Mic Stand
September 2nd, 2008
Boom mic stand, cable, and pop filter for $30?
Hi, I am on a really tight budget and I need a boom mic stand, cable, and pop filter for $30. Could someone please find these things somewhere online (either bundled or separate) for $30 or close to that range.
Thanks in advance.
Hey Seafoam:
Here's something you might want to look into. It's at GC. Do you mean a windscreen? (the foam piece that goes over a mic) An entry level pop filter itself is about 30 bucks, while a foam windscreen is a couple of bucks. This would make this package in your price range.
Here is the link for the mic package:
http://www.guitarcenter.com/Nady-SP1-Microphone-and-Stand-Package-277031-i1127105.gc
BEWARE....this is not the greatest mic. I have seen a lot of Karaoke host use them for the singers that come to the stage. You do get what you pay for!
Samson MD5 Desktop Microphone Stand [HD]
|
|
1604-VLZ3 16 Channel Mixer $899.99 If only they built tanks this good!Mackie initially introduced their industry revolutionizing portable mixing console, the CR-1604, nearly 20 years ago (yikes!). Its not only been imitated ad nauseam over that span, but even the designers at Mackie themselves couldnt leave well enough alone. Behold the Mackie 1604-VLZ3!The 1604-VLZ3 is built using only the highest quality components. All the knobs, connectors and faders reek of absolute integrity, oozing professional quality at every turn. The solid steel chassis is built to withstand the rigors of daily usage and has the look and feel of a first-class, quality design.Starting with the XDR2 mic preamps, their extremely low-noise design yields an honest, uncolored, robust signal that make microphones stand up and take notice! Whether singing a gentle, soft ballad or belting out a head-banging, heavy metal meltdown, these mic pres can handle it all without breaking a sweat. These preamps rival costly outboard boutique preamps costing thousands of dollars. The 1604-VLZ3 has 16 of them onboard! Every channel features 60mm faders, 4 aux sends, inserts, phantom power, Mackies constant level pan control, LEDs, mute and solo switches, gain control, 75Hz low-cut filters, and a highly-musical, tone-shapeable 3-band EQ with sweepable mid-range.The feature-rich output section has the Main Mix fader that sends the signal to the main output jacks as well as the tape output RCA jacks. 4 subgroup faders handle 8 inputs and arrive at the sub-outs or route them to the main mix via the Assign To Main Mix switch. Hows that for versatility?!! 2 columns of LED display provide readouts of multiple functions. Select what you want to monitor in the Source matrix. You can also monitor a single channel when you engage the Solo button of that track. Around the back of the Mackie 1604-VLZ3 live all the connectors, the gozintas and gozoutas. There are 16 XLR mic inputs, 16 line inputs, 16 balanced insert points, all , and thats just for starter |
|
|
5Kit 5 Piece Drum Mic Set $179 A complete drum mic set up in a sturdy road case! Five piece drum mic kitOne Q Kick kick drum mic with mic stand swivel mountOne Q Snare snare mic with rim clipThree Q Tom tom mics with rim clipsGold-plated XLR connectorsRoad case included |
|
|
828 mk3 Hybrid Computer Audio Interface $749 Having trouble deciding between a high-end FireWire and USB2 audio interface for computer recording? Cringing at the idea that youll need multiple audio solutions for your multiple systems? Dont sweat it! The MOTU 828mk3 Hybrid Audio Interface offers audio engineers a high-end solution for moving audio in and out of your computer via a feature-filled first class audio interface. Its compatible with both FireWire and USB2 and, in addition, the MOTU 828mk3 doubles as a standalone mixer for live performance duty ultimately making it 3 professional solutions in one. Get ConnectedAdorned with a wealth of analog and digital connectivity, the MOTU 828mk3 delivers professional, reliable performance whether used with MOTU software or the software of your choice, Mac or PC. The 828mk3 provides a total of 28 inputs and 30 outputs including dedicated main XLR outputs and 2 front panel headphone outputs. There are 10 channels of 192kHz recording and playback, 16 channels of ADAT I/O and stereo S/PDIF. A pair of front panel XLR/TRS combo jack inputs let you plug in your dynamic or condenser microphones (switchable 48V phantom power is available on both mic preamps). Built-in overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or digital artifacts. Both mic preamps provide 53 dB of gain and is adjustable using the detented rotary encoder. The LCD gives you a precise readout of your settings so youre always in-the-know.Built-In Digital MixerThe MOTU 828mk3 features the onboard CueMix FX digital mixer with built-in DSP offering compression, EQ, and reverb to all the inputs and outputs freeing your computer of these system taxing chores as well as providing you with all the effects youll need for a live performance when you use the 828mk3 as a live mixer. When operating the 828mk3 as a stand-alone mixer with effects, all operations are carried out via the front panel backlit LCD on the front panel.Whether youre an audio engineer in need of a |
|
|
896mk3 Hybrid Firewire/USB 2.0 Audio Interface $995 The MOTU 896mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with eight channels of pristine 24-bit 192 kHz analog recording and playback, combined with sixteen channels of optical digital I/O, stereo AES/EBU, S/PDIF and separate analog main outs. Expand your system by connecting the 8pre mic input expander or other MOTU audio interfaces.Flexible operationThe MOTU 896mk3 is equally well suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 896mk3 provides 28 separate inputs and 32 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.On-board digital mixer with effects for monitoring and live mixingConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.When recording from the analog inputs, the 896mk3s signal overload protection gives you an extra 12 dB of headroom above zero with no clipping or harsh artifacts.Advanced audio analysis toolsAnalyze and scope your audio with advanced diagnostic tools, including a full-screen real-time FFT display, spectrogram "waterfall" display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.Stand-alone operation as a mixerAfter programming the on-board mixi |
