The Sound Lab Studio

How can I connect my 3-Pin XLR shotgun mike to my camera's 8-Pin XLR Adaptor?

Perhaps with an adaptor cable, of course, but I have looked and looked and cannot find one! I am not too handy with soldering, but if it is the only option, I can manage. Please help! I am filming in three weeks and need a fix soon!
I am using a Panasonic DVC30. As fart as I know, XLR is only used for audio, but I might be wrong. There is another input for audio, but its a stereo mini, and I feel like the XLR can carry a better quality. It is a female plug, and it looks like there are spots for eight prongs of the male. It is in the same group as the other audio jack, and it's labeled 'XLR Adaptor'. Why would Panasonic put this on there if NOTHING is compatible with it? Not even on their own website, far as I can tell!
http://i.i.com.com/cnwk.1d/sc/30836631-2-440-PORTS.gif
Last image was wrong. Here it is. This is the port,

I am not aware of any "8-pin XLR adapter".

http://en.wikipedia.org/wiki/XLR_connector

Which camera are you using?

+++++++++++++++++++

Read the camcorder's manual:

http://service.us.panasonic.com/OPERMANPDF/AGDVC30.PDF

Specifically, page 57. The optional Panasonic AG-MYA30G XLR Microphone Adapter is what plugs into that port you identified. The XLR mic cable then plugs into the AG-MYA30G XLR Microphone adapter's XLR input.

Refer to Page 59 for the notes regarding the using this Panasonic XLR adapter if you intend to use XLR mics.

Your other option is to use an XLR adapter like those from juicedLink or BeachTek - they would plug into the 1/8" (3.5mm) stereo audio input located in that same port cluster.

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HOSA LTE-503XLR LED Console Lamp XLR 12v DC $21.99 The Hosa-Lite LED console lamp is the hi-tech solution for all of your live-sound lighting needs....

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12X LED 12 Goose Neck Lamp (3 Pin XLR) $77 Littlite LED Gooseneck with 3-pin XLR connector. Light output is white. Can be used anywhere a standard X-3-Series gooseneck works. 21ST Century LED Technology implemented in a thoughtful manner brings new advantages to the Littlite. Long life, shock and vibration resistant along with cool operation make the Littlite LED the perfect choice for many applications.Even illumination over a wide area . . . specifically designed to evenly illuminate consoles and control panels. Some LED lights produce a very bright spot of light, but this is useless for illuminating a broad work space. This is not the case with the Littlite LED.Excellent color rendering through the addition of red LEDs to the usual white LED light sources. White LEDs are actually blue LEDs with a phosphor added to convert some of the blue light to yellow. This mixture of blue and yellow light appears white to the eye but appears very cold, or bluish. Red objects appear brown and dull because there is no red light for them to reflect. The added red light from the Littlite LED warms the character of the light and allows the eye to see reds as they are, vibrant and not washed out.Switchable red only output (Lampsets only) the Littlite LED can become a red light for unobtrusive use with no impact on the users night vision, or a white source with good color rendering. Littlite LED products employ two white and three red LEDs to give you the best display of usable white light in a compact package.Low power Approximately 100 milliamps at 12 volts drives the Littlite LED to full output.Efficient most of the power used by the Littlite LED is delivered to the LEDs . . . not a resistor.Long life Over-driving seriously reduces the life of white LEDs. The LEDs in the Littlite LED are not overdriven and may be expected to remain useful for over 5000 hours of operation.NEW LED TECHNOLOGY built with the same Littlite reliability! Lifetime warranty on the mechanicals, two year warranty on the LED element.

12X4 LED 12 Goose Neck Lamp (4 Pin XLR) $75.66 Littlite LED Gooseneck with 4-pin XLR connector. Light output is white. Can be used anywhere a standard X-4-Series gooseneck works. 21ST Century LED Technology implemented in a thoughtful manner brings new advantages to the Littlite. Long life, shock and vibration resistant along with cool operation make the Littlite LED the perfect choice for many applications.Even illumination over a wide area . . . specifically designed to evenly illuminate consoles and control panels. Some LED lights produce a very bright spot of light, but this is useless for illuminating a broad work space. This is not the case with the Littlite LED.Excellent color rendering through the addition of red LEDs to the usual white LED light sources. White LEDs are actually blue LEDs with a phosphor added to convert some of the blue light to yellow. This mixture of blue and yellow light appears white to the eye but appears very cold, or bluish. Red objects appear brown and dull because there is no red light for them to reflect. The added red light from the Littlite LED warms the character of the light and allows the eye to see reds as they are, vibrant and not washed out.Switchable red only output (Lampsets only) the Littlite LED can become a red light for unobtrusive use with no impact on the users night vision, or a white source with good color rendering. Littlite LED products employ two white and three red LEDs to give you the best display of usable white light in a compact package.Low power Approximately 100 milliamps at 12 volts drives the Littlite LED to full output.Efficient most of the power used by the Littlite LED is delivered to the LEDs . . . not a resistor.Long life Over-driving seriously reduces the life of white LEDs. The LEDs in the Littlite LED are not overdriven and may be expected to remain useful for over 5000 hours of operation.NEW LED TECHNOLOGY built with the same Littlite reliability! Lifetime warranty on the mechanicals, two year warranty on the LED element.

12XHI4 12 High Intensity Goose Neck Lamp (4 Pin XLR) $62.08 Gooseneck lamp for use with XLR connector that will mount on any mixer with 4 Pin XLR light accessory socket. Black highlighted finish with finned hood to disperse heat. Never mix in the dark again!

