The Sound Lab Studio

Microphone With Stand

A microphone with stand is a self-sustaining fabricated microphone. it allows the microphone to be positioned in theater or on location without having need of an individual to hold it. microphone with stand allow for rapid stature alteration of the stand too. the most vital microphone with stand is called an immediate stand. there are various versions of the microphone with stand known as the counter stand and as well as profound obligation microphone with stand. the pipes used on the straight stand are typically a glossy chrome covering but may also be finished in a matte black which does not reflect light. a very popular rationalized adaptation of the microphone with stand uses the crinkling tripod base stand as an alternative of the round, metal base.
Accessories Of Microphone With Stand

There are a numerous accessories associated with microphone with stand and these accessories make it more functional and reliable. the majority of these are designed for in receipt of the microphone closer to the user without placing the straight portion of the stand unswervingly in front of the musician as that can be attached to the top of the stand in array to allow the residency of the microphone to be enthused in the horizontal level surface. It also permits the microphone to be positioned nearer to the sound basis when floor space is at a quality. this can be mainly functional when inserting microphones on a stand when the microphone stand must compete for space with things.
Selecting A Microphone With Stand Consider A Number Of Variables

When selecting a microphone with stand, it is significant to think about a number of factors that will influence the quality and value of the stand you acquire. because microphone with stand can be used in a multiplicity of situations and for more than a few different purposes, your microphone stand must provide somewhere to stay your particular requirements. therefore, when choosing your microphone with stand, be sure to consider some of the subsequent information. Like initially you must decide what you will be using your microphone stand for. a professional player will need a diverse microphone with stand than a home composer, and a community orator may require a diverse stand than an actor in a tuneful.
Microphone With Stand For Home Usage

Microphone with stand is now adays good for home use and as well as other radiance uses. classy models of microphone with stand come with foldable legs that enlarge into a stand. These microphones with stand are probable to be less sturdy than heavier stands with heavy bases, but if you are gazing for a cost-effective microphone stand, a foldable, then the best choice is microphone with stand. microphone with stand will be more suitable for specialized use and home use, as well as other functions
Microphone With Stand

110CE Cutaway Acoustic Electric Guitar with Gig Bag $799 When guitarists hear the phrase entry level, it more often than not gives one cause to run awayfar away from any acoustic guitar boasting such a description. However, throw the name Taylor Guitars in front of it and it becomes an entirely different story.The first thing youll notice about the Taylor 110CE is its handsome good looks and rich, appealing appointments. Its a full size 6-string dreadnought cutaway design featuring a solid Sitka spruce top and sapele laminate back and sides. Sitka is a dense, straight-grained wood that features the highest strength and elasticity ratio. It provides top quality for soundboards and a brighter tone. It also sports an Ebony fretboard and bridge and a Tusq nut and saddle. The fretboard inlay is adorned with Pearloid Dots, further enhancing this great acoustic guitars arresting good looks. A durable varnish finish that really brings out the guitars beautiful natural finish protects the Taylor 110CE, thus giving it a great look and smooth feel. Strum the Taylor 110CE and it fills the room with a warm, sweet tonenot too high-endy and not too bassyjust quality, even, full-range tone that is decidedly the sound of a Taylor. It has a quality build and feel as its made to last a lifetime. The 110CE's rich and versatile voice can now be amplified with the Taylor ES-T Under-Saddle Transducer pickup. Taylor Expression SystemWhen it comes to live performance, most players agree that the sound you hear from your "plugged in" guitar isn't always the same as its unplugged or native sound. Using new magnetic pickup technology similar to a microphone, however, The Expression System changes all that. With the ES, you get pure, high-fidelity acoustic amplification for a natural live sound. Included is a custom fitted gig bag.*Disclaimer: Beware of the Taylor 110CE Acoustic Guitar; for once you pick it up, you wont want to put it down. Features:Cutaway Dreadnought body styleSitka spruce top, sapele back and sidesTropical Amer

314CE Acoustic Electric Guitar with Hardshell Case $1649 The Taylor 314ce Acoustic Electric guitar features a grand Auditorium body, a Venetian cutaway, and the Taylor expression system. Its the perfect choice for stage performance but is equally at home in the recording studio.The Taylor 314ce features a Sitka Spruce top, known for its bright and snappy resonance, . The back and sides of the guitar are made from Sapele, which was chosen for its warm tone and open midrange. When you put these 2 woods together the result is an acoustic electric guitar thats perfect for strong rhythmic playing styles that can really cut through an otherwise dense mix, but its also right at home playing light-touch finger style. The 25.5 scale length neck is made from tropical American Mahogany and is adorned with beautiful large pearl dot inlay.The Taylor 314ce guitar features the Taylor Expression System electronics. You want to amplify the great acoustic sound of your Taylor guitar, not make it sound like an electric guitar. So Taylor developed the Expression System to deliver the true sound of the Taylor guitar amplifies your 314ce delivering a clear, clean, natural sound. You can adjust the onboard tone controls to carve out your sound the way you like. Using a proprietary magnetic pickup system similar to a microphone, youll hear pure, high fidelity acoustic guitar amplification that will send chills up the spines of your audience. Because the Expression System is tailor made for your Taylor guitar, you know that your guitar will sound its best through PA systems and acoustic guitar amps.The Taylor 314ce is finished in an eye-catching Satin with a Gloss top. Taylors UV finish is the thinnest and most durable finish available. Included is a Taylor hard shell case.Taylor quality at a working musicians price! Order your 314CE Acoustic Electric Guitar with Hardshell Case from Sam Ash Direct today with the security of our 45/60 day return/price protection policy and take advantage of our fast, free shipping.

386 Microphone Preamp $529.95 The dbx Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx? Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.

5600 Harmonica Pickup (with Preamp) $283.32 The model 5600 designed to be lightweight for use on a harmonica. The system has wide- band frequency response, excellent dynamic range, and provides clean, faithful reproduction of the acoustic sound. The system includes the 3000a preamp/power supply, microphone and attachment adheasives.

6100 Flute Pickup (with Preamp) $249.92 The model 6100 has been designed to deliver studio quality sound, yet is rugged enough to be practicl for on stage use. It is totally moisture-proof, has excellent dynamic range and can provide a clean reproduction of the original sound in any acoustical environment. It is ideal for use with both analog an digital effects and is also the perfect choise for use with wireless transmitters. System includes 3000a preamp/power supply, headjoint cork, microphone and cable.

8pre Firewire Audio Interface $549 The MOTU 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces. FireWire audio interface for Mac and Windows - provides 16 inputs with 8 mic preamps and 12 outputs including separate phone and main outs for all the basic I/O you need for a powerful desktop studio. Eight XLR/TRS "combo jack" mic inputs - connect up to eight mics, or mix and match mics with guitars, synths, drum machines and other analog input signals. Flexible analog inputs - each provides a crystal-clear preamp (for both the XLR and TRS input), 24-bit 96 kHz converters, individually switchable 48-volt phantom power, 20 dB pad and front-panel trim controls. Mix and match condenser and dynamic microphones as your needs require. Eight channels of ADAT optical I/O - provides two sets of optical connectors to provide eight channels of optical digital I/O even at high samples rates (88.2 or 96 kHz). Operates as an optical expander - connect the 8pre to any ADAT optical compatible device (another audio interface, a digital mixer, etc.) to add 8 additional mic inputs seamlessly integrated into the mixing environment of the host device. Discrete ins/outs - there's no channel sharing in the 8pre; the mic inputs, ADAT optical I/O, headphone out and main outs are all handled as separate channels. CueMix DSP near-zero monitoring system. Multiple CueMix DSP mixes - create different monitor mixes for the main outs and headphones. Add send/return loops for outboard gear with no latency. Front-panel metering - five-segement meters for all analog inputs, plus status lights for clock and interface/expander mode. Sample-accurate MIDI - connect a MIDI controller and/or sound module w

A27SM Shockmount (for KSM27) $59.95 Shockmount for the KSM27 microphone. Features the ShureLock rubber grabbing system for total stability and protection from slippage.

ADX20i Mini Cardioid Condenser Microphone $149.99 The ADX-20i is a pre-polarized condenser microphone designed to handle a wide variety of clip-on applications. The ADX20i is sonically superior as well as aesthetically pleasing and is ideally suited for saxophone, trombone, trumpet and other brass instruments. With a smooth uniform response over a frequency range of 40 Hz 20 kHz, the ADX-20i provides a rich, warm sound not typical of microphones this size. It is machined from solid brass and has a low reflective black e-coat finish. The ADX-20i operates on phantom power (9-52 volts) with the preamp module provided (APS-910). It may be used in battery mode with optional phantom power adapter (APS-911). The ADX-20i can be utilized with a wireless system. Depending on the brand of wireless and the connector configuration of the instrument body pack, the ADX-20i connector would need to be modified accordingly. Low noise electronic circuitry, and balanced low impedance output allow for interference free performance even with long cable runs. Specifications: Transducer: Type Condenser (pre-polarized) Frequency Response: 40 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms balanced Open Circuit Sensitivity: 5.2 mV Equivalent Noise Level: 29 dB (A weighted) Signal to Noise Rati 65 dB (ref 1k @ 1 Pascal) Power Requirements: 9 - 52v phantom Maximum SPL: 130 dB Cable/Connector: Shielded 6 cable terminating to a miniature 3 pin XLR-f Phantom Adapter: mini XLR male - XLR male Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Machined Brass Gooseneck: Flexible steel Weight: 1.7 oz/4.7 grams (without cable)

ARC Advanced Room Correction System Software $199.99 The IK Multimedia ARC System delivers the most advanced solution to acoustical problems for any DAW-based studio. The ARC System combines a professionally calibrated measurement microphone with standalone software that captures sound information and calculates proper room correction along with a multi-platform plug-in: this technology will improve how your studio sounds forever. IK Multimedias ARC features the revolutionary Audyssey MultEQ? technology, which measures acoustical information throughout the listening area in your studio. It then combines this information to provide an accurate representation of the rooms acoustical problems. The equalization solution then corrects for both time and frequency response problems more effectively and efficiently than any other room correction EQ on the market. The result is a clear and reliable representation of your mix. Regardless of the acoustical issues in your studio, what you are recording, mixing or mastering will become immediately clear and reliable. Your studio sound will improve forever.

ATW2120 Handheld Wireless Systems $267.77 The ATW-2120 is a 10-channel frequency-agile UHF wireless system designed to suit a variety of applications, including MI/live performance, fixed installation, public address, A/V rental houses and places of worship. It offers all the advantages of a high-quality, professional wireless system at an extremely affordable price.Operating in the 600 MHz frequency band with 10 selectable frequencies and True Diversity UHF wireless technology, the ATW-2120 features automatic frequency scanning. At the touch of a button, this function automatically determines and sets the best available frequency. Any of the ATW-2120 10 channels may be used together without any frequency coordination problems or group selection issues. Additionally, the ATW-2120 incorporates Audio-Technicas digital Tone Lock squelch plus an easy-to-read LCD information display.Serious advances in affordable professional wirelessClear sound quality and rock-solid, dependable performanceAutomatic frequency scanning finds an open channel at the touch of a buttonAll 10 user-switchable channels are compatiblefor easy use with multiple systems; no confusing frequency groupsTrue Diversity operation selects the better signal from the two receiver sections, reducing dropoutsTone Lock tone squelch system fights interferenceRugged metal half-rack receiver with soft-touch controls and LCD display featuring RF and AF meteringBalanced XLR and unbalanced 1/4 output jacks enable use with a wide variety of audio gearIncludes rack-mount kit and detachable UHF antennasGround-lift switch helps eliminate audible hum caused by ground loops between the sound system and receiverATW-T220 Handheld Microphone/Transmitter features PRO 41 Capsule for maximum feedback rejection and consistent soundConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it

