Rack Panel
December 4th, 2009
I need help understanding basic networking?
What is the difference between a switch, patch panel and a rack?
For an assessment I have to write up how to network several PCs together using above items.
I know the PCs connect to a telecom outlet, which connects to a patch panel which connects to the switch I believe? So where does the rack come in?
The rack is the cabinet that all the equipment may go in.
It is a physical box usually 19” or 23” wide and varies in height. Equipment such as patch panels, switches, routers, servers etc. may mount in these racks.
The Patch panel is just that. It is a passive (requires no additional powering) device used to couple cables from various locations and equipment in a centralized location.
The switch is an active (requires power) device that switches electrical pathways between ports to route data packets from one location to another.
A typical path may be:
Your PC’s Ethernet port > Cat5 cable> Cat 5 wall outlet > Prewired Cat5 cabling in building > server room, rack, patch panel, port, > Cat5 patch cable > Switch> (Switch has several ports):
One Port may go back along a similar path to another computer, or a network printer or to through a firewall and a modem to an ISP to get an Intranet or on the Internet.
How Solar Energy Works_Solar Panel Rack
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Cuisinart Elite Collection Food Processor $500.00 All-inclusive food processor from Cuisinart surpasses all other brands with the speed, multiple-performance and precision that has made Cuisinart the internationally-acclaimed brand of choice for gourmet chefs. Powerful 1,000 watt motor starts with touchpad control operation. Pulses or kneads dough with a simple press of a button. Two interchangeable discs, plus two interchangeable blades, let you... |
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Cuisinart DLC-2 Mini Prep Plus Food Processor $75.00 The new work bowl is 14% larger, but the Mini-Prep Plus is still perfect for smaller chopping and grinding jobs (a few garlic cloves or cinnamon sticks). It boasts all the quality and features of a full-size processor, including Cuisinart's exclusive auto-reversing SmartPower blade, easy-to-use touchpad controls that wipe clean, and the clear bowl that now holds almost 24 ounces. Removable parts a... |
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Cuisinart CVR-1000 Vertical Countertop Rotisserie with Touchpad Controls $145.99 The Cuisinart Vertical Rotisserie seals in nutritious juices and drains away unwanted fat for healthier meals. To keep the temperature consistent, removable chrome insert reflects heat as the rotisserie turns, and a 3-hour countdown timer with auto-shutoff ensures perfect timing. Cuisinart includes accessories to cook poultry, fish, vegetables, roasts and shish kebabs, as well as a recipe book wit... |
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Tripp Lite APS2012 2000W 12V DC to AC Inverter with Automatic Line-to-Battery 100/25-Amp Charger $1,089.00 Tripp Lite APS2012 PWRINV APS 2012 2000W 12VDC HWIRE... |
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ANNIE Ceramic Thermal Stove (Model: 5527) $49.94 Professional Features:-Intense heating element for instantaneous usage-Maintains high heat temperature (reaches 825 F)-Superior quality ceramic for even heat distribution-Back panel design to help confine tools-High adjustable rack with extended sides to support tools-Holds Annie Curling Iron or Pressing Comb-4 inch cord with grounding plug (on/off switch on cord)... |
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24 IO Core 96K PCI Audio Interface (PCIe) $1419.99 Now compatible with PCIe machines! The MOTU Audio 24I/O interface fulfills the promise of host-based hard disk recording: to record, edit, mix process, and master multitrack recording projects entirely inside the computer. It provides 24 high quality, 24-bit/96kHz analog inputs and outputs in a cost effective, single rack space package, allowing you to connect and record from 24 simultaneous analog sources. The 24I/O uses the same PCI-424 card that comes with the 2408mk3. You can connect up to four audio interfaces to a PCI-424 in any combination to create a system that fits your needs. MeteringThe 24I/O's front panel is essentially a dedicated meter bridge for your hard disk recording system. Audio activity for every input and output is represented by its own five-segment LED bar graph. Front Panel Power SwitchUseful in the unlikely event you wish to turn off your 24I/O. An interesting fact about MOTU Audio interfaces is that they are hot swappable. This means you can power off, plug-in, add and remove interfaces without turning your computer off or restarting. In fact, if you already have a 2408mk3 or other PCI-424 system, adding a 24I/O is as easy as plugging in an AudioWire cable. 24-bit analog TRS Input and OutputThe 24 analog inputs and outputs are professional-grade TRS (balanced/unbalanced) connectors operating at either -10 dB or +4 dB. The input level can be switched via software in banks of eight inputs. In addition, CumixDSP provides continuously variable input trim with up to 12 dB boost per channel. Word Clock I/OThe 24I/O audio interface provides industry standard word clock sync on a single BNC connector tht can be programmed for input or output via software. When operating as a word clock input, the word connector allows the 24I/O to synchronize smoothly with today's digital audio studio. When operating as a word clock output, the word connector can be used as a master clock to drive other digital devices in your studio, such as a digital mixer. |
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4Pre Compact USB 2.0/Firewire Audio Interface $449 The MOTU 4pre packs four mic inputs into an impressively small half-rack form factor, along with a healthy complement of additional professional-grade audio connections. You can record and mix vocals plus guitar for two musicians simultaneously, mic a drum kit with overheads and close-ups or record lead and background vocals in one take. With an interface this flexible, capable, and great sounding, you'll be ready for any situation your music throws at you.Record four individual mics, or two stereo pairs:The 4pre combo mic/guitar inputs are equipped with pristine, transparent preamps and offer individually adjustable 48V phantom power and -20 dB pad. All settings can be adjusted directly on the front panel, or from the 4pre's CueMix software running on your computer. Mic inputs can be operated individually or in stereo pairs, as needed.Hi-Z guitar inputs deliver true guitar sound:The 4pre's two guitar jacks provide high-impedance load characteristics suitable for passive and active pickups alike, to deliver proper guitar tone to your host software.Connect a keyboard or other line inputThe 4pre analog inputs are designed to be flexible, so that you can address a wide range of recording situations. The line inputs provide proper level matching for keyboards, analog mixers, effects processors, or other gear with either -10 dB or +4 dB reference level input.Four analog outputsConnect a pair of powered studio monitors to the main outs. The separate line outs can be used for a variety of purposes, either mirroring the main outs (perhaps for a 2nd set of studio monitors) or acting as a completely independent output pair (for a separate mix going to a mixing board or stage wedges, for example). Because they can be programmed, the line outs offer tremendous flexibility.Two headphone jacksThe left-hand phone jack always mirrors the main outs, and the "Main" volume knob controls both. The right-hand phone jack has added flexibility: it can mirror the m |
