The Sound Lab Studio

A Few Kinds of Blue Microphones to Consider

Are you a singing star? Or an accomplished musician? Then you'll need a quality microphone that can render you sound without any sacrifices. One of the most unique lines used is the Blue microphone. There are all sorts of Blue microphone types out there. Do you know what some of them are? Many do not know, in fact. Therefore, we're here to help in learning about a few that are available.

Now, we bet that you did not know that there are microphones for the different things that you use in every day life. What do we mean by this? Well, there is a blue microphone for your flip phone. With it you can use this mic recording device for all of your videos. There are many things which you might want to capture with this piece of equipment. Students are using these for lectures in the classroom so they can replay the things which they want to hear again. That is just one of the Blue Microphone types known as the Mikey. Also created in the Mikey line are those which are made to fit on the IPod. Another recently updated type would be the Mikey 2G which has a 230 rotating design and is great for mobile recording.

Many recordists know something about the positives and negatives of USB microphones. A few have heard of Blue USB microphones. A very popular one is the Snowball. This is said to sound just as good, if not better than the desktop microphone you have on built into your computer. You get a pouch with it to hold it so that it does not get broken. It is very easy to use as well. This is a simple USB mic which you can use with many software programs on your computer.

Another one of the most popular Blue USB mics out there is called the Blue Yeti. This mic is is probably the sturdiest one on the market and the sound rendered is of a much higher quality than many others. People can use this microphone to record directly to their computer via the USB port. It's also one of the most adaptable as it has many patterns for sound pick-up: cardioid, omni-directional, figure 8 etc. It also has a pad for very loud sound sources and a bass rolloff.

In an altogether different class of Blue Microphone, there is the Pro Audio line. You will find that these are mostly condenser side address microphones. They're for all you recording artists who are top notch where every nuance of your performance needs to be captured. However, they can be quite expensive. Most of them have class A circuitry and have interchangeable capsules as well, depending on which characteristics you desire. These microphones are used almost exclusively for Studio Recording as they are fairly delicate and aren't designed to handle the rigors of a stage application. The Blue Dragonfly is an example of this type of microphone. With this microphone the capsule regulates the sound impulses which you will get.

Seen here is only a sampling of Blue Microphones on the market. If you search the internet you'll find reviews of the entire line which will also help you in determining what it is that you need.

2BA221 Line and Microphone Preamp $679.99 The 2BA-221 is a continuously variable impedance microphone preamp. Featuring microphone level, line level, and Hi-Z instrument inputs, the 2BA-221 utilizes separate and individually controlled solid state input controls to mix the microphone input with the Hi-Z or line input into the variable vacuum tube output. Mix them together through the 12AX7A/ECC83 vacuum tube output or separately through individual solid state outputs. The 2BA-221 also features a stackable input design; multiple 2BA-221's can be linked together to form a modular mixing device with individual outs, inserts per channel, and a final vacuum tube gain stage. Its swept high pass filter, multiple simultaneous tube and solid state outputs, insert jack, and internal power supply makes the 2BA-221 a powerful tracking and mixing tool. Variable Mic input impedance from 100 ohms to 10K ohms Variable Highpass Filter Hi-Z Instrument, Line, and Mic Level Input Hi-Z input and Mic input available simultaneously with separate gain controls Separate solid state and tube outputs Insert Jack Stackable with more 2BA-221's Rack Size 3 Year Warranty XLR and " outputs and inputs Three variable, independent gain stages

386 Microphone Preamp $529.95 The dbx Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx? Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats.

4-710d Four-Channel Tone-Blending Mic Preamp w/ Dynamics $1999 The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UAs classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup.

710TF-D Twin-Finity Microphone Preamp $799 The 710 Twin-Finity is a radically new UA pre-amp design, which uniquely combines both, the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.The key to its sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310-volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the "Blend Knob" labeled "". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.Like all our other preamp designs, the 710 features dual gain-stage controls (Gain/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique "Drive" mode allowing you to see how hard you are driving the input stage.Versatility makes the 710 the perfect preamp partner for any mic collection. Plus, the discrete JFET DI input circuit can also easily handle any electric instrument. Guitar and bass players will especially appreciate the 710s ability to bring out the best of both active and passive pickups. The 710 Twin-Finity is designed and built at UA headquarters in California, and includes a 19" rack-kit for mounting one or two units.Features:Dual-Path 310 volt Class-A Tube and Transimpedance Solid State PreampPhase-Aligned "Tone-Blending" of Tube and Solid StateDual Gain Stages: Wire with Gain to Creamy to CrunchyDiscrete JFET DI with 2.2M ohm Ultra Hi-Z impedanceMonolithic Balanced Output StageIncludes Power

8pre Firewire Audio Interface $549 The MOTU 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces. FireWire audio interface for Mac and Windows - provides 16 inputs with 8 mic preamps and 12 outputs including separate phone and main outs for all the basic I/O you need for a powerful desktop studio. Eight XLR/TRS "combo jack" mic inputs - connect up to eight mics, or mix and match mics with guitars, synths, drum machines and other analog input signals. Flexible analog inputs - each provides a crystal-clear preamp (for both the XLR and TRS input), 24-bit 96 kHz converters, individually switchable 48-volt phantom power, 20 dB pad and front-panel trim controls. Mix and match condenser and dynamic microphones as your needs require. Eight channels of ADAT optical I/O - provides two sets of optical connectors to provide eight channels of optical digital I/O even at high samples rates (88.2 or 96 kHz). Operates as an optical expander - connect the 8pre to any ADAT optical compatible device (another audio interface, a digital mixer, etc.) to add 8 additional mic inputs seamlessly integrated into the mixing environment of the host device. Discrete ins/outs - there's no channel sharing in the 8pre; the mic inputs, ADAT optical I/O, headphone out and main outs are all handled as separate channels. CueMix DSP near-zero monitoring system. Multiple CueMix DSP mixes - create different monitor mixes for the main outs and headphones. Add send/return loops for outboard gear with no latency. Front-panel metering - five-segement meters for all analog inputs, plus status lights for clock and interface/expander mode. Sample-accurate MIDI - connect a MIDI controller and/or sound module w

A-498 Microphone Stand with One-Hand Clutch Height Adjustment $35.99 Straight, Round Base Mic Stand with One-Hand Clutch Height Adjustment Mechanism. Fast, smooth, non-slip height adjustment with the press of the hand. One-of-a-kind variable weight design can be loaded with sand or lead pellets. Smooth, attractive rubber base will not chip or scratch. 5 point, rubber feet are molded into base and will not fall off and get lost. Constructed with strong, lightweight Microlite tubular steel. Scratch-resistant, baked-on black enamel finish.

A188 Tripod Desktop Microphone Stand $15.99 A compact desktop stand to hold any standard-size handheld mic. Perfect for broadcast/interviews, dispatcher stations, podiums, or low to the floor instrument miking.

AD2022 Dual Channel Microphone Preamp $2970 The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/silver wiring and doubled plated circuit boards for superior low level signal transfer.

APH-2n H2n Handy Recorder Accessory Package $39 Zoom introduces the APH-2n as the official optional accessory package for the H2n Handy Recorder. The APH-2n features a variety of accessories that make it easier for you to capture your recordings. The kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter.The APH-2ns wired remote can be used to start, stop and pause recordings, as well as to add marks. Its also useful in preventing handling noise. Its windscreen will reduce the occurrence of wind, breath sounds and popping noises in your recordings, as well as keep the H2ns five mic capsules clean. Using the packages USB connector type AC adapter to power the H2n is easy and convenient. The included USB cable enables you to connect your H2n to your Mac or PC for rapid file transfer, editing, playback and sharing, as well as to use it as a USB microphone and you record directly to your computer.The APH-2ns adjustable tripod stand is compatible with the H2ns fixed tripod mount, making the recorder versatile in a variety of stationary functions. Utilize the kits padded-shell case to protect Zoom's most innovative recorder ever. Lastly, the APH-2n provides a mic clip adapter allowing your H2n to be easily attached to any standard mic stand.If you think your H2n is handy now, wait until you accessorize with the APH-2n accessory package.Get your ultimate H2n accessory package today along with a variety of other Zoom products at the best price with fast and free delivery from Sam Ash Direct!

AT2020 Cardioid Condenser Microphone $99 Audio-Technica brings you the price/performance standard in side-address studio condenser microphone technology with the AT-2020. Ideal for project/home-studio applications, this mic features high SPL handling and wide dynamic range which provides unmatched versatility. Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Specifications: Element: Condenser Signal to Noise Rati 74 dB, 1 kHz at 1 Pa Polar Pattern: Cardioid Dynamic Range (Typical) 124 dB, 1 kHz at Max. SPL Frequency Response: 20 - 20,000 Hz Phantom Power Requirements: 48V DC, 2 mA typical Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa Noise: 20 dB SPL Impedance: 100 ohms Weight: 12.1 oz (345 g) Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Output Connector: Integral 3-pin XLRM-type

AT831B Lavalier Microphone $219.99 For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well.  It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback.  The microphone comes with a tie/collar clip and terminates to a power module with battery.  In place of the battery, the microphone can also be powered by 48 volt phantom power. Features: Clip-on lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Operates on battery or phantom power 6' (1.8 m) cable permanently attached between microphone and power module   Specifications: Element: Condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: PHANTOM: 200 ohms; BATTERY: 270 ohms Maximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Rati 65 dB, 1 kHz at 1 Pa Dynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPL Phantom Power Requirements: 9 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 18 dB per octave Weight: 0.1 oz (2.8 g) Power Module: Inline Output Connector: XLRM-type (power module) Accessories: AT8116 foam windscreen; AT8417 clothing clip; AT8444 instrument adapter; AT8530 power module (attached); battery; protective case

Airline 77 Handheld System $269 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Handheld System offers a true wireless experience allowing complete freedom of mobility. The system includes the CR77 receiver and an AX1 handheld transmitter, which plugs into any standard dynamic microphone to make it wireless. A Samson Q7 dynamic microphone is also included for a total solution.Small and lightweight, the AX1 plugs directly into any dynamic microphone you want to use. The transmitter is so unobtrusive and discrete, it feels like it's a natural part of the mic. Plus, all of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery.The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. <P> Thanks to a high level of sensitivity, the Q7 will pick up all the nuances of any performance with exceptional clarity and detail. Plus, it employs a tight supercardioid pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.The core of the system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all the guesswork out of making your wireless system perform. Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanc

AmpDock Multi-Effects Guitar Processor for iPad $299 Virtual Becomes RealityThe Alesis AmpDock harnesses the massive processing power of iPad, allowing you to unleash your ultimate guitar tone. Building upon the design and technology of the widely acclaimed Alesis iO Dock, the AmpDock is the world's first device for guitarists that enables tonal shaping through iPad's processor. The AmpDock fully encloses your iPad or iPad 2 in a rugged and portable device made especially for guitarists and bassists. Whether you're in the studio or on the stage, the AmpDock helps you create "the sound in your head" with real controls and professional inputs and outputs that work with virtually any app, as well as your amp and pedal setup.The Alesis AmpDock houses your iPad or iPad 2 in a durable enclosure that features a locking door to fully integrate your iPad and protect it on all sides. The AmpDocks professional inputs and outputs include a 1/4" high-impedance guitar input and an XLR-1/4" combo input for connecting a microphone, a second guitar or another instrument. The AmpDock also includes 1/4" outputs with Guitar/Mic and Ground Lift switches, so you can connect to your guitar amp or go straight into a PA. For use with software MIDI applications on your Mac or PC, the AmpDock also includes a USB MIDI port. A headphone output with volume control is also onboard, so you can practice and experiment with your apps at any time, day or night.PedalBoard ControllerIncluded!The Amp Dock also comes with a rugged pedalboard controller, which enables you to control volume and other continuous controls, bypass, program changes, and other parameters. You can use the AmpDock with or without its pedalboard controller, and MIDI connections enable you to use the AmpDock with other pedal controllers and MIDI hardware.The Power of iPadThe AmpDock gives you all the controls you need to use your favorite guitar apps while performing or recording. Fire up apps like GarageBand, AmpliTube or JamUp, and use AmpDoc

Ampeg SVX Bass Amp Modeling Software $99.99 Ampeg, the historic brand that invented bass amplification, and IK Multimedia, the leader in amp-modeling plug-in technology, bring you the first bass amp plug-in with a real signature sound. 4 Modules: Tuner, Stomp, Amp, Cabinet+Mic selection and placement 4 signature Ampeg bass amps modeled 6 signature Ampeg cabinet models 6 Microphone models 24 bass amp combinations 8 analog modeled stomps High-precision Tuner Ultra accurate analog modeling with DSM technology A legendary bass sound from the leaders in bass amplification and modeling technology.Ampeg has made history with their bass amp sound, and now sets the future standard with this premier software plug-in. Made in conjunction with IK Multimedia, the leader in software modeling technology, this utility sports Ampegs legendary signature tones. Complete bass-rig plug-in with multiple amps, cabinets, stomps and tuner.Mix and match between amps and cabinets of the most sought-after Ampeg gear to produce 24 amazing bass amp combinations. Plus, youll have a complete bass pedalboard with 6 fully configurable stomp effects. In addition, select among 8 classic bass effects crafted after classic Ampeg stomps and other must have vintage gear. Add a tuner and separate direct/amped signal path for a complete software bass rig. Ultra accurate modeling of the most sought-after Ampeg gear, with unique DSM technology, Powered by AmpliTube.Over 20 bass gear emulations, including classic Ampeg bass amp models like the SVT-Classic, B-15R Portaflex Flip Top, BA-500 and SVT-4PRO. Select from Ampeg stomps like the SPC-OCT Octaver or the SCP-OD Overdrive, or cabinets like the SVT-410H or SVT-810E, powered by AmpliTubes unique DSM(Dynamic Saturation Modeling) technology. Easy to use with hundreds of presets ready to go.For the first time any musician, songwriter and producer can have a complete, all-in-one solution for bass recording. Not just for bass players, Ampeg SVX will give you that great bass sound you just cant get by plug

AmpliTube 2 Live Guitar Software $79.99 AmpliTube 2. Superior Modeling. Infinite Tone.The most popular guitar amp and effects modeling software raises the standard to an unprecedented level of high-quality emulation and extreme flexibility, for crafting the ultimate guitar tone.AmpliTube 2 offers everything needed to craft your own signature guitar tones with 5 separate modules including Tuner, Stomp, Amp Head, Miked Cabinet, and Rack Effects, on 2 series/parallel guitar rigs. 14 Preamps and EQs, 7 Power Amps, 16 Cabinets, 6 Microphones, 21 Stomp Effects, and 11 Rack Effects make AmpliTube 2 the most comprehensive guitar Amp and Effects Modeling software to date.Over 80 guitar gear emulations, including popular amp models based on Fender, Vox, Marshall, Mesa Boogie, THD, Supro, and more. Stomp Box effects modeled after rare vintage gear including models based on Arbiter FuzzFace, Ibanez Tube Screamer, MXR, Dynacomp, MXR Phase100, Electro Harmonix, Memory Man and more, with AmpliTubes unique DSM (Dynamic Saturation Modeling) technology.Only AmpliTube 2 offers each individual guitar amp component modeled separately, allowing you to freely create a staggering 20,000 amp combinations! This means you can mix and match Preamps, EQs, Power Amps and Cabinets of the most famous guitar amps of all time, to make completely new custom hybrid amp creations and get your own, truly personal sound.Thanks to its interface neatly organized the same way a guitar rig is laid out, AmpliTube 2 has a more natural organization and feel than many other other amp-simulation softwares in its category. No parameter is ever more than 2 clicks away. In addition, right out of the box, there are over 400 different programmed guitar Amp and Effects preset combinations covering virtually any famous signature guitar tone you may dream of.Features:5 separate modules: tuner, configurable Stomp pedal board, Amp head, Cabinet + Mic, and Rack 21 Stomp effects14 Amp models7 Power Amp models16 cabinet and 6 microphone models11 post-amp FX Racks2

Are You Talkin to Me - Custom Mic Stand $199 The "Are You Taklin' To Me?" Custom Chrome Series mic stand is a classic look that portrays attitude, toughness, and fun. Punch up your performance, and give the crowd a knock out show with this Custom Chrome mic stand, which proves that hand-to-hand combat with a microphone never looked so good.Custom Chrome Series Microphone Stand with One-hand Height Adjustment and Free Gig Bag - Comic Book-style "POW" Base with Brass Knuckle Clutch

Audio Buddy 2 Channel Microphone Preamp $119.95 If youre looking for a whole lot of preamp on a tight budget, youll see where this popular product gets its name. Affordability and performance make the Audio Buddy one of the most popular mic preamps in home recording today. You get professional microphone support along with line inputs impedance-matched for ideal performance with electric guitar and bass. Simply put, the Audio Buddy is a workhorse mic preamp that sounds great and wont hurt your budget. 2-channel mic/instrument preamp XLR mic ins; 1/4 instrument ins; balanced 1/4 outs Phantom power Ultra-compact 5Hz-50kHz frequency response All M-Audio products are covered by a one year warranty.

Audio Express 6 x 6 FireWire/USB 2.0 Hybrid Audio Interface $395 The MOTU Audio Express Hybrid interface with both FireWire and USB 2.0 connectors makes it possible to connect to any Mac or PC computer you come across so you can track and monitor audio with ease and precision. Its compatible with most music software titles so total integration within your studio environment is totally easy! You can record at rates of up to 24-bit/96kHz enabling you to produce professional sounding results whether in the studio or on the stage. It doubles as a standalone, compact mixer for live performance making it an all-around indispensible audio tool for your music-making arsenal.Ins, Outs and ReadoutsThe MOTU Audio Express offers comprehensive connectivity allowing you to hook up your mics, guitar, keyboards and other audio sources and easily mix and route them to your computer or live venues PA system. The front panel is adorned with all the knobs and information needed to effortlessly route your audio signals to their proper destination. Microphone controls 1 and 2 feature 48v phantom power for your sensitive condenser mics. Line level controls for inputs 3 and 4, a SPDIF level control and the master mix volume control are all within easy reach for quick and painless adjustments and a dedicated volume knob for the front panel headphone jack lets you set your level to a comfortable listening level. The easy to read front panel LED displays all your levels and recording status readouts so you always know whats going on under the hood, behind the chassis and inside your computer.Rear panel connections include 2 mic/guitar combo jacks, 2-1/4 line inputs, 4-1/4 outputs, pedal jack, SPDIF I/O, FireWire 400, USB 2.0 and MIDI I/O.All Together NowIncluded with the MOTU Audio Express FireWire/USB 2.0 6 x 6 Audio Interface is MOTUs AudioDesk workstation software for the Macintosh. It enables you to record, edit, mix and master using real-time 32-bit effects processing and sample-accurate synchronization. CueMix FX software for both Mac and PC gives yo

Audio Test Tone Generator $49.95 No larger than a standard microphone connector, the TONE PLUG is a unique audio test instrument capable of generating a variety of test signals for the rapid troubleshooting, analysis and calibration of audio systems and components. Equally at home in the studio or on the road, the TONE PLUG produces 11 distinct audio system test functions. The TONE PLUG's compact size and multiple functions make it one of the handiest audio test instruments you could own. 11 FUNCTIONSThe TONE PLUG offers five user selectable sine wave test tones at frequencies of 100, 250, 400, 1K and 10KHz. An additional 5 special function test signals are also provided. These include a 40/2400 Hz signal for testing the VLF components of a system such as sub-woofers, crossovers, amplifiers; a unique short duration, multi-frequency pulse for adjusting speaker time delays, reverbs and echo units; An amplitude sweep function for adjusting compressors, limiters and setting tape levels; Automatic frequency stepping of the five fixed frequencies and a unique sweep tone for tracing wiring in racks and buildings. The TONE PLUG even includes a bright LED indicator for checking microphone cables and phantom power. EASY TO USEA single push button on the side of the TONE PLUG allows for quick selection of the five fixed frequencies or the other special test functions. The TONE PLUG features a balanced mic output and is phantom powered, requiring no batteries or plug-in power supplies. It's always ready for immediate use.

AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor

AudioBox USB Audio Interface $149.95 What can be more clever and handy than employing a 1-stop recording solution whether you are a seasoned professional or new to the recording world? What if that solution just happened to yield 1st class, audiophile results in a compact, feature rich package with a very inviting price tag? Well then wed be talking about the Presonus AudioBox USB!The Presonus AudioBox USB is a 2x2 recording system powered by USB bus. It features 2 microphone/instrument inputs on the front panel with 48V phantom power, 2 balanced TRS outputs and MIDI in/out around the back. Presonus has collected multiple awards for their mic preamplifier technology over the years so its of no great surprise that the mic pres on the AudioBox sound stellar, yielding little noise and boasting specs rivaled by pricey boutique pre amps costing thousands of dollars more. Youll enjoy a pure, rich, clean sound that truly allows your trusted microphones to be themselves and shine right through unscathed. High-quality, 24-bit A/D digital conversion ensures that your recorded signal remains pure and true to the source, mostly due to the 102dB dynamic range. Outputs include 2 main outs, a stereo headphone outputThe Presonus AudioBox USB is housed in a sturdy, metal frame and accented with sturdy metal knobs. Its a welcome sight and feel for anyone whos had experience with affordable audio solutions but were left somewhat cold due to the less-than-sturdy construction and details of those designs. This is not so with the AudioBox USB. Now to make this package a truly amazing deal, Presonus has included their very own exceptional software package, Studio One Artist, as part of this bundle. This amazing new DAW software for Mac OS X and Windows XP and Vista helps make producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds. Giga

AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended)

B Control DeeJay BDC3000 DJ Control Surface $163.99 Its everything you ever wanted in a DJ production tool. Its gorgeous, you can put your hands on it and the software is just irresistible. The B-CONTROL DEEJAY BCD3000 DJ mixer lets you play, mix and scratch any MP3, WAV or other audio format with a real vinyl feel. Packed with mind-blowing features such as mixer, dual-player, effects, mic/phono preamps and a full-fledged monitor section, this 4-channel USB audio interface perfectly complements the included Native Instruments Traktor 3 LE DJ software or most other DJ software, running on Windows XP and Mac OS X operating systems. Put your hands on and spin! Get ultimate control over your virtual DJ machine and play, mix and scratch MP3, AAC, WMA, OGG, WAV and AIFF files with vinyl feeling Includes Native Instruments Traktor 3 LE DJ software with iTunes import, Beatport music store integration plus additional podcasting and recording software Powerful 4-channel USB audio interface with 24-bit converters and ultra-low latency operation under Windows XP and Mac OS X operating systems Your complete DJ setup in a single box: dual player, mixer, effects, 2 phono preamps plus a full-fledged monitor section 2 versatile jog wheels to control typical DJ functions like scratching, pitch bending and cue searching Total performance control through 3-band kill EQ, loop buttons, pitch and level faders per channel plus an ultra-smooth crossfader Use the 2 internal phono preamps to mix your vinyl records with MP3 files or run the BCD3000 as a digital DJ mixer with full effects control Internal microphone preamp with dedicated Level and EQ controls for MC performances or DJs talkover Dedicated control elements for play, cue, loop, pitch bend, search, effects and many more High-quality components and exceptionally rugged construction ensure long life Warranty:One year parts and labor.

BCM705 Hypercardioid Dynamic Microphone $719.95 The BCM705 is Neumann's first mic with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Dynamic capsule Hypercardioid directional characteristic  Integrated, neutral pop protection Integrated elastic suspension Individual headgrilles for different users  Colored rings to identify the replacement headgrilles Easy removal and cleaning of microphone headgrille (with bayonet mount) Mechanical compatibility with standard studio boom arms Multi-level isolation from structure-borne noise No power supply required The BCM 705 is Neumanns first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment. Mechanical FeaturesThe microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen. The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms. Acoustic Features The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect. The integrated Pop ScreenA pop screen not only prevents the occurre

BMS10A Microphone Stand Adapter $28 The BMS10A adapter mounts loudspeakers of up to 11 pounds to a microphone stand. The BMS10A fits the 5/8", 27-thread standard and comes with a 3/8"-16 European thread adapter. The BMS10A comes with two 5mm screws needed for mounting. The BMS10A also supports MG10/2, MG8/2FX and the STAGEPAS 300 mixer on mic stands. BMS10A  is sold as a single unit.

BP892C MicroSet Miniature Headworn Condenser Microphone $289 Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight Audio Technica BP892C hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit. The Audio Technica BP892C microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.Features:Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesComes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality* Doe NOT include the AT8539 power module, sold separately.Get your Audio Technica BP892C MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

BP892CW-TH MicroSet Headworn Omnidirectional Condenser Microphone (Beige) $299 The Audio Technica BP892CW MicroSet Headworn Omnidirectional Condenser Microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use. Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesIncludes AT8440 cable clip, AT8464 dual-ear microphone mount, two AT8157 windscreens, two AT8156 element covers, a moisture guard, and a carrying case.Get your Audio Technica BP892 MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy.

BR1200CD Digital Multitrack Recorder $1199 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM effects and amp models derived from BOSSs GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add hamornies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y

Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website.

Babyface Blue USB 2.0 Audio Interface $749 The Babyface is smooth on the outside for looks and feel, but has what it takes on the inside: latest 192 kHz AD- and DA-converters, two reference class microphone preamps, SteadyClock - analog circuit design, features and function are truly RME - we wouldn't give our newborn anything second class!That includes the new TotalMix FX, a TotalMix on steroids, with tons of new features, improvements and 3-band parametric EQs, plus added echo and reverb: anything you need right out of the box and with near zero latency! The Babyface uses RME's Hammerfall USB audio core from the Fireface UC - another milestone in low latency audio interfaces, and will give you outstanding performance and top sound in an ultra-portable, nicely designed and attractively shaped enclosure.Analog I/OsThe balanced XLR I/Os and the TRS phones outputs use RME's analog circuit design, therefore guarantee outstanding noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192 kHz with an SNR of up to 115 dBA. Due to its efficient jitter reduction, SteadyClock(TM) guarantees prestine sound quality, even when clocking to an external digital source.High-End Mic Preamps Both digitally controlled preamps provide individually switchable 48V phantom power. A gain of up to 60 dB, adjustable in steps of 3 dB over a range of 51 dB, exceptional EIN performance even at low amplification settings, and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.Digital I/Os The incredible feature set includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz. In combination with an ADAT converter, like RME ADI-8 QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.Phones Output The additi