|
|
A-498 Microphone Stand with One-Hand Clutch Height Adjustment $35.99 Straight, Round Base Mic Stand with One-Hand Clutch Height Adjustment Mechanism. Fast, smooth, non-slip height adjustment with the press of the hand. One-of-a-kind variable weight design can be loaded with sand or lead pellets. Smooth, attractive rubber base will not chip or scratch. 5 point, rubber feet are molded into base and will not fall off and get lost. Constructed with strong, lightweight Microlite tubular steel. Scratch-resistant, baked-on black enamel finish. |
|
|
A188 Tripod Desktop Microphone Stand $15.99 A compact desktop stand to hold any standard-size handheld mic. Perfect for broadcast/interviews, dispatcher stations, podiums, or low to the floor instrument miking. |
|
|
APH-2n H2n Handy Recorder Accessory Package $39 Zoom introduces the APH-2n as the official optional accessory package for the H2n Handy Recorder. The APH-2n features a variety of accessories that make it easier for you to capture your recordings. The kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter.The APH-2ns wired remote can be used to start, stop and pause recordings, as well as to add marks. Its also useful in preventing handling noise. Its windscreen will reduce the occurrence of wind, breath sounds and popping noises in your recordings, as well as keep the H2ns five mic capsules clean. Using the packages USB connector type AC adapter to power the H2n is easy and convenient. The included USB cable enables you to connect your H2n to your Mac or PC for rapid file transfer, editing, playback and sharing, as well as to use it as a USB microphone and you record directly to your computer.The APH-2ns adjustable tripod stand is compatible with the H2ns fixed tripod mount, making the recorder versatile in a variety of stationary functions. Utilize the kits padded-shell case to protect Zoom's most innovative recorder ever. Lastly, the APH-2n provides a mic clip adapter allowing your H2n to be easily attached to any standard mic stand.If you think your H2n is handy now, wait until you accessorize with the APH-2n accessory package.Get your ultimate H2n accessory package today along with a variety of other Zoom products at the best price with fast and free delivery from Sam Ash Direct! |
|
|
AR5 Accessory Riser Mounting Device $13.99 This handy item attaches to any mic stand or slides into an amp handle to become a perfect little riser to attach pedals, tuners or any other small items! |
|
|
AT2020 Cardioid Condenser Microphone $99 Audio-Technica brings you the price/performance standard in side-address studio condenser microphone technology with the AT-2020. Ideal for project/home-studio applications, this mic features high SPL handling and wide dynamic range which provides unmatched versatility. Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Specifications: Element: Condenser Signal to Noise Rati 74 dB, 1 kHz at 1 Pa Polar Pattern: Cardioid Dynamic Range (Typical) 124 dB, 1 kHz at Max. SPL Frequency Response: 20 - 20,000 Hz Phantom Power Requirements: 48V DC, 2 mA typical Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa Noise: 20 dB SPL Impedance: 100 ohms Weight: 12.1 oz (345 g) Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Output Connector: Integral 3-pin XLRM-type |
|
|
Are You Talkin to Me - Custom Mic Stand $199 The "Are You Taklin' To Me?" Custom Chrome Series mic stand is a classic look that portrays attitude, toughness, and fun. Punch up your performance, and give the crowd a knock out show with this Custom Chrome mic stand, which proves that hand-to-hand combat with a microphone never looked so good.Custom Chrome Series Microphone Stand with One-hand Height Adjustment and Free Gig Bag - Comic Book-style "POW" Base with Brass Knuckle Clutch |
|
|
AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor |
|
|
BMS10A Microphone Stand Adapter $28 The BMS10A adapter mounts loudspeakers of up to 11 pounds to a microphone stand. The BMS10A fits the 5/8", 27-thread standard and comes with a 3/8"-16 European thread adapter. The BMS10A comes with two 5mm screws needed for mounting. The BMS10A also supports MG10/2, MG8/2FX and the STAGEPAS 300 mixer on mic stands. BMS10A is sold as a single unit. |
|
|
BP892C MicroSet Miniature Headworn Condenser Microphone $289 Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight Audio Technica BP892C hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit. The Audio Technica BP892C microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.Features:Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesComes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality* Doe NOT include the AT8539 power module, sold separately.Get your Audio Technica BP892C MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
|
|
BP892CW-TH MicroSet Headworn Omnidirectional Condenser Microphone (Beige) $299 The Audio Technica BP892CW MicroSet Headworn Omnidirectional Condenser Microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use. Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesIncludes AT8440 cable clip, AT8464 dual-ear microphone mount, two AT8157 windscreens, two AT8156 element covers, a moisture guard, and a carrying case.Get your Audio Technica BP892 MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
|
|
BT4 Telescopic Boom Stand $42.99 Samson's BT4 telescopic boom stand combines lightweight durability with an attractive and functional design. This collapsible tripod mic stand has a sturdy die-cast and steel construction that offers superior resiliency with great flexibility of positioning, so it's always convenient and never conspicuous. And its sleek black finish ensures an elegant yet understated presence, making it perfect for on-the-go musicians, performance venues and rehearsal/recording spaces. Tripod, collapsible boom mic standDie-cast and steel constructionSleek black finish |
|
|
Banshee Guitar Talk Box $169 Bringing a cool, new twist to the outdated generation of complicated and risky talk boxes, the Banshee is a unique new product that gives classic rock touches to the 90's players. Although "talk boxes" have been used in the making of hit music (Aerosmith, Frampton, Joe Walsh, etc.) for years, many guitar players simply have not tried them because of their complicated and potentially damaging setup. Leave it to the stomp box gurus at Rocktron. The Banshee rocks, simply and safely. What makes the Banshee so unique is that it contains its own internal preamp, amplifier, and horn driver. You simply plug into the Banshee like you would any common stomp box, and run the provided "tubing" up the mic stand and into your mouth. The rest is up to your own imagination as you get the most incredible sounds from your instrument. And no more risk of blowing up your favorite amp head, (always a possibility with talk boxes of old). The Banshee's preamp section features controls for gain, tone, and output level. A wide range of clean and dirty preamp tones may be dialed in with plenty of saturation for those who desire lots of gain. Not only does the Banshee scream in the talkbox mode, but Rocktron has also included an extra jack for hookup with an extension pedal speaker. Plugging a speaker cabinet to this output turns your pedal board into a perfect practice setup with enough volume to do some pretty serious cranking! Get your hands on the most unique product in years and let your creative juices flow! Power: Single 9 volt battery or 9V AC adapter (Not included). |
|
|
Bring It On, Sucka! Custom Mic Stand Topper $39.99 Ultimate Support Custom Mic Stand Toppers feature detailed, themed designs that are intended to showcase the personality of singers from every walk of life. Transport your boring mic stand into a personality-driven mic rig that drips with flair by simply adding a Custom Mic Stand Topper to the top of it! While the Custom Mic Stand Topper looks great and works fine on any mic stand (US thread), when placed on a Live Series mic stand from Ultimate Support, the Custom Mic Stand Topper becomes a one-hand clutch that lets you adjust the height of your microphone with a quick, simple squeeze!The "Bring It On, Sucka!" Custom Mic Stand Topper is a tough and fun theme that tells everyone around you mean business. Grab the hand grenade clutch and your set will explode with attitude while holding the audience hostage to your bombastic show.You can leave your Custom Mic Stand Topper on your mic stand at the end of the night, or quickly screw it off the mic stand and put in a gig bag for convenient transport from show to show. Custom Mic Stand Toppers are made from die-cast aluminum so they're rugged enough to take whatever you throw at them.Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery.Ultimate Item No. - TOP-3 |
|
|
C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
|
|
CA1 Chromatic Tuner $17.99 For nearly a decade, the Korg CA-30 Chromatic Tuner has stood among the top-selling tuners on the planet. Now meet the CA-1; offering the same excellent features with a new, enhanced design all at a lower price!Ultra-compact, LCD Needle-Style Chromatic TunersHigh accuracy and superb functionality have made Korg tuners the worldwide favorite. And now, the new CA-1 joins the best-selling CA series of tuners. With even more features, like a pitch reference tone and marks for pure major thirds and minor thirds, the CA-1 packs basic functionality and convenient tuning functions into ultra-compact bodies.Compact Chromatic Tuner, ideal for brass band or orchestraWide range of pitch detection covers C1-C8High-precision LCD needle-type meter for stable tuningSound Out produces a reference tone from the internal speakerCalibration Function supports a variety of concert pitchesAuto Power Off function conserves battery lifeMemory Backup functionApproximately 100 hours of continuous useWide Range of Pitch DetectionThis compact chromatic tuner supports a broad range of C1 (32.70 Hz)-C8 (4186.01 Hz), allowing speedy and high-precision tuning of wind, string, keyboard, and other instruments. This tuner is ideal for tuning even low-register notes containing numerous overtones that are often difficult to tune. A high-sensitivity mic is built-in, allowing easy and accurate tuning of acoustic instruments such as ukuleles. A separately sold CM-100 contact mic can also be used to send the vibrations directly to the tuner for even more accurate tuning.Ultra-compact body with a "Tilt Slit"Although the CA-1 is small, thin, and light, dont let its pocket-sized body fool you. The CA-1 packs the functionality needed for tuning a wide range of instruments. From studio to stage, tuning is easy and convenient. The back of the unit includes a unique arc-shaped "tilt slit" that lets you insert a plastic card for use as a handy stand.High-precision LCD MeterThe meter section use |
|
|
DS7425 Tripod Desktop Stand $14.99 This lightweight, folding desktop stand is the perfect solution for podcasting or portable tabletop miking needs. Its tripod design minimizes the pickup of surface noise. Includes a durable mic clip compatible with all popular handheld microphone designs.Get yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery. |
|
|
E604 Cardioid Dynamic Microphone $139.95 The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condensor microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise. |
|
|
EMX312SC Dual 300 Watt 12 Input 8 Channel Powered Mixer $469.99 Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe. One-knob Compression on Mono ChannelsAll four monaural mic/line channels on the EMX312SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need. SPX Digital EffectsThe EMX312SC features a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation. Built-in Graphic EQGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material. Stand-by ModeWhen you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break. Feedback Channel Locating (FCL) SystemFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment. 12 InputsAll three mixers in this series offer a total of 12 input channels - |
|
|
EMX5014C Multi Mode 14 Input 10 Channel Stereo Powered Mixer $729.99 The EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section. A total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications. MIX, PROCESS AND DELIVER WITH THE EMX5014C For sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output, and a separate graphic for the monitor output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar. Onboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha's renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha's Club Series loudspeakers. The EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience. |
|
|
EMX512SC Dual 500 Watt 12 Input 8 Channel Powered Mixer $569.99 Yamaha EMX-series Powered Mixers offer a range of features that let you mix, process, and deliver your sound with maximum quality and creative control ... and, of course, that unrivalled Yamaha sound. They're built at the same standards of sonic performance and rugged reliability that makes Yamaha the first choice for live sound applications from schools to stadiums around the globe. One-knob Compression on Mono ChannelsAll four monaural mic/line channels on the EMX512SC feature built-in compressors that can help to bring vocals to the front of the mix, give your guitars extra smoothness and presence, deliver more authoritative bass sound, and generally refine your mixes in a multitude of ways. These one-knob compressors are simple to use, too. There's no need to juggle multiple attack, threshold, makeup gain, and other controls - just set the COMP control for the amount of compression you need. SPX Digital EffectsThe EMX512SC features a selection of 16 top-quality Yamaha SPX effects - including reverb, echo, chorus, flanger, phaser, and even distortion - that can add the final touch to your live presentation. Yamaha SPX digital effects are widely recognized as being some of the finest available, and the effects provided in the EMX mixers live up to that reputation. Built-in Graphic EQGraphic equalizers are provided for both the main and monitor channels, so you can effectively control feedback or tailor the sound to match the room and program material. Stand-by ModeWhen you're done with a set simply engage the stand-by mode to mute all mono channels while leaving the 2-track inputs active for background music playback while you're taking your break. Feedback Channel Locating (FCL) SystemFCL System indicator LEDs at the top of each channel light if the corresponding channel goes into feedback, so you won't have to fumble around searching for the channel that needs adjustment. 12 InputsAll three mixers in this series offer a total of 12 input channels - |
|
|
EP84 8 Channel Microphone Preamp $329 Packed with quality features and connectivity options, the sturdy 2RU rack-mountable EP84 8 Channel Microphone Preamp is designed to provide studio users with 8 channels of pristine microphone preamplification. The EP84 is the perfect front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation. With all the functionality of a top line preamplifier, the EP84 features independent variable gain control, -20dB pad, phase reverse, low cut filters, 48v Phantom power, and insert points on each of the eight (8) channels. Each mic-pre provides some 60dB of gain with a massive 23db of maximum output. Eight ADAT format channel outputs can be added to the EP84 via installation of the optional PR8IIA ADAT output module. With this simple user installed option, the EP84 integrates superbly into todays digital studio environments without a hitch. Great for connection to the latest ADAT compatible audio interfaces, the EP84 expands your recording possibilities. Why not make use of the features you have and mic up the whole band! 8 x discrete microphone preamplifiers Modular PCB design XLR and TRS inputs and outputs Insert points per channel Ultra-Wide Dynamic Range Low-Noise Operating Levels Peak Light per channel 48V Phantom Power per channel Phase reverse per channel -20dB Pad per channel Gain control per channel 80 Hz Low cut filter per channel optional ADAT Module (PR8IIA) Mic In: Min sensitivity -60 dB Mic In: Peak input level +9.5 dB Line In: Impedance 47K Line In: Min sensitivity: -35dB Line In: Peak input level: +32 dB Output: Impedance: 600 Ohms Peak output level:+23dB Frequency response: 20Hz- 20KHz 0dB- -0.5dB Distortion: 0.005% S/N: > 105dB Crosstalk rejection: >120dB @1KHz; -20dB input Max Gain: 58dB Housing: Metal |
|
|
EPA40 Europort Portable PA System $108.99 The EUROPORT EPA40 portable PA system has been designed for public address applications, projecting to a crowd of up to 100 people, while you strap it conveniently on your shoulder. This is the ideal PA system for business meetings, tour guides, classrooms and outdoor activitiesultra-compact, portable and easy to operate. It features a 5" full-range loudspeaker with 40 Watts of power, an integrated battery pack for 8 hours of continuous operation, Mic and Aux inputs as well as a high-quality dynamic microphone and accessories such as charger and cables. Get carried away by this cool and portable PA system! Ultra-compact, portable PA system ideal for business meetings, tour guides, classroom activities, and various other applications 5" full-range loudspeaker with enormous power and incredible sonic performance in a super-light package Built-in battery with 8 hours liferecharges completely in just 4 hours Mic and Auxiliary inputs to connect to your mic, CD, and other line level sources Comes with a BEHRINGER XM1800S microphone, 3' cable, recharger, shoulder strap, and mic stand adapter Power switch doubles as Volume control with battery charge indicator LEDs Convenient battery and shoulder strap compartment Ergonomically designed carrying handle for effortless portability High-quality components and exceptionally rugged construction ensure long life |
|
|
FP-7F Digital Piano $1999 The new FP-7F takes Rolands popular FP-7 piano concept and injects four major components into the top-selling design: a SuperNATURAL Piano engine, an all-new PHA III Ivory Feel-S Keyboard with Escapement, an onboard Looper, and a mic input with companion harmony effects. This compact, contemporary piano is available in black and white finishes, with an optional RPU-3 triple-pedal unit and matching KSC-44 stand. From professional stage performance to home entertainment and enjoyment, the FP-7F represents Rolands ongoing commitment to advanced technology and musical creativity.SuperNATURAL Piano engine onboardNewly developed PHA III Ivory Feel-S Keyboard with EscapementBuilt-in speaker systemOnboard Looper for instant sound-on-sound layeringMic input and harmony effectAvailable in black (FP-7F-BK) and white (FP-7F-WH) finishesCompatible with the RPU-3 triple-pedal unit (optional) and matching KSC-44 keyboard stand (optional)DP-10 Damper Pedal includedGroundbreaking Features, Enhanced CreativitySuperNATURAL PianoThe FP-7Fs crown jewel is its SuperNATURAL Piano sound engine. With SuperNATURAL Piano technology, three essential elements are dramatically improved: velocity response, note decay, and key range behavior. Where previous sample-based technology created coarse stair-step gaps in velocity and key range, and unnatural looping in note decay, SuperNATURAL Piano technology bridges the gaps with perfectly smooth and natural three-dimensional sound and response.New PHA III Ivory Feel-S KeyboardThe FP-7F features Rolands newly developed PHA III Ivory Feel-S Keyboard with Escapement. With the same progressive hammer action and escapement as the top-line PHA III, it offers unmatched expression and performance authenticity, capable of transforming the most subtle finger nuances into sound. It also provides incredibly fast key-repetition action. The surface of each white key replicates the unique appearance and comfortable feel of real ivory keys. The keys are constructed o |
|
|
Fireface 400 Firewire Audio Interface $1299 The Fireface 400 is the only FireWire Audio Interface in its class with active jitter suppression, stand-alone functionality, off-line MIDI remote controllability, highly flexible I/Os in professional quality, an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. Two digitally controlled Mic Preamps in high-end quality Two balanced universal inputs for line and instrument signals SteadyClock for maximum jitter suppression and clock refresh Simple stand-alone operation with rotary encoder and front panel display 54 Level Meter Peak/RMS, hardware-calculated Full mobility by Bus Power support DIGICheck, RME's unique meter and analysis tool TotalMix: 648-channel mixer with 42-bit internal resolution The DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. A word clock input and output (BNC) plus two MIDI I/Os (breakout cable, 5-pin DIN) complete the analog/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. The Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. ANALOG I/O |
|
|
G-Track USB Condenser Mic with Audio Interface $119.99 The G-Track is a total solution capable of taking you from your musical inspiration to your finished tracks. Samson's G-Track is the world's first USB condenser microphone with a built-in audio interface and mixer, allowing simultaneous input of vocals and guitar, bass, or keyboard while also providing monitoring through an on board headphone output. The G-Track allows you to record vocals like a standard USB mic, or two mono instruments through the line/instrument input, or a mix of one mono instrument and vocal. Now singer/songwriters can directly record vocals and instruments quickly and easily with one device, making the G-Track a must have for any songwriter's home studio. And its ease of use and portability allows you to take it anywhere inspiration may strike you. Ideal for the traveling musician or the project studio, the G-Track ships with a desktop mic stand, swivel stand mount, USB cable and all the cables needed to connect any musical instrument with a standard 1/4" or RCA output. The G-Track ships with Cakewalk's Sonar LE and works brilliantly with Apple's GarageBand. Large diaphragm studio condenser microphone Mic and Instrument/Line gain control with clip LED Stereo input jacks for instruments or line level signal Stereo headphone jack for no latency monitoring with level control 3-position headphone switch for stereo, mono, computer monitoring USB bus-powered and compliant Audio I/O and USB cables included Desktop microphone stand included Optional shockmount available Warranty:Three years parts and labor. |
|
|
GA1 Guitar / Bass Tuner $14.99 For nearly a decade, the Korg GA-30 Guitar and Bass Tuner has stood among the top-selling tuners on the planet. Now meet the GA-1, offering the same excellent features with a new, enhanced design all at a lower price!Ultra-compact LCD Needle-Style Dedicated Guitar and Bass TunerHigh accuracy and superb functionality have made Korg tuners the worldwide favorite. And now, the new GA-1 joins the best-selling GA series of tuners. With even more features, like a pitch reference tone and quinta-flat tuning, the GA-1 tuner packs basic functionality and convenient tuning functions into ultra-compact bodies.Ultra-compact design.High-precision LCD needle-type meter for stable tuning.Quinta Flat Tuning mode lets you tune 1--5 semitones flatSupports 7-string guitar tunings.Sound Out can produce a reference tone from the internal speaker.Auto Power Off function conserves battery life.Approximately 100 hours of continuous use.An Easy-to-Use Dedicated Guitar and Bass TunerThis dedicated guitar/bass tuner lets you select either Guitar mode or Bass mode for truly easy operation with automatically detected pitch. The wide detection range supports 7-string guitar (7B through 1E) in Guitar mode, and 6-string bass (Low-B, Hi-C) in Bass mode. A high-sensitivity mic is built-in, allowing easy and accurate tuning of acoustic guitars.Ultra-compact Body with a "Tilt Slit"Although the GA-1 is small, thin, and light, dont let its pocket-sized body fool you. The GA-1 can accurately tune any guitar or bass. From studio to stage, tuning is easy and convenient. The back of the unit includes a unique arc-shaped "tilt slit" that lets you insert a plastic card for use as a handy stand.High-Precision LCD MeterThe meter section uses a LCD needle, combining the accuracy of an LCD with the easy visibility of a needle, and providing a stable display. Additional visual feedback is provided by LEDs that indicate pitch deviation.Sound Out -- Internal Speaker Provides a Reference PitchIn |
|
|
H1 Handy Recorder Portable Digital Recorder $99 Named "Best Product" by Music Inc Magazine - 2010The Zoom H1 Handy Recorder, while the smallest of the Handy Recorder family is by no means small in performance or features! Powered by a single AA battery (allows for approximately 10 hours of recording time) and small enough to fit in your shirt pocket, the Zoom H1 is as portable as can be. The Zoom H1 Handy Recorder is truly the most convenient, best value, in a Portable Digital Recorder.2 built-in high-quality condenser microphones record your sound source in beautiful hi-fidelity stereo utilizing an X/Y pattern. The imaging is accurate and the sound is pristine. Auto-record level keeps the signal in-check with no nasty distortion. Engage the low cut filter to eliminate low-end rumble from the source.All the H1s functions are right there at your fingertips; record, delete, playback, pause, marker, forward, as well as volume for playback and monitoring are all located on the unit, easily selected using your fingertips. You can record full bandwidth quality WAV files at 96kHz, 48kHz, 44.1kHz at 16 or 24-bit. It also records MP3s with rates from 48 to 320kbps.Monitor with confidence through the built-in speaker. The LCD screen provides an accurate readout of all recording attributes and levels. Mount the H1 on a tripod stand or on your HD camera using the built-in mounts. The headphone output doubles as an audio line-out, and the external mic input also serves as a stereo line-in, both using a 1/8 jack. Save your recordings to the included 2GB microSD memory card (up the ante with optional cards up to 32GB). Transfer and backup recordings quickly and easily via the built-in USB 2.0 port.Whether youre a songwriter, live sound engineer, videographer, field recordist, journalist, student, sales associate, or simply love recording, youll love the Zoom H1 Handy Recorder. |
|
|
HDS6 Headphone Distribution Unit (for HDS6 Headphone System) $299.95 When used together, the HDS-6 Headphone Distribution Unit and the HR-6 Remote Mixer (sold separately) offer a great-sounding, cost effective and flexible way to provide custom mixes for up to sixteen people in recording and live sound environments. The combination of unique functions add unprecedented functionality and convenience to any multiple-user audio application. Linking the distribution unit and remote mixers is as easy as plugging in cables. Multiple HR-6's are simply daisy-chained together. A pair of 25 foot linking cables is included with each HR-6. Up to eight HR-6 remote mixers can be linked to an HDS-6, and two pairs of headphones may be plugged into each HR-6. The HDS-6 rackmount distribution unit connects to the mixer/console to provide interface and power supplies to drive a group of HR-6 remote mixers. Trimpots are provided on the HDS-6's front panel to match the console output levels to the HDS-6's inputs. The HDS-6 is ideal as a low distortion headphone driver for the most critical listening situations. In addition to providing high current differential buffered signals, it also provides power and ground to the HR-6 remote mixers. The HR-6 is a compact six-channel, five-pot remote mixer that clamps to any mic stand. When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board. The HR-6 provides four mono pots and one stereo pot. The four mono pots allow each user to create a custom mix of four console channels or busses. The stereo pot will most often be used for a main control room mix, or for a stereo effects return. The HR-6 also provides a "Submixes Included/Excluded" button, which mutes the four mono pots, allowing only the stereo source to be heard, without having to alter the HR-6's four monaural settings. Designed for high-end audio applications, yet affordable enough for home studios and general live sound applica |
|
|
HOT SPOT 7 Vocal Monitor $139.99 The Galaxy Audio HOT SPOT 7 is a near-field vocal monitor designed for live performance applications. The enclosure is comprised of two 5 NEOLITE Neodymium drivers able to handle 100 watts continuous and 200 watts max. Its a great solution for lead vocalists, guitarist/singers, keyboardists, public speakers or anyone who needs a quality personal monitoring solution for onstage use when space is tight and budget is a concern.The Galaxy Audio HOT SPOT 7 features a convenient mic stand insert on the bottom of the unit. You can quickly attach the HOT SPOT 7 and angle it upward so it projects directly towards your ears. Even better, a handy microphone boom attachment on the top of the unit eliminates the need for a 2nd mic stand. On just one stand you can have your mic and the HOT SPOT 7 right in front of you for ultimate comfort and onstage functionality. Youre now performing while clearly hearing just what youre projecting out to the crowd. The built-in front panel volume control allows you to easily grab the knob and make quick changes to volume output.An integrated handle built into the top of the HOT SPOT 7 makes it easy to carry. Connections include 2 Speakon Combo speaker jacks. Parallel wiring allows for easy daisy chaining of multiple HOT SPOT 7 monitors. The sturdy black enclosure is made of high impact ABS plastic and weighs in at a light 5.25 lbs so toting one around from gig to gig is a painless undertaking. The HOT SPOT 7 is covered by a Three Year Warranty.Get your Galaxy Audio HOT SPOT 7 Vocal Monitor today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
|
|
HR6 Mix Station (for HDS6 Headphone System) $159.95 The HR-6 is a compact six- channel, five-pot remote mixer that clamps to any mic stand. When used with the HDS-6, the HR-6 allows musicians to customize their own headphone or monitor mix, and the engineer doesn't have to touch the board. The HR-6 provides four mono pots and one stereo pot. The four mono pots allow each user to create a custom mix of four console channels or busses. The stereo pot will most often be used for a main control room mix, or for a stereo effects return. The HR-6 also provides a "Submixes Included/Excluded" button, which mutes the four mono pots, allowing only the stereo source to be heard, without having to alter the HR-6's four monaural settings. USED WITH HDS-6. |
|
|
Hear Back Four Pack Personal Monitor (Entire System) $1694 The Hear Back Four Pack includes 4 Mixers, 1 Hub, 4 - 50 foot CAT5e cables, and a Hear Back analog DA-88 style cable.A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. Thats one for you and everybody in the band. If thats not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs. Features: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a brick wall limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a built-in cable strain relief Balanced Line-Outs, Mono/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers |
|
|
Hear Back Monitor Mixer (for Hear Back System) $272 The Hear Back mixer has 8 individual channels of headphone output, making a great addition to an existing Hear Back system. Features: Local control up to ten channels of audio Master volume Built-in DSP limiter 24-bit D/A converters Less than 1.5 millisecond total system delay Bus status indicator Headphone amplifier fault indicator Link indicators Standard CAT5E power andsignal connection Balanced line outs, mono/stereo Stereo AUX in: Expand numbers of mixers Drum module/metronome input Built-in standard threaded mic stand mount The Hear Back Mixer is equipped to mount to any standard mic or desk stand using the built-in 5/8" threaded socket located on the back of the mixer. |
|
|
J33 Turntable DI Direct Box Phono Preamp $179 The Radial J33 is a high quality combination turntable (phono) preamp and direct box that offers a choice of balanced mic-level and -10dB consumer line-level outputs. This allows a 33-RPM record player to be connected directly to a professional mixing console or mic preamplifier. This makes the Radial J33 ideal for use in studio for re-recording, sampling and archiving, while offering DJs an improved interface for recording scratch and remix performances over typical DJ mixers or other stand-alone turntable preamps. For maximum flexibility, the Radial J33 is equipped with a rumble filter to eliminate low-frequency resonance and may be powered with remote 48Volt phantom or local external DC supply. Features: Stereo RCA inputs Stereo RCA, " TRS and 3.5mm outputs Balanced mic level XLR outputs Low frequency rumble filter Choice of 48V phantom or DC supply |
|
|
Love/Hate Custom Chrome Mic Stand $199 Featuring a broken heart in flames base and a conical clutch that represents the strength to go on even after heart break, "Love Hate" is the stand of choice for crooners, female artists, and balladeers alike.Custom Chrome Series Microphone Stand with One-hand Height Adjustment and Free Gig Bag - Broken Heart In Flames Base and Conical Clutch. |
|
|
MB1 Mini Boom Stand $29.99 The ideal low profile boom stand for miking drums, speakers and anything close to the floor. Features die-cast and steel construction. Mic clip included. |
|
|
MHD4 American to Euro Microphone Stand Adapter $4.19 Use this adaptor to mount Euro threaded accessories on to American threaded mic stands. Outside thread: 3/8" (9mm), Inside: 5/8" (16mm). |
|
|
MS7255PG Pistol Grip Dome Base Mic Stand $34.99 Same as MS7255, with a pistol grip clutch on the top of the stand for one handed height adjs.Use only one hand to adjust the height or unscrew your clip! The anti-rotation feature means never holding the lower shaft to prevent loosening from the base. Oversized threading means it takes only seconds to assemble or disassemble this stand! Just turn the shaft clockwise to lock, and simply step on the foot pedal and turn counter-clockwise to release. Includes a pistol grip clutch for one-handed quick and easy height adjustments.SpecificationsHeight Adj.: 38-61Base Diameter: 10Base Weight: 7 lbs.Gross Weight: 9.78 lbsFeatures:The improved low profile patented design and 8 rubber feet keep the stand sturdy, so the mic will never knock you in the face. |
|
|
MSA7020B Boom Arm for Microphone Stands $16.99 Mount this onto any mic stand and you've got a boom! Also can serve as a replacement part. 35" long. |
|
|
MT1 Mic Stand Mount $31 Mic Stand Mount for the A-16 and A-16ii Personal Mixers, and the A-16CS Control Surface. The MT-1 mounts easily to the bottom of your A-16, A-16ii, or A-16CS with just three screws. |
|
|
MY500 Stereo Microphone Attachment Bar $9.95 Two 5/8- 27 threaded knobs equally spaced from center, 5/8- 27 female threaded insert for mounting to a standard mic stand. |
|
|
Mobile Cube Battery Powered Stereo Amp $169 The All-Purpose Portable AmpPlug into instant audio entertainment with the new MOBILE CUBE amplifier. Small and mighty, this little stereo amp can handle all types of electronic instruments and audio devices, and can be used anywhere, anytime. Connect microphones, electric and acoustic guitars, keyboards, drum machines, MP3 players, you name it. Even includes a carry strap and batteries!Unlimited uses: electric and acoustic guitar, keyboards, computer audio, MP3 or CD playback, mini-PA, field recorder playback and much more Get great instrument and vocal tones with stereo sound and built-in effects: overdrive, chorus, delay and reverb Truly portable amplification: fits in a briefcase and runs on batteries! Play any instrument along with your favorite songs, or sing along using Center Cancel for karaoke Small Size, Big SoundAt just 11-1/16" (W) x 4-1/4" (D) x 7" (H), no larger than a briefcase, MOBILE CUBE is a travelers dream. Battery-powered, it can be operated anywhere just plug in, turn on, and jam. Two high-performance speakers provide stereo sound that defies MOBILE CUBEs physical size.Built-In Stereo EffectsEquipped with Rolands legendary FX engine, MOBILE CUBE offers high-quality stereo reverb and chorus effects. Sweeten your vocals, add fire to your guitar tone, or immerse your mixes in a rich stereo sound field. Center Cancel is also provided for minimizing vocals in pre-recorded music great for karaoke and play-along performance.All Instruments WelcomeThanks to its variety of inputs, MOBILE CUBE accommodates microphones, keyboards, acoustic guitars, electric guitars, MP3 players and more; no other instrument amplifier of this size has a stereo input port. Use it as a practice amp at home, while traveling, indoors or out. Its great for parties, karaoke and vocal lessons. Connect it to a mic stand for use as a monitor speaker or micro PA.Specs:Rated Power Output 2.5 W + 2.5 W Nominal Input Level (1 kHz) MIC Channel: -50dBuKEYBOARD/INSTRUMEN |
|
|
PRO-SB Stackable Base Stand $69 The new Pro Series, setting a new standard for performance and price in a category overlooked by other manufactures. The Pro-SB stackable base allows 6 stands to stack in the footprint of one. Surpassing the competition with innovative details, such as field replaceable parts, Universal Mic Attachment, Quarter Turn Clutch, and oversized tubing. The Pro Series is a workhorse for the artist looking for the perfect balance of price and performance. Comes with a limited lifetime warranty. |
|
|
PRO-T TRiPod Microphone Stand $59 The new PRO-T is a Tripod Base stand. These new Pro Series Stands set a new standard for performance and price in a category overlooked by other manufactures. Surpassing the competition with innovative details, such as field replaceable parts, Universal Mic Attachment, Quarter Turn Clutch, and oversized tubing. The Pro Series is a workhorse for the artist looking for the perfect balance of price and performance. Comes with a limited lifetime warranty. |
|
|
PRO-T-T Tripod Microphone Stand & Boom Package $89 The new Pro Series T-T package includes the PRO-T Tripod Base Stand and the ULTI-BOOM-TB Telescoping Boom. These set a new standard for performance and price in a category overlooked by other manufactures. Surpassing the competition with innovative details, such as field replaceable parts, Universal Mic Attachment, Quarter Turn Clutch, and oversized tubing. The Pro Series, a workhorse for the artist looking for the perfect balance of price and performance. Come with a limited lifetime warranty |
|
|
PRX635 15 Three-Way Powered PA Cabinet $1099 This speaker is ideally suited to applications where the program material exhibits subtlety and nuance. Perfectly capable of reproducing high fidelity full range sound without a subwoofer, when coupled with extended low frequencies of the PRX618S-XLF, one experiences complete control over the entire audio spectrum. These cabinets can be stand-mounted but do require a large footprint tri-pod type stand. When pole mounting the PRX635 on a subwoofer we highly recommend a pole no longer than 24 (SS3BK-24 or SS4BK-24) to ensure stability and safety. As with all the full-range PRX600 Series systems two EQ selections can be used to optimize the system for the program material and/or environment. The input section also accommodates either Line or Mic/Instrument level inputs. The PRX635 is a self-powered, lightweight three-way loudspeaker system capable of delivering a very high level of performance over a broad bandwidth. The PRX635 is comprised of one 380 mm (15 in) 265F Differential Drive woofer, a 165 mm (6.5 in) 195H horn-loaded 90 by 50 mid-range and a 2414H 25.4 mm (1 in) annular polymer diaphragm, neodymium compression driver mounted to a 90 by 50 horn, all driven by a 1500 watt (3 x 500) Audio Class-D power amplifier. A propriety DSP chip is at the core of a fully featured input section, providing user selectable system EQ, protection, input sensitivity selection, cross-over functionality, dynamic limiting and discrete component optimization. The amplifier input panel offers XLR or inch jack compatibility and a sensitivity switch provides extra flexibility, making it possible to connect literally any sound source without using a mixer. Signal present and overload lights indicate the system status and assist in setting the optimum level, via the level control knob. All PRX600 cabinets are built from a combination of 25mm (on the top and bottom for added rigidity) and 18mm, strong, lightweight poplar plywood made structurally sound with tongue and groove joints. All |
|
|
Passport 150 PRO Portable PA System $399.99 Life is sweet when things are made easy for us. Its just our nature as humans. The smart folks over at Fender have done just that in making a PA system solution that is light, feature-rich and just plain easyintroducing the Fender Passport 150 Pro Portable PA System!The Passport 150 Pro is a complete 4 channel 150-watt PA system housed in a clever carryall design thats easily luggable and a cinch to set up and get going. The newly designed speakers boast a 5.25 woofer and two 2.75 tweeters. They deliver crystal clear sound and can handle a high SPL without breaking up and distorting. The 150-watt, class D power amp is perfectly matched to the speakers and built-in to the mixer.The mixer has 2 XLR microphone and 2-1/4" line inputs as well as 2-1/4" stereo inputs. Theres also a stereo 1/8 line out. Engage the built-in reverb for vocal and guitar sweetening. The built-in effects loop allows you to add your own outboard effects. Stand adaptors are built in to each speaker enabling them to be set up on poles. Theres also a mic/cable storage compartment with a latching lid, so you really can show up to the performance with just your handy Fender Passport 50 Pro in tow! There is also a docking connector, located in the Passports built-in storage compartment for hooking up an optional Passport wireless receiver. This allows you to use a wireless microphone with your system.Included are 2 speaker cables and a detachable power cord so the Passport 150 Pro is ready to rock, right out of the box!The Fender Passport 150 Pro is a great end-all solution to a portable PA system with features you really need and sound quality youll really appreciate! |