ATW251L Freeway 200 Lavalier Wireless System $124.95 Audio-Technicas Freeway 200 Series Wireless Systems are designed to provide reliable performance, easy setup and clear, natural sound quality. The 200 Series Freeway Wireless Systems are single-channel, fixed-frequency systems available in three VHF frequencies (169.505, 170.245, and 171.905 MHz). Each ATW-251 Freeway Wireless System includes the ATW-R250 receiver and a body-pack transmitter. The ATW-R250 is a non-diversity, single-channel receiver with advanced dipole antenna design for extended operating range, which improves operation by providing a ground element in addition to the usual signal element. The ATW-R250 also offers volume control along with AF Peak, RF and Power indicator lights. Features:Easy operation and clear, natural sound quality Reliable performance and durable construction Advanced dipole antenna system for extended operating range Power, RF, and AF Peak indicators Volume control, output jack and space-saving power supply Rugged unidirectional dynamic element on handheld microphone/transmitter Variable microphone trim control and easily accessible On/Standby/Off switch on transmitters Professional locking connector on UniPak body-pack transmitter Consumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC's wireless microphone website atwww.fcc.gov/cgb/wirelessmicrophones.

ATW3192a Headset Wireless System $639 TW-R3100 receiver and ATW-T310 UniPak transmitter with MicroSet omnidirectional condenser headworn microphone. Includes element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitters control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic designAutomatic frequency scanning200 PLL-synthesized channels per band selectable via soft-touch controls on receiver and transmitterTrue Diversity operation selects the better signal from two independent receiver sections, reducing dropoutsInterference-resistant UHF band operationAdvanced digital Tone Lock squelchRed alert light that warns of low battery power, signal loss and input overloadTransmitter battery-life fuel gauge on the receiverGround-lift switchBalanced and unbalanced audio output jacksTwo receivers can be mounted side-by-side in a single 19" rack space

AirLine Guitar AG1 UHF Instrument Wireless System (for Les Paul-Style Input) $249 AirLine takes the concept of wireless to new heights with transmitters so small and lightweight, they are nearly invisible, providing a true wireless experience with no cables or beltpacks. For such small and inconspicuous transmitters, we developed new proprietary technology, featuring miniaturized circuitry that provides significantly improved wireless reception and sound quality.Less than half the size of conventional beltpacks, these miniaturized transmitters run on a single AAA battery with 14 hours of battery life.. Both transmitters offer an array of on-board features: A Power On/Off, red/green LED for Power On/Off and an Input Level control for different pickups. And UHF (Ultra High Frequency) means clearer frequencies with less interference.Designed for use with your compact effect pedals, the AP1 pedal receiver provides reception you can always depend on. It features a 1/4" output jack, Power switch, Peak LED and a Volume control. You can use a 9-volt battery or an AC adapter to power the receiver and when you unplug the unit, the battery is disabled to conserve power.AG1 Transmitters feature:Standard 1/4-inch plugPower/Battery LEDPower switch15dB pad switchOperate on single AAA batteryAP1 Pedal Receiver:Power switch and level controlPower On/Low Battery LED indicators as well as TX/Peak LEDsDual swivel mounting antennas for optimum positioning1/4-inch unbalanced output jackDC inputSquelch controlConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change.Get your Samson AirLine Guitar AF1 UH

Airline 77 Guitar System $249 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Guitar System offers a true wireless experience with no beltpacks or cables, allowing total freedom of mobility. The system includes either a Gibson (AG1) or a Fender (AF1) style transmitter that plugs into your guitar or bass, along with the CR77 receiver.AG1 and AF1 AirLine Guitar transmitters plug directly into the jack of the guitar with no cables running to a pack. The AG1 is a 90-degree plug suitable for most popular straight angle jacks while the AF1 plugs in at a 45-degree angle for body mounted recessed jacks. Both offer complete wireless freedom with no beltpacks and solid UHF performance.All of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery. The core of the receiver system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all of the guesswork out making your wireless system perform.Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. In addition, two CR77 receivers can be rackmounted together in a single space rack adapter available as an added accessory.With the AirLine Wireless Guitar System, you get complete wireless freedom that's good to go anywhere the music takes you.Consumer AlertMost users do not need a license to operate this wireless microphone sys

Airline 77 Handheld System $269 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Handheld System offers a true wireless experience allowing complete freedom of mobility. The system includes the CR77 receiver and an AX1 handheld transmitter, which plugs into any standard dynamic microphone to make it wireless. A Samson Q7 dynamic microphone is also included for a total solution.Small and lightweight, the AX1 plugs directly into any dynamic microphone you want to use. The transmitter is so unobtrusive and discrete, it feels like it's a natural part of the mic. Plus, all of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery.The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. <P> Thanks to a high level of sensitivity, the Q7 will pick up all the nuances of any performance with exceptional clarity and detail. Plus, it employs a tight supercardioid pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.The core of the system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all the guesswork out of making your wireless system perform. Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanc

Alesis Transactive MX 4 Channel PA System For Ipod $299 The Alesis Transactive MX is a portable, four-channel PA system on wheels featuring a built-in dock for Apples iPod and iPhone. Its an all-in-one PA solution for musicians, DJs, or anyone in need of portable, excellent sound quality on a budget. It features a sturdy build and some priceless features that make transport and setup a breeze. The ability to run on its own built-in rechargeable battery as well as the included AC adaptor ups the ante and makes the Transactive MX a must-have for the entertainer on the go.The Alesis Transactive MX features a 4-channel mixer with both microphone and instrument inoputs . The 2-way speaker is powered by a built-in power amp and can run approximately 12 hours on a single charge. A built-in speaker pole mount makes it easy to hoist the Transactive MX up on a tripod stand and reach the people in the back of the venue. The built-in dock handles all iPod and iPhone models so the music keeps right on playing!Get your Alesis Transactive MX 4-Channel PA System for iPod today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

Audio Express 6 x 6 FireWire/USB 2.0 Hybrid Audio Interface $395 The MOTU Audio Express Hybrid interface with both FireWire and USB 2.0 connectors makes it possible to connect to any Mac or PC computer you come across so you can track and monitor audio with ease and precision. Its compatible with most music software titles so total integration within your studio environment is totally easy! You can record at rates of up to 24-bit/96kHz enabling you to produce professional sounding results whether in the studio or on the stage. It doubles as a standalone, compact mixer for live performance making it an all-around indispensible audio tool for your music-making arsenal.Ins, Outs and ReadoutsThe MOTU Audio Express offers comprehensive connectivity allowing you to hook up your mics, guitar, keyboards and other audio sources and easily mix and route them to your computer or live venues PA system. The front panel is adorned with all the knobs and information needed to effortlessly route your audio signals to their proper destination. Microphone controls 1 and 2 feature 48v phantom power for your sensitive condenser mics. Line level controls for inputs 3 and 4, a SPDIF level control and the master mix volume control are all within easy reach for quick and painless adjustments and a dedicated volume knob for the front panel headphone jack lets you set your level to a comfortable listening level. The easy to read front panel LED displays all your levels and recording status readouts so you always know whats going on under the hood, behind the chassis and inside your computer.Rear panel connections include 2 mic/guitar combo jacks, 2-1/4 line inputs, 4-1/4 outputs, pedal jack, SPDIF I/O, FireWire 400, USB 2.0 and MIDI I/O.All Together NowIncluded with the MOTU Audio Express FireWire/USB 2.0 6 x 6 Audio Interface is MOTUs AudioDesk workstation software for the Macintosh. It enables you to record, edit, mix and master using real-time 32-bit effects processing and sample-accurate synchronization. CueMix FX software for both Mac and PC gives yo

Audio Test Tone Generator $49.95 No larger than a standard microphone connector, the TONE PLUG is a unique audio test instrument capable of generating a variety of test signals for the rapid troubleshooting, analysis and calibration of audio systems and components. Equally at home in the studio or on the road, the TONE PLUG produces 11 distinct audio system test functions. The TONE PLUG's compact size and multiple functions make it one of the handiest audio test instruments you could own. 11 FUNCTIONSThe TONE PLUG offers five user selectable sine wave test tones at frequencies of 100, 250, 400, 1K and 10KHz. An additional 5 special function test signals are also provided. These include a 40/2400 Hz signal for testing the VLF components of a system such as sub-woofers, crossovers, amplifiers; a unique short duration, multi-frequency pulse for adjusting speaker time delays, reverbs and echo units; An amplitude sweep function for adjusting compressors, limiters and setting tape levels; Automatic frequency stepping of the five fixed frequencies and a unique sweep tone for tracing wiring in racks and buildings. The TONE PLUG even includes a bright LED indicator for checking microphone cables and phantom power. EASY TO USEA single push button on the side of the TONE PLUG allows for quick selection of the five fixed frequencies or the other special test functions. The TONE PLUG features a balanced mic output and is phantom powered, requiring no batteries or plug-in power supplies. It's always ready for immediate use.

AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor

AudioBox USB Audio Interface $149.95 What can be more clever and handy than employing a 1-stop recording solution whether you are a seasoned professional or new to the recording world? What if that solution just happened to yield 1st class, audiophile results in a compact, feature rich package with a very inviting price tag? Well then wed be talking about the Presonus AudioBox USB!The Presonus AudioBox USB is a 2x2 recording system powered by USB bus. It features 2 microphone/instrument inputs on the front panel with 48V phantom power, 2 balanced TRS outputs and MIDI in/out around the back. Presonus has collected multiple awards for their mic preamplifier technology over the years so its of no great surprise that the mic pres on the AudioBox sound stellar, yielding little noise and boasting specs rivaled by pricey boutique pre amps costing thousands of dollars more. Youll enjoy a pure, rich, clean sound that truly allows your trusted microphones to be themselves and shine right through unscathed. High-quality, 24-bit A/D digital conversion ensures that your recorded signal remains pure and true to the source, mostly due to the 102dB dynamic range. Outputs include 2 main outs, a stereo headphone outputThe Presonus AudioBox USB is housed in a sturdy, metal frame and accented with sturdy metal knobs. Its a welcome sight and feel for anyone whos had experience with affordable audio solutions but were left somewhat cold due to the less-than-sturdy construction and details of those designs. This is not so with the AudioBox USB. Now to make this package a truly amazing deal, Presonus has included their very own exceptional software package, Studio One Artist, as part of this bundle. This amazing new DAW software for Mac OS X and Windows XP and Vista helps make producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds. Giga

AudioFire12 Firewire Audio Interface $599 AudioFire12 offers the same high quality hardware and software as the new AudioFire8, but with 12 balanced analog inputs and outputs for 24 bit 192kHz recording and playback. If you already have a mixer and tons of microphone / instrument preamps, but you need to get all that audio into your computer then the AudioFire12 is just for you. The AudioFire12 has 12 balanced analog inputs and outputs (TRS), 2 FireWire ports, MIDI I/O, word clock synchronization, and 12 channels of full duplex 24 bit 192kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 12 balanced " analog inputs: 113dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels 12 balanced " analog outputs: 114dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels MIDI I/O Sync via word clock Supports full duplex 12 channel in, 12 channel out operation at 24 bit, 192kHz sample rate Rack mountable single space breakout box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended)

AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended)

BLIMP Shotgun Microphone Windscreen and Shockmount System $299.99 The RODE Blimp is a complete windscreen and shock mounting accessory for their NTG-1, NTG-2 and NTG-3 microphones, as well as any third party shotgun microphone under 12 3/4 in length. Also includes 12" XLR tail cable, Wombat comb and extra suspension bands.

Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website.

Bravo II Karaoke System $729 This lightweight, compact, full-featured, all-in-one Karaoke system is the right step up for your next in-home or small club Karaoke extravaganza! The Bravo II packs 160 watts of power and stereo speakers into a sturdy, attractive, wood cabinet you can hand carry to your next gig. And it offers the full compliment of digital Karaoke features. In addition to the shock resistant CD+G player, its tape deck allows you to record your performances at any level you choose. In other words, what you hear is what you'll record. The Bravo II has a digital key control to raise or lower your music without changing the tempo, professional digital echo and delay to make your performances the highlight, two microphone inputs, RCA audio/video input and output jacks for expandability, even a built-in RF Modulator for TV's without RCA jacks. Features: 80W + 80W Maximum Power Output 19 Step Digital Key Controller Professional Digital Echo With Digital Repeat Controls 2 Microphone Inputs With Individual Volume Controls Vocal Cancel And Vocal Partner Functions To Remove Vocal On Karaoke CDs And Tapes Skip Free Shock Resistant CD/CD+ Graphics Player Cassette Deck To Play And Record Your Mix Audio/Video Input/Output Jacks Easily Connect To Other Systems Built In RF Output For TV's Without A/V Input Jacks PAL/NTSC Switchable For Both US and European TV Systems 110V/220V Switchable Dimension: (W x D x H) 18 1/2" x 12 1/2" x 15" Net Weight : 30 Lbs.

C 214 Large Diaphram Electric Condenser Microphone $399 AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting,and on-stage miking as well.The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance very close to the famous C 414 B-XLS. Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switchall in an elegant but rugged package. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C 214 comes complete with a carrying case, windscreen, and spider suspension mount included.Features:AKGs Legendary 1 Edge-Terminated Large Diaphragm SoundOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)Roadworthy DesignIntegrated Suspension to reduce mechanical NoiseSwitchable 20 dB Attenuation Pad and Low Cut SwitchRugged double mesh Grill for high RF immunity but unaffected AcousticsAll-metal Die-cast body with shock- and scratch-resistant FinishSpider-type Shock Mount includedMetal Carrying Case includedDesigned, Engineered and Built in Vienna, Austria Specs:Polar pattern Cardioid Frequency range 20 to 20,000 Hz Sensitivity 20 mV/Pa (-34 dBV) Max. SPL 136/156 dB SPL (0/-20 dB) (for 0.5% THD) Equivalent noise level 13 dB-A to IEC 60268-4 (A-weighted) Signal/noise ratio (A-weighted) 81 dB Preattenuation pad 0/-20 dB (switchable) Bass cut filte

C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included

C451B Cardioid Condenser Microphone $579 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz  The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICATIONS

C451B Cardioid Condenser Microphone (Matched Stereo Pair) $1299 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz    The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICA

C5 Handheld Cardioid Condenser Microphone $149 The C 5 is a professional cardioid condenser microphone with less reach than competitive products to work better for vocalists who use in-ear monitor systems and for use on loud stages. The C 5 uses a classic AKG small-diaphragm capsule design with an edge-terminated diaphragm that is wrapped in 24-carat gold housing for protection against moisture and humidity.The C 5 also includes a presence boost adapter a small snap-on acoustic equalizer that gives the sound more energy and intelligibility in the 3 5 kHz range. The presence boost adapter can be removed for use with singers with thinner voices and adds considerable sonic flexibility to the microphone.The C 5 has other premium construction features including a thick spring steel dent-resistant grille and gold-plated XLR output connector for loss-free signal transfer. The C 5 delivers studio-quality sound for the stage.Features:AKG condenser capsule delivers pristinely-detailed, studio-quality vocals on stageComes with AKG presence boost adapter installed for additional vocal intellibility and up-front sound qualityCan be easily removed if additional presence isn't needed24-carat gold-plated transducer housing minimizes moisture and humidity problemsRugged double shock mount system ensures low handling noiseThick dent-resistant spring steel grille and gold-plated XLR-type outputSpecifications:Polar pattern cardioidFrequency range 65 Hz to 20 kHz Sensitivity 4 mV/Pa (-48 dBV ) Max. SPL 140 / 145 dB SPL (for 1% / 3% THD) Equivalent noise level 25 dB-A Signal/noise ratio (A-weighted) 69 dB Impedance <= 200 ohms Recommended load impedance >= 2.000 ohms Current consumption typ. 3 mA Power requirement 9 to 52 V phantom power to DIN 45596 Connector 3-pin XLR Finish matte grayish blue Net weight 345 g (12.2 oz.) Shipping weight 660 g (1.5 lbs.)

C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB)

CAJ8MB-M String Pickup Cajon (Makah Burl Frontplate) $289.99 The MEINL Pickup Cajons are equipped with the DST pickup microphone and the A1.2 preamp system with volume control from B-Band . This active system includes a specially designed preamp, high quality endpin output jack and a durable battery. The structure is light in mass adding very little weight to the instrument. The sound reproduction is amazingly pure and clear. This installed microphone system provides comfortable and easy handling in live situations. Plug in and play.

CAJ9SNT-M Snare Pickup Cajon (Super Natural Frontplate) $319.99 The MEINL Pickup Cajons are equipped with the DST pickup microphone and the A1.2 preamp system with volume control from B-Band . This active system includes a specially designed preamp, high quality endpin output jack and a durable battery. The structure is light in mass adding very little weight to the instrument. The sound reproduction is amazingly pure and clear. This installed microphone system provides comfortable and easy handling in live situations. Plug in and play.

CDR420 Portable CD Recorder $1399 The industry's first portable CD Recording System designed to completely eliminate the need of a PC for audio conversion, post production and CD manufacturing. Now you can record an entire, uninterrupted day in high quality audio formats that perfectly match your application. Organize and assemble your audio files onto inexpensive blank CDs for listening and or archiving. If you can operate a cassette deck you can record in flexible MP3 or uncompressed WAV formats and make professional CDs. Auto Time Date Stamping On-the-fly Keyboard Input File Naming Quick Jump Audio Navigation Copy Cut and Paste Audio Editing Easy Multiple CD Volume Creation with Marantz exclusive Audio Overlap Feature at the beginning of each new CD 20GB Hard Drive MP3 and WAV recording Onboard Editing CD Ripping, Assembly and Copy functions Internal Time Date Clock Timer and Auto Record XLR, 1/4" and Digital SPDIF inputs Phantom Power for external professional microphones High Quality Built-in Condenser Microphone Integrated Limiter and Auto Record Level Control Built-in Speaker and Headphone jack with Level Control RCA analog line output USB 2.0 Connection for fast file transfers