Babyface Silver USB 2.0 Audio Interface $749 The Babyface is smooth on the outside for looks and feel, but has what it takes on the inside: latest 192 kHz AD- and DA-converters, two reference class microphone preamps, SteadyClock - analog circuit design, features and function are truly RME - we wouldn't give our newborn anything second class!That includes the new TotalMix FX, a TotalMix on steroids, with tons of new features, improvements and 3-band parametric EQs, plus added echo and reverb: anything you need right out of the box and with near zero latency! The Babyface uses RME's Hammerfall USB audio core from the Fireface UC - another milestone in low latency audio interfaces, and will give you outstanding performance and top sound in an ultra-portable, nicely designed and attractively shaped enclosure.Analog I/OsThe balanced XLR I/Os and the TRS phones outputs use RME's analog circuit design, therefore guarantee outstanding noise and distortion values. The latest generation AD/DA converters provide sample rates up to 192 kHz with an SNR of up to 115 dBA. Due to its efficient jitter reduction, SteadyClock(TM) guarantees prestine sound quality, even when clocking to an external digital source.High-End Mic PreampsBoth digitally controlled preamps provide individually switchable 48V phantom power. A gain of up to 60 dB, adjustable in steps of 3 dB over a range of 51 dB, exceptional EIN performance even at low amplification settings, and extremely low THD+N values let these preamps surpass those of other devices that cost several times the price of the Babyface. All level settings are 100% recallable by the setup software and can be comfortably adjusted directly at the unit.Digital I/OsThe incredible feature set includes an optical TOSLINK I/O, usable as ADAT port with SMUX support or SPDIF optical at up to 192 kHz. In combination with an ADAT converter, like RME ADI-8 QS or OctaMic II, the Babyface provides an incredible amount of 10 analog input and 12 output channels.Phones OutputThe additiona

Blue Series Cardinal Cardioid Condenser Microphone $149 Style meets substance. Can a phrase usually reserved for the fashion world apply to a budget-friendly, expensive-sounding microphone? Absolutely, if youre talking about the Electro-Voice Cardinal Microphone!The Cardinal is a cardioid condenser mic perfectly tailored to capture vocals, but its usefulness doesnt stop there; its also a great mic for toms, overhead drums, worldly percussion or anything that demands to be recorded in full-range detail. The EV Cardinal employs a class A discrete amp along with a self-biased condenser element making for a mic that captures a wide range of frequencies with excellent transient response characteristics, yet exhibiting ultra-low noise.It has a great proximity effect when your vocal sound requires that extra low-end boost. The closer you get to the Cardinals grille the more prominent the bass response really very versatile. Back off a bit to lessen the effect. Very useful when mixing together lead and background vocal tracks different colors to play with, all from the same microphone!The Electro-Voice Cardinal Microphone is a beauty to behold with its retro-styled cherry-stained hardwood outer housing and nickel-chrome detail. The adjustable double-swivel mount provides exceptional results in many positions and situations making this microphone a versatile workhorse. Err, uh Cardinal!Features:Pressure gradient cardioid condenserClass-A discrete ultra-low noise circuitryUnique double swivel-mounted design for ideal positioingInnovative visual design with cherry wood mic housingGreat for voice or instruments

Bring It On, Sucka! Custom Mic Stand Topper $39.99 Ultimate Support Custom Mic Stand Toppers feature detailed, themed designs that are intended to showcase the personality of singers from every walk of life. Transport your boring mic stand into a personality-driven mic rig that drips with flair by simply adding a Custom Mic Stand Topper to the top of it! While the Custom Mic Stand Topper looks great and works fine on any mic stand (US thread), when placed on a Live Series mic stand from Ultimate Support, the Custom Mic Stand Topper becomes a one-hand clutch that lets you adjust the height of your microphone with a quick, simple squeeze!The "Bring It On, Sucka!" Custom Mic Stand Topper is a tough and fun theme that tells everyone around you mean business. Grab the hand grenade clutch and your set will explode with attitude while holding the audience hostage to your bombastic show.You can leave your Custom Mic Stand Topper on your mic stand at the end of the night, or quickly screw it off the mic stand and put in a gig bag for convenient transport from show to show. Custom Mic Stand Toppers are made from die-cast aluminum so they're rugged enough to take whatever you throw at them.Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery.Ultimate Item No. - TOP-3

C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included

C2000B Cardioid Condenser Microphone $199 This versatile condenser mic delivers super flat response and provides a crystal clear up-front sound. Switchable bass rolloff filter for eliminating proximity effect. A 10-dB preattenuation pad, so that the microphone can be adjusted to all recording or live miking situations. Built-in pop screen will reduce unwanted noise. Rugged construction, elegantly styled die-cast metal housing, and silver-gray finish complete this mic.

C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz.

C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz.

C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against

C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp

C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB)

CM311 Differoid Headset Microphone $329.99 Designed for touring and live-sound applications, the Crown CM-311A is a rugged head-worn microphone with unequalled performance. It sounds like the best handheld microphonesfull, clear, and distortion-free, even with the loudest singers. The CM-311A is the latest version of the Crowns proprietary Differoid technology. Its cardioid pickuppattern rejects sounds from the rear, so floor monitors don't present a problem. Its noise-canceling ability rejects sounds at a distance, such as instruments on stage and crowd noise. This results in the CM-311A having outstanding gain-before-feedback and isolation. Lightweight and comfortable, the mics headband and boom adjust to fit any singer. An included pop filter greatly reduces breath noise and pops. Because of the booms unique behind-the-ear design, it does not cover up the singers face. The CM-311A is powered by a 9V battery or phantom power. It has a battery belt pack with an on/off switch, a programmable mic on/off switch, and a Mic On LED.    

CS Series Microphone with 2 Interchangeable Capsules $89.99 Samsons CS Series (Capsule Select) Microphone offers the capabilities of two pro-level dynamic microphones in one versatile package. With easily interchangeable Vocal and Instrument mic capsules, the CS Series mic is perfect for capturing stunning vocal performances or miking your favorite instruments.The CS Series mic features both the CS1 (vocal) and CS2 (instrument) selectable mic elements, as well as a handheld base. Both neodymium capsules offer a supercardiod pickup pattern, but are further designed to support completely different miking applications. The bases threaded twist-off construction makes it both quick and easy to change capsules and miking techniques. The base also features a gold-plated XLR jack (mic cable not included) for strong connectivity.

CS5 Multi Pattern Condenser Microphone $349 The Studio Projects CS5 is an externally polarized five pattern pressure gradient transducer microphone with FET impedance converter. The capsule is a 1.06 (27mm) capsule, with a diaphragm thinkness of 6m. It features five selectable polar patterns, four selectable pads, four high pass filters, and four low pass filters for added control in various recording applications and a clear, full response expected from a large capsule microphone design. Versatility is key in the recording arena, and the Studio Projects CS5 is well equiped to handle any recording application. It is designed to deliver the finest quality vocal and instrumental recordings and will serve to enhance any professional or project studio. Features Pressure-Gradient Transducer: 1.06" (27mm) 6um mylar diaphragm FET impedance converter Five Polar Patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, Fig 8 -5dB, -10dB, -15dB, and -20dB Pads 50hZ, 75hZ, 150Hz, and 300hZ High Pass Filters @ 6dB/octave 15kHz, 7kHz, 5kHz, and 3kHz, Low Pass Filters @ 6dB/octave Applications Close miking of instruments with high sound pressure levels Announcers mic for broadcasting/dubbing Home recording and project studios Vocalist recording Spot mic for: wind instruments, strings, percussion and guitar amps XY - Coincident Cardioids  Mid-Side Method  Stereosonic Technique (Blumlein)  Overheads Included Accessories Shockmount Foam wind screen  Case CS5 Specifications Type: Pressure gradient transducer microphone Polar patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, and Figure of 8 Frequency response: 20~20000Hz Sensitivity: 14mV/Pa=-32dB(0dB=1V/Pa) Output impedance: 200 Ohm Load impedance: 1000 Ohm Maximum SPL: 136 dB SPL for 1% THD @1000Hz (0dB SPL=0.00002Pa) 156dB with -20dB preattnuation Equivalent Noise Level: 13dB-A S/N: 81 dB-A Power requirement:  48 +/- 4V Current consumption: 4mA Circuit: JFET impedance converter, discrete balanced output Connector: Gold-plate

CUBE Street Battery Powered Guitar Combo Amp $299 A guitar amp and mini PA system in one, the amazing Cube-Street offers up to 15 hours of use on 6 AA alkaline batteries. The XRL/1/4 Microphone input Mic/Line channel offers delay and reverb. The guitar amp models include tube-driven blues classics to modern metal stacks and a clean instrument amp. The Guitar channel also has reverb and delay, as well as chorus, flanger, phaser and tremolo. EQ on both channels and two gain stages round out your guitar tone. An acoustic simulator gives you acoustic guitar sound from an electric. The Stereo aux in is perfect for MP-3 players; the stereo headphone out doubles as a record out. Compact, lightweight stereo amplifier with slanted cabinet design Two high-performance 6.5 neodymium speakers Battery driven (6 x AA, maximum 15-hour continuous use) Dual-channel architecture with Guitar/Inst and Mic/Line inputs 8 COSM AMPs, 6 digital effects, and chromatic tuner built in 2-band EQ, Delay/Reverb for the Mic/Line-channel AC Adaptor included Great Sound to GoRoland CUBE amps are famous for performance that exceeds their physical size, and the CUBE Street is no exception. With two highperformance neodymium speakers onboard, this amp sounds incredible, and is capable of high-volume output that defies its physical dimensions. Best of all, it can run for up to 15 hours on just six AA alkaline batteries. 8 Amps OnboardMore than meets the eye, the CUBE Street is actually 8 different amps in one via its built-in COSM amp models. From tube-driven blues classics to modern metal stacks, Rolands COSM technology is world famous for capturing every nuance of the original amps from the preamp and circuits to the speaker. Bonus FeaturesThe CUBE Street is chock full of extra features to make your gigs easier, including a built-in chromatic tuner and 2 digital effects processors. In addition to the aforementioned COSM amp models, you can choose from six of Rolands famous effects to enrich your sound. Portable PAIts a guitar amp and mini PA s

Concert 77 Fitness System $179 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Fitness System is a high-performance UHF wireless solution that's ideal for fitness instructors looking for clear vocal reproduction while keeping their hands free.Featuring the SE10, a low profile, omnidirectional headworn microphone that provides outstanding audio reproduction, making it perfect for fitness and other vocal applications.The SE10 can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Thanks to the omnidirectional pickup pattern, the SE10's off-axis frequency response is linear, resulting in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source.The SE10 has also been specially treated with a water resistant coating, providing extra protection from sweat and other moisture. Additionally, there is a moisture-guard drip ring to further protect the capsule and ensure reliable performance.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Fitness System, advanced technology and total convenience combine to provide profes

D5 Handheld Cardioid Dynamic Microphone $99 The AKG D 5 is a supercardioid dynamic microphone with a new diaphragm technology called Laminate Varimotion. Thanks to this new technological breakthrough, the D 5 delivers unprecedented sound quality, characterized by smooth, extended response with airy, detailed highs along with the highest gain-before-feedback of any product in its class. The D 5 is the most roadworthy live sound mic AKG has ever built and features a double shock mount system to keep handling noise low, thick, dent-resistant spring steel grille and gold-plated XLR output connector for loss-free signal transfer. The D 5s nicely weighted chassis is the heaviest in its class and the dark gray matte finish is modern and classy. Laminate Varimotion diaphragm delivers incredibly detailed sound quality with smooth, airy highs Laminate Varimotion diaphragm and supercardioid pickup pattern delivers the highest gain-before-feedback Neodymium-iron-boron magnet delivers improved transient response and high output level Extra-thick spring steel grille is especially dent-resistant Gold-plated XLR-type output connector ensures loss-free signal output Specifications: Polar pattern supercardioid Frequency range 70 Hz to 20 kHz Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL 147/156 dB SPL (for 1% / 3% THD) Equivalent noise level 18 dB-A Signal/noise ratio (A-weighted) 76 dB Impedance <= 600 ohms Recommended load impedance >= 2000 ohms Connector 3-pin XLR Finish matte grayish blue Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.) Net weight 340 g (12 oz.) Shipping weight 655 g (1.45 lbs.) Warranty:AKG warrants AKG products against evident defects in material and workmanship for a period of two years from the date of original purchase for use. This warranty does not cover electrical or mechanical damage resulting from misuse or abuse, lack of reasonable care, damage due to force majeure or natural forces, or inadequate repairs performed by unauthorized service centers.

DB1 Direct Box $79.99 Professional quality passive direct box for connection of unbalanced musical instruments, line-level sources, and guitar amplifier outputs to low-Z balanced microphone input for PA or recording. 1/4 (6. 35mm) input (with parallel 1/4 output). Switches for speaker/line-level attenuation, high-cut filter, and ground lift. Male XLR-type balanced mic-level output. Uses Pro Co DBT-1 transformer (20k/150 ohm).

DJM-250W 2-Channel Performance DJ Mixer (White) $349 The Pioneer DJM-250-W is equipped with eight different input paths including four DJ multi-player and analog turntable inputs, three auxiliary (AUX) inputs, and one microphone (MIC) input. The mixer can be used as a preamp and connected to a variety of devices such as PCs, portable music players, televisions or synthesizers.Dedicated Sound Color Filter On Each ChannelThe manual filter function employed on each channel of Pioneers high-end equipment is built into the DJM-250-W as its Sound Color Filter function. By simply turning the integrated large knob, filter effects can be adjusted enabling dynamic and intuitive song arranging. In addition, since filter effects can be added independently to the songs on each channel, a variety of mixing possibilities can be realized by combining fader operation and EQ effects. Furthermore, different colors and blinking lights on the knob visually indicate the filter mode of the mixer.Premium XLR Balanced OutputsThe Pioneer DJM-250-W is equipped with XLR balanced outputs that minimize degradation of audio signals. Additionally, the mixer enables users to quickly connect XLR compatible devices such as powered speakers without an adapter.Additional Features Include: Compatible with 48 kHz/24-bit full digital processing for added sound quality Each channel equipped with a 3-band isolator type equalizer to allow a wide level of control (+9dB to - of cut for HI/MID/LOW bands) Fader Start Play function enables user to begin playback on connected Pioneer DJ players linked with fader operation Peak level meter displays audio input level for each channel Cross Fader Curve Adjust function allows switching between three patterns of cross fader curves Rack mount ears for installation into a DJ table or DJ rack Dedicated Sound Color Filter on each channel 8 flexible inputs for connecting a multitude of devices Premium XLR balanced outputs 3-band Isolator equipped on each channel Cross Fader Curve Adjust and Fader Start Play functions

DK25L Live Performance Drum Microphone Package $1999 The DK25/L is for Live Performance and has three SR25s: two for overheads and one for kick drum; a KickPad and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The SR25 cardioid response is 50Hz to 25kHz. This model will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies.   The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.)

DK25R Recording Drum Microphone Package $1549 The DK25/R is for Recording and  has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad and a windscreen. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The TC25 omni has a frequency response of 9Hz to 25kHz and the SR25 cardioid response is 50Hz to 25kHz. Both models will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies. The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.) TC25 Specifications: Frequency response: 9 Hz to 25 kHz +1/-3 dB Polar pattern: Omnidirectional Sensitivity: 8mV/Pa (-42dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 2

Be Sociable, Share!

•