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ACD100 AC Power Distribution $564.95 The ACD-100 AC Power Distro is an extremely compact, low cost rack-mount power distribution system that is ideal for touring PA systems, touring musical and theatrical acts, mobile recording facilities, on-location film and video shoots, etc.-any situation where AC power must be distributed to multiple circuits and a hard-wired, built-in system is missing, inadequate, or impractical. Use of a Power Distro is cost-effective, both in terms of the convenience it offers and the elimination of bulky and expensive parallel feeds and related connectors. 100 amp total load Five 20 amp, 120 volt circuits, each with a status indicator Oversized buss bars 4 buss design accommodates 120V or 240V single phase, or 208V three phase power High-inrush magnetic circuit breakers Varistor spike and surge protection Compact two rack space package Most economical product of its type The ACD-100 can handle up to 100 amps of incoming power, distributing it to five 20 amp, 120V circuits. Each circuit has a neon status indicator that lights up when its breaker is turned on, and a 20 amp duplex outlet on the rear panel. The circuit breakers used in the ACD-100 are high-inrush magnetic types designed specifically for critical data processing and broadcast applications where nuisance tripping cannot be allowed. They have a pulse tolerance* of 10 times the rated current, or 200 amperes. This makes them particularly suited for use with power amps and other devices with high-reactance loads, since the high pulse tolerance will keep them from tripping falsely at the instant power is applied or on musical peaks. If a breaker should trip, it can be reset as soon as the overload is corrected-there is no cool-down delay time required. Temperature compensations which affect fuses and inexpensive thermal breakers are not a concern. The breakers are of the highest industrial grade, UL/CSA listed, precise in operation and rugged in construction. They may be used as on-off switches for the five circuits. T |
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AR1215 Line Regulator $549.95 The 15 amp AR-1215 AC Line Voltage Regulator is intended to protect audio, video, computer and other electronic equipment from problems caused by AC line voltage irregularities-sags, brownouts, or overvoltages that can cause sensitive digital equipment to malfunction, or, in extreme cases, to sustain damage. The AR-1215 is designed to provide a steady, stable 120 VAC output. It accepts any input voltage from 97V to 141V and transforms it to a constant 120V, 5V. Voltages beyond that range may also be converted to usable levels, depending on how far out of range they are. The AR-1215 has eight outlets on the rear panel, and one on the front panel. All outlets are regulated, spike- suppressed, and filtered against RFI with a 3-pole filter. There are no controls except the circuit breaker/on- off switch. A bar-graph meter comprised of 10 LED's indicates input voltage, while another LED indicates "In Regulation" status (i.e., that the output voltage is within 5V of 120V.) The unit is housed in a compact, single-space rack- mount chassis, 1.75" high and 8" deep (8.9 x 43.2 cm) and weighs only 12 lbs. (5 kg). Delivers a stable 120 5 VAC whenever the input AC line voltage is between 97V and 141V Eight outlets on the back panel, one on the front Output capacity 15 amps Eight-tap toroidal autoformer 10-LED bar-graph Input Voltage meter Extreme overvoltage/undervoltage causes instant shutdown, protecting equipment Extreme Voltage Shutdown indicator LED Output In Regulation indicator Low stray magnetic field leakage |
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ATW3192a Headset Wireless System $639 TW-R3100 receiver and ATW-T310 UniPak transmitter with MicroSet omnidirectional condenser headworn microphone. Includes element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitters control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic designAutomatic frequency scanning200 PLL-synthesized channels per band selectable via soft-touch controls on receiver and transmitterTrue Diversity operation selects the better signal from two independent receiver sections, reducing dropoutsInterference-resistant UHF band operationAdvanced digital Tone Lock squelchRed alert light that warns of low battery power, signal loss and input overloadTransmitter battery-life fuel gauge on the receiverGround-lift switchBalanced and unbalanced audio output jacksTwo receivers can be mounted side-by-side in a single 19" rack space |
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AirLine 77 Wireless Guitar System AF1 $249 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Guitar System offers a true wireless experience with no beltpacks or cables, allowing total freedom of mobility. The system includes either a Gibson (AG1) or a Fender (AF1) style transmitter that plugs into your guitar or bass, along with the CR77 receiver. AG1 and AF1 AirLine Guitar transmitters plug directly into the jack of the guitar with no cables running to a pack. The AG1 is a 90-degree plug suitable for most popular straight angle jacks while the AF1 plugs in at a 45-degree angle for body mounted recessed jacks. Both offer complete wireless freedom with no beltpacks and solid UHF performance. All of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery. The core of this system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all of the guesswork out of making your wireless system perform. It's synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. In addition, two CR77 receivers can be rackmounted together in a single space rack adapter available as an added accessory. With the AirLine Wireless Guitar System, you get complete wireless freedom that's good to go anywhere the music takes you..True diversity UHF wireless guitar system with PLL frequency control.CR77 rece |
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Airline 77 Guitar System $249 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Guitar System offers a true wireless experience with no beltpacks or cables, allowing total freedom of mobility. The system includes either a Gibson (AG1) or a Fender (AF1) style transmitter that plugs into your guitar or bass, along with the CR77 receiver.AG1 and AF1 AirLine Guitar transmitters plug directly into the jack of the guitar with no cables running to a pack. The AG1 is a 90-degree plug suitable for most popular straight angle jacks while the AF1 plugs in at a 45-degree angle for body mounted recessed jacks. Both offer complete wireless freedom with no beltpacks and solid UHF performance.All of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery. The core of the receiver system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all of the guesswork out making your wireless system perform.Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. In addition, two CR77 receivers can be rackmounted together in a single space rack adapter available as an added accessory.With the AirLine Wireless Guitar System, you get complete wireless freedom that's good to go anywhere the music takes you.Consumer AlertMost users do not need a license to operate this wireless microphone sys |
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Airline 77 Handheld System $269 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Handheld System offers a true wireless experience allowing complete freedom of mobility. The system includes the CR77 receiver and an AX1 handheld transmitter, which plugs into any standard dynamic microphone to make it wireless. A Samson Q7 dynamic microphone is also included for a total solution.Small and lightweight, the AX1 plugs directly into any dynamic microphone you want to use. The transmitter is so unobtrusive and discrete, it feels like it's a natural part of the mic. Plus, all of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery.The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. <P> Thanks to a high level of sensitivity, the Q7 will pick up all the nuances of any performance with exceptional clarity and detail. Plus, it employs a tight supercardioid pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.The core of the system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all the guesswork out of making your wireless system perform. Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanc |
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Concert 77 Fitness System $179 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Fitness System is a high-performance UHF wireless solution that's ideal for fitness instructors looking for clear vocal reproduction while keeping their hands free.Featuring the SE10, a low profile, omnidirectional headworn microphone that provides outstanding audio reproduction, making it perfect for fitness and other vocal applications.The SE10 can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Thanks to the omnidirectional pickup pattern, the SE10's off-axis frequency response is linear, resulting in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source.The SE10 has also been specially treated with a water resistant coating, providing extra protection from sweat and other moisture. Additionally, there is a moisture-guard drip ring to further protect the capsule and ensure reliable performance.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Fitness System, advanced technology and total convenience combine to provide profes |