CUBE Street Battery Powered Guitar Combo Amp $299 A guitar amp and mini PA system in one, the amazing Cube-Street offers up to 15 hours of use on 6 AA alkaline batteries. The XRL/1/4 Microphone input Mic/Line channel offers delay and reverb. The guitar amp models include tube-driven blues classics to modern metal stacks and a clean instrument amp. The Guitar channel also has reverb and delay, as well as chorus, flanger, phaser and tremolo. EQ on both channels and two gain stages round out your guitar tone. An acoustic simulator gives you acoustic guitar sound from an electric. The Stereo aux in is perfect for MP-3 players; the stereo headphone out doubles as a record out. Compact, lightweight stereo amplifier with slanted cabinet design Two high-performance 6.5 neodymium speakers Battery driven (6 x AA, maximum 15-hour continuous use) Dual-channel architecture with Guitar/Inst and Mic/Line inputs 8 COSM AMPs, 6 digital effects, and chromatic tuner built in 2-band EQ, Delay/Reverb for the Mic/Line-channel AC Adaptor included Great Sound to GoRoland CUBE amps are famous for performance that exceeds their physical size, and the CUBE Street is no exception. With two highperformance neodymium speakers onboard, this amp sounds incredible, and is capable of high-volume output that defies its physical dimensions. Best of all, it can run for up to 15 hours on just six AA alkaline batteries. 8 Amps OnboardMore than meets the eye, the CUBE Street is actually 8 different amps in one via its built-in COSM amp models. From tube-driven blues classics to modern metal stacks, Rolands COSM technology is world famous for capturing every nuance of the original amps from the preamp and circuits to the speaker. Bonus FeaturesThe CUBE Street is chock full of extra features to make your gigs easier, including a built-in chromatic tuner and 2 digital effects processors. In addition to the aforementioned COSM amp models, you can choose from six of Rolands famous effects to enrich your sound. Portable PAIts a guitar amp and mini PA s

Concert 77 Fitness System $179 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Fitness System is a high-performance UHF wireless solution that's ideal for fitness instructors looking for clear vocal reproduction while keeping their hands free.Featuring the SE10, a low profile, omnidirectional headworn microphone that provides outstanding audio reproduction, making it perfect for fitness and other vocal applications.The SE10 can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Thanks to the omnidirectional pickup pattern, the SE10's off-axis frequency response is linear, resulting in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source.The SE10 has also been specially treated with a water resistant coating, providing extra protection from sweat and other moisture. Additionally, there is a moisture-guard drip ring to further protect the capsule and ensure reliable performance.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Fitness System, advanced technology and total convenience combine to provide profes

D5 Handheld Cardioid Dynamic Microphone $99 The AKG D 5 is a supercardioid dynamic microphone with a new diaphragm technology called Laminate Varimotion. Thanks to this new technological breakthrough, the D 5 delivers unprecedented sound quality, characterized by smooth, extended response with airy, detailed highs along with the highest gain-before-feedback of any product in its class. The D 5 is the most roadworthy live sound mic AKG has ever built and features a double shock mount system to keep handling noise low, thick, dent-resistant spring steel grille and gold-plated XLR output connector for loss-free signal transfer. The D 5s nicely weighted chassis is the heaviest in its class and the dark gray matte finish is modern and classy. Laminate Varimotion diaphragm delivers incredibly detailed sound quality with smooth, airy highs Laminate Varimotion diaphragm and supercardioid pickup pattern delivers the highest gain-before-feedback Neodymium-iron-boron magnet delivers improved transient response and high output level Extra-thick spring steel grille is especially dent-resistant Gold-plated XLR-type output connector ensures loss-free signal output Specifications: Polar pattern supercardioid Frequency range 70 Hz to 20 kHz Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL 147/156 dB SPL (for 1% / 3% THD) Equivalent noise level 18 dB-A Signal/noise ratio (A-weighted) 76 dB Impedance <= 600 ohms Recommended load impedance >= 2000 ohms Connector 3-pin XLR Finish matte grayish blue Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.) Net weight 340 g (12 oz.) Shipping weight 655 g (1.45 lbs.) Warranty:AKG warrants AKG products against evident defects in material and workmanship for a period of two years from the date of original purchase for use. This warranty does not cover electrical or mechanical damage resulting from misuse or abuse, lack of reasonable care, damage due to force majeure or natural forces, or inadequate repairs performed by unauthorized service centers.

DK25L Live Performance Drum Microphone Package $1999 The DK25/L is for Live Performance and has three SR25s: two for overheads and one for kick drum; a KickPad and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The SR25 cardioid response is 50Hz to 25kHz. This model will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies.   The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.)

DK25R Recording Drum Microphone Package $1549 The DK25/R is for Recording and  has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad and a windscreen. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The TC25 omni has a frequency response of 9Hz to 25kHz and the SR25 cardioid response is 50Hz to 25kHz. Both models will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies. The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.) TC25 Specifications: Frequency response: 9 Hz to 25 kHz +1/-3 dB Polar pattern: Omnidirectional Sensitivity: 8mV/Pa (-42dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 2

DPSII Dual Digital Microphone Preamp $265 The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3 (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A LED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic "warm sound" and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Features Variable Input Impedance 24bit/96KHz A-to

Delta 1010-LT PCI Audio Interface $199.99 Now compatible with ProTools M-Powered Software Sound quality, performance, and superior driver technology are a few of the reasons that Delta audio cards have established worldwide recognition as a top choice in PCI-based digital audio solutions. With superb engineering and ultra-high quality conversion, the fidelity of the Delta 1010-LT outperforms cards that cost many times more. The 1010-LT offers the professional performance required by todays most popular software programs, and provides you with features like 24-bit 96 kHz recording, zero latency monitoring and digital mixing. The Delta 1010-LT has what you need: 10 ins and 10 outs XLR Microphone inputs with pre amps S/PDIF i/o,MIDI i/o,wordclock i/o 24-bit 96 kHz recording Convenient and powerful routing possibilities Unsurpassed fidelity Superior driver technology The broadest compatibility of any card Zero latency hardware monitoring Bit-for-bit accurate digital transfers via S/PDIF Powerful digital mixing and routing. Control over SCMS (Serial Copy Management System). Why the 1010-LT?The Delta 1010-LT offers all of the interface features you need to record music on your computer, including: eight analog inputs and outputs, including 2 XLR microphone inputs with pre amps, S/PDIF in/out, MIDI in/out, and wordclock in/out. Audio from a variety of sources can be connected to the 1010-LT inputs, and the comprehensive Delta Control Panel software can set and even fine-tune the input line level. Inputs 1 & 2 on XLR jacks can be set to receive a balanced line or a mic level signal, eliminating the need for an outboard mic preamp. The S/PDIF input will interface with gear from pro DAT players to CD, DVD or Minidisc, and offers control over the SCMS copy protection protocol. The Delta 1010-LT outputs can be connected to an external mixer or sound system, while the S/PDIF outs feed your digital mixdown deck. The Delta Control Panel Software also controls a hardware mixer embedded in the PCI card, g

E6i Omnidirectional Earset Microphone (Light Beige with T4F Connector) $399.99 Delivering value, comfort, and sound quality, the E6i Omnidirectional Earset microphone is the best-loved mic of its kind. Countryman mounted their tiniest mic capsule on an even tinier boom that is rugged, flexible, and incredibly lightweight. Silicon padding at the earpiece helps keep the boom comfortably in place, even with glasses or other head-worn accessories. It features the widest range of boom colors to match virtually any skin tone. The more-flexible boom on the E6i is very easy to adjust and perfect when one mic is shared among several people. Practically invisible to live or broadcast audiences, the E6i is incredibly comfortable for the wearer. It captures the closest source clearly with excellent rejection of wind, ambient noise, and feedback. And its industry-unique snap-on cable extends the equipment life many times over. In addition, the snap-on cable makes your E6i compatible with virtually any wireless mic system - just buy a new cable instead of a new mic! The changeable protective caps provide moisture resistance and let you shape the frequency response for different situations or to match other microphones. It's no surprise that Countryman's E6i Omni Earset is a top choice for presenters, educators, worship leaders and pastors, broadcasters, and many, many more! The E6i Omni microphone is supplied with a snap-on cable with specified connector, windscreen, set of three protective caps, set of two collar clips (black and white), and carrying case. Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional version is ideal for situations with loud monitors, extreme feedback or environmental noise Style & Comfort Smallest, lightest, most comfortable mic of its kind - only 1/10th ounce! Almost invisible against any skin tone Rugged, bendable boom assures a custom fit for every wearer Hands-free

EMX5016CF 16 Input 12 Channel Powered Mixer with Effects $999.99 The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live applications demand. It is remarkably compact and portable for a live sound system with this much capability. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of "powered mixer," entering the realm of serious sound reinforcement. Versatile 16-Input Configuration Adapts to Varied Source RequirementsThe EMX5016CF has a total of 16 input channels eight for monaural microphone or line input plus four stereo pairs. The stereo channel pairs can function either as monaural microphone inputs or stereo line inputs. This system gives you extra microphone inputs if your sources are mostly microphones, or if you need to handle more stereo sources, the EMX5016CF will comfortably handle four pairs in addition to eight mono mic or line inputs. Advanced Channel EQ3-band EQ is available on all input channels, but extra versatility is provided on the eight mono channels with mid-frequency sweep controls. The mid EQ center frequency can be continuously swept from 250 Hz through 5 kHz so you can precisely pinpoint frequencies in the critical midrange. Ample I/O for Expansion and IntegrationAll you need to create a powerful, high-performance live sound system is the EMX5016CF, a pair of speakers or two, and your sources. But it does feature a range of inputs and outputs that allow it to be expanded with external gear or integrated into larger systems. Insert patch points on the mono input channels, for example, let you add outboard signal processing to individual input channels. And although you have all the monitor power and effects you're

EPA40 Europort Portable PA System $108.99 The EUROPORT EPA40 portable PA system has been designed for public address applications, projecting to a crowd of up to 100 people, while you strap it conveniently on your shoulder. This is the ideal PA system for business meetings, tour guides, classrooms and outdoor activitiesultra-compact, portable and easy to operate. It features a 5" full-range loudspeaker with 40 Watts of power, an integrated battery pack for 8 hours of continuous operation, Mic and Aux inputs as well as a high-quality dynamic microphone and accessories such as charger and cables. Get carried away by this cool and portable PA system! Ultra-compact, portable PA system ideal for business meetings, tour guides, classroom activities, and various other applications 5" full-range loudspeaker with enormous power and incredible sonic performance in a super-light package Built-in battery with 8 hours liferecharges completely in just 4 hours Mic and Auxiliary inputs to connect to your mic, CD, and other line level sources Comes with a BEHRINGER XM1800S microphone, 3' cable, recharger, shoulder strap, and mic stand adapter Power switch doubles as Volume control with battery charge indicator LEDs Convenient battery and shoulder strap compartment Ergonomically designed carrying handle for effortless portability High-quality components and exceptionally rugged construction ensure long life

ERGO Room Correction System $499 The KRK ERGO (Enhanced Room Geometry Optimization) is a 4-in/6-out Firewire audio recording interface/room correction system that enables you to measure and analyze phase and frequency problems in your monitoring environment. Its the perfect solution when your studio monitoring environment is less than ideal and you dont quite have the budget for perfect studio design or room treatment (foam/panels).The KRK ERGO is a sturdily built metal unit with a sweet set of features that recordists of all levels will appreciate. It hooks up easily to your existing system via the rear panel firewire ports or S/PDIF connection. The large volume control along with integrated headphone amplifier means it functions beautifully as a studio monitor controller. Top panel buttons for monitor switching are easy to control and allow you to switch from 1 set of monitors (A) to another set or a subwoofer (B/Sub).The ERGOs onboard digital processing along with the accompanying software automatically corrects offending room issues using the included measurement microphone. You just place the mic at your perfect sitting position, adjust your speaker levels, and record the left and right calibration signals. Youll then take a few more measurements (at higher and lower positions) so the KRK ERGO can gather as much room information as possible before calibrating the filters for perfect compensation. This foolproof process takes all of 10 minutes and results in a dramatic improvement in your listening experience.The KRK ERGO also doubles as a high-end audio interface making it an indispensible studio tool in more ways than one.Rear panel connections include 2-Firewire ports, SPDIF digital, L/R TRS inputs, 2-sets of TRS outputs a headphone jack and a input jack for the calibration microphone (included).Get your KRK ERGO Room Correction System today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protect

EW 145 G3 Handheld Wireless System $649.95 Pure sound: the super-cardioid capsule captures more of what you want while rejecting off-axis noise. This makes the mic very resistant to feedback as well as a great choice for those working with loud stage volume levels. The included soundcheck mode on the receiver makes it possible to check the RF signal strength and audio levels continuously. The new G3 sync function allows you to wirelessly link the transmitter with the receiver with a simple push of a button. Lastly, the true diversity receiver has a built-in 5 band equalizer which completes this professional sound package.FeaturesSturdy metal housing (transmitter and receiver42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 12 compatible frequenciesHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitters via infrared interfaceUser-friendly menu operation with more control optionsIlluminated graphic display (transmitter and receiver)Auto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indicatation in 4 steps, also shown on receiver displayHandheld transmitter with easy-exchangeable microphone modules from evolution seriesIntegrated Equalizer and Soundcheck modeContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received fr

EW 172 G3 Guitar Wireless System $499.95 You have worked hard to get your guitar tone, now retain that great tone but go wireless. The systems cable emulator feature allows you adjust virtual cable lengths to get sound response just like a cable. Another great feature for guitarists is the built-in guitar tuner, right on the display. A built in 5 band EQ allows you to fine tune your sound even further. Bass players in particular will be pleased with the enhanced AF frequency response: it starts at a thundering 25 Hz, which will especially please players with 5 string bass guitars. Plug in and play!FeaturesSturdy metal housing (transmitter and receiver)42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 12 compatible frequenciesHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitters via infrared interfaceUser-friendly menu operation with more control optionsIlluminated graphic display (transmitter and receiver)Auto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indicatation in 4 steps, also shown on receiver displayProgrammable Mute functionIntegrated Equalizer, Soundcheck mode and guitar tunerContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementDelivery Includes1 EM 100 G3 rack-mount receiver1 SK 100 G3 bodypack transmitter1 CI 1 instrument cable1 NT 2 power supply unit2 antennas2 stacking elements2 AA batteriesOperating instructionsConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interferenc

EW365 G3 Wireless Microphone System $999.95 The Sennheiser EW365 G3 Wireless Microphone System is the best that the G3 300 series has to offer for the voice: top-notch condenser technology coupled with a true diversity receiver. This system captures every last nuance and detail of the vocalist. A programmable mute button on the microphone lets the user decide when it is time to go on-air.FeaturesSturdy metal housing (transmitter and receiver42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 24 compatible frequenciesEthernet port for connecting to the Wireless Systems Manager (WSM) software for control via computer - this delivers a good overview of monitoring and professional data management for multi-channel systemsHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitter parameter from receiverUser-friendly menu operation with more control optionsIlluminated graphic display, receiver also shows transmitter settingsAuto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indication in 4 steps, also shown on receiver displayProgrammable Mute button on transmitter bodyEasy-exchangeable microphone modules from evolution seriesIntegrated Equalizer and Soundcheck modeContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementGet your Sennheiser EW365 G3 Wireless Microphone System today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

Escort 3000 $649.99 The Escort's integrated design allows for ease of transportation, while its user-friendly controls offer ease of operation, making it the perfect choice for schools, churches, civic organizations and small musical groups. The Escort features dual two-way speakers driven by a five-channel, 300 Watt stereo powered mixer, making it ideal for both vocal and musical applications. The system also includes a PVi unidirectional (cardioid pattern) dynamic microphone, two folding speaker stands and all necessary connecting cables. Among many professional features, the mixer includes 60mm faders, a five-band graphic equalizer with FLS (Feedback Locating System) and digital reverb. The carrying case provides storage for all the system components with ample room for additional mics and cables. This clever design incorporates the speakers into the package, allowing the unit to be easily carried or pulled along on its luggage-style wheelsFeatures:Convenient package with luggage-style wheels Two-way speaker system with 10" woofer and piezoelectric horn Five-channel powered mixer Four XLR mic inputs with 15 V phantom power Two stereo line inputs 60 mm faders High quality digital reverb 300 Watts output power (150 Watts per channel) with DDT Five-band graphic equalizer with FLS Two folding speaker stands One PVi cardioid dynamic microphone with cable Two 25' speaker cables Storage compartments for microphones, cables and accessories

Expedition XP510i Portable PA $699 Finally! A cleverly designed, portable powered PA system that leaves you wanting for nothing! The Samson Expedition 510i is the culmination of years of audio expertise fused together with a commitment to give musicians and sound professionals the features and quality they most desire. The Samson Expedition 510i Portable PA System is sturdy yet lightweight and easy to set up and operate. Its comprised of two 2-way speakers with custom 10 woofers and a 1 high frequency driver. They have a wide dynamic range and produce clear, loud, full-range audio that can fill up a small to medium sized venue with relative ease. They can be mounted on standard speaker stands, thanks to the integral pole mount receptacles. The XP510i is constructed using durable ABS, high impact plastic, making it super road tough, and at the same time, lightweight.The Expedition 510is power comes from the systems full-featured 10 channel powered mixer. It stores neatly into the rear of one of the speakers and can be removed and placed on a table top. It features 500 watts (2 x 250) of chest kicking power, a perfect match for the speakers. It is a class D design that means its long on power yet light in weight. The mixers first four channels sport 4 XLR microphone inputs, as well as 4 mono jacks. Switchable phantom power is provided enabling the use of your condenser mics. Channels 5 through 10 feature stereo input jacks and 7 through 10 add a set of RCA connectors. The first 2 channels have a built-in limiter/compressor. It turns on at the touch of a button and provides quality signal processing, enabling you to smooth out the dynamic range of your voice or instrument with ease. This can really help place your vocal performances clearly out front of the music for increased intelligibility, enabling your audience to hear every word and note clear and precise. Each channel has high and low EQ enabling you to dial in the perfect frequency to enhance your signal. Rotary faders on each channel make it

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