18X LED 18 Goose Neck Lamp (3 Pin XLR) $76 Littlite LED Gooseneck with 3-pin XLR connector.Light output is white. Can be used anywhere a standard X-3-Series gooseneck works. Great for mixing and DJ rigs. 21ST Century LED Technology implemented in a thoughtful manner brings new advantages to the Littlite. Long life, shock and vibration resistant along with cool operation make the Littlite LED the perfect choice for many applications. Even illumination over a wide area . . . specifically designed to evenly illuminate consoles and control panels. Some LED lights produce a very bright spot of light, but this is useless for illuminating a broad work space. This is not the case with the Littlite LED. Excellent color rendering through the addition of red LEDs to the usual white LED light sources. White LEDs are actually blue LEDs with a phosphor added to convert some of the blue light to yellow. This mixture of blue and yellow light appears white to the eye but appears very cold, or bluish. Red objects appear brown and dull because there is no red light for them to reflect. The added red light from the Littlite LED warms the character of the light and allows the eye to see reds as they are, vibrant and not washed out. Switchable red only output (Lampsets only) the Littlite LED can become a red light for unobtrusive use with no impact on the users night vision, or a white source with good color rendering. Littlite LED products employ two white and three red LEDs to give you the best display of usable white light in a compact package. Low power Approximately 100 milliamps at 12 volts drives the Littlite LED to full output. Efficient most of the power used by the Littlite LED is delivered to the LEDs . . . not a resistor. Long life Over-driving seriously reduces the life of white LEDs. The LEDs in the Littlite LED are not overdriven and may be expected to remain useful for over 5000 hours of operation. NEW LED TECHNOLOGY built with the same Littlite reliability! Lifetime warranty on the mecha

18X4 LED 18 Goose Neck Lamp (4 Pin XLR) $75.66 Littlite LED Gooseneck with 4-pin XLR connector. Light output is white. Can be used anywhere a standard X-4-Series gooseneck works. 21ST Century LED Technology implemented in a thoughtful manner brings new advantages to the Littlite. Long life, shock and vibration resistant along with cool operation make the Littlite LED the perfect choice for many applications.Even illumination over a wide area . . . specifically designed to evenly illuminate consoles and control panels. Some LED lights produce a very bright spot of light, but this is useless for illuminating a broad work space. This is not the case with the Littlite LED.Excellent color rendering through the addition of red LEDs to the usual white LED light sources. White LEDs are actually blue LEDs with a phosphor added to convert some of the blue light to yellow. This mixture of blue and yellow light appears white to the eye but appears very cold, or bluish. Red objects appear brown and dull because there is no red light for them to reflect. The added red light from the Littlite LED warms the character of the light and allows the eye to see reds as they are, vibrant and not washed out.Switchable red only output (Lampsets only) the Littlite LED can become a red light for unobtrusive use with no impact on the users night vision, or a white source with good color rendering. Littlite LED products employ two white and three red LEDs to give you the best display of usable white light in a compact package.Low power Approximately 100 milliamps at 12 volts drives the Littlite LED to full output.Efficient most of the power used by the Littlite LED is delivered to the LEDs . . . not a resistor.Long life Over-driving seriously reduces the life of white LEDs. The LEDs in the Littlite LED are not overdriven and may be expected to remain useful for over 5000 hours of operation.NEW LED TECHNOLOGY built with the same Littlite reliability! Lifetime warranty on the mechanicals, two year warranty on the LED element.

2031 Single 31 Band Limiter and Graphic Equalizer $429.95 It's amazing. One little button. So much effect. dbx Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. dbx started out to build the finest EQs possible, boxes with the heritage and performance to rival their famous 30 Series EQs. And to no one's surprise they came out awfully darn good. But then, they got idea of putting their patented noise reduction in the box. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see. Then there's the PeakPlus Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when they were developing this new series of EQs they wanted something that would be unique to these EQs. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing. 20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. You'll see, with the 20 Series EQs you get MORE!!! INPUT Connectors: 1/4" TRS, female XLR (pin 2 hot), and barrier terminal strip Type: Electronically balanced/unbalanced, RF filtered Impedance: Balanced 40k ohm, unbalanced 20k ohm Max Input Level: >+21dBu balanced or unbalanced CMRR: >40dB, typically >55dB at 1kHz OUTPUTS Connectors: 1/4" TRS, male XLR (pin 2 hot), and barrier terminal strip Type: Impedance-balanaced/unbalanced, RF filtered Impedance: Balanced 200 ohm, unbalanced 100 ohm Max Output Level: >+21dBu balanced/unbalanced into 2k or greater >+18dBm balanced/unbalanced (into 600) SYSTEM P

341 Dual 15 Band Equalizer $109.99 A R T's 341 Dual Channel 15 band 2/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of 6dB or 12dB, active balanced and unbalanced input and output connect-ions, variable input level control, clip level indicators, ground lift switch, internal power supply and selectable line voltage switch. A range control switch is provided allowing you to set the maximum boost or cut for each band of equalization to either 6dB or 12dB. Each channel has its own bypass switch with LED indicator. The rugged, all-steel constructed chassis occupies 1U rack space and is intended for installation in standard 19" equipment racks. Multiple input and output configurations are provided for ease of use and incorporate paralleled connections. The XLR and 1/4" TRS connectors use active balanced, low noise circuitry. XLR connections are: Pin 1 = ground, Pin 2 = Hot (+ ), and Pin 3 = Cold (-). The 1/ 4" TRS connections are: Tip = Hot (+), Ring =Cold (-), and Sleeve = ground. Both the XLR and 1/4" connectors may be used in an unbalanced configuration. The RCA jacks are unbalanced. The 341 is designed to work with a variety of signal levels. The input level control covers a wide range and can easily accommodate -10 and +4 signal levels. A clip LED will light when a signal level of 5dB before clipping occurs. The 341 may be used in a variety of applications such as live sound, recording studios, instrument racks as well as any conventional fixed installation environment. Use the 341 equalizer wherever modification of the frequency contour of a sound is needed. The 341 graphic equalizer is a powerful tool for solving a number of audio problems and creating interesting sound textures. Patch the EQ between your mixing console and power amps to allow you to alter the overall mix to better match your environment. Use the 341 between your monitor mixer and monitor power amps to aid in the removal of fee

