Mic System
November 10th, 2009
Dropouts with wireless mic system?
I am using GTD Audio G-338 hand held system. I get alot of drop outs with this system especially if I'm using an outside power socket or if I plug it into my power strip that I plug my speakers & all my other dj equipment into. The dropout makes a huge static sound & is quite embarassing. When I plug this unit directly into an inside wall socket seperately from everything else the problem seems to diminish. Sometimes I don't always have this option though. Was thinking about getting another unit GTD Audios G-788L True Diversity system with 2 lapel mics for wedding ceremonies, but was wondering if I could get a hand held mic to go along with this system? And is this the right system for me? Could I use my old hand helds from my G-338 system with the G-788? The G-388 operates in the 800m range on the receiver, & the G-788 operates on the 600m range. Tried calling gtd audio but no one ever answers.
You might want to stay away from GTD Audio altogether. There are many cheap Chinese made wireless mics out there that do not work well. You really should consider a wireless system from Shure, AKG, Sennheiser - maybe Samson if you are on a budget.
Mixing and matching mics from different systems may work as long as they are capable of changing frequencies. I personally would not do it.
Here is a very reliable wireless mic from Shure - I use these:
http://www.amazon.com/Shure-PGX24-Handheld-Wireless-System/dp/B0009GUORO/ref=sr_1_1?s=musical-instruments&ie=UTF8&qid=1301518272&sr=1-1
or lapel:
http://www.amazon.com/Shure-PGX14-Lavalier-Wireless-System/dp/B00097DF7O/ref=sr_1_2?ie=UTF8&s=musical-instruments&qid=1301518312&sr=1-2
These mics are more expensive than the GTD Audio mics but the difference is they work. I have never had a dropout with my Shure mics.
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GAC/KDF-85 AND 5 Micron Sediment Big Blue Whole House Filter Set - 4.5 x 20 $137.00 The Big Blue whole house filter set includes the 4.5" x 20" 5 micron Big Blue filter and the 4.5" x 20" GAC/KDF-85" Big Blue filter. The GAC/KDF-85 filter contains 4.0 lbs. of KDF-85 media, along with granular activated carbon (GAC), for whole house removal of chlorine, chloramines, tastes & odors, iron, hydrogen sulfide, manganese, and other heavy metals. This is a great upgrade to your curren... |
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10 Micron Hot Water Post-Filter System $165.30 High Temperature housings are highly recommended for those who have tankless hot water heaters. Tankless hot water heaters can cause dissolved solids to bond together and become large enough to get trapped in the aerators of faucets or in shower heads. Constructed of glass-reinforced nylon. High Temperature filter housings are an economical alternative to stainless and carbon steel housings. Thes... |
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Omnipure (E5515-P) E-Series 1 Mic. Carbon Block with Scale Inhibitor, Lead & Cyst. Reduction 2.5 X 10 The Omnipure E5515-P is a 1 Micron Carbon Block Lead Reduction Water Filter with Phosphate Scale Inhibitor. This filter also features a universal cap that fits all permanent existing heads which makes this filter easy to install and remove. This filter also aids in the removal of cysts, lead, scale, taste, odor and chlorine.Omnipure E5515-P E-Series Water Filter Specs:Dimensions: 2.5"" W X 10"" LR... |
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Touch $8.99 ... |
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Wireless IP Pan/Tilt/ Night Vision Internet Surveillance Camera Built-in Microphone With Phone remote monitoring support(Black) $46.88 Specs: Image Compression Format: M-JPEG standard Image Resolution: VGA(640x480) / QVGA(320x240) Sensor: 1/4 inch CMOS, 300,000 Pixels Light frequency: 50Hz, 60Hz or Outdoor Audio compression: ADPCM Data rate: 802.11b: 11Mbps (Max.), 802.11g: 54Mbps (Max.) Ethernet: One 10/100Mbps RJ-45 Viewing angle: 67? Horizontal Rotating Angle: 0~270? Vertical Rotating Angle: 0~120? Alarm Mode: motion detection... |
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33i Headphones $69 The 33i from eskuch looks to its predecessor headphone, the 33 1/3, for its chassis, and merges it with the improved structural components of the 45. The minimal, futurist exterior boldly takes 70s hi-fi stereo industrial design and amps it up for a modern, cutting-edge aesthetic. A single-rod headband-to-ear-cup connection reduces the number of parts to increase durability while maintaining its sharp appearance. The circular ear cups also tastefully nod to the 70s: the 12 vinyl record finish evokes the music format of the era; the metallic material finish represents the premium audio IDing codes of the day. Plush ear cup cushions are designed to mitigate outside noise influence while sharpening the experience of the speaker drivers crisp highs and deep lows, all while maintaining comfort. In addition, eskuch provides a custom one-touch mic answer/end/play/pause, premium cloth cable system compatible with iPod/iPhone/iPad, and a 6.3mm adaptor enabling you to experience the headphones with multiple music and media output devices. Product Features Custom designed single touch controller for seamless play/pause and answer/end technology Gold plated 3.5mm 4 pin plug (for music AND talk), and a gold plated 6.3mm adaptor Plush ear cup cushioning and soft, pliable headband for hours of comfort Compatible with iPod/iPhone/iPad and other music output devices Premium woven cloth cording to prevent tangling Protective headphone travel pouchAudio Specs Driver Diameter: 40mm Impedance: 32O Frequency Response: 20Hz-20KHz Sensitivity: 1153dB Input plug diameters: 3.5mm to 6.3mm and 3.5mm 4 pinGet the newest brands from Sam Ash and remember, accessories ship fast and free from Sam Ash Direct |
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376 Channel Strip $529.95 The dbx 376 Tube Channel Strip includes such standard features as: a tube preamp section, 3-Band parametric EQ section, Compressor, De-Esser and digital outputs, the 376 is the perfect companion piece for recording and tracking vocals and mic'd applications in the analog and digital domain. The 376 puts the best of both worlds into one affordable package by combining the warmth of the vacuum tube, with the proprietary dbx Type IV conversion system. The dbx 376 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering. In addition, the 376 also offers digital output capabilities in both AES/EBU, and S/PDIF formats as standard features. The high impedance, 1/4 instrument input located on the front panel, as well as the mic/line switch, and 20 dB pad show dbx's dedication to providing convenience in the studio. The LED meters provide a clear and concise visual of the signal processing at a glance. The rear panel includes both mic and line inputs and outputs, word clock sync input and output, insertion jack and digital outputs. Add selectable sampling rates of 44. 1 kHz, 48 kHz, 88. 2 kHz, or 96 kHz; selectable dithering and noise shaping; and separate analog and digital output controls to this already impressive list of features, and we think you'll agree that the 376 lives up to the uncompromising standards of dbx Professional Products. |
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386 Microphone Preamp $529.95 The dbx Silver Series 386 dual channel tube mic preamp puts the best of both worlds into one affordable package by combining the warmth of the irreplaceable vacuum tube with the proprietary dbx? Type IV conversion system. The 386 boasts many of the same features as other products in the Silver Series, such as +48V phantom power, a phase invert switch, and low cut filtering; but also includes digital outputs in both AES/EBU, and S/PDIF formats. |
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45 DJ/Studio Headphones $129 DJ/studio monitor engineered and designed with dynamic speaker drivers, the eskuche 45s are optimized for a balanced frequency of the low, mid, and high-ranges, while maintaining clarity at maximum output levels. The 45, as with the rest of eskuchs catalogue, draws inspiration from classic industrial design of the durable and sleek hi-fi exterior of 70s premium audio equipmentwhile delivering a product expected by todays savvy consumer, audiophiles and casual music fans alike. Notably, the textured aluminum ear cups are connected to the headband by one single rod that rotate 180 for greater listening versatility and a minimized number of internal components and moving parts, making for an even sturdier, long-lasting construction. The 150cm woven cloth cable further enhances both the longevity and fidelity of the product. Its gold-plated screw-on 6.3mm adapter makes it compatible with a wide array of high-end audio equipment and the mics answer/end/play/pause button enables its user to integrate the headphone with multiple music output devices and phone functions. Whether you are listening to a timeless soul acetate, a groovy disco-funk 12, or a hi-def self-released MP3 by your favorite band, this headphone gives you the nostalgic connection from an inspirational time of audio design and music, enhanced by the technology, functionality, and production quality of today. Product Features DJ/studio monitor design with 40mm dynamic drivers optimally tuned for massaging lows while sustaining crisp highs Aluminum ear cups for a classic and durable industrial design 180 ear cup rotation for DJ functionality Plush ear cup cushioning, and a soft, padded, pliable headband for hours of comfort Premium woven detachable cable system for tangle prevention: 150cm DJ cable with screw on gold plated 6.3mm adaptor Mic cable with answer/end + play/pause functionality Compatible with DJ mixers, home stereos, iPod/iPhone/iPad, and other music output devices Protective PU leather headpho |
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828 mk3 Hybrid Computer Audio Interface $749 Having trouble deciding between a high-end FireWire and USB2 audio interface for computer recording? Cringing at the idea that youll need multiple audio solutions for your multiple systems? Dont sweat it! The MOTU 828mk3 Hybrid Audio Interface offers audio engineers a high-end solution for moving audio in and out of your computer via a feature-filled first class audio interface. Its compatible with both FireWire and USB2 and, in addition, the MOTU 828mk3 doubles as a standalone mixer for live performance duty ultimately making it 3 professional solutions in one. Get ConnectedAdorned with a wealth of analog and digital connectivity, the MOTU 828mk3 delivers professional, reliable performance whether used with MOTU software or the software of your choice, Mac or PC. The 828mk3 provides a total of 28 inputs and 30 outputs including dedicated main XLR outputs and 2 front panel headphone outputs. There are 10 channels of 192kHz recording and playback, 16 channels of ADAT I/O and stereo S/PDIF. A pair of front panel XLR/TRS combo jack inputs let you plug in your dynamic or condenser microphones (switchable 48V phantom power is available on both mic preamps). Built-in overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or digital artifacts. Both mic preamps provide 53 dB of gain and is adjustable using the detented rotary encoder. The LCD gives you a precise readout of your settings so youre always in-the-know.Built-In Digital MixerThe MOTU 828mk3 features the onboard CueMix FX digital mixer with built-in DSP offering compression, EQ, and reverb to all the inputs and outputs freeing your computer of these system taxing chores as well as providing you with all the effects youll need for a live performance when you use the 828mk3 as a live mixer. When operating the 828mk3 as a stand-alone mixer with effects, all operations are carried out via the front panel backlit LCD on the front panel.Whether youre an audio engineer in need of a |
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896mk3 Hybrid Firewire/USB 2.0 Audio Interface $995 The MOTU 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.Flexible operationThe MOTU 896mk3 is equally well suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.On-board digital mixer with effects for monitoring and live mixingConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.When recording from the analog inputs, the 896mk3s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.Advanced audio analysis toolsAnalyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.Stand-alone operation as a mixerAfter programming the on-board mixi |
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8pre Firewire Audio Interface $549 The MOTU 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces. FireWire audio interface for Mac and Windows - provides 16 inputs with 8 mic preamps and 12 outputs including separate phone and main outs for all the basic I/O you need for a powerful desktop studio. Eight XLR/TRS "combo jack" mic inputs - connect up to eight mics, or mix and match mics with guitars, synths, drum machines and other analog input signals. Flexible analog inputs - each provides a crystal-clear preamp (for both the XLR and TRS input), 24-bit 96 kHz converters, individually switchable 48-volt phantom power, 20 dB pad and front-panel trim controls. Mix and match condenser and dynamic microphones as your needs require. Eight channels of ADAT optical I/O - provides two sets of optical connectors to provide eight channels of optical digital I/O even at high samples rates (88.2 or 96 kHz). Operates as an optical expander - connect the 8pre to any ADAT optical compatible device (another audio interface, a digital mixer, etc.) to add 8 additional mic inputs seamlessly integrated into the mixing environment of the host device. Discrete ins/outs - there's no channel sharing in the 8pre; the mic inputs, ADAT optical I/O, headphone out and main outs are all handled as separate channels. CueMix DSP near-zero monitoring system. Multiple CueMix DSP mixes - create different monitor mixes for the main outs and headphones. Add send/return loops for outboard gear with no latency. Front-panel metering - five-segement meters for all analog inputs, plus status lights for clock and interface/expander mode. Sample-accurate MIDI - connect a MIDI controller and/or sound module w |
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AirLine Synth Earset True Diversity UHF Wireless System $495.97 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.AirLine Synth Wireless SystemsSamson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies with up to 11 simultaneous systems.AL300 AirLine Synth Beltpack TransmitterThe AL300 is the smallest beltpack transmitter available. And it's designed with a unique, spring-loaded cover to provide easy access while preventing accidental changes to your settings.Mounting to your belt or inside a coat with a special steel clip, the AL300 has a P3 locking audio connector, precision mic and instrument preamps, attenuation switch and a mute switch for "hot swapping". The package also includes a great sounding SE10T micro-headset and EC10TX cable for professional, hands-free operation.AR300 AirLine Synth ReceiverThe Beltpack System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and |
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AirLine Synth UHF Wireless Beltpack Fitness Headset System $449 AirLine Synth Wireless SystemsSamson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies with up to 11 simultaneous systems.AL300 AirLine Synth Beltpack TransmitterThe AL300 is the smallest beltpack transmitter available. And it's designed with a unique, spring-loaded cover to provide easy access while preventing accidental changes to your settings.Mounting to your belt or inside a coat with a special steel clip, the AL300 has a P3 locking audio connector, precision mic and instrument preamps, attenuation switch and a mute switch for "hot swapping". The package also includes a great sounding Qe headset for professional, hands-free operation.AR300 AirLine Synth ReceiverThe Beltpack System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and cutting-edge technology. We also designed it with a backlit LED front panel display that shows AF/RF levels, frequency, audio output level and group for easy setup on the y. Up to four AR300M modules can also be rackmounted in a single rackspace using the AR4300 receiver.F |
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Airline 77 Handheld System $269 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The AirLine 77 UHF Handheld System offers a true wireless experience allowing complete freedom of mobility. The system includes the CR77 receiver and an AX1 handheld transmitter, which plugs into any standard dynamic microphone to make it wireless. A Samson Q7 dynamic microphone is also included for a total solution.Small and lightweight, the AX1 plugs directly into any dynamic microphone you want to use. The transmitter is so unobtrusive and discrete, it feels like it's a natural part of the mic. Plus, all of the AirLine transmitters operate on inexpensive and lightweight AAA batteries that offer 14 hours of operation on a single battery.The Q7 is a handheld, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. <P> Thanks to a high level of sensitivity, the Q7 will pick up all the nuances of any performance with exceptional clarity and detail. Plus, it employs a tight supercardioid pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.The core of the system is the CR77 true-diversity half-rack UHF receiver. It works flawlessly with all AirLine UHF transmitters. Featuring a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob that allows easy adjustment of audio output, the CR77 takes all the guesswork out of making your wireless system perform. Its synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation. The rear panel features balanc |
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Audio Express 6 x 6 FireWire/USB 2.0 Hybrid Audio Interface $395 The MOTU Audio Express Hybrid interface with both FireWire and USB 2.0 connectors makes it possible to connect to any Mac or PC computer you come across so you can track and monitor audio with ease and precision. Its compatible with most music software titles so total integration within your studio environment is totally easy! You can record at rates of up to 24-bit/96kHz enabling you to produce professional sounding results whether in the studio or on the stage. It doubles as a standalone, compact mixer for live performance making it an all-around indispensible audio tool for your music-making arsenal.Ins, Outs and ReadoutsThe MOTU Audio Express offers comprehensive connectivity allowing you to hook up your mics, guitar, keyboards and other audio sources and easily mix and route them to your computer or live venues PA system. The front panel is adorned with all the knobs and information needed to effortlessly route your audio signals to their proper destination. Microphone controls 1 and 2 feature 48v phantom power for your sensitive condenser mics. Line level controls for inputs 3 and 4, a SPDIF level control and the master mix volume control are all within easy reach for quick and painless adjustments and a dedicated volume knob for the front panel headphone jack lets you set your level to a comfortable listening level. The easy to read front panel LED displays all your levels and recording status readouts so you always know whats going on under the hood, behind the chassis and inside your computer.Rear panel connections include 2 mic/guitar combo jacks, 2-1/4 line inputs, 4-1/4 outputs, pedal jack, SPDIF I/O, FireWire 400, USB 2.0 and MIDI I/O.All Together NowIncluded with the MOTU Audio Express FireWire/USB 2.0 6 x 6 Audio Interface is MOTUs AudioDesk workstation software for the Macintosh. It enables you to record, edit, mix and master using real-time 32-bit effects processing and sample-accurate synchronization. CueMix FX software for both Mac and PC gives yo |
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Audio Test Tone Generator $49.95 No larger than a standard microphone connector, the TONE PLUG is a unique audio test instrument capable of generating a variety of test signals for the rapid troubleshooting, analysis and calibration of audio systems and components. Equally at home in the studio or on the road, the TONE PLUG produces 11 distinct audio system test functions. The TONE PLUG's compact size and multiple functions make it one of the handiest audio test instruments you could own. 11 FUNCTIONSThe TONE PLUG offers five user selectable sine wave test tones at frequencies of 100, 250, 400, 1K and 10KHz. An additional 5 special function test signals are also provided. These include a 40/2400 Hz signal for testing the VLF components of a system such as sub-woofers, crossovers, amplifiers; a unique short duration, multi-frequency pulse for adjusting speaker time delays, reverbs and echo units; An amplitude sweep function for adjusting compressors, limiters and setting tape levels; Automatic frequency stepping of the five fixed frequencies and a unique sweep tone for tracing wiring in racks and buildings. The TONE PLUG even includes a bright LED indicator for checking microphone cables and phantom power. EASY TO USEA single push button on the side of the TONE PLUG allows for quick selection of the five fixed frequencies or the other special test functions. The TONE PLUG features a balanced mic output and is phantom powered, requiring no batteries or plug-in power supplies. It's always ready for immediate use. |
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AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor |
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AudioBox USB Audio Interface $149.95 What can be more clever and handy than employing a 1-stop recording solution whether you are a seasoned professional or new to the recording world? What if that solution just happened to yield 1st class, audiophile results in a compact, feature rich package with a very inviting price tag? Well then wed be talking about the Presonus AudioBox USB!The Presonus AudioBox USB is a 2x2 recording system powered by USB bus. It features 2 microphone/instrument inputs on the front panel with 48V phantom power, 2 balanced TRS outputs and MIDI in/out around the back. Presonus has collected multiple awards for their mic preamplifier technology over the years so its of no great surprise that the mic pres on the AudioBox sound stellar, yielding little noise and boasting specs rivaled by pricey boutique pre amps costing thousands of dollars more. Youll enjoy a pure, rich, clean sound that truly allows your trusted microphones to be themselves and shine right through unscathed. High-quality, 24-bit A/D digital conversion ensures that your recorded signal remains pure and true to the source, mostly due to the 102dB dynamic range. Outputs include 2 main outs, a stereo headphone outputThe Presonus AudioBox USB is housed in a sturdy, metal frame and accented with sturdy metal knobs. Its a welcome sight and feel for anyone whos had experience with affordable audio solutions but were left somewhat cold due to the less-than-sturdy construction and details of those designs. This is not so with the AudioBox USB. Now to make this package a truly amazing deal, Presonus has included their very own exceptional software package, Studio One Artist, as part of this bundle. This amazing new DAW software for Mac OS X and Windows XP and Vista helps make producing high-quality projects easier than ever before. As part of the Studio One Artist package, you get 20 new PreSonus Native Effects plug-ins and virtual instruments and a generous bundle of third-party loops, software, and instrument sounds. Giga |
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AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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Auro D210 2-Way Active PA Speaker $249.99 Compact yet resilient, the Samson Auro D210 active loudspeaker offers 200 watts of output power and clear, full-range audio. Ideal for installation purposes, gigging musicians and general live sound reinforcement applications, Auro provides versatile speaker solutions that integrate easily into PA setups.Auro D210 features a conveniently lightweight Class D design, producing big sound thanks to its 10-inch extended low frequency driver and accompanying 1-inch (25mm) compression driver. Immersive, articulate bass and sweet, lucid highs create well-balanced and expressive audio suitable for any situation where pro-quality sound is a must.For additional versatility, this speaker features a Mic/Line input with Volume control and Clip LED. Also, a Line output allows for the linking of multiple speakers. Auro features a 1 3/8-inch (35mm) pole mount receptacle and floor monitor positioning options for flexible setup.Bridging the gap between portable and fixed installation applications, Auro D210 is perfect for sound professionals and performers seeking serious power and true sonic purity.Reinforcement Has ArrivedThe Samson Auro D210 was designed to provide clear, full-range live sound reinforcement in a variety of applications. Whether you're a karaoke diva, singer/songwriter, DJ, or full band gigging in a small performance space, Auro guarantees you an immensely powerful, sonically pure and highly mobile sound. In addition, the speaker enclosures floor monitor positioning options lend Auro perfectly to near-field and far-field monitoring applications.Perfect for the PodiumTake command of the boardroom podium with Auro D210. When integrated into a PA system, the speaker provides the perfect solution for a business professional leading any sort of presentation. No matter the application (presentations, company meetings, corporate events, etc.), the unit will allow you to convey your ideas to your audience clearly.PA AppreciationIn addition to all students, teachers and |
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Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included |
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C1 Rack Mount Three Channel DJ Mixer $99.95 C1 is a three-channel rack mixer for clubs, bars, and mobile DJs. Everything a club or mobile DJ needs is built in, with none of the confusing bells and whistles found in more expensive mixers.Two switchable phono/line, four dedicated line, and a mic input enable you to connect C1 to almost anything. Master and Record outputs, a user-replaceable crossfader, five-band EQ and a dedicated mic EQ complete this powerful package.C1's combo mic connector allows you to plug in almost any mic, whether it has a 1/4 or XLR connector. There's a stereo/mono switch so you can send your mix out to any PA system, amplifier, headphones, or a recording system. The powerful stereo headphone output ensures you can hear your mix even in loud stage environments.C1 puts all the DJ essentials at your fingertips. |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CI2+ USB Audio Interface $179.99 Part of the growing line of Steinberg audio hardware, the CI1 USB- powered audio interface comes with a very powerful software mini-suite featuring Sequel LE and Wavelab LE - the perfect duo that allows you to create top quality audio productions. Steinberg provides astounding value in the CI1 by leveraging the success of its bigger brother, the CI2, and along with the CI2 PLUS, is part of the highest quality lineup of USB audio interfaces available today.Top Features:A no-worry full-system solution to record music at an unbeatable price pointEasy to use as a beginner with plug & play functionalityTwo high-quality mic preamps with +48 V phantom power and a fully USB-powered audio interfaceOutstanding engineering and component quality: precision components, manufactured by Yamaha in Japan to exacting standardsAdvanced Integration system: totally integrated tactile control of the Steinberg Cubase range of production systems, maintaining complete focus on the projectCross-platform support on Mac OS X, Windows XP, Windows Vista and Windows 7 |
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CUBE Street Battery Powered Guitar Combo Amp $299 A guitar amp and mini PA system in one, the amazing Cube-Street offers up to 15 hours of use on 6 AA alkaline batteries. The XRL/1/4 Microphone input Mic/Line channel offers delay and reverb. The guitar amp models include tube-driven blues classics to modern metal stacks and a clean instrument amp. The Guitar channel also has reverb and delay, as well as chorus, flanger, phaser and tremolo. EQ on both channels and two gain stages round out your guitar tone. An acoustic simulator gives you acoustic guitar sound from an electric. The Stereo aux in is perfect for MP-3 players; the stereo headphone out doubles as a record out. Compact, lightweight stereo amplifier with slanted cabinet design Two high-performance 6.5 neodymium speakers Battery driven (6 x AA, maximum 15-hour continuous use) Dual-channel architecture with Guitar/Inst and Mic/Line inputs 8 COSM AMPs, 6 digital effects, and chromatic tuner built in 2-band EQ, Delay/Reverb for the Mic/Line-channel AC Adaptor included Great Sound to GoRoland CUBE amps are famous for performance that exceeds their physical size, and the CUBE Street is no exception. With two highperformance neodymium speakers onboard, this amp sounds incredible, and is capable of high-volume output that defies its physical dimensions. Best of all, it can run for up to 15 hours on just six AA alkaline batteries. 8 Amps OnboardMore than meets the eye, the CUBE Street is actually 8 different amps in one via its built-in COSM amp models. From tube-driven blues classics to modern metal stacks, Rolands COSM technology is world famous for capturing every nuance of the original amps from the preamp and circuits to the speaker. Bonus FeaturesThe CUBE Street is chock full of extra features to make your gigs easier, including a built-in chromatic tuner and 2 digital effects processors. In addition to the aforementioned COSM amp models, you can choose from six of Rolands famous effects to enrich your sound. Portable PAIts a guitar amp and mini PA s |
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Concert 77 Fitness System $179 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Fitness System is a high-performance UHF wireless solution that's ideal for fitness instructors looking for clear vocal reproduction while keeping their hands free.Featuring the SE10, a low profile, omnidirectional headworn microphone that provides outstanding audio reproduction, making it perfect for fitness and other vocal applications.The SE10 can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Thanks to the omnidirectional pickup pattern, the SE10's off-axis frequency response is linear, resulting in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source.The SE10 has also been specially treated with a water resistant coating, providing extra protection from sweat and other moisture. Additionally, there is a moisture-guard drip ring to further protect the capsule and ensure reliable performance.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Fitness System, advanced technology and total convenience combine to provide profes |
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Concert 77 Presentation System $149.99 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.The Concert 77 Presentation System is a high-performance UHF wireless solution thats ideal for any application where the freedom of mobility is an important part of your presentation.Whether youre giving a speech or leading a presentation, the included LM10 professional lavalier mic clips right to your shirt or jacket and sounds great for a variety of vocal applications.The CT7 beltpack transmitter clips securely inside your jacket or on your belt, and features a three-segment battery indicator, separate power and audio on/off switches and adjustable AF level (audio gain). The CT7 also provides 12 hours of battery life on a single 9-volt battery.The CR77 true-diversity half-rack UHF receiver is at the core of the system. A synthesized PLL frequency control circuitry keeps the signal locked and true while dual tuned molded antennas with LEDs monitor the true-diversity operation.The CR77 features a front panel display with large multi-segment audio level and RF level LED meters, and a large rotary volume knob allows easy adjustment of audio output. Its rear panel features balanced XLR and unbalanced 1/4-inch outputs allowing flexible connection options. Where two wireless systems are required, two CR77 receivers can be rackmounted together in a single-space rack adapter available as an additional accessory.With the Concert 77 Presentation System, advanced technology and total convenience combine to provide professional wireless performance wherever you need it.Features: High-performance UHF true diversity wireless systemPhase-Locked Loop (PLL) circuitry for flawless receptionLocking Mini-XLR connector for all systemsBalanced XLR and 1/4" output jacksFront panel power switch, RF level meter and squelch controlMute switch, |
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D5 Handheld Cardioid Dynamic Microphone $99 The AKG D 5 is a supercardioid dynamic microphone with a new diaphragm technology called Laminate Varimotion. Thanks to this new technological breakthrough, the D 5 delivers unprecedented sound quality, characterized by smooth, extended response with airy, detailed highs along with the highest gain-before-feedback of any product in its class. The D 5 is the most roadworthy live sound mic AKG has ever built and features a double shock mount system to keep handling noise low, thick, dent-resistant spring steel grille and gold-plated XLR output connector for loss-free signal transfer. The D 5s nicely weighted chassis is the heaviest in its class and the dark gray matte finish is modern and classy. Laminate Varimotion diaphragm delivers incredibly detailed sound quality with smooth, airy highs Laminate Varimotion diaphragm and supercardioid pickup pattern delivers the highest gain-before-feedback Neodymium-iron-boron magnet delivers improved transient response and high output level Extra-thick spring steel grille is especially dent-resistant Gold-plated XLR-type output connector ensures loss-free signal output Specifications: Polar pattern supercardioid Frequency range 70 Hz to 20 kHz Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL 147/156 dB SPL (for 1% / 3% THD) Equivalent noise level 18 dB-A Signal/noise ratio (A-weighted) 76 dB Impedance <= 600 ohms Recommended load impedance >= 2000 ohms Connector 3-pin XLR Finish matte grayish blue Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.) Net weight 340 g (12 oz.) Shipping weight 655 g (1.45 lbs.) Warranty:AKG warrants AKG products against evident defects in material and workmanship for a period of two years from the date of original purchase for use. This warranty does not cover electrical or mechanical damage resulting from misuse or abuse, lack of reasonable care, damage due to force majeure or natural forces, or inadequate repairs performed by unauthorized service centers. |
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DK25L Live Performance Drum Microphone Package $1999 The DK25/L is for Live Performance and has three SR25s: two for overheads and one for kick drum; a KickPad and a windscreen. The patented cardioid pattern on the SR25 provides a more uniform off-axis response and less susceptibility to acoustic feedback. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The SR25 cardioid response is 50Hz to 25kHz. This model will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies. The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.) |
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DK25R Recording Drum Microphone Package $1549 The DK25/R is for Recording and has two TC25 omnis for overheads, an SR25 cardioid for kick drum, a KickPad and a windscreen. Comes in an attractive solid wood carrying case. PRECISION DRUM MICROPHONESThe new 25kHz series of microphones was designed to be used for percussion. The TC25 omni has a frequency response of 9Hz to 25kHz and the SR25 cardioid response is 50Hz to 25kHz. Both models will handle up to 145dB SPL. The DrumKit microphones will also provide stunning results on a wide variety of instruments and vocals for recording or live sound. They are unlike any other microphones on the market, because of proprietary and patented technologies. The KickPadA great kick drum microphone needs to be designed and optimized for that specific purpose. This means the microphone is great for kick drum and nothing else. To create a more versatile product Earthworks designed the kick drum optimization in an external XLR package - the KickPad. Just plug a KickPad into the mic line going to the SR25 kick drum mic for magnificent results. With the KickPad removed, you can use the same SR25 microphone for most anything. All three high quality Earthworks microphones in the DrumKit System can be used for other instruments and vocals. The KickPad" will also improve the sound of other popular microphones used for kick drum. SR25 Specifications: Frequency response: 50 Hz to 25 kHz 2 dB @ 15cm Polar pattern: Cardioid Sensitivity: 10mV/Pa (-40dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145 dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 22dB SPL equivalent (A weighted) Dimensions (L x D): 165 mm x 22 mm (6.5 x .860 inches) Weight: 160g (.35lb.) TC25 Specifications: Frequency response: 9 Hz to 25 kHz +1/-3 dB Polar pattern: Omnidirectional Sensitivity: 8mV/Pa (-42dBV/Pa) Power requirements: 48V Phantom, 10mA Peak acoustic input: 145dB SPL Output: XLR (Pin 2+) Min output load: 600 between pins 2&3 Noise: 2 |
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DM4800 64 Channel Digital Mixer $3499 The TASCAM DM-4800 is the ultimate digital mixer for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A fat channel strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than youll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAMs DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM-4800 adapts to the needs of any professional audio installation. 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-4800s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Transport buttons control DAW software or RS-422 dev |
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DPSII Dual Digital Microphone Preamp $265 The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3 (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A LED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic "warm sound" and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Features Variable Input Impedance 24bit/96KHz A-to |
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Delta 1010-LT PCI Audio Interface $199.99 Now compatible with ProTools M-Powered Software Sound quality, performance, and superior driver technology are a few of the reasons that Delta audio cards have established worldwide recognition as a top choice in PCI-based digital audio solutions. With superb engineering and ultra-high quality conversion, the fidelity of the Delta 1010-LT outperforms cards that cost many times more. The 1010-LT offers the professional performance required by todays most popular software programs, and provides you with features like 24-bit 96 kHz recording, zero latency monitoring and digital mixing. The Delta 1010-LT has what you need: 10 ins and 10 outs XLR Microphone inputs with pre amps S/PDIF i/o,MIDI i/o,wordclock i/o 24-bit 96 kHz recording Convenient and powerful routing possibilities Unsurpassed fidelity Superior driver technology The broadest compatibility of any card Zero latency hardware monitoring Bit-for-bit accurate digital transfers via S/PDIF Powerful digital mixing and routing. Control over SCMS (Serial Copy Management System). Why the 1010-LT?The Delta 1010-LT offers all of the interface features you need to record music on your computer, including: eight analog inputs and outputs, including 2 XLR microphone inputs with pre amps, S/PDIF in/out, MIDI in/out, and wordclock in/out. Audio from a variety of sources can be connected to the 1010-LT inputs, and the comprehensive Delta Control Panel software can set and even fine-tune the input line level. Inputs 1 & 2 on XLR jacks can be set to receive a balanced line or a mic level signal, eliminating the need for an outboard mic preamp. The S/PDIF input will interface with gear from pro DAT players to CD, DVD or Minidisc, and offers control over the SCMS copy protection protocol. The Delta 1010-LT outputs can be connected to an external mixer or sound system, while the S/PDIF outs feed your digital mixdown deck. The Delta Control Panel Software also controls a hardware mixer embedded in the PCI card, g |
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Digital Performer 7 Digital Audio Workstation $499 Digital Performer 7 Digital Performer lets you record, edit, arrange, mix, process and master audio and MIDI tracks side by side for songwriting, studio production, live performance, film and television sound tracks, audio post production, surround mixing and other professional audio production tasks. Advanced features with intuitive operation For beginners and experts alike, Digital Performer delivers advanced features in an intuitive, streamlined design. With support for built-in Mac audio and MIDI, you don&apost even need additional audio hardware. Whether you&aposre completing a surround sound DVD, or you just want to write a song and burn a CD or MP3 file, Digital Performer gets you there quickly with elegance and ease. Award-winning design Record-enable a track, check the input source and level meter, then press Record. Sound familiar? Then you should be using Digital Performer. It&aposs that simple. Digital Performer&aposs track layout, mixing board, and transport controls are all you need for the foundation of a powerful computer-based production system. A flexible instrument for your creativity Digital Performer&aposs flexible, highly customizable interface adapts to your creative style. Loop-based music production? Linear sequencing and recording? Part and score notation-based composition? Digital Performer eliminates barriers and lets your creativity flow. Advanced new features Version 7 delivers a suite of stunningly accurate classic guitar pedal emulations, a meticulously detailed guitar amp emulator modeled after classics from Fender and Marshall, a superb physical modeling speaker cabinet emulator with mixable mic positions (close, near and far), inline EQ and Dynamics in the Mixing Board, consolidated V-Racks display alongside your sequence in the Mixing Board, Channel Strip and Info Bar mixer controls that follow the track youre working on, realtime crossfades, Wave64 support for recording files larger than 4GB, range automation mo |
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DriveRack PX Powered Speaker Optimizer $399.95 Utilizing their highly-acclaimed DriveRack technology, the PX picks up where your powered speakers leave off. The DriveRack PX Powered Speaker Optimizer has everything you need to get the most out of your stereo powered speaker system. It includes stereo or mono subwoofer support. With the included dbx M2 measurement mic, Auto-EQ corrects for audible deficiencies in the room environment. The patented Advanced Feedback Suppression (AFS) kills nasty feedback, while the patented Subharmonic Synthesizer extends bass response for enhanced bottom end. With all that, you also get classic dbx compression and the protection offered by the graceful PeakStopPlus limiting. |
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E6i Omnidirectional Earset Microphone (Light Beige with T4F Connector) $399.99 Delivering value, comfort, and sound quality, the E6i Omnidirectional Earset microphone is the best-loved mic of its kind. Countryman mounted their tiniest mic capsule on an even tinier boom that is rugged, flexible, and incredibly lightweight. Silicon padding at the earpiece helps keep the boom comfortably in place, even with glasses or other head-worn accessories. It features the widest range of boom colors to match virtually any skin tone. The more-flexible boom on the E6i is very easy to adjust and perfect when one mic is shared among several people. Practically invisible to live or broadcast audiences, the E6i is incredibly comfortable for the wearer. It captures the closest source clearly with excellent rejection of wind, ambient noise, and feedback. And its industry-unique snap-on cable extends the equipment life many times over. In addition, the snap-on cable makes your E6i compatible with virtually any wireless mic system - just buy a new cable instead of a new mic! The changeable protective caps provide moisture resistance and let you shape the frequency response for different situations or to match other microphones. It's no surprise that Countryman's E6i Omni Earset is a top choice for presenters, educators, worship leaders and pastors, broadcasters, and many, many more! The E6i Omni microphone is supplied with a snap-on cable with specified connector, windscreen, set of three protective caps, set of two collar clips (black and white), and carrying case. Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional version is ideal for situations with loud monitors, extreme feedback or environmental noise Style & Comfort Smallest, lightest, most comfortable mic of its kind - only 1/10th ounce! Almost invisible against any skin tone Rugged, bendable boom assures a custom fit for every wearer Hands-free |
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EMX312SC Dual 300 Watt 12 Input 8 Channel Powered Mixer $469.99 Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe. One-knob Compression on Mono ChannelsAll four monaural mic/line channels on the EMX312SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need. SPX Digital EffectsThe EMX312SC features a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation. Built-in Graphic EQGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material. Stand-by ModeWhen you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break. Feedback Channel Locating (FCL) SystemFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment. 12 InputsAll three mixers in this series offer a total of 12 input channels - |
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EMX5016CF 16 Input 12 Channel Powered Mixer with Effects $999.99 The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live applications demand. It is remarkably compact and portable for a live sound system with this much capability. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of "powered mixer," entering the realm of serious sound reinforcement. Versatile 16-Input Configuration Adapts to Varied Source RequirementsThe EMX5016CF has a total of 16 input channels eight for monaural microphone or line input plus four stereo pairs. The stereo channel pairs can function either as monaural microphone inputs or stereo line inputs. This system gives you extra microphone inputs if your sources are mostly microphones, or if you need to handle more stereo sources, the EMX5016CF will comfortably handle four pairs in addition to eight mono mic or line inputs. Advanced Channel EQ3-band EQ is available on all input channels, but extra versatility is provided on the eight mono channels with mid-frequency sweep controls. The mid EQ center frequency can be continuously swept from 250 Hz through 5 kHz so you can precisely pinpoint frequencies in the critical midrange. Ample I/O for Expansion and IntegrationAll you need to create a powerful, high-performance live sound system is the EMX5016CF, a pair of speakers or two, and your sources. But it does feature a range of inputs and outputs that allow it to be expanded with external gear or integrated into larger systems. Insert patch points on the mono input channels, for example, let you add outboard signal processing to individual input channels. And although you have all the monitor power and effects you're |
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EMX512SC Dual 500 Watt 12 Input 8 Channel Powered Mixer $569.99 Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe. One-knob Compression on Mono ChannelsAll four monaural mic/line channels on the EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need. SPX Digital EffectsThe EMX512SC features a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation. Built-in Graphic EQGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material. Stand-by ModeWhen you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break. Feedback Channel Locating (FCL) SystemFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment. 12 InputsAll three mixers in this series offer a total of 12 input channels - |
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EPA40 Europort Portable PA System $108.99 The EUROPORT EPA40 portable PA system has been designed for public address applications, projecting to a crowd of up to 100 people, while you strap it conveniently on your shoulder. This is the ideal PA system for business meetings, tour guides, classrooms and outdoor activitiesultra-compact, portable and easy to operate. It features a 5" full-range loudspeaker with 40 Watts of power, an integrated battery pack for 8 hours of continuous operation, Mic and Aux inputs as well as a high-quality dynamic microphone and accessories such as charger and cables. Get carried away by this cool and portable PA system! Ultra-compact, portable PA system ideal for business meetings, tour guides, classroom activities, and various other applications 5" full-range loudspeaker with enormous power and incredible sonic performance in a super-light package Built-in battery with 8 hours liferecharges completely in just 4 hours Mic and Auxiliary inputs to connect to your mic, CD, and other line level sources Comes with a BEHRINGER XM1800S microphone, 3' cable, recharger, shoulder strap, and mic stand adapter Power switch doubles as Volume control with battery charge indicator LEDs Convenient battery and shoulder strap compartment Ergonomically designed carrying handle for effortless portability High-quality components and exceptionally rugged construction ensure long life |
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ERGO Room Correction System $499 The KRK ERGO (Enhanced Room Geometry Optimization) is a 4-in/6-out Firewire audio recording interface/room correction system that enables you to measure and analyze phase and frequency problems in your monitoring environment. Its the perfect solution when your studio monitoring environment is less than ideal and you dont quite have the budget for perfect studio design or room treatment (foam/panels).The KRK ERGO is a sturdily built metal unit with a sweet set of features that recordists of all levels will appreciate. It hooks up easily to your existing system via the rear panel firewire ports or S/PDIF connection. The large volume control along with integrated headphone amplifier means it functions beautifully as a studio monitor controller. Top panel buttons for monitor switching are easy to control and allow you to switch from 1 set of monitors (A) to another set or a subwoofer (B/Sub).The ERGOs onboard digital processing along with the accompanying software automatically corrects offending room issues using the included measurement microphone. You just place the mic at your perfect sitting position, adjust your speaker levels, and record the left and right calibration signals. Youll then take a few more measurements (at higher and lower positions) so the KRK ERGO can gather as much room information as possible before calibrating the filters for perfect compensation. This foolproof process takes all of 10 minutes and results in a dramatic improvement in your listening experience.The KRK ERGO also doubles as a high-end audio interface making it an indispensible studio tool in more ways than one.Rear panel connections include 2-Firewire ports, SPDIF digital, L/R TRS inputs, 2-sets of TRS outputs a headphone jack and a input jack for the calibration microphone (included).Get your KRK ERGO Room Correction System today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protect |
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EW 145 G3 Handheld Wireless System $649.95 Pure sound: the super-cardioid capsule captures more of what you want while rejecting off-axis noise. This makes the mic very resistant to feedback as well as a great choice for those working with loud stage volume levels. The included soundcheck mode on the receiver makes it possible to check the RF signal strength and audio levels continuously. The new G3 sync function allows you to wirelessly link the transmitter with the receiver with a simple push of a button. Lastly, the true diversity receiver has a built-in 5 band equalizer which completes this professional sound package.FeaturesSturdy metal housing (transmitter and receiver42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 12 compatible frequenciesHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitters via infrared interfaceUser-friendly menu operation with more control optionsIlluminated graphic display (transmitter and receiver)Auto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indicatation in 4 steps, also shown on receiver displayHandheld transmitter with easy-exchangeable microphone modules from evolution seriesIntegrated Equalizer and Soundcheck modeContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementConsumer AlertMost users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received fr |
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EW-182 Quantum Leap Symphonic Choirs Virtual Instrument PLAY Edition $395 Imagine typing words into your computer, in any language, and hearing a world class Symphonic Choir sing those words in any key(s) you play "live" on your keyboard controller! Well imagine no more, that's exactly what this revolutionary "award-winning" virtual instrument does. In addition, this is the first 24-bit Choir virtual instrument to include three simultaneous stereo mic setups (close, stage and hall), so users can mix any combination of mic positions to control ambience. The Choirs were recorded in the same concert hall, by the same team as the EastWest/Quantum Leap Symphonic Orchestra and blend perfectly with EWQLSO. To achieve the feel of a live concert hall performance, each instrument and section was recorded with three mic positions: close, stage (conductors position) and hall. By selecting different mic positions, users can mix these sounds together to create any kind of natural ambience their project requires. This eliminates the need for artificial reverb. This revolutionary software also includes a pop-down menu that includes popular pre-built phrases that you can load instantly. This is a real time saver for those on a tight deadline. The phrases have been optimized for each Choir. The phrases menu is customizable so you can add your own phrases to WordBuilder for quick and easy access. This is the most powerful vocals solution available.New Features:64-bit* with 32-bit compatibility PC (*see system specifications)Mac Intel compatibleNew WordBulder software (plus new pre-built English phrases and words)Full memory access MAC (requires 64-bit MAC)Extended ranges (Sopranos - D3 to E5, Altos - F2 to A4, Tenors - C2 to D4, Basses B0 to D3)Intuitive custom interfaceIntelligent Performance section including Portmanteau, Repetition, Legato, Round Robin ResetImproved articulation window and controlsOn screen mic position mixingState of the art Convolution Reverb with pre-delay and additional Master control to route reverb to all i |
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Escort 3000 $649.99 The Escort's integrated design allows for ease of transportation, while its user-friendly controls offer ease of operation, making it the perfect choice for schools, churches, civic organizations and small musical groups. The Escort features dual two-way speakers driven by a five-channel, 300 Watt stereo powered mixer, making it ideal for both vocal and musical applications. The system also includes a PVi unidirectional (cardioid pattern) dynamic microphone, two folding speaker stands and all necessary connecting cables. Among many professional features, the mixer includes 60mm faders, a five-band graphic equalizer with FLS (Feedback Locating System) and digital reverb. The carrying case provides storage for all the system components with ample room for additional mics and cables. This clever design incorporates the speakers into the package, allowing the unit to be easily carried or pulled along on its luggage-style wheelsFeatures:Convenient package with luggage-style wheels Two-way speaker system with 10" woofer and piezoelectric horn Five-channel powered mixer Four XLR mic inputs with 15 V phantom power Two stereo line inputs 60 mm faders High quality digital reverb 300 Watts output power (150 Watts per channel) with DDT Five-band graphic equalizer with FLS Two folding speaker stands One PVi cardioid dynamic microphone with cable Two 25' speaker cables Storage compartments for microphones, cables and accessories |
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Eurolive B215D 15 Powered PA Cabinet $279.99 Finally, Great-Sounding Active Loudspeakers That Won't Break Your Back or Bank Account! Thanks to Behringer's revolutionary Class-D amplifier technology and internal switch-mode power supplies, Eurolive D Series loudspeakers provide a much better power-to-weight ratio than competing active speakers. Put simply, you get all the power without the back-breaking weight. And the sound quality of these lightweight loudspeakers exceeds that of their extremely popular Eurolive B212A and B215A systems plus they've included two 220-Watt models, the B210D (10") and B208D (8") for less demanding applications. Due to their high-efficiency design, they crank out 550/220 of the cleanest, punchiest audio Watts you've ever heard from a compact loudspeaker system. The integrated sound processor provides total system control, along with dependable protection of the LF and HF transducers, thanks to the built-in active high-pass filter, which virtually eliminate distortion even at extreme operating levels. In addition, all four models feature an Ultra-Low Noise (ULN) Mic/Line input with LEVEL control and a dedicated 2-band EQ (bass/treble) for easy control. |
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Expedition XP150 Portable PA System $299.99 The Samson Expedition XP150 offers a PA solution that combines powerful stereo sound with portability and simplicity. With its clever design, the XP150 packs up into a single unit that weighs only 24 pounds. Perfect for schools, conferences and presentations, as well as musicians and singer-songwriters, the XP150 is the ultimate in portable sound. A removable 5-channel mixer powers the XP150 with a 150-watt (2 x 75) Class D amplifier. The mixer features three Mic/Line channels with XLR and 1/4-inch inputs, allowing you to connect microphones or line signals. It also includes one stereo 1/4-inch and 3.5mm input channel for connecting external devices like MP3 players, keyboards and more. Theres also a built-in digital effects processor to add Digital Reverb to your voice or instrument. Each channel features 2-band (bass and treble) controls. |
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Fast Track C400 4x6 Recording Interface with DSP and Pro Tools SE Creation Software $249.99 The M-Audio Fast track C400 is an audio/MIDI computer interface for high-quality recording with your favorite music software. It consists of 2 mic/line combo preamps, 2 front-panel instrument inputs, 4 balanced analog outputs, 1 headphone output with dedicated volume control, digital S/PDIF and MIDI I/O. Its powered by USB 2.0 and is capable of capturing audio in 24-bit/96 kHz high fidelity. It also doubles as a monitor controller and will become the nucleus of your project studio.The next-generation M-Audio Fast Track C400 redefines the role of the audio interface in your creative process. With an assignable Multi button, you'll stay in the creative flow by performing critical tasks without touching a mouse. For example, press the Multi button once to start recording, a second time to stop and return to where you started, and a third time to capture another take. Imagine the possibilities of programming any sequence of up to eight stepsfor any software program that supports ASCII key commandsor use the convenient preset workflows with Pro Tools, Cubase, Logic, Live, and Reason.To inspire great performances without taxing your CPU, the onboard MX Core DSP technology gives you reverb or delay on the headphone outputs with the turn of a single knob. Setting up inspiring headphone mixes has never been easier. The MX Core mixer also provides sophisticated channel-routing optionsaccessible via an intuitive control panel.If you've been looking for an easy way to A/B your mixes on multiple sets of speakers, M-Audios Fast Track C400 is the answer. There's no need to purchase additional hardwarethe built-in monitor management system makes it easy to audition your mixes on up to two sets of studio monitors (or one set of monitors and a subwoofer). So you'll know that your final mixes will sound great on any speakers.The included Pro Tools SE software makes it easy to create polished productions with 24 audio and virtual instrument tracks, over 100 virtual |
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Fireface 400 Firewire Audio Interface $1299 The Fireface 400 is the only FireWire Audio Interface in its class with active jitter suppression, stand-alone functionality, off-line MIDI remote controllability, highly flexible I/Os in professional quality, an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. Two digitally controlled Mic Preamps in high-end quality Two balanced universal inputs for line and instrument signals SteadyClock for maximum jitter suppression and clock refresh Simple stand-alone operation with rotary encoder and front panel display 54 Level Meter Peak/RMS, hardware-calculated Full mobility by Bus Power support DIGICheck, RME's unique meter and analysis tool TotalMix: 648-channel mixer with 42-bit internal resolution The DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. A word clock input and output (BNC) plus two MIDI I/Os (breakout cable, 5-pin DIN) complete the analog/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. The Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. ANALOG I/O |
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Gen16 Acoustic/Electric Cymbal AE480 Box Set $949 The ZILDJIAN Gen16 Acoustic/Electric Cymbal AE480 Box Set Contains 14" Hi-Hats, 18" Crash Cymbal, 20" Ride Cymbal (all cymbals with mic pickups), AE Digital Cymbal Processor (DCP) with mounting kit and a Five Channel Cable Snake.Zildjian has created the first hybrid acoustic/electronic cymbal! Utilizing patented low volume acoustic cymbals and a new dual head mini microphone system, or pickup, they are not triggers but real cymbals! Including the controller/mixer with preset tone modeling and effects, the drummer can experience an array of great Zildjian cymbal tones and add effects to each cymbal!Finished in Polished Nickle Chrome with the Zildjian Z and Gen16 logos embossed in blue, the Gen16 A/E cymbals look hipper than any electronic cymbal pad!While electronic drums and percussion have been around for years, the AE Cymbal is a completely new twist that uses established technology to create essentially a completely new instrument. The Acoustic Electric Cymbal is capable of creating a wide range of sounds, from that of a classic Zildjian cymbal to some very non-traditional sounds, explains Zildjian VP John Roderick. "For drummers, it will have an inspirational impact akin to what the acoustic electric guitar has done for guitarists.Unlike electronic drum set trigger pads, Gen16's AE Cymbals sound and respond just like traditional cymbals, but play at less than a quarter of the volume. The AE Cymbal is not a sample trigger device but instead, its an actual cymbal and plays like one, but at a dramatically reduced volume, utilizing a unique dual microphone pickup and a digital signal processing engine to amplify and model the cymbals response and creating a range of natural cymbal sounds without the use of sampling or MIDI. The user can experience an array of Zildjian tones or add effects to each real cymbal."The AE Cymbal represents a true paradigm shift for musicians," says John. "It's an entirely new instrument, |
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GigRac 600 8 Channel Stereo Powered Mixer $399 Whether youre a solo performer or a in small band, youll appreciate not only GigRacs cool, stylish looks, but also its portability, and the ease with which you can connect your microphones, instruments and loudspeakers to deliver a punchy performance every time. GigRac comes from Soundcraft, the name behind the live sound mixing consoles used on many of the worlds major tours and festivals, so you can be sure that the sound quality is going to be absolutely staggering. GigRac makes it easy to set up your own PA, needing just speakers and cables to complete the system. Get from mic or guitar to a great sound in no time at all. Everything you need is provided, from high-quality mic preamps to make your voice clear and effective, a great sounding 2-band EQ to cope with demanding sources, a 7-band graphic EQ designed by professional audio industry leaders BSS Audio, and a selection of preset digital effects to give you major stage presence, and all this in a drop dead gorgeous package that you can carry over your shoulder. Features: Stereo Operation or Main/Monitor mode 300 Watts per channel (x2) at 4 ohms 8 Microphone Inputs 48V Phantom Power for condenser microphones (Inputs 1-4 only) PAD buttons for controlling loud input signals (Inputs 1-4 only) 4 Stereo compatible inputs Treble and Bass controls Individual volume controls on each channel for Monitor level. Individual volume controls on each channel for Main level. Individual send controls for GiGFX on each channel 7 Band Graphic Equalizer 8 x Digital Effects (24 Bit/48 kHz) Record Output FX bypass switch FX bus output socket Submix input Amplifier Clip warning light 10 segment LED output level meter Rack-mountable |
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HDS6 Headphone Distribution Unit (for HDS6 Headphone System) $299.95 When used together, the HDS-6 Headphone Distribution Unit and the HR-6 Remote Mixer (sold separately) offer a great-sounding, cost effective and flexible way to provide custom mixes for up to sixteen people in recording and live sound environments. The combination of unique functions add unprecedented functionality and convenience to any multiple-user audio application. Linking the distribution unit and remote mixers is as easy as plugging in cables. Multiple HR-6's are simply daisy-chained together. A pair of 25 foot linking cables is included with each HR-6. Up to eight HR-6 remote mixers can be linked to an HDS-6, and two pairs of headphones may be plugged into each HR-6. The HDS-6 rackmount distribution unit connects to the mixer/console to provide interface and power supplies to drive a group of HR-6 remote mixers. Trimpots are provided on the HDS-6's front panel to match the console output levels to the HDS-6's inputs. The HDS-6 is ideal as a low distortion headphone driver for the most critical listening situations. In addition to providing high current differential buffered signals, it also provides power and ground to the HR-6 remote mixers. The HR-6 is a compact six-channel, five-pot remote mixer that clamps to any mic stand. When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board. The HR-6 provides four mono pots and one stereo pot. The four mono pots allow each user to create a custom mix of four console channels or busses. The stereo pot will most often be used for a main control room mix, or for a stereo effects return. The HR-6 also provides a "Submixes Included/Excluded" button, which mutes the four mono pots, allowing only the stereo source to be heard, without having to alter the HR-6's four monaural settings. Designed for high-end audio applications, yet affordable enough for home studios and general live sound applica |
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HR6 Mix Station (for HDS6 Headphone System) $159.95 The HR-6 is a compact six- channel, five-pot remote mixer that clamps to any mic stand. When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board. The HR-6 provides four mono pots and one stereo pot. The four mono pots allow each user to create a custom mix of four console channels or busses. The stereo pot will most often be used for a main control room mix, or for a stereo effects return. The HR-6 also provides a "Submixes Included/Excluded" button, which mutes the four mono pots, allowing only the stereo source to be heard, without having to alter the HR-6's four monaural settings. USED WITH HDS-6. |
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Hear Back Four Pack Personal Monitor (Entire System) $1694 The Hear Back Four Pack includes 4 Mixers, 1 Hub, 4 - 50 foot CAT5e cables, and a Hear Back analog DA-88 style cable.A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. Thats one for you and everybody in the band. If thats not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs. Features: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a brick wall limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a built-in cable strain relief Balanced Line-Outs, Mono/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers |
