Frequency response 10Hz to 40kHz plus or minus 1dB into 10kOhm load Distortion less than 0.002% THD @ 1kHz Crosstalk better than 97dB Maximum source impedance 1kOhm. Minimum load impedance 10kOhm Available in 2 channel box or 8 channel single space rack version 2 Year warranty. Ebtech quality and reliability Made in the U.S.A. |
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Layla3G PCI Audio Interface $499 Layla3G is the third generation of Echo's flagship PCI based multitrack digital recorder. The original Layla premiered seven years ago to critical acclaim, including a TEC award nomination. Since then Echo has been perfecting the art of making high quality recording products at affordable prices. Now you can get all of the features of the Layla24 for a new low price, but with better converters and dual mic preamps!! Layla3G is the perfect center for any professional studio. It has 2 universal inputs with mic preamps, 6 balanced analog inputs, 8 balanced analog outputs, and a stereo headphone output. ADAT lightpipe, optical and coaxial S/PDIF, and MIDI are included as well. Layla3G comes with a 15' cable and PCI card that connects to the audio interface. Layla3G is compatible with PCI-X (3.3 or 5 volt) motherboards and Power Mac G5 computers, as well as older systems. Hardware Features 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced 1/4" analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced ?" analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O (coax & optical) at 24-bit/96kHz ADAT optical digital I/O MIDI I/O Stereo headphone output with volume knob Sync via word, S/PDIF, ADAT, or MTC Supports full duplex 16 channel in, 16 channel out operation Rack mountable single space breakout box Heavy-duty aluminum case 15' cable to connect to PC PCI bus mastering interface: Bus powered; Works with PCI-X (3.3/5 volt) & Power Mac G5 A/D & D/A converters in external breakout box 56-bit / 100mHz DSP for digital mixing: Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0; GSIF 2.0 (Gigastudio 3 w/ low latency MIDI); WDM kernel streaming mode; CoreAudio & Core |
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M135 Smart Gate Pedal $118.99 If you're addicted to the indispensable juice of a high gain amp or a string of stomp boxes, you need this pedal. Because along with your hot-wired tones, you're probably getting a generous helping of noise. Equipped with three selectable types of noise reduction, Hiss, Mid, and Full, the Smart Gate bites down on sizzle and hum but lets the smallest detail of your playing through. With its uncanny ability to sense precisely when -and how fast -to engage, this little genius will never get in your way, so you can wring every last bit of sustain out of that chord without being cut off. Originally designed by Scholz Research and Development, the Smart Gate has been completely updated with a hardwire bypass, precise threshold trigger, and new cleaner circuitry. Open or closed, it adds virtually nothing to your signal.MXR hasalso squeezed this baby down from half space rack size to a slender stomp box, leaving plenty of room underfoot for your newly tamed effects. Controls: Footswitch toggles Effect On/Bypass (red LED indicates on) Trigger Level knob allows adjusting the threshold level of gate Three-position switch selects type of noise reduction: Hiss, Mid Range, or Fuji Gate LED shows level of noise reduction Power: Single 9 volt battery or Dunlop ECB-003 AC adapter (not included). |
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ME1NV One Channel Microphone Preamp $1150 The Great River Electronics ME1NV Single Channel Mic Preamp achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via FET through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A "big iron" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products, with the ability to fine-tune gain effects like 1970's-era 1073's. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.Features:Multiple In/Out connections: XLR balanced; " -10dbV output for 'no-latency' DAW monitoring; high-Z input on front panel (disconnects mic input): TRS insert patch point for compressor or equalizer ahead of the output amplifierAdjustable gain stages: input in 5db steps to 60db; output from -25 to +10db; maximum overall gain 70db; 2 to 3 stages of single ended solid state amplifier gain blocks, depending on gain structure; high-current 70ma Class A bias on output stageInput and output meters on each channel (dual-stage metering is a Great River exclusive) Front panel switches: polarity; phantom power; input impedance (1200 / 300 ohm); output loading (600 ohm resistor across output transformer)High quality, custom wound Sowter transformersGold plated switching contacts Local power supply regulation on each channel 110 or 220 volt operation with external selection, either 50 or 60 Hz 3 year warranty with registration Half-rack-space with internal power supply'Big Iron Vintage Sound' from custom-wound transformers 'No-latency' output monitoring for DAW users High-Z input |
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MG166C 16 Channel Rack Mount Mixer $379.99 Unmatched Quality and PerformanceWhether you have a mixing applications that involves only a few channels, or up to 32 inputs with substantial signal routing versatility, Yamaha's MG-series offers a console that will give you the capacity, control, and performance you deserve. All models are remarkably compact and lightweight for superior handling and portability, but absolutely no compromises have been made in terms of features, performance, or durability. The MG mixers offer an extraordinary blend of technology: some inherited from professional Yamaha mixing consoles you're likely to see in distinguished halls throughout the world, and some developed specifically to deliver optimum performance in the MG-console format. In either case these performance-packed mixers are founded on a world-spanning network of human and technological resources that crystallize to deliver features that really matter, and sound that is undeniably superior. Lightweight, Portable Designs Designing a lightweight mixer is not too difficult, but designing a lightweight, compact mixer that delivers serious performance is another matter. The Yamaha design team went to extraordinary lengths in the MG series, including in-depth material and structural analysis, to bring you maximum manageability and maximum performance in the same packages. The result is that you can easily pop the smallest models into your briefcase or shoulder bag and take with you anywhere. Even the larger models can be tucked under an arm and carried around quite easily. But the performance you'll get at the studio, club, hall, or anywhere you choose to use these fine mixers is far from lightweight. Every one of the MGseries mixers provides significant space savings along with huge performance benefits. Versatile Connectivity and Pro-class Connectors Top-mounted input and output connectors make setting up and re-patching your system quick and easy. All models feature high-quality Neutrik balanced XLR connecto |
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