Mic Cable
July 5th, 2011
Can I link 2 mic cables without damaging them?
I have a bunch of 15' microphone cables. Can I link them (thus making one 30' cable) without doing long-term damage? Thanks!
Damage? From what? Assuming they are XLR cables, go for it. No damage, no problem. I've do that a lot - with no damage to the cables, mics, board... no damage at all. There's nothing to damage.
DTV Cable Box with camera and mic in it? Check it out!
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Mics, RCA Cables and Speaker Wires $8.91 ... |
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Wireless IP Pan/Tilt/ Night Vision Internet Surveillance Camera Built-in Microphone With Phone remote monitoring support(Black) $46.88 Specs: Image Compression Format: M-JPEG standard Image Resolution: VGA(640x480) / QVGA(320x240) Sensor: 1/4 inch CMOS, 300,000 Pixels Light frequency: 50Hz, 60Hz or Outdoor Audio compression: ADPCM Data rate: 802.11b: 11Mbps (Max.), 802.11g: 54Mbps (Max.) Ethernet: One 10/100Mbps RJ-45 Viewing angle: 67? Horizontal Rotating Angle: 0~270? Vertical Rotating Angle: 0~120? Alarm Mode: motion detection... |
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Wansview Wireless IP Pan/Tilt/ Night Vision/ Internet Surveillance Camera Built-in Microphone With Phone remote monitoring support $48.84 Specs: Image Compression Format: M-JPEG standard Image Resolution: VGA(640x480) / QVGA(320x240) Sensor: 1/4 inch CMOS, 300,000 Pixels Light frequency: 50Hz, 60Hz or Outdoor Audio compression: ADPCM Lens: f: 3.6mm, F:2.4 (IR Lens) Data rate: 802.11b: 11Mbps (Max.), 802.11g: 54Mbps (Max.) Ethernet: One 10/100Mbps RJ-45 Viewing angle: 67º Horizontal Rotating Angle: 0~270º Vertical Rotating Angle: 0... |
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Planet Waves Elastic Cable Ties, 10-pack $5.23 D'Addario Planet Waves Cables. Model Number: PW-ECT-10.... |
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Dead-Bang $9.99 ... |
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33i Headphones $69 The 33i from eskuch looks to its predecessor headphone, the 33 1/3, for its chassis, and merges it with the improved structural components of the 45. The minimal, futurist exterior boldly takes 70s hi-fi stereo industrial design and amps it up for a modern, cutting-edge aesthetic. A single-rod headband-to-ear-cup connection reduces the number of parts to increase durability while maintaining its sharp appearance. The circular ear cups also tastefully nod to the 70s: the 12 vinyl record finish evokes the music format of the era; the metallic material finish represents the premium audio IDing codes of the day. Plush ear cup cushions are designed to mitigate outside noise influence while sharpening the experience of the speaker drivers crisp highs and deep lows, all while maintaining comfort. In addition, eskuch provides a custom one-touch mic answer/end/play/pause, premium cloth cable system compatible with iPod/iPhone/iPad, and a 6.3mm adaptor enabling you to experience the headphones with multiple music and media output devices. Product Features Custom designed single touch controller for seamless play/pause and answer/end technology Gold plated 3.5mm 4 pin plug (for music AND talk), and a gold plated 6.3mm adaptor Plush ear cup cushioning and soft, pliable headband for hours of comfort Compatible with iPod/iPhone/iPad and other music output devices Premium woven cloth cording to prevent tangling Protective headphone travel pouchAudio Specs Driver Diameter: 40mm Impedance: 32O Frequency Response: 20Hz-20KHz Sensitivity: 1153dB Input plug diameters: 3.5mm to 6.3mm and 3.5mm 4 pinGet the newest brands from Sam Ash and remember, accessories ship fast and free from Sam Ash Direct |
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45 DJ/Studio Headphones $129 DJ/studio monitor engineered and designed with dynamic speaker drivers, the eskuche 45s are optimized for a balanced frequency of the low, mid, and high-ranges, while maintaining clarity at maximum output levels. The 45, as with the rest of eskuchs catalogue, draws inspiration from classic industrial design of the durable and sleek hi-fi exterior of 70s premium audio equipmentwhile delivering a product expected by todays savvy consumer, audiophiles and casual music fans alike. Notably, the textured aluminum ear cups are connected to the headband by one single rod that rotate 180 for greater listening versatility and a minimized number of internal components and moving parts, making for an even sturdier, long-lasting construction. The 150cm woven cloth cable further enhances both the longevity and fidelity of the product. Its gold-plated screw-on 6.3mm adapter makes it compatible with a wide array of high-end audio equipment and the mics answer/end/play/pause button enables its user to integrate the headphone with multiple music output devices and phone functions. Whether you are listening to a timeless soul acetate, a groovy disco-funk 12, or a hi-def self-released MP3 by your favorite band, this headphone gives you the nostalgic connection from an inspirational time of audio design and music, enhanced by the technology, functionality, and production quality of today. Product Features DJ/studio monitor design with 40mm dynamic drivers optimally tuned for massaging lows while sustaining crisp highs Aluminum ear cups for a classic and durable industrial design 180 ear cup rotation for DJ functionality Plush ear cup cushioning, and a soft, padded, pliable headband for hours of comfort Premium woven detachable cable system for tangle prevention: 150cm DJ cable with screw on gold plated 6.3mm adaptor Mic cable with answer/end + play/pause functionality Compatible with DJ mixers, home stereos, iPod/iPhone/iPad, and other music output devices Protective PU leather headpho |