ADX20i Mini Cardioid Condenser Microphone $149.99 The ADX-20i is a pre-polarized condenser microphone designed to handle a wide variety of clip-on applications. The ADX20i is sonically superior as well as aesthetically pleasing and is ideally suited for saxophone, trombone, trumpet and other brass instruments. With a smooth uniform response over a frequency range of 40 Hz 20 kHz, the ADX-20i provides a rich, warm sound not typical of microphones this size. It is machined from solid brass and has a low reflective black e-coat finish. The ADX-20i operates on phantom power (9-52 volts) with the preamp module provided (APS-910). It may be used in battery mode with optional phantom power adapter (APS-911). The ADX-20i can be utilized with a wireless system. Depending on the brand of wireless and the connector configuration of the instrument body pack, the ADX-20i connector would need to be modified accordingly. Low noise electronic circuitry, and balanced low impedance output allow for interference free performance even with long cable runs. Specifications: Transducer: Type Condenser (pre-polarized) Frequency Response: 40 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms balanced Open Circuit Sensitivity: 5.2 mV Equivalent Noise Level: 29 dB (A weighted) Signal to Noise Rati 65 dB (ref 1k @ 1 Pascal) Power Requirements: 9 - 52v phantom Maximum SPL: 130 dB Cable/Connector: Shielded 6 cable terminating to a miniature 3 pin XLR-f Phantom Adapter: mini XLR male - XLR male Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Machined Brass Gooseneck: Flexible steel Weight: 1.7 oz/4.7 grams (without cable)

C1000S Cardioid Condenser Microphone $199 The versatile C 1000 S is ideally suited for all kinds of recording and live sound applications. If no phantom power is available, the C1000S can be powered by a standard 9V battery, making it perfect for mobile use. With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the provided PPC 1000 Polar Pattern Converter to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds.  Battery status LED for reliable monitoring of remaining battery life Can be powered by internal 9 V battery or by phantom power (9-52 V DC) PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup pattern Presence Boost Adapter PB 1000 is included for high-end enhancement SPECIFICATIONS Polar pattern: cardioid, or hypercardioid (with PPC 1000 attached) Frequency range: 50-20.000 Hz Sensitivity: 6 mV/Pa (-44 dBV) Max. SPL (k=1%): 137 dB Equivalent noise level (CCIR 468-3): 32 dB Equivalent noise level: 21 dB-A Signal/noise ratio (A-weighted): 73 dB Impedance: 200 ohms Recommended total impedance: =2.000 ohms Powering: 9-52 V phantom power in accordance with DIN 45596 or internal 9 V battery (6F 22) Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte silver enamel Standard accessories: W 1000, SA 63, PPC 1000, PB 1000, microphone bag WARRANTY AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at AKG's option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty c

C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz.

C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz.

C430 Cardioid Condenser Microphone $229 Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality. The major benefits of the C 430 include: Frequency response tailored to cymbal and overhead miking Extremely compact, professional quality overhead MicroMic Phantom or battery powering options Easy to use with any mixer, with no need to use the EQ Trouble-free use on open-air stages Mounts securely on all commercial microphone stands Specifications: Polar pattern: cardioid Frequency range: 20 to 20,000 Hz Sensitivity: 7 mV/Pa (-43 dBV) Max. SPL: 126/130 dB (k=1 %/3 %) Equivalent noise level (CCIR 468-3): 33 dB-A Signal/noise rati (A-weighted) 61 dB Impedance: 200 ohms Recommended load impedance: >2000 ohms Supply voltage: 9 to 52 V phantom power Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte black Dimensions: 19 dia. x 79 mm / 0.7 x 3.1 in. Net weight: 23 g / 1.1 oz. Shipping weight: 192 g / 6.8 oz.

C5 Handheld Cardioid Condenser Microphone $149 The C 5 is a professional cardioid condenser microphone with less reach than competitive products to work better for vocalists who use in-ear monitor systems and for use on loud stages. The C 5 uses a classic AKG small-diaphragm capsule design with an edge-terminated diaphragm that is wrapped in 24-carat gold housing for protection against moisture and humidity.The C 5 also includes a presence boost adapter a small snap-on acoustic equalizer that gives the sound more energy and intelligibility in the 3 5 kHz range. The presence boost adapter can be removed for use with singers with thinner voices and adds considerable sonic flexibility to the microphone.The C 5 has other premium construction features including a thick spring steel dent-resistant grille and gold-plated XLR output connector for loss-free signal transfer. The C 5 delivers studio-quality sound for the stage.Features:AKG condenser capsule delivers pristinely-detailed, studio-quality vocals on stageComes with AKG presence boost adapter installed for additional vocal intellibility and up-front sound qualityCan be easily removed if additional presence isn't needed24-carat gold-plated transducer housing minimizes moisture and humidity problemsRugged double shock mount system ensures low handling noiseThick dent-resistant spring steel grille and gold-plated XLR-type outputSpecifications:Polar pattern cardioidFrequency range 65 Hz to 20 kHz Sensitivity 4 mV/Pa (-48 dBV ) Max. SPL 140 / 145 dB SPL (for 1% / 3% THD) Equivalent noise level 25 dB-A Signal/noise ratio (A-weighted) 69 dB Impedance <= 200 ohms Recommended load impedance >= 2.000 ohms Current consumption typ. 3 mA Power requirement 9 to 52 V phantom power to DIN 45596 Connector 3-pin XLR Finish matte grayish blue Net weight 345 g (12.2 oz.) Shipping weight 660 g (1.5 lbs.)

C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against

C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp

Cricket Polarity and Continuity Test Set $99.99 In even the simplest sound systems there are all sorts of ways for polarity to become reversed; the more complex the system, the greater the potential for problems. The Cricket can test the polarity of wireless microphones, mixers, effects devices, amps, cables, and speakers. Polarity, should it become reversed, can play havoc with a sound system. If two sources are emitting the same electrical or acoustic tone (frequency), and one of those sources is in a state of inverted polarity, those tones, when combined at a given point, will cancel each other. While cancellation does not always indicate a complete loss of all sound, it does result in diminished sound quality. Unlike phase, polarity, at all distances and times, is either in or out. Its absolute. Galaxy Audios battery powered Cricket Polarity/Continuity Test Set makes it easy to determine whether every component in an audio system from patch bay to console to speakers is in or out of polarity. The Cricket tests balanced and unbalanced cables of up to 2,000 feet in length. It will drive a snake (even one with transformers), and indicate which of a microphones XLR connector pins is hot. The Cricket can also plug directly into a speaker cabinet and drive the components. A glance at the Crickets red and green LEDs can save hours of troubleshooting. No wonder its an indispensable tool for sound system owners, operators, installers and sound rental companies. SPECIFICATIONS Cricket Send Pulse Generator Pulse Waveform Polarity: positive-going balanced line output pulse, switch selectable for hi or low level balanced signal with positive pressure produced at the tip of -inch jack and pin #2 of XLR jack. Speaker Output Pulse: Accepts 2 ohm (or greater) load with positive pressure produced at the tip of a -inch speaker jack and positive terminal of an internal speaker. Dimensions: 3.375"W x 1.812"H x 6.25"L Weight (with battery): 1.10 lbs. (.5 kg.) Battery: 9 volt, alkaline only (battery included) Cricket Recieve Pulse

D45 Stereo Power Amplifier $738 The D-45 is perfect for moderate power applications such as recording or broadcast studio near-field monitoring, video suite audio monitoring, a recording/broadcast headphone amp or a small paging system. Crown's AB+B circuitry ensures efficient use of output transistors while incorporating protection against shorted, open, mismatched or low-impedance loads. Designed, built and carefully checked to ensure reliable operation with a wide variety of loads, Crown D Series amplifiers are convection cooled. Their high reliability is particularly important in reducing maintenance costs. Specification: Signal-to-Noise Ratio (unweighted): 106 dB below full rated power from 20 Hz to 20 kHz. Input Impedance: 20 K ohms balanced, 10 K ohms unbalanced. Controls: Power, channel 1 and 2 detented level controls, dual/mono jumper. Connectors: Inputs: Balanced three-pin Neutrik combination XLR and 1/4-in. phone jack for each channel. Output: Four-terminal barrier block (two per channel) and stereo headphone jack. AC Line: Standard three-wire grounded connector. Dimensions: 19 in. (48.3 cm) standard rack mount width, 1.75 in. (4.4 cm) height, 8.38 in. (21.6 cm) depth behind mounting surface. Net Weight: 10 lbs. 9  oz (4.8 kg). Shipping Weight: 10 lbs. 9  oz (4.8 kg). Total Harmonic Distortion (THD): Less than 0.001% from 20 Hz to 400 Hz and increasing linearly to 0.05% at 20 kHz delivering rated power into 8 ohms/channel. Intermodulation Distortion (IMD): (60 Hz and 7 kHz 4:1) Less than 0.05% from 0.01 to 0.25 watt and less than 0.01% from 0.25 watts to rated power into 8 ohms/channel. Load Impedance: Rated for 4 to 16 ohms in Stereo and 8 to 16 ohms in Bridge-Mono. Safe with all types of loads. Maximum Average Power at 1 kHz with No More than 0.1% THD: 20 watts into 16 ohms, 25 watts into 8 ohms, 35 watts into 4 ohms. Output Power in Bridge-Mono Mode: 70 watts into 8 ohms.

D5 Handheld Cardioid Dynamic Microphone $99 The AKG D 5 is a supercardioid dynamic microphone with a new diaphragm technology called Laminate Varimotion. Thanks to this new technological breakthrough, the D 5 delivers unprecedented sound quality, characterized by smooth, extended response with airy, detailed highs along with the highest gain-before-feedback of any product in its class. The D 5 is the most roadworthy live sound mic AKG has ever built and features a double shock mount system to keep handling noise low, thick, dent-resistant spring steel grille and gold-plated XLR output connector for loss-free signal transfer. The D 5s nicely weighted chassis is the heaviest in its class and the dark gray matte finish is modern and classy. Laminate Varimotion diaphragm delivers incredibly detailed sound quality with smooth, airy highs Laminate Varimotion diaphragm and supercardioid pickup pattern delivers the highest gain-before-feedback Neodymium-iron-boron magnet delivers improved transient response and high output level Extra-thick spring steel grille is especially dent-resistant Gold-plated XLR-type output connector ensures loss-free signal output Specifications: Polar pattern supercardioid Frequency range 70 Hz to 20 kHz Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL 147/156 dB SPL (for 1% / 3% THD) Equivalent noise level 18 dB-A Signal/noise ratio (A-weighted) 76 dB Impedance <= 600 ohms Recommended load impedance >= 2000 ohms Connector 3-pin XLR Finish matte grayish blue Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.) Net weight 340 g (12 oz.) Shipping weight 655 g (1.45 lbs.) Warranty:AKG warrants AKG products against evident defects in material and workmanship for a period of two years from the date of original purchase for use. This warranty does not cover electrical or mechanical damage resulting from misuse or abuse, lack of reasonable care, damage due to force majeure or natural forces, or inadequate repairs performed by unauthorized service centers.

D75A Stereo Power Amplifier $973 An unquestioned long-term standard, D Series amplifiers are found everywhere in the lab, on the road, in public facilities, in the studio and at home. With over 25 years of continual production of the DC-300 amplifier, the D Series is an example of Crown's commitment to developing long-term, reliable amplifier technology.The D-45 and D-75A are perfect for moderate power applications such as recording or broadcast studio near-field monitoring, video suite audio monitoring, a recording/broadcast headphone amp or a small paging system.Designed, built and carefully checked to ensure reliable operation with a wide variety of loads, Crown D Series amplifiers are convection cooled. Their high reliability is particularly important in reducing maintenance costs.For product availability and pricing please contact your local dealer.SpecificationsOutput Power per Channel in Stereo Mode with Both Channels Driven:FTC Continuous Average Power from 20 Hz to 20 kHz with No More than 0.1% THD:D-75A: 35 watts into 8 ohms, 45 watts into 4 ohms.Maximum Average Power at 1 kHz with No More than 0.1% THD:D-75A: 25 watts into 16 ohms, 40 watts into 8 ohms, 55 watts into 4 ohms.Output Power in Bridge-Mono Mode:Maximum Average Power at 1 kHz with No More than 0.1% THD:D-75A: 110 watts into 8 ohms.Signal-to-Noise Ratio (unweighted): 106 dB below full rated power from 20 Hz to 20 kHz.Input Impedance: 20 K ohms balanced, 10 K ohms unbalanced.Controls: Power, channel 1 and 2 detented level controls, dual/mono jumper.Connectors:Inputs: Balanced three-pin Neutrik combination XLR and 1/4-in. phone jack for each channel.Output: Four-terminal barrier block (two per channel) and stereo headphone jack.AC Line: Standard three-wire grounded connector.Dimensions: 19 in. (48.3 cm) standard rack mount width, 1.75 in. (4.4 cm) height, 8.38 in. (21.6 cm) depth behind mounting surface.Net Weight: D-75A: 9 lbs. 7 oz. (4.3 kg).Shipping Weight: D-75A: 11 lbs. 4 oz. (5.1 kg).Total Harmonic Distortion (THD): Le

DK25L Live Performance Drum Microphone Package $1999 The DK25/L is for Live Performance and has three SR25s: two for overheads and one for kick drum; a KickPad and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The SR25 cardioid response is 50Hz to 25kHz. This model will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies.   The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.)

DK25R Recording Drum Microphone Package $1549 The DK25/R is for Recording and  has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad and a windscreen. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The TC25 omni has a frequency response of 9Hz to 25kHz and the SR25 cardioid response is 50Hz to 25kHz. Both models will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies. The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.) TC25 Specifications: Frequency response: 9 Hz to 25 kHz +1/-3 dB Polar pattern: Omnidirectional Sensitivity: 8mV/Pa (-42dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 2

GLM200 Miniature Hypercardioid Condenser Microphone $249 The GLM-200 is a hypercardioid mic with a low impedance balanced XLR-type output, powered by 12 to 48V phantom power. It offers the quality of large studio microphones, yet is nearly invisible in use. The GLM can be attached to an acoustic guitar, sax, flute or the performer's face to allow freedom of movement. It can be attached to drum rims to pick up a drum set without the unsightly clutter of boom stands. These attachments can be made using the included mounting hardware or tape. Used as a lavalier microphone, or hidden on a film set, the GLM disappears in use yet provides excellent sound quality. The hypercardioid GLM-200 is the best choice if you need rejection of background noise, room acoustics, feedback, and sounds behind the microphone. Made of a rugged, resilient space-age material, the GLMs molded housing is designed to resist damage from demanding professional use. Performance benefits of the GLM include a wide, smooth frequency response; excellent transient response; and minimal off-axis coloration. The GLMs housing is designed to improve the high-frequency response of the microphone capsule. In contrast, the frequency response of large microphone capsules often is degraded by the microphone housing (due to sound diffraction). Included with the GLM-200 are a GLM-UM Universal Mount, a GLM-TB Tie Bar, GLM-BC Belt Clip, and a GLM-WS2 Windscreen.   Specifications: Type: Miniature condenser. Element: Electret condenser. Frequency Response: 60 Hz to 20,000 Hz. Polar Pattern: Hypercardioid. Impedance: 100 ohms, balanced. Recommended minimum load impedance 1000 ohms. Open Circuit Sensitivity: 6 mV/Pa* (44.5 dB re 1 volt/Pa*). Power Sensitivity: GLM-200: 40.5 dBm/Pa*. Equivalent Noise Level: 31 dB SPL A-weighted, typical (0 dB = .0002 dyne/cm2). S/N Rati 63 dB at 94 dB SPL. Maximum Sound Pressure Level: 131 dB SPL produces 3% THD. Polarity: Positive pressure on the diaphragm produces positive voltage on pin 2 with respect to pin 3 of output con

Galaxian 3D Lighting Effect $349.99 American DJ has taken the popular Galaxian effect to a whole new dimension of excitement! The exciting Galaxian 3D features green beams that rotate back and forth creating amazing aerial effects on a ceiling or projected onto a crowd. Perfect for small clubs or the entertainer on the go! Just turn it on and let it run in sound active mode through it''s exciting built-in programs. Link multiple units using 3 pin XLR Connectors to create an awesome shower of Green & Red Laser Beams creating a Solar System type effect when projected on any surface. Red and Green laser beams create exciting animated patterns on a wall or ceiling with or without the use of fog. Produces Laser patterns that can be projected on a ceiling or wallMassive beam spread covers a large area Over 500 red and green laser beamsGreen laser rotate back and forth creating a new dimension of excitementBeam Angle: 107 degreesUses 1.8 degree stepper motorVery low power consumptionIncludes hanging bracketCompact 30mW green laser and 80mW red laser5 DMX Channels = Red laser, Green laser, Rotation 1, Rotation 2, Macro 3 operation modes: DMX, Sound Active & Master Slave Sound active from built-in programsRandom strobe slow to fastDigital Display for easy navigation through MenuLinkable via 3-pin XLR connectorsStepper motors with micro stepping1/4 input for optional UC3 remote control (sold separately)Switchable voltage on rear panel:115V/60Hz or 230V/50HzComplies with FDA Standards Unit Dimensions (LxWxH): 10 x 9.75 x 3 / 249x248x71 mmWeight: 6 lbs. / 2.8 kgs.Power Consumption: 23W (115V), 22W (220V) Specifications subject to change without notice

HR2 Headphone Amplifier $104.95 Furman HR-2 Headphone Remote Stations (sometimes called satellites) are passive devices intended for use with the Furman HA-6A Headphone/Monitor Amplifier, to increase the number of headphone stations beyond the six provided, and/or to locate them more conveniently. With the use of a simple adaptor, HR-2's may also be used successfully with any stereo power amplifier of 50 watts per channel or less to convert them to use as headphone distribution amplifiers. (The Furman SP-20A Half Rack 20 Watt/channel Power Amplifier has the required adaptor built in.) Each HR-2 box can accommodate two sets of headphones, each with its own volume control. USING THE HR-2In rehearsals, headphones are often used to keep sound levels down to avoid disturbing neaighbors. In the recording studio, headphones are most often used in the overdubbing process, where new musical tracks are recorded in synchronization with previously recorded tracks. The musicians doing the overdub hear the already recorded tracks in their headphones, and play along with them. Because of the presence of open microphones, headphones are much preferred to speakers for cueing overdubs. In many situations, it may be sufficient to plug all headphones directly into an HA-6A or other headphone amp. However, in a larger studio, or when each musician must have easy access to his or her headphone volume control, it is more practical to use several HR-2 Remote Stations at strategic locations around the room. In this case, the HA-6A (or the stereo power amplifier substituting for it) would most likely be installed in the control room. The HR-2 Remote Stations connect in "daisy chain" fashion to the SPEAKER B-SATELLITE/REMOTE output on the rear panel of the HA-6A. This output is a male 3-pin XLR connector, so that ordinary microphone cables can be used. The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and s

JEL856 JellyFish LED Lighting Effect $129.99 The JellyFish is a new and unique LED lighting effect with a clear plastic case that offers two effects in one: Bright RGBW colors beams as well as a color changing, glowing case.Features:2 DMX Modes: 3 Channel mode or 28 Channel mode for programming flexibilityDesigned for continuous long-lasting operation3 operational modes: DMX-512, Master/Slave or Sound ActiveBuilt-in high-energy lighting programs (Master/Slave & Sound Active)Beam angle: 116 degreesColor strobe effect (fast to slow)Electronic Dimming 0 - 100%Linkable via 3-pin XLR cable4-button LED DMX display on rear panelIEC IN/OUT on rear to daisy chain power (up to 46 JELLY FISH)Power Consumption: 13W maxLong life LEDs (100,000 hr. rating)Multi-voltage operation: AC 120-240V 50/60Hz (IEC Plug)Includes mounting bracket

K 271 MKII Closed Back Headphones $249.99 The new AKG K 271 MKII combines the comfort of around-the-ear ear cups and closed-back design with high ambient noise blockage to create a headphone that is perfect for critical studio listening and tracking. Thanks to its Varimotion XXL drivers, the K 271 MKII delivers the pristine sound quality and precise sonic detail to let you hear all your music. The K 271 MKII also features an automatic mute switch built into the headband that kiils the audio when the headphone is taken off to prevent feedback and signal bleed into live microphones. The K 271 MKII is comfortable to wear for long studio sessions thanks to the time-proven AKG headband design. The leather headband the gimbal-suspended ear cups provide automatic, comfortable fit and take the weight and force of the headphone off your ears. The K 271 MKII als features AKG's detachable input cable with a locking 3-pin mini-XLR connector to make transportation and storage easy plus service is easy if ever necessary. The K 271 MKII comes complete with a deluxe package of accessories including a 10-ft straight cable, a 16.5 coiled cable, a set of leatherette and a set of cushy velour ear pads so that you can equip the headphone to suit your application and select whichever option is most comfortable for you. Built in Vienna, Austria, the K 271 MKII will please the pickiest listener.

LED Par64 PRO DJ Lighting Effect $119 Omnisistem LED Par64 PRO:POWER: 117V/60HzPOWER CONSUMPTION: 18WLED COUNT: 151 LEDs (51 RED, 51 GREEN, 49 BLUE)LED SIZE: 10mmLED RATED WATTAGE: 0.2WCONNECTORS: 3-pin XLR ConnectorsAVERAGE RATED LED LIFE: 100,000 HRSCOLORS: RGB Color Mixing - 16.7 million colorsFEATURES: Dimming Strobe Very Low Power Consumption Includes hanging bracket with baseCONTROL: DMX-512 (4 Channels) Stand alone (sound active, auto) M/SGet your Omnisistem LED Par64 PRO DJ Lighting Effect today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

LIFTER Pin 1 XLR Ground Lifter $19.99 Ideal for troubleshooting ground problems, this female-to-male XLR 3-pin inline device disconnects pin 1 between the connectors. It isolates the ground of a balanced audio signal without requiring you to cut the cable's shield wire.

MCT7 Cable Tester $129 This versatile diagnostic cable tester has connectors for analyzing any type of cable combination. The convenient rotary switch allows testing of each conductor within the cable and can determine the internal wiring configuration. Tests NL4, 5 pin DIN, BNC, XLR, TRS, RCA and 3.5 mm types.

MPA III L XLR Terminated Phantom Power Supply $119.99 Adapter cable with 3.5 mm (1/8") lockable jack socket and male 3-pin XLR connector. The MPA III L reduces the usual phantom powering voltage (9 to 52-V) supplied by mixing consoles to the operating voltage (9-V max.) of AKG MicroMics.

MXLV69ME Cardioid Tube Condenser Microphone $299.95 The MXL V69 is a large diaphragm Tube Condenser Microphone. Its classic sound enhances vocal and instrument performances in professional and top level home studio environments. The extremely low noise level, wide dynamic range and warm sonic characteristics make the V69 a perfect complement to all digital recording devices. Includes a deluxe flight case, versatile shock mount, dedicated power supply, Mogami 7-pin and XLR microphone cables and wind screen. Highlights Internally wired and supplied with Mogami cable Vintage Tube Sound 25mm (1") large capsule condenser Complete microphone system with Mogami 7-pin and XLR Cable Vintage cosmetics 24 carat gold plated grill Durable brass enclosure Supplied with carrying case Specifications Type: Condenser, pressure gradient mic Capsule size: 25mm Tube: 12AT7 Frequency Range: 20Hz-20kHz Polar Pattern: Cardioid Impedance: 200W S/N Ratio: 69dB (Ref. 1Pa A-weighted) Equivalent Noise Level: 14dB(A weighted IEC 268-4) Max SPL for 0.5% THD: 140dB Size: 55mm ~ 215mm Weight: 500g Metal Finish: Black/Gold

NC3MDL 3 Pin Male XLR Connector (Chassis D Mount) (Assorted Types) $2.99 3 Pin Male XLR Chassis Mount "D" Mount.

PGX14 Digital Guitar Wireless System $429 PGX Digital adds the clarity of 24-bit digital audio to the famed PGX line of Shure wireless products. Offering tailored wireless solutions for vocalists, guitarists, and presenters, PGX Digital combines the trusted legacy of Shure microphones with state of the art, 24-bit digital wireless technology that delivers strong, clean RF performance. The result is wireless audio that sounds like wired, rock-solid RF signal, and simple setup and operation.PGXD1 Bodypack Transmitter Powerful yet compact, the PGXD1 transmits wireless audio from instrument or microphone sources with pure digital clarity and rock-solid reliability.Rugged, compact bodypack with belt clip20 Hz 20 kHz frequency range captures every nuance of tonePower, mute, and battery status LED200 ft (60 m) operating rangeUp to 10 hours of continuous use from 2 AA batteriesRecessed dial on side provides 26 dB of continuously adjustable gainLockable interface prevents accidental setting changePGXD4 Wireless Receiver24-bit / 48 kHz digital technology for incredibly accurate soundAutomatic frequency selection locates a clear channel instantlyOne-touch sync automatically syncs the transmitter and receiverTrue digital diversity for rock-solid wireless signal reliabilityUp to 10 compatible channels per frequency band and XLR audio outputsIncluded padded carrying case for portability and protectionWA302 Instrument CableInstrument Cable2.5 foot (.75 m)4 Pin Mini Connector (TA4F) to 1/4-inch Connector

RPM8 Active Studio Monitors (Single) $499 RPM8 reference production studio monitors are specifically designed for use with MPC music production workstations and production controllers. RPM8 studio monitors are two-way, active, bi-amplified, nearfield loudspeakers made for producers, recording engineers, remix artists, DJs and other musicians.The two-way monitors each feature an eight-inch woven-kevlar low-frequency driver with 80W RMS of continuous amplification for robust, full bass all the way down to 39 Hz. The monitors high-frequency system consists of a one-inch silk-dome tweeter with 40W RMS of continuous amplification, mounted on a custom, functionally optimized waveguide for excellent control of directivity and reduction of unwanted early reflections.RPM8 studio monitors contain active, fourth-order crossovers for outstanding separation and optimal power management. Their cabinet is constructed of industry-standard MDF for low resonance, and is dually ported on the front baffle for bass extension in any setting, including soffit-mounted installations.The bi-amplification, ported cabinet design and overall acoustical efficiency combine to produce a speaker that can deliver up to powerful 113 dB SPL and with accurate frequency response from 39 Hz to 20 kHz.RPM8 monitors feature a bicolor LED clip indicator, which assists in avoiding damage to your system. You can connect professional studio systems to the RPM8s combination XLR-balanced -inch TRS inputs for compatibility with a wide variety of source equipment.Specs: Frequency Response: 39 20,000 Hz 3 dBMaximum Output: 113 dB SPL @ 1mEnclosure Type: Ported, dual, front firingPowered/Unpowered: Powered, bi-amplifiedAmplifiers: 80W RMS LF, 40W RMS, HFInputs: XLR3 + 1/4" TRS combinationSensitivity: 123 dB SPLWoofer Size/Type: 8" woven KevlarTweeter Size/Type: 1" silk domeMagnetic Shielding: YesOperating Voltage: 100 230V ACCabinet Dimensions: 17.5" x 11" x 13.5"Weight: 32.5 lbs.Audio Input Wiring:+ = Tip = Pin 2- = Ring = P

Royal 3D DJ Lighting Effect (Green and Violet) $699.99 The American DJ Royal 3D features one 30mW green and on 350mW violet blue laser beams that rotate back and forth creating amazing aerial effects on a ceiling or wall or projected onto a crowd. Just turn it on and let it run in sound active mode through it's 15 exciting built-in programs. Link up to 14 units using 3-pin XLR Connectors and IEC In/Out power cables to create an awesome shower of green & violet blue Laser beams. The American DJ Royal 3D has 5 DMX channels, 3 operational modes (DMX, Sound Active or Master/Slave), has a wide 90-degree beam angle and only consumes a maximum of 24W of power. Users can also use the UC3 easy-to-use controller with the Royal 3D. This laser is FDA approved.Features: DMX green and violet blue lasers rotate back and forth creating a new dimension of excitment Laser patterns can be projected on a dance floor, ceiling or wall 15 laser patterns 5 DMX Channels = Blue Laser, Green Laser, Rotation 1, Rotation 2, Macros Uses 1.8 degree stepper motors for smooth movement Very low power consumption Includes hanging bracket 3 operation modes: DMX, Sound Active & Master Slave Sound active from built-in programs Laser strobe effect Digital DMX Display with 4-button menu for easy navigation Linkable via 3-pin XLR connectors On/Off button on rear panel Safety hook on rear panel Durable metal housing Beam angle: 90 degrees IEC In & Out to Daisychain Power (Connect up to 14 Royal 3Ds) 1/4 input for optional UC3 remote control (sold separately) Multi-voltage: AC 100-240V, 50/60Hz (IEC Plug) Power Consumption: 24W Laser Diodes: 1x 30mW Green + 1x 350mW Violet Blue Dimensions (LxWxH): 8.75x8x7.75 / 222x205x194mm Weight: 7 lbs. / 3.2 kg.Get your American DJ Royal 3D DJ Lighting Effect (Green and Violet) today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

SP828 8 Channel Mixer and Microphone Preamp $719 The Studio Projects 828 is an 8 Channel mic preamp incorporating the latest rev of Burr Brown IC's. The SP828 is also an 8X2 mixer that allows a real time mix of all 8 inputs two a stereo out buss. Housed in a 1U 19" rack, each channel on the SP828 offers: 48V phantom power with LED; Phase Reverse with LED; Mic/Line Switch with LED - Defaults to 20dB Pad; Peak and Signal Present Indicators; Gain Control; Level & Pan; Solo Switch with LED. The SP828 has individual outputs on each channel via balanced 1/4" jacks for direct feeds to any recording medium. Both line level inputs on 1/4" balanced jacks, and XLR balanced mic inputs are on the rear panel. When nothing is plugged into the line input of any channel, the mic/line switch of that channel defaults to a 20dB pad switch. The output section has a stereo L/R output control and a headphone input with control for real time monitoring. In addition, there are L/R LED meters and a Solo LED for monitoring. The master section output has L/R outputs on 1/4" balanced jacks, and inserts for the L/R buss. There is a summed mono 1/4" output jack for an external feed. Each unit has an expansion in/out jack to allow for cascading several units together to get up to 32 inputs where all 32 inputs buss to the L/R mix out, while offering 32 direct outputs for remote recording. The new SP828 incorporates an external power supply for clean operation.Specifications: Frequency Response : 20Hz 20kHz +0/-0.5dB (Ref 1kHz) THD+Noise : <0.002% THD 20Hz to 20kHz at -20dBu In, +15dBu out (35dB gain) Phase Shift : <+/-10 degrees 20Hz to 20kHz Gain Range : 10dB to 65dB Pad : -25dB Polarity : Reverse (-180 degrees) XLR Input : 2k5 ohms Balanced, Pin 2 hot EIN: <-127dBu (@150 ohm, 60dB gain) Max Voltage Gain: XLR-In To Chan Balanced Out= 65dB TRS Line Input : 15k ohms Balanced Max Voltage Gain: TRS-In To Chan Balanced Out= 40dB Channel Output : Gnd-Compensated/Impedance Bal TRS Max Out= +21dB

Solaris Multi Pattern Condenser Microphone $299.99 Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range-perfect for matched-pair stereo miking. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any recording situation. It's like having three mics in one. Highlights1. 1 evaporated gold diaphragmultra-sensitive 3-micron diaphragmlarge all-brass capsulecardioid, omni and figure 8 polar patterns20Hz-20kHz frequency response+/-1dB tolerance across entire frequency rangeClass A FET electronics w/ output transformer-10dB attenuation padlow frequency rolloff switch (6dB per octave @ 125Hz)includes shock mount and aluminum caseSpecificationsfrequency response: 20Hz-20kHzsensitivity: 16 mV/Pa (-36 dBv)max. SPL for 0. 5% THD: 130dB equivalent noise level: 14dB (A-weighted)output impedance: 200 ? recommended load impedance: > 1,000 ?power requirement: 48-volt phantom powerconnector: 3-pin male XLR

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