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Concert 77 Presentation System $149.99 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Presentation System is a high-performance UHF wireless solution thats ideal for any application where the freedom of mobility is an important part of your presentation.Whether youre giving a speech or leading a presentation, the included LM10 professional lavalier mic clips right to your shirt or jacket and sounds great for a variety of vocal applications.The CT7 beltpack transmitter clips securely inside your jacket or on your belt, and features a three-segment battery indicator, separate power and audio on/off switches and adjustable AF level (audio gain). The CT7 also provides 12 hours of battery life on a single 9-volt battery.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Presentation System, advanced technology and total convenience combine to provide professional wireless performance wherever you need it.Features: High-performance UHF true diversity wireless systemPhase-Locked Loop (PLL) circuitry for flawless receptionLocking Mini-XLR connector for all systemsBalanced XLR and 1/4" output jacksFront panel power switch, RF level meter and squelch controlMute switch, |
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Converta Raxx 10x10 Space Combo Rack Case $249.99 A great design to maximize rack storage in a minimum of vertical space. Ideal for the DJ or musician who wants to get on and off the job in as short a time as possible. After removing the top of the rack, 10 or 12 spaces of gear can be moved to any of 8 different stops from zero to 45 degrees. Removing the front panel allows the use of 6 or 10 spaces of equipment. Remove the rear cover and there is easy access for patching and connecting cables. Rugged plywood construction, grey carpet covering, heavy-duty butterfly latches, releasable hinges and nickel-plated corners. 10 spaces over 10 spaces with casters. |
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Converta Raxx 10x6 Space Combo Rack Case $279.99 A great design to maximize rack storage in a minimum of vertical space. Ideal for the DJ or musician who wants to get in and out in as short a time as possible. After removing the top of the rack, 10 spaces of gear can be moved to any of 8 different stops from zero to forty-five degrees. Removing the front panel allows the use of 6 or more spaces of equipment. Remove the rear corner and there is easy access for patching and connecting. Rugged plywood construction, carpet covering, nickle-plated latches and corners. |
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DB4A 4 Channel Direct Box $299 The DB-4 provides four independent "direct-box" channels in a convenient single space (1 3/4" , 44.45mm) rack-mounting package. Ideal for the multi-keyboardist, it is equally well suited to any application requiring the interface of unbalanced high-impedance equipment and balanced low-impedance mixer inputs. The versatile design of the DB-4 allows easy integration with any high-quality audio system. Three parallel-connected IN/OUT jacks for unbalanced signals make "patching in" at virtually any stage of the signal path a simple task. Signals may be taken straight from the instruments (and effects devices) themselves, or from sub-mixer outputs (if you have to run out of mixer channels). Of course, multiple DB-4's can be used when separate outputs from each instrument or effect are needed. The DB-4's rugged 16gauge steel and aluminum "Unibox" construction enclosure is finished in a durable black texture powder coat finish with black anodized aluminum side channels. Easytoread control graphics are incorporated into the Lexan front and back panel overlays. Inside, the specially designed transformers combine superb audio quality with unsurpassed noise rejection. The DB-4 can be mounted in any standard 19" (482.6mm) rack. Features: Floating Transformer-Balanced XLR Output for Maximum Isolation 4 Independent Channels for 4 Keyboards, Drum Machine Outputs, etc. 3 IN/OUT Jacks per Channel for Convenient Loop-Through LINE Mode Handles Signal Levels to +34 dBv GND/LIFT Switch Eliminates Hum and Buzz Rugged "Unibox" Construction for Super Strength and Shielding Passive Design Requires No Batteries or Phantom Power. |
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Dual LA3A Classic Audio Leveler 2 Channel Compressor $3899 The original LA-3A Leveling Amplifier made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier. The LA-3A incorporated components and design concepts from the Putnam-designed 1176LN Limiting Amplifier. Immediately embraced as a studio workhorse and still widely used today, the LA-3A remains a favorite of engineers and producers worldwide for its unique compression characteristics and sonic signature. The UA Classics reissue of the LA-3A meticulously retains all the internal and external qualities of the original: The same simple control set, class A design, and the T4 electro-optical attenuator, which is the source of the LA-3As program dependent compression. It also retains the 2RU half-rack design, and comes complete with a single-unit rack assembly--no additional kit is necessary. All the original rear panel connections and controls are also maintained, while the commonly performed LA-3A gain mod is added as an additional switch for maximum studio versatility. Features: 2 Classic Solid-State Opto-Compressors Custom UA Transformers & T4 cell Discrete, Class A Amplifier up to 50dB gain Rear Panel "Gain Mod" switch for gain control Designed by ex-UREI engineer- Dennis Fink Specifications: External Connections: Jones Barrier terminals and XLR connectors Gain Reduction: up to 40 dB Distortion: Less than 0.33% at +24dBm Frequency Response: 20Hz 20kHz +/- 0.5 dB Noise Floor: -80 dB below program at threshold of limiting Gain: 30 +/- 1dB, 50 +/- 1dB Output Level: +20 dBm nominal Input Level: 0dBm @ 50dB gain; +20dBm @ 30dB gain Attack: 1.5ms or less Release: 0.06s for 50% release |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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ETA-S15L Power Conditioner and Distribution Unit $169.99 ETA-S15L power conditioner offers a simplified solution for delivering clean power and protecting equipment from dangerous voltage in rush and include power control, noise filtering, and spike/surge protection in a compact, effective power management protection system. Each unit is rack mountable and will fit into a standard 19" wide rack. The ETA-S15L features a pull out LED lamp for rack illumination. The ETA-15SH is single housing units for 15A lines. It features 2 outlets that support AC spike and surge suppression, AC mains voltage monitoring, EVS circuitry, and remote activation. The ETA-15SH also supports current monitoring and EMI/RFI filtering for applications where they are used individually. 9 Total Outlets, 8 Rear Panel Switched Outlets 1 Front Panel Unswitched Convenience Outlet RFI Noise Filtering to Reduce Radio Frequency Interference EMI to Reduce Electromagnetic Interference Circuit Breaker Protection @ 15A Front Mounted Pull-out LED Light With 2-Position Dimmer Rear Mounted XLR Connector for 12VDC LED Lamp (AP-GNL18) (Lamp Sold Separately) Spike Suppression up to 6000V AC Fault Indicator |
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FVP1 Vented 1 Space Rack Panel $10.99 FVP perforated vent panels are of one piece 16-gauge steel construction; finished in black baked enamel and available in 1, 2 and 3 space configurations. The 1/16" perforations of the FVP series allow for air circulation. |
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FVP2 Vented 2 Space Rack Panel $12.99 Perforated vent panels are of one piece 16-gauge steel construction; finished in black baked enamel and available in 1, 2 and 3 space configurations. The 1/16" perforations of the FVP provide a more limited view. |
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Fireface UFX USB and Firewire Audio Interface $2099 The RME UFX is an all-in-one computer audio interface featuring high-quality construction, an abundance of useful features and accurately stunning audio quality. Its RMEs newest flagship audio interface and covers a lot of ground for a 1-space rack unit. Connectable to your computer using either the Firewire or USB 2.0 interface, the Fireface UFX is flexible enough to cover your studios ever-evolving technology needs. It can record at rates of 44.1 kHz up to 192 kHz.The RME Fireface UFX sports a wealth of I/O connectivity that's ready for just about any audio task you send its way. The UFX provides 60 channels of audio, 30 input and 30 output channels that can all be used at the same time. There are 12 analog inputs (8 balanced TRS on the back and 4 XLR inputs with mic/instrument preamps on the front panel) along with 12 analog outputs (6 balanced TRS and 2 XLR which can be hooked up directly to your main studio monitors). There are also 2 headphone jacks on the front panel able to drive hi-impedance headphones to high volume. Two 8-channel ADAT I/Os allow you to expand the UFX by 16 channels. In addition, there is AES/EBU I/O as well as SPDIF providing you with the ultimate flexibility todays digital studios demand.Included with the RME UFX is TotalMix FX software that serves as a router and mixer of all the UFX channels. All the inputs and channels benefit from the built=in DSP, providing console-type features and effects along with signal processing technology. Effects per channel include 3-band parametric EQ, compressor, expander, MS processing and adjustable low-cut. There are also reverb and echo effects further increasing the value of this amazing package. All effects have the ability to run at 192 kHz.A high-end circuit design, high-grade converter chips, first-rate components, flexible connectivity and seriously pristine high-end sound quality make the RME Fireface UFX USB and Firewire Audio Interface a must-have for professional studios, project studi |
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HR2 Headphone Amplifier $104.95 Furman HR-2 Headphone Remote Stations (sometimes called satellites) are passive devices intended for use with the Furman HA-6A Headphone/Monitor Amplifier, to increase the number of headphone stations beyond the six provided, and/or to locate them more conveniently. With the use of a simple adaptor, HR-2's may also be used successfully with any stereo power amplifier of 50 watts per channel or less to convert them to use as headphone distribution amplifiers. (The Furman SP-20A Half Rack 20 Watt/channel Power Amplifier has the required adaptor built in.) Each HR-2 box can accommodate two sets of headphones, each with its own volume control. USING THE HR-2In rehearsals, headphones are often used to keep sound levels down to avoid disturbing neaighbors. In the recording studio, headphones are most often used in the overdubbing process, where new musical tracks are recorded in synchronization with previously recorded tracks. The musicians doing the overdub hear the already recorded tracks in their headphones, and play along with them. Because of the presence of open microphones, headphones are much preferred to speakers for cueing overdubs. In many situations, it may be sufficient to plug all headphones directly into an HA-6A or other headphone amp. However, in a larger studio, or when each musician must have easy access to his or her headphone volume control, it is more practical to use several HR-2 Remote Stations at strategic locations around the room. In this case, the HA-6A (or the stereo power amplifier substituting for it) would most likely be installed in the control room. The HR-2 Remote Stations connect in "daisy chain" fashion to the SPEAKER B-SATELLITE/REMOTE output on the rear panel of the HA-6A. This output is a male 3-pin XLR connector, so that ordinary microphone cables can be used. The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and s |
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INUKE NU1000 Ultra-Lightweight 1000-Watt Power Amplifier $199.99 iNUKE Series power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. Behringers revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures that this feather-light powerhouse will drive your rig effortlessly for many years to come.Superb transient responseThe fine folks at Behringer have spent years fine-tuning the high-density Class-D technology that gives the iNUKE 1000 its oomph. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the NU1000 amp reacts instantly to even the most demanding electronic bass impulses.When this amazing amplifier technology is combined with our state-of-the-art switching-mode power supplies, these amplifiers provide tremendous punch. And because they are so much more efficient than conventional designs, they run cooler and dont require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts.Sublimely simple operationThe front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.The rear panel is just as elegant, with combo XLR and 1/4" TRS input connectors making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.The rear panel is also where youll find the switches that enable iNUKE amps to work in either dual mono, stereo or mono bridge mode. A built-in CROSSOVER switch enables the amp to operate in biamp mode, sending low frequency content to passive s |
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LR16 16 Channel Live Recording Mixer $1999 Another first from FOSTEX! The LR16, a full-blown live mixer with integrated 16-track multi-track HD recorder.The LR16 has two components: the 16-channel digital mixer, with analog-style operation and recorder transport controls; and the connector box, which includes the recorder and I/O panel. They are connected by a standard CAT 5 computer cable, and can be separated up to 164 feet, allowing for enormous flexibility in a variety of environments.The LR16 can serve as a FOH or onstage mixer for the main sound system, and record all signals with CD quality onto its built-in HD at the press of a button. It records individual WAV track files, as well as a simultaneous stereo mixdown file.The LR16s other significant features include: 44.1/48kHz Recording/Playback; 16 channel strips with digitally controlled Trim and Limiter function, and 3-band EQ; Track Bounce and Punch In/Out; FAT 32 file system, which can mount the full HDD data domain to PC via USB; Master Effects Library (Reverb, Delay, etc); Group Out 1 ~ 4 (TRS), Aux Out 1 ~ 3 (TRS), and EFF Send (TRS); and rack mount hardware on each piece to allow flexible portability. |
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M350 Dual Engine Reverb and Multi Effect Processor $199 M350 is an extremely user-friendly dual engine rack processor which is equally suited for live and studio applications. It combines 15 brand-new TC-quality reverbs with 15 multi-purpose effects including delay, modulation and compression. Studio engineers and recording musicians will benefit from the included AU/VST compatible software editor, which allows for seamless control and editing integration with DAW systems. Through the included software editor, parameters and preset recalls may be fully automated or real-time controlled. High density 24 bit processing and AD/DA conversion delivers the full transparency of TC reverbs and effects. Choice Selection of EffectsThe M350s reverbs include: classic TC hall, cathedral, ambience, room as well as plates and springs, and the comprehensive effects section includes a number of essential compression, modulation and delay variations.Optimized PresetsThe 256 factory presets cover a wide range of applications and audio sources, and enable you to use the M350 right out of the box. With 99 additional user presets, the total number of presets amount to 355.Easy Front Panel AccessM350 was designed with the utmost user-friendliness in mind. All reverb and effect types and parameters are accessible directly from the front panel, ensuring maximum flexibility in any given situation. Perfect for Computer RecordingThrough the included software, the user can control and edit the M350s parameters stand-alone and in any AU/VST environment. Comprehensive I/O The auto-sensing digital input at 24 bit S/PDIF ensures bullet-proof input connection in any setup. Furthermore, the M350 comes with an easy-to-read preset display, and provides MIDI in/out, MIDI clock tempo sync, pedal control of tap tempo, and global bypass. Features: Full DAW integration through VST/AU compatible editor 15 true and stunning stereo reverbs 15 legendary effects 5 seconds of delay 256 multi-effect/reverb presets + 99 user preset locations, a total of 355 presets |
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M8Lx Merit Series Power Conditioner $99.95 A Merit Series Power Conditioner is the perfect low-cost AC power solution for any rack mount system. Install an M-8Lx into the top slot of your rack, and the eight switched outlets in the rear panel will power up and protect all your equipment up to a 15-amp load. The M-8Lx features two slide out, swiveling light fixtures to provide discreet illumination of your equipment on stages, in studios, and in other dark places. A dimmer knob lets you adjust the lamp brightness to just the right level. |
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MC2 ? Rack Stereo Compressor $279.99 The Joemeek MC2 Compressor is simple to use yet extremely powerful. It will bring out the best in any line-level stereo material and give the gloss of a professional studio to all your performances. It can be used for both recording/mastering, and live work.Think of the mc2 as three separate pieces of equipment: A line level stereo preamplifierA stereo Joemeek optical compressorA stereo width processorFeatures: Stereo optical Compressor with full control Fully balanced line level I/O Accurate LED metering Unique gain reduction hold Stereo Width control Intuitive panel layout Compact rack designGet your Joemeek MC2 Rack Stereo Compressor today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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ME1NV One Channel Microphone Preamp $1150 The Great River Electronics ME1NV Single Channel Mic Preamp achieves new classic performance status with two discrete Class-A gain stages (the dual gain-stage meters are a Great River exclusive), a front-panel DI input jack which is routed via FET through the input transformer (also unique to Great River preamps) for must-hear-to-believe sound from all Hi-Z instruments, and a discrete high-current Class-A "big iron" transformer-coupled output amplifier. The ME-1NV is a fundamentally important audio tool that brings out the best in every microphone and instrument. This desktop (and rackable) preamp offers the same definitive sonic fidelity and expert craftsmanship as all Great River products, with the ability to fine-tune gain effects like 1970's-era 1073's. Transparency and vintage harmonic structure are both achieved with NV-Series preamps.Features:Multiple In/Out connections: XLR balanced; " -10dbV output for 'no-latency' DAW monitoring; high-Z input on front panel (disconnects mic input): TRS insert patch point for compressor or equalizer ahead of the output amplifierAdjustable gain stages: input in 5db steps to 60db; output from -25 to +10db; maximum overall gain 70db; 2 to 3 stages of single ended solid state amplifier gain blocks, depending on gain structure; high-current 70ma Class A bias on output stageInput and output meters on each channel (dual-stage metering is a Great River exclusive) Front panel switches: polarity; phantom power; input impedance (1200 / 300 ohm); output loading (600 ohm resistor across output transformer)High quality, custom wound Sowter transformersGold plated switching contacts Local power supply regulation on each channel 110 or 220 volt operation with external selection, either 50 or 60 Hz 3 year warranty with registration Half-rack-space with internal power supply'Big Iron Vintage Sound' from custom-wound transformers 'No-latency' output monitoring for DAW users High-Z input |
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MP500NV 500 Series Microphone Preamp $795 The Great River MP-500NV preamp module for the '500' series rack is here! The MP-500NV is a professional quality microphone preamplifier designed to re-create the vintage sound characteristics of the early 1970s large consoles. Modern components give the MP-500NV more clarity, punch and performance under normal use. In addition, features like metering before and after the major gain stages let the user drive it hard to greatly expand the range of sonic options. All microphones will benefit from the power of the MP-500NV preamplifier, including dynamic, condenser and especially ribbon types. The MP-500NV uses the same audio and metering circuit board found in the NV series preamplifiers. This unit is designed to fit into a 500 series rack using 2 available slots. It receives its power supply from the host rack. The unit is equipped with a HI-Z instrument jack that has its own input amplifier and was designed for DI applications. All specifications and performance details are identical to the NV series preamplifiers with the exception of size, weight, patch jack, -10dBv Out. I/O connections: XLR balanced; high-Z input on front panel (disconnects mic input) Adjustable gain stages: input in 5db steps to 60db; output from -25 to +10db; maximum overall gain 70db; 2 to 3 stages of single ended solid state amplifier gain blocks, depending on gain structure; high-current 70ma Class A bias on output stage Input and output meters on each channel (dual-stage metering is a Great River exclusive) Front panel switches: polarity; phantom power; input impedance (1200 / 300 ohm); output loading (600 ohm resistor across output transformer) High quality, custom wound Sowter transformers Gold plated switching contacts 'Big Iron Vintage Sound' from custom-wound transformers High-Z input is ideal for bass, guitar, and sound modules (FET-buffered and routed into the input transformer, a Great River exclusive) Gain stage monitoring via dual meters (also a Great River exclusive) Ul |
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Md-CD1mklll CD Player/Minidisc Recorder $699.99 Based on the bestselling MD-CD1, the new Tascam MD-CD1mklll CD Player/Minidisc Recorder adds new digital I/O, additional file playback from CD, an expanded pitch range for CD playback and more. For space-challenged jobs that need a variety of playback options, the MD-CD1mkIII is the perfect choice.The CD player on the Tascam MD-CD1mkIII supports MP3 and WAV file playback in addition to standard CD or CD-TEXT discs. The MiniDisc can play or record in all major formats: SP, MONO, LP2, and LP4. Discs can be dubbed from CD to MiniDisc at up to 4x speed, and continuous playback can cycle from one transport to the other. Both the CD and MiniDisc include Auto Cue and Auto Ready functions.On the rear panel, each transport has its own set of unbalanced outputs, plus coaxial and optical S/PDIF digital outs. The MiniDisc section has unbalanced inputs, coaxial and optical digital inputs as well. An optional balancing kit, the LA-MC1, adds XLR balanced I/O to the MD-CD1mkIII. It can be controlled using RS-232C, wireless remote control, or a PS/2 keyboard.Packing hours of playback in only two rack spaces, the Tascam MD-CD1mkIII is the ultimate solution for cramped installations requiring the flexibility of MiniDisc. Get your Tascam Md-CD1mklll CD Player/Minidisc Recorder today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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Minimoog Voyager Rack Mount Edition Sound Module $2295 Moog took all the mind-bending power of the Minimoog Voyager and packaged it in a 19" wide by 5U (8 3/4") high package. The Rack Mount Edition has all the features of the Voyager plus switchable audio out (-2dBm unbalanced or +4dBm balanced 600 Ohms). It also includes the Electric Blue back lit panel that Moog introduced with the Anniversary Edition Voyager. What you don't get is the keyboard or the Voyager's touch surface. Match the RME (or up to 15 of them!) up with your existing Voyager to achieve some serious polyphony. Or simply purchase a MIDI keyboard to control the RME. Product pictured with optional wood handles sold separately. The Minimoog Voyager is an all-analog monophonic synthesizer designed by Bob Moog, which features the REAL MOOG SOUND and includes extensive modulation routings, MIDI and room for 128 patches. The warmth and fatness of the sound of this instrument is unsurpassed. Compare the sound of the Voyager to other synths - none can equal its responsiveness and superlative sound. With 3 ultra-stable analog oscillators, dual Moog filters, and the punchiest analog envelope generators, players, audio engineers, and analog synthesis aficianados will find this to be an investment that will never go out of style. With a universe of sounds lurking beneath its stunning exterior, the musician who seeks to explore the outer limits of sound will always be rewarded. |
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MultiMix 12R Rackmount 12 Channel Mixer $299 The Alesis MultiMix line combines studio-quality components and effects processing with rock-solid construction for the ultimate in compact mixers all at prices wandering musicians will love. For those who dont need effects, but want 12 channels of transparent Alesis sound packed into a three-space rack, MultiMix 12R is the mixer you've been looking for. Ultra-affordable 12-channel mixer in a 3U rack 8 high-gain mic/line (XLR and 1/4" balanced) inputs with phantom power, 2 stereo balanced 1/4" line inputs 2 aux sends (pre- and post-fader), stereo aux return, 8 1/4" inserts, 2-track stereo RCA in and out Separate 1/4" balanced main and monitor outs, front-panel headphone out Pan control, peak indicator, and 60mm fader on each channel 2-band high/ low shelving EQ per channel 10-segment LED stereo meters CONTROLFront-panel (top down): 8 mic/line channels and 2 stereo channels with trim, 2-band EQ (high shelving at 12kHz, low shelving at 80Hz), aux send 1 (pre-fader), aux send 2 (post-fader), pan/balance, and 60mm fader. Front-panel other: 60mm stereo master fader. Stereo aux return level. Headphone jack with level and master/tape switch. Stereo 10-segment LED meters. Power and phantom power LEDs. CONNECTIONSAll 1/4" TRS except as noted: Mic in x 8 (XLR), line in x 12, channel insert x 8, aux send x 2, stereo aux return, stereo main out, stereo monitor out, headphone out. Stereo tape in and master out (RCA). AUDIO SPECSFrequency response: 20Hz50kHz 0.5dB. Dynamic range: 108dB. Distortion: <0.005% THD+N (mic/line to L/R master out). Maximum gain: 70dB (mic in to L/R master out). Headroom: 24dB. POWER: 120V AC internal transformer DIMENSIONS: (H x W x D): 5.25" x 19" x 4.25" (134mm x 483mm x 108mm), 3U rackmount WEIGHT: 8lbs (3.6kg) |
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PD8 8 Outlet Rack Power Strip $69.99 The PD8 provides you with a cost-effective solution to power management by utilizing EMI/RFI filtration across all 8 outlets. With present demands on power utilities, voltage spikes, power surges, electrical noise, and power failures are commonplace. This garbage in the power delivered can reduce the fidelity of audio systems, cause premature failure, or result in extensive damage or destruction of electronic equipment. Protect your investment the right way with the PD8. New PA System and effects processors $1000 New guitar amplifier $750 New digital recorder $900 Protecting all this gear from dangerous surges and spikes PRICELESS!Features: Watchdog protected circuitry with front panel L.E.D. indicator noting "Go" or "No Go" protection status. When the green L.E.D. is lit, protection is on. Surge protection alarm Full 120 volt, 15 amp, 1800 watt output 8 protected U-grounded power outlets on rear panel 14-gauge 3-prong 10' power cord 15 amp input - breaker protected Spike and surge protection EMI/RFI filtration Touring quality construction Specifications: Dimensions 19" L x 8" D x 1 3/4" H Weight 7 lbs. (less packaging) Housing Quality Black powder coated chassis Electrical 120V, 50/60 Hz, single phase Max. amps 15/ unit Max. watts 1800/unit Spike/surge protection Line to neutral, neutral to ground, line to ground Surge protection alarm yes Response time < 1 nanosecond Max. clamping voltage 330V Max. spike current 65,000 amps Max. surge energy 1665 joules total (555 per leg) Noise filter (EMI/RFI) Frequency 150 kHz -100 MHz Attenuation up to 68 dB Certification UL 1449 Listed |
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PD8L Rack Mountable Power Conditioner $89.99 Proven reliable and dependable for more than 15 years, ETA Systems PD8L is a 15 Amp, 1800 Watt, rack mountable power conditioner with rack lights designed to prevent electrical damage to sensitive electronics by employing sophisticated spike and surge protection. As well, utilizing EMI and RFI filtration to remove Electro Magnetic and Radio Frequency Interference, the PD8L supports a pristine production or recording.PD8L Key Features:15 Amp, 1800W Capacity8 U-grounded AC Outlets - SwitchedFront Panel Circuit Breaker ProtectionFront Panel Pull out Rack Lights with 2 position DimmerSpike Suppression across all 3 legs of the AC PowerEMI & RFI FiltrationWatchdog Circuitry Go or No Go Status IndicatorAudible Surge Protection Alarm14-Gauge 10 foot power cordUL1449 ListedWHY IS POWER CONDITIONING NECESSARY?Power protection is a must in this age when Power Utilities are overloaded and stressed causing AC electricity full of voltage spikes, power surges, electrical noise, and power brown outs or complete failure. At any time any one or combination of these issues will compromise the fidelity of your sound and video systems, cause premature failure of expensive gear, and/or can result in extensive damage or total destruction of your gear. WHY ETAS PD8L POWER CONDITIONING?ETA Systems Power Distribution Conditioners are unique in their protection across all three legs (L-N, N-G, L-G) of the incoming AC power. This is essential because noise and electrical anomalies can travel across any of these three pathways. The PD8L boasts a higher joule rating (1,665 joules) and lower clamping voltage (330V) than the competition, which means better protection for your buck.Applications: DJs, Bands, Nightclubs, Group Fitness Studios, Touring Road Racks, House of Worship most any live sound reinforcement application.Remember, accessories ship fast and free from Sam Ash Direct |
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PL-PRO DMC 19 Inch Rackmount 20 AMP Power Conditioner $439.95 The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design. The Classic Series features Furmans revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge suppressors. SMP (Series Multistage Protection) Exclusive Furman Technology Provides the Highest Level of Surge and Spike Protection Available. LiFT (Linear Filtering Technology) Lift Offers Linear AC Power Filtering to Ensure Clean Power for Unequaled Audio & Video Clarity. EVS (Extreme Voltage Protection) Advanced EVS Circuitry Detects Dangerous Voltage Irregularities and Safely Powers Down Itself and Connected Equipment in Unsafe Conditions. Dual Smooth Track Retractable LED Lights Illuminate Equipment In Your Rack & Diagnostic Lights Warn You When Voltage is Outside of Nominal Range or When Protection Has Been Compromised. Isolated Outlet Banks Minimize Inter-Component Interference and Noise Contamination. 9 Total Outlets (8 Rear with Three Widely Spaced For Bulky Transformers) and One Front Panel, Rear Panel BNC Connector Powers any Standard Gooseneck Lamp. Large Digital Voltmeter/Ammeter with Discrete Dimmer Button Displays Line Voltage and True RMS Current Draw. |
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PLX1104 Stereo Power Amplifier $749.99 The compact PLX1104 brings the same performance and technology as the rest of the PLX2 Series, plus even greater value, to applications that don't require bridged or 2 ohm operation. Designed to power one or two speakers from each amplifier channel (4 ohm minimum loading), this model offer a simplified feature set while retaining genuine, uncompromised PLX performance and technology. Weighing just 13 pounds (5.9 kg), the "plug-and-play" PLX1104 is perfect for ultra-portable rigs, as well as reference-quality playback. Delivers 325 watts per side at 8 ohms and 550 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight sw |
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PLX1802 Stereo Power Amplifier $969.99 The PLX1802 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX1802 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. Rated at 330 watts per side at 8 ohms, 575 watts at 4 ohms, and 900 watts at 2 ohms. In bridge mono mode, puts out 1200 watts at 8 ohms and 1800 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient |
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PLX1804 Stereo Power Amplifier $849.99 The PLX1804 brings the same performance and technology as the rest of the PLX2 Series to applications that don't require bridged or 2 ohm operation. Designed to power one or two speakers from each amplifier channel (4 ohm minimum loading), this model offer a simplified feature set while retaining genuine, uncompromised PLX performance and technology. Weighing just 13 pounds (5.9 kg), the "plug-and-play" PLX1804 is perfect for ultra-portable rigs, as well as reference-quality playback. Rated at 600 watts per side at 8 ohms and 900 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a lar |
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PLX2502 Stereo Power Amplifier $1099.99 The PLX2502 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX2502 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. Rated at 450 watts per side at 8 ohms, 750 watts at 4 ohms, and 1250 watts at 2 ohms. In bridge mono, it puts out 1500 watts at 8 ohms and 2500 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient |
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PLX3102 Stereo Power Amplifier $1199.99 The PLX3102 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX3102 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. Rated at 600 watts per side at 8 ohms, 1000 watts at 4 ohms, and 1550 watts at 2 ohms. In bridge mono, it puts out 2100 watts at 8 ohms and 3100 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient and lighter-weight active design. Conventional AC transformers provide 60 energy pulses pe |
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PM30 Personal Monitor for V Drums Electronic Drum Amplifier $689.99 Rolands V-Drums, the worlds leading electronic drum kits, deserve nothing less than superior amplification. Introducing the PM-30, a new top-of-the-line 2.1-channel advanced speaker system. With 200 watts of Class-D power, a high-performance 12" woofer with tweeter, a pair of 4" satellite speakers, and a proprietary DSP engine, the PM-30 delivers powerful, clear, full-range sound in a package that's cleanly designed and comfortable to transport. 2.1-channel system optimized for V-Drums 200W (100W + 50W x 2) power, Class-D amplification Carefully tuned for V-Drums via embedded DSP technology Subwoofer and Full Range modes for application-specific monitoring performance Stereo 3-channel mixer, with versatile input / output options 3-band EQ Satellite speakers can be mounted on PM-30 or V-Drums rack system Casters and side-panel handles for convenient transportation Full-Range SoundWith its two satellite speakers and matching 12" woofer enclosure with tweeter, the PM-30 delivers a clear, full-frequency sound. The selectable Full-Range and Subwoofer modes, with accompanying value dial, let you customize the amps low-frequency performance, while the built-in 3-band EQ lets you fine-tune the tone from high to low. Quad Power PackFour Class-D power amplifiers are built into the PM-30 system 100W, 50W, and 50W for a total of 200 watts of high-performance impact. Its plenty of power for rehearsals and small- to medium-size venues. Line outputs are provided for tapping into larger systems when needed. Great for V-DrumsRoland V-Drum owners will appreciate the PM-30s special V-Drum input, which accepts a single stereo TRS feed from the V-Drums headphone output. But thats only part of the compatibility story. Rolands engineers carefully optimized the PM-30 for use with V-Drum kits via newly created DSP. I/O OptionsThe PM-30 provides a flexible input path with three input channels (both 1/4" and RCA input types are offered) and two sets of outputs (1/4 |
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PR3.24CL 3 Way Stereo Digital Crossover $830 Ashlys Protea 3.24CL was developed for smaller audio systems requiring fewer inputs and outputs without sacrificing sonic quality using circuitry identical to Ashlys Protea 4.24C. All setup and control is via the front panel which is intuitive and easy. The Protea 3.24CL has three inputs and six outputs coupled with an incredibly easy front panel user interface with all the audio processing tools you need for precise crossover, system control and superior sound. Most DSP processors in this price range have only two inputs and three outputs. Each input allows you to control gain, delay and six filters (each of them your choice of parametric, low or high shelf). Each output permits you to set your crossover frequencies and may be assigned to any one or a combination of inputs. Additionally, you can program four filters (each of them your choice of parametric, low or high shelf), control delay for time delay adjustments, adjust output gain, reverse polarity and control a compressor/limiter for speaker protection. All this in one rack space with XLR input and output connections. |
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PS Pro Series II Power Sequencer $439.95 The most widely recognized and trusted name in AC power conditioning is proud to introduce the PS-PRO II power conditioner / sequencer, featuring Furmans revolutionary SMP+ technology. Furmans Series Mode Protection Plus (SMP+) circuit also features our exclusive Linear Filter Technology (LiFT). Together, these technologies comprise what is, without question, the worlds most advanced and comprehensive transient voltage surge suppressor.Furmans SMP+ surge suppression virtually eliminates service calls. Traditional surge suppression circuits sacrifice themselves when exposed to multiple transient voltage spikes, requiring the dismantling of your system, and repair of your surge suppressor. With Furmans SMP+, however, damaging transient voltages are safely absorbed, clamped and dissipated. No sacrificed parts, no service calls, no down time. Unique to Furmans SMP+ is its unparalleled clamping voltage. While other designs offer clamping voltages that are well above 300Vpk, Furmans SMP+ clamps at 188Vpk, 133 VAC RMS even when tested with multiple 6000Vpk - 3000 amp surges! This unprecedented level of protection is only available with Furmans SMP+ technology. Additionally, Furmans trusted over-voltage circuitry protects against all too frequent accidental connections to 208 or 240VAC, by shutting off the incoming power until the over voltage condition is corrected. Features: Series Mode Protection Plus (SMP+) with extreme voltage shutdown Linear Filtering Technology (LiFT) with zero ground contamination Six sequenced rear panel outlets (in 3 groups), two switched rear panel outlets, and one front panel unswitched outlet Momentary and Maintained sequencing via rear panel terminal block or front panel switch BNC connector on the rear panel allows you to attach any standard 12V gooseneck lamp to illuminate the rear of your rack 20 amp rating Three year limited warranty |
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RM65b Hexmix Rackmount 6 Channel Mixer $329.99 The new RM65b HexMix is a single rack space unit featuring 6 channels of audio mixing, each with an XLR Microphone Input and 1/4" unbalanced Line Input. A unique feature of the 1/4" line inputs is they may be internally reconfigured to operate as Inserts for the Microphone Input. Each channel, in addition to its Level control, also features a Clip LED, Monitor Send control, Effects Send control, and Bass and Treble controls. Each Microphone input has switchable 36 volts of phantom power, and a rear panel Trim control. Features: Front panel Headphone Output Monitor, effects send and Pan pots on each channel Mono Send, Stereo Return effects loop Treble and Bass tone controls for each channel R & L Master volumes and FX Return master channel Standard 19" x 1.75 EIA rack chassis External power supply for elimination of transformer noise. Specifications: Input Impedance: 20K Ohms balanced 10K Ohms unbalanced (1/4") Output Impedance: 50 OhmsTRS Balanced Max Input Level: +10 dBV XLR, +10 dBV 1/4" Phase Shift: < 10 deg. 20 Hz - 20 kHz Input Connectors: XLR and 1/4" Phantom Power: 36 Volts DC Outputs: 1/4" main balanced +17 dB max, 1/4" monitor +17 dB max, 1/4" FX send, 1/4' TRS Stereo Headphone Max Gain: (Mains): 60 dB bal/unbal, (Monitor): 55 dB Tone controls: 12 dB treb, bass cut/boost, 1K Hz center Max S/N Rati 106 dB THD: < .003% IMD (SMPTE): < .003% CMRR: 80 dB Power: AC adapter 12 VAC (Rolls PS12) Weight: 7 lbs (3KG) Size: 19" x 1.75" x 6.5" (48cm x 4.5cm x 17cm) |
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S-Patch Plus 48 Point Patch Bay $99 The S patch plus has been designed to provide a convenient, central point to make all your audio connections. Featuring solid construction with 48, 1/4 inch phone plugs on the front and 48, 1/4 inch phone plugs on the rear, the S patch plus will provide reliable operation while maintaining a clean signal path. In addition, the S patch plus features high quality, miniature toggle switches allowing each channel to be configured for either Normalled, Half-normalled or Thru operation. And since these mini-toggle switches are conveniently located on the front panel, you can instantly change any channels configuration without the need to remove the unit from the rack. Whether youre working in a personal studio or larger professional studio, using one or more S patch plus will eliminate the need to make connections by reaching around the back of your mixer or equipment rack. S patch plus helps you work cleaner and faster, allowing you to focus on making a better production. 48 Channel, fully Balanced patchbay. Front panel, high quality, miniature toggle switches for selecting different configuration modes. Normal, Half-normal and Thru operation provides flexibility for wiring a variety of studio gear. 19-inch, 1u (1 space) rack-mountable unit. The sleek blue, bead blasted, anodized panel is as easy to read as it is to look at. WARRANTY3 years parts and labor. |
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S-phone Four Channel Headphone Amplifier $169 The S phone is a versatile single rack space four-channel headphone amplifier, loaded with advanced features that provide tremendous flexibility for monitor and cue mixing. The Master Input features an input level and LED meter to control and display the overall stereo input. Each of S phone's four channels includes three Headphone Outputs with an overall Volume control and individual Level meters. A convenient Stereo Auxiliary input is available on each channel so that individual line signals from direct or buss outputs can be mixed with the main stereo input. The Balance control adjusts the ratio of the Main and Auxiliary signal or the left to right balance (based on the setting of the ST/2CH switch) so that each headphone mix can be further tailored for a particular listener's individual needs ("More Me"). For greater sonic control, S phone also features a 2-band equalizer on each of the four channels. A master Stereo Aux input on the front panel is also supplied for inserting a second signal to all headphones. Four Channel Headphone Mixer/Amplifier Two Master Stereo Inputs plus Stereo Link Output 8 Segment LED Metering on Each Channel and Master Two Band Equalizer on Each Channel Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs) Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing Mute and Stereo/2 Channel Mode Switches on Each Channel Maximum Output Power on Each Channel (Regardless of Headphone Impedance) WARRANTY3 years parts and labor. |
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S-zone 4 zone stereo mixer $349 The S-Zone gives system installers all the features they need to control up to four zones of audio with a compact, single-rack space unit. It features 2 balanced mic and 4 balanced aux/line inputs with a unique front panel control section that allows you to assign any of the four inputs to any of the four zones with just the push of a button. The front panel layout also has input and output volume controls, independent 2-band equalization, and an on board speaker for selectable zone monitoring.4 Channel / 4 zone stereo mixer2 Mic/Stereo Line inputs with ducking2 Stereo CD/Line inputsOn board Speaker and Headphone monitoringEuroblock output connectorsRemote Volume Control |
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SKB191010V Gig Rig 10 Space Rack Case (with Wheels and Velcro Top) $589.99 Ergonomic design with a completely adjustable pop-up Velcro board on top to accommodate a wide variety of mixers and accessories. 10 space rackmount below. Rock solid construction with heavy-duty locking systems. Lids, front panel and large rear access panel lift apart and re-assemble securely. |
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SP828 8 Channel Mixer and Microphone Preamp $719 The Studio Projects 828 is an 8 Channel mic preamp incorporating the latest rev of Burr Brown IC's. The SP828 is also an 8X2 mixer that allows a real time mix of all 8 inputs two a stereo out buss. Housed in a 1U 19" rack, each channel on the SP828 offers: 48V phantom power with LED; Phase Reverse with LED; Mic/Line Switch with LED - Defaults to 20dB Pad; Peak and Signal Present Indicators; Gain Control; Level & Pan; Solo Switch with LED. The SP828 has individual outputs on each channel via balanced 1/4" jacks for direct feeds to any recording medium. Both line level inputs on 1/4" balanced jacks, and XLR balanced mic inputs are on the rear panel. When nothing is plugged into the line input of any channel, the mic/line switch of that channel defaults to a 20dB pad switch. The output section has a stereo L/R output control and a headphone input with control for real time monitoring. In addition, there are L/R LED meters and a Solo LED for monitoring. The master section output has L/R outputs on 1/4" balanced jacks, and inserts for the L/R buss. There is a summed mono 1/4" output jack for an external feed. Each unit has an expansion in/out jack to allow for cascading several units together to get up to 32 inputs where all 32 inputs buss to the L/R mix out, while offering 32 direct outputs for remote recording. The new SP828 incorporates an external power supply for clean operation.Specifications: Frequency Response : 20Hz 20kHz +0/-0.5dB (Ref 1kHz) THD+Noise : <0.002% THD 20Hz to 20kHz at -20dBu In, +15dBu out (35dB gain) Phase Shift : <+/-10 degrees 20Hz to 20kHz Gain Range : 10dB to 65dB Pad : -25dB Polarity : Reverse (-180 degrees) XLR Input : 2k5 ohms Balanced, Pin 2 hot EIN: <-127dBu (@150 ohm, 60dB gain) Max Voltage Gain: XLR-In To Chan Balanced Out= 65dB TRS Line Input : 15k ohms Balanced Max Voltage Gain: TRS-In To Chan Balanced Out= 40dB Channel Output : Gnd-Compensated/Impedance Bal TRS Max Out= +21dB |
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SRK Universal Studio Rack $159 Samson's rugged equipment racks are solid steel and feature fully enclosed steel side panels. The racks are set upon 4 heavy-duty 3 inch casters with locking fronts. Each rack includes a single-space flanged blank panel. The truly innovative thing is that the unique steel support bar construction allows the racks to be assembled to accept either the European or US thread sizes. Assorted sizes. |
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Servo 120a Power Amplifier $199 Ideal for powering near field monitors or installation sound, the Servo 120a provides you with "reference-class" audio performance and reliability in a compact package.The Servo 120a is a single rack-space stereo power amplifier which is optimized for use in both professional and project recording studio environments as well as for live performance. It delivers 60 watts of power per channel into 4 ohms (or, in Bridge mode, 120 watts into 8-ohms) over the full frequency spectrum, from 3 Hz to 65 kHz. Both balanced 1/4" TRS and unbalanced RCA-type input connectors are provided, along with 5-way binding post output connectors. Front-panel controls and displays include a power switch, independent left- and rightchannel input level controls, ten-segment LED meters, a Protection LED, and a convenient headphone jack and speaker on/off switch for private cue monitoring. Suggested applications for the Servo120 include: Amplification for nearfield monitors or cue headphones in both professional and project studios Its superb audio specs and whisper-quiet performance (its convection cooling design means there is no fan), along with its unique front-panel speaker on-off switch and dedicated headphone jack, make the Servo 120a the perfect complement to any recording studio. Home Theatre applications - The power and flexibility offered by the Servo 120a (it can be used either as a 60 watt stereo amplifier, or, in bridge mode, as a 120 watt monophonic amp) makes it the perfect addition to any home theatre, in conjunction with any DVD player or other surround sound system. For example, use it in stereo mode to drive your main front left/right speakers, using your home stereo to drive the rear satellite speakersor use the Servo 120a in Bridge mode to drive your center channel or subwoofer with power galore. As an extension to a home hi-fi system - The Servo 120a boasts professional specs which far exceed that of most consumer products. For a real studio experience in your own h |
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Servo 300 Power Amplifier $249.99 The Servo 300 is a great choice for powering a small to medium sized PA, an intergrated conference room audio system or recording studio. The Servo 300 features large 10-segment 3-color level LED meters and independent channel volume controls. The rear panel includes 1/4-inch balanced and RCA input connectors, as well as 5-way binding post and 1/4-inch speaker outputs. The Servo amp line also features a 4-stage power protection circuitry that ensures optimal performance and protection of connected components. Features: 150 watts per side at 4 ohms 300 watts bridged mono at 8 ohms 1/4-inch and RCA input connectors 5-way binding post and 1/4-inch outputs Dual Rack space design 10-segment, 3-color Level LED meters 4-stage power protection circuitry |
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