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A 25 Mic Desk Arm $109.99 Whether it be a home studio or professional broadcast evnviornment. The QuikLok A-25 can be anchored to any table top surface or Multimedia Workstation and includes mounting brackets and XLR mic cable. The maximum load capicity is 1.7 lbs.Get yours today; with the convenience of the Sam Ash Direct 45/60day return/price protection policy, and our centrally located warehouse, we assure the best price and a speedy delivery |
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AD2022 Dual Channel Microphone Preamp $2970 The AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, teflon/silver wiring and doubled plated circuit boards for superior low level signal transfer. |
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APH-2n H2n Handy Recorder Accessory Package $39 Zoom introduces the APH-2n as the official optional accessory package for the H2n Handy Recorder. The APH-2n features a variety of accessories that make it easier for you to capture your recordings. The kit includes a wired remote control with an extension cable, windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and mic clip adapter.The APH-2ns wired remote can be used to start, stop and pause recordings, as well as to add marks. Its also useful in preventing handling noise. Its windscreen will reduce the occurrence of wind, breath sounds and popping noises in your recordings, as well as keep the H2ns five mic capsules clean. Using the packages USB connector type AC adapter to power the H2n is easy and convenient. The included USB cable enables you to connect your H2n to your Mac or PC for rapid file transfer, editing, playback and sharing, as well as to use it as a USB microphone and you record directly to your computer.The APH-2ns adjustable tripod stand is compatible with the H2ns fixed tripod mount, making the recorder versatile in a variety of stationary functions. Utilize the kits padded-shell case to protect Zoom's most innovative recorder ever. Lastly, the APH-2n provides a mic clip adapter allowing your H2n to be easily attached to any standard mic stand.If you think your H2n is handy now, wait until you accessorize with the APH-2n accessory package.Get your ultimate H2n accessory package today along with a variety of other Zoom products at the best price with fast and free delivery from Sam Ash Direct! |
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AT831B Lavalier Microphone $219.99 For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features: Clip-on lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Operates on battery or phantom power 6' (1.8 m) cable permanently attached between microphone and power module Specifications: Element: Condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: PHANTOM: 200 ohms; BATTERY: 270 ohms Maximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Rati 65 dB, 1 kHz at 1 Pa Dynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPL Phantom Power Requirements: 9 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 18 dB per octave Weight: 0.1 oz (2.8 g) Power Module: Inline Output Connector: XLRM-type (power module) Accessories: AT8116 foam windscreen; AT8417 clothing clip; AT8444 instrument adapter; AT8530 power module (attached); battery; protective case |
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AirLine Synth Earset True Diversity UHF Wireless System $495.97 While our site does not specify wireless products by channel or frequency range, we do stock different ones. If you require a specific channel, please call us at 800-472-6274 and we will help you get the exact wireless product you are looking for.AirLine Synth Wireless SystemsSamson began as a wireless technology company over 25 years ago. We packed our high-quality wireless gear with value and professional sound capability. Now, we introduce the most versatile, technologically advanced wireless system in our history: AirLine Synth.With its sleek, frequency-agile micro transmitters, one button channel selection and infrared scanning, the technology behind our new AirLine Synth provides easy setup and clear reception at every gig in every location.Ideal for media production, house of worship and of course, professional music production of all varieties, AirLine Synth is a true diversity system that is frequency selectable, with the capability of operating on over 300 frequencies with up to 11 simultaneous systems.AL300 AirLine Synth Beltpack TransmitterThe AL300 is the smallest beltpack transmitter available. And it's designed with a unique, spring-loaded cover to provide easy access while preventing accidental changes to your settings.Mounting to your belt or inside a coat with a special steel clip, the AL300 has a P3 locking audio connector, precision mic and instrument preamps, attenuation switch and a mute switch for "hot swapping". The package also includes a great sounding SE10T micro-headset and EC10TX cable for professional, hands-free operation.AR300 AirLine Synth ReceiverThe Beltpack System includes the AR300 AirLine Synth Receiver. Roadworthy durability and crystal clear reception in any location make this receiver an intelligent choice for discerning professionals. Featuring automatic RF scanning and infrared programming, balanced and unbalanced outputs as well as front or rear mountable antennae, the AR300 is loaded with convenience and |
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Alpha Studio USB Recording Interface $59.95 The Alpha Desktop Recording Studio is extremely compact, yet it gives you the features needed to get professional recording results anywhere! Designed with many of the same features found in professional studios, Alpha Studio is your complete recording solution: a USB powered I/O mixer with Cubase LE, the popular recording production suite from Steinberg, and the acclaimed Lexicon Pantheon VST reverb plug-in. A dual-input, 2-bus, 2-output USB I/O mixer with extra high-impedance instrument input and separate headphone output gives you the freedom to not only record but also mix anywhere. Features: Stereo line inputs for keyboards, drum machines or analog output of a CD/MP3 player. RF-filtered TRS active-balanced inputs accept either balanced or unbalanced signals. Low-noise mic preamp with balanced XLR inputs. High-impedance front panel input for electric guitar or bass. Separate mic and line level input controls with individual peak indicators. Monitor mix control for balancing an audio source between live input and playback mix level while recording. Can be switched to stereo or mono. High-powered headphone amp offers ultra-clear fidelity while delivering ample power for any type of headphones. RF-filtered and TRS balanced Line outputs for speaker monitoring. Connect to your computer with the included USB cable. No need for a power supplyso you can record anywhere you can take your laptop. Warranty:One year parts and labor |
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AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor |
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AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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BP892CW-TH MicroSet Headworn Omnidirectional Condenser Microphone (Beige) $299 The Audio Technica BP892CW MicroSet Headworn Omnidirectional Condenser Microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use. Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesIncludes AT8440 cable clip, AT8464 dual-ear microphone mount, two AT8157 windscreens, two AT8156 element covers, a moisture guard, and a carrying case.Get your Audio Technica BP892 MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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Beats Solo with ControlTalk Headphones $179.95 LIGHT WEIGHT. HIGH PERFORMANCE. BEATS LOOK!Compact and incredibly lightweight, the Beats Solo tri-fold design allows them to fit into the included compact carrying case. Monster uses Quadripole twisted pair construction in the cables for balanced sound and quality and advanced driver design for precise audio clarity. Beats Solo also include ControlTalk for on-cable iPad, iPod, and iPhone playback control and built in mic for iPhone/music phone hands free use. A cleaning cloth with antimicrobial treatment is included to polish and control germs. The music you listen to in your headphones should capture all the sonic details the artist wanted you to hear. But normal headphones cant deliver the rich, full sound in todays digital audio tracks, especially not smaller, lightweight headphones. But Solos high performance headphones, which are designed for todays active lifestyles, deliver sound so real, youll be amazed its all coming from something so compact and portable. Get yours today; with the convenience of the Sam Ash Direct 45/60day return/price protection policy, we assure the best price and a fast, free delivery. |
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C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included |
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C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against |
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C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CS Series Microphone with 2 Interchangeable Capsules $89.99 Samsons CS Series (Capsule Select) Microphone offers the capabilities of two pro-level dynamic microphones in one versatile package. With easily interchangeable Vocal and Instrument mic capsules, the CS Series mic is perfect for capturing stunning vocal performances or miking your favorite instruments.The CS Series mic features both the CS1 (vocal) and CS2 (instrument) selectable mic elements, as well as a handheld base. Both neodymium capsules offer a supercardiod pickup pattern, but are further designed to support completely different miking applications. The bases threaded twist-off construction makes it both quick and easy to change capsules and miking techniques. The base also features a gold-plated XLR jack (mic cable not included) for strong connectivity. |
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DM4800 64 Channel Digital Mixer $3499 The TASCAM DM-4800 is the ultimate digital mixer for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A fat channel strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than youll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAMs DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM-4800 adapts to the needs of any professional audio installation. 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-4800s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Transport buttons control DAW software or RS-422 dev |
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DR-680 8-track Portable Recorder $699 TASCAM's DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24 bit Broadcast WAV quality. Six mic inputs provide phantom power and 60db of gain for great-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF source for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sound. Inputs can be monitored using a built-in mixer with level and pan controls for each input. The stereo mixdown can even be recorded along with the six mics for quick stereo playback of the event. There's even a built-in speaker to check recordings with headphones. In addition to WAV recording up to 96 kHz, the DR-680 records up to four channels of MP3 audio for web-ready recordings. Two of the recorders can be connected with cascade cable for up to 16-track recording on battery power. Multi-channel portable recording has never been as simple or affordable as the TASCAM DR-680. |
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E6i Omnidirectional Earset Microphone (Light Beige with T4F Connector) $399.99 Delivering value, comfort, and sound quality, the E6i Omnidirectional Earset microphone is the best-loved mic of its kind. Countryman mounted their tiniest mic capsule on an even tinier boom that is rugged, flexible, and incredibly lightweight. Silicon padding at the earpiece helps keep the boom comfortably in place, even with glasses or other head-worn accessories. It features the widest range of boom colors to match virtually any skin tone. The more-flexible boom on the E6i is very easy to adjust and perfect when one mic is shared among several people. Practically invisible to live or broadcast audiences, the E6i is incredibly comfortable for the wearer. It captures the closest source clearly with excellent rejection of wind, ambient noise, and feedback. And its industry-unique snap-on cable extends the equipment life many times over. In addition, the snap-on cable makes your E6i compatible with virtually any wireless mic system - just buy a new cable instead of a new mic! The changeable protective caps provide moisture resistance and let you shape the frequency response for different situations or to match other microphones. It's no surprise that Countryman's E6i Omni Earset is a top choice for presenters, educators, worship leaders and pastors, broadcasters, and many, many more! The E6i Omni microphone is supplied with a snap-on cable with specified connector, windscreen, set of three protective caps, set of two collar clips (black and white), and carrying case. Applications User-friendly for new and experienced users alike Excellent for singing and spoken word applications Extremely popular in houses of worship, theater and outdoor settings Directional version is ideal for situations with loud monitors, extreme feedback or environmental noise Style & Comfort Smallest, lightest, most comfortable mic of its kind - only 1/10th ounce! Almost invisible against any skin tone Rugged, bendable boom assures a custom fit for every wearer Hands-free |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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EPA40 Europort Portable PA System $108.99 The EUROPORT EPA40 portable PA system has been designed for public address applications, projecting to a crowd of up to 100 people, while you strap it conveniently on your shoulder. This is the ideal PA system for business meetings, tour guides, classrooms and outdoor activitiesultra-compact, portable and easy to operate. It features a 5" full-range loudspeaker with 40 Watts of power, an integrated battery pack for 8 hours of continuous operation, Mic and Aux inputs as well as a high-quality dynamic microphone and accessories such as charger and cables. Get carried away by this cool and portable PA system! Ultra-compact, portable PA system ideal for business meetings, tour guides, classroom activities, and various other applications 5" full-range loudspeaker with enormous power and incredible sonic performance in a super-light package Built-in battery with 8 hours liferecharges completely in just 4 hours Mic and Auxiliary inputs to connect to your mic, CD, and other line level sources Comes with a BEHRINGER XM1800S microphone, 3' cable, recharger, shoulder strap, and mic stand adapter Power switch doubles as Volume control with battery charge indicator LEDs Convenient battery and shoulder strap compartment Ergonomically designed carrying handle for effortless portability High-quality components and exceptionally rugged construction ensure long life |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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Escort 3000 $649.99 The Escort's integrated design allows for ease of transportation, while its user-friendly controls offer ease of operation, making it the perfect choice for schools, churches, civic organizations and small musical groups. The Escort features dual two-way speakers driven by a five-channel, 300 Watt stereo powered mixer, making it ideal for both vocal and musical applications. The system also includes a PVi unidirectional (cardioid pattern) dynamic microphone, two folding speaker stands and all necessary connecting cables. Among many professional features, the mixer includes 60mm faders, a five-band graphic equalizer with FLS (Feedback Locating System) and digital reverb. The carrying case provides storage for all the system components with ample room for additional mics and cables. This clever design incorporates the speakers into the package, allowing the unit to be easily carried or pulled along on its luggage-style wheelsFeatures:Convenient package with luggage-style wheels Two-way speaker system with 10" woofer and piezoelectric horn Five-channel powered mixer Four XLR mic inputs with 15 V phantom power Two stereo line inputs 60 mm faders High quality digital reverb 300 Watts output power (150 Watts per channel) with DDT Five-band graphic equalizer with FLS Two folding speaker stands One PVi cardioid dynamic microphone with cable Two 25' speaker cables Storage compartments for microphones, cables and accessories |
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Fireface 400 Firewire Audio Interface $1299 The Fireface 400 is the only FireWire Audio Interface in its class with active jitter suppression, stand-alone functionality, off-line MIDI remote controllability, highly flexible I/Os in professional quality, an unsurpassed 648-channel matrix router - at sample rates up to 192 kHz. Two digitally controlled Mic Preamps in high-end quality Two balanced universal inputs for line and instrument signals SteadyClock for maximum jitter suppression and clock refresh Simple stand-alone operation with rotary encoder and front panel display 54 Level Meter Peak/RMS, hardware-calculated Full mobility by Bus Power support DIGICheck, RME's unique meter and analysis tool TotalMix: 648-channel mixer with 42-bit internal resolution The DSP-based TotalMix mixer allows fully independent routing and mixing of all 18 input and output channels to all 18 physical outputs. Up to 9 totally independent stereo sub-mixes simply mean unrivalled monitoring facilities. Copy/paste of routings, ganging and group-based operation of faders, and the extraordinary Matrix window are just some of the mixer's unique features. The mixer can be completely MIDI controlled, even in stand-alone operation. Furthermore the DSP hardware calculates RMS and Peak levels for all 54 audio channels, without causing any significant CPU load. A word clock input and output (BNC) plus two MIDI I/Os (breakout cable, 5-pin DIN) complete the analog/digital feature list and turn the Fireface 400 into an entire audio system of the highest quality. The Fireface 400 excells as portable all-in-one solution when it comes to power supply. The included switching power supply accepts voltages from 100 to 240 V, thus can be operated all over the world. A rear panel switch enables Bus Powered operation, taking the power directly from the FireWire connector. To avoid potential problems, both the unit's internal power supply and the protective circuits at the FireWire port were specially designed and thoroughly tested. ANALOG I/O |
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G-Track USB Condenser Mic with Audio Interface $119.99 The G-Track is a total solution capable of taking you from your musical inspiration to your finished tracks. Samson's G-Track is the world's first USB condenser microphone with a built-in audio interface and mixer, allowing simultaneous input of vocals and guitar, bass, or keyboard while also providing monitoring through an on board headphone output. The G-Track allows you to record vocals like a standard USB mic, or two mono instruments through the line/instrument input, or a mix of one mono instrument and vocal. Now singer/songwriters can directly record vocals and instruments quickly and easily with one device, making the G-Track a must have for any songwriter's home studio. And its ease of use and portability allows you to take it anywhere inspiration may strike you. Ideal for the traveling musician or the project studio, the G-Track ships with a desktop mic stand, swivel stand mount, USB cable and all the cables needed to connect any musical instrument with a standard 1/4" or RCA output. The G-Track ships with Cakewalk's Sonar LE and works brilliantly with Apple's GarageBand. Large diaphragm studio condenser microphone Mic and Instrument/Line gain control with clip LED Stereo input jacks for instruments or line level signal Stereo headphone jack for no latency monitoring with level control 3-position headphone switch for stereo, mono, computer monitoring USB bus-powered and compliant Audio I/O and USB cables included Desktop microphone stand included Optional shockmount available Warranty:Three years parts and labor. |
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Gen16 Acoustic/Electric Cymbal AE480 Box Set $949 The ZILDJIAN Gen16 Acoustic/Electric Cymbal AE480 Box Set Contains 14" Hi-Hats, 18" Crash Cymbal, 20" Ride Cymbal (all cymbals with mic pickups), AE Digital Cymbal Processor (DCP) with mounting kit and a Five Channel Cable Snake.Zildjian has created the first hybrid acoustic/electronic cymbal! Utilizing patented low volume acoustic cymbals and a new dual head mini microphone system, or pickup, they are not triggers but real cymbals! Including the controller/mixer with preset tone modeling and effects, the drummer can experience an array of great Zildjian cymbal tones and add effects to each cymbal!Finished in Polished Nickle Chrome with the Zildjian Z and Gen16 logos embossed in blue, the Gen16 A/E cymbals look hipper than any electronic cymbal pad!While electronic drums and percussion have been around for years, the AE Cymbal is a completely new twist that uses established technology to create essentially a completely new instrument. The Acoustic Electric Cymbal is capable of creating a wide range of sounds, from that of a classic Zildjian cymbal to some very non-traditional sounds, explains Zildjian VP John Roderick. "For drummers, it will have an inspirational impact akin to what the acoustic electric guitar has done for guitarists.Unlike electronic drum set trigger pads, Gen16's AE Cymbals sound and respond just like traditional cymbals, but play at less than a quarter of the volume. The AE Cymbal is not a sample trigger device but instead, its an actual cymbal and plays like one, but at a dramatically reduced volume, utilizing a unique dual microphone pickup and a digital signal processing engine to amplify and model the cymbals response and creating a range of natural cymbal sounds without the use of sampling or MIDI. The user can experience an array of Zildjian tones or add effects to each real cymbal."The AE Cymbal represents a true paradigm shift for musicians," says John. "It's an entirely new instrument, |
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Gina3G PCI Audio Interface $279 Gina3G is the third generation of our budget priced, professional quality digital audio recorder. The original Gina premiered seven years ago to critical acclaim and since then Echo has been perfecting the art of making high quality recording products at affordable prices. The new Gina3G brings you the best features of Gina24, but with better converters, dual mic preamps, and MIDI!! Gina3G is perfect for the budget-minded musician who wants to get into digital recording without sacrificing quality for price. Gina3G has all you need: 2 universal inputs with mic preamps, 6 balanced analog outputs, and a headphone output. ADAT lightpipe, optical and coaxial S/PDIF, and MIDI are included as well; so as your studio grows, Gina3G will be able to work with all your new gear. It comes with a 8' cable and PCI card that connects to the audio interface. Gina3G is compatible with PCI-X (3.3 or 5 volt) motherboards and Power Mac G5 computers, as well as older systems. Hardware Features 2 auto-sensing universal inputs (mic/guitar/line): 110dB (A-weighted) dynamic range; Meters, trim knobs, & phantom power 6 balanced ?" analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O (coax & optical) at 24-bit/96kHz ADAT optical digital I/O MIDI I/O Stereo headphone output with volume knob Sync via S/PDIF, ADAT, or MTC Supports full duplex 10 channel in, 14 channel out operation Heavy-duty aluminum case 8' cable to connect to PC PCI bus mastering interface: Bus powered; Works with PCI-X (3.3/5 volt) & Power Mac G5 A/D & D/A converters in external breakout box 56-bit / 100mHz DSP for digital mixing: Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0; GSIF 2.0 (Gigastudio 3 w/ low latency MIDI); WDM kernel streaming mode; CoreAudio & CoreMIDI Surround sound support: 5.1 & |
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HR2 Headphone Amplifier $104.95 Furman HR-2 Headphone Remote Stations (sometimes called satellites) are passive devices intended for use with the Furman HA-6A Headphone/Monitor Amplifier, to increase the number of headphone stations beyond the six provided, and/or to locate them more conveniently. With the use of a simple adaptor, HR-2's may also be used successfully with any stereo power amplifier of 50 watts per channel or less to convert them to use as headphone distribution amplifiers. (The Furman SP-20A Half Rack 20 Watt/channel Power Amplifier has the required adaptor built in.) Each HR-2 box can accommodate two sets of headphones, each with its own volume control. USING THE HR-2In rehearsals, headphones are often used to keep sound levels down to avoid disturbing neaighbors. In the recording studio, headphones are most often used in the overdubbing process, where new musical tracks are recorded in synchronization with previously recorded tracks. The musicians doing the overdub hear the already recorded tracks in their headphones, and play along with them. Because of the presence of open microphones, headphones are much preferred to speakers for cueing overdubs. In many situations, it may be sufficient to plug all headphones directly into an HA-6A or other headphone amp. However, in a larger studio, or when each musician must have easy access to his or her headphone volume control, it is more practical to use several HR-2 Remote Stations at strategic locations around the room. In this case, the HA-6A (or the stereo power amplifier substituting for it) would most likely be installed in the control room. The HR-2 Remote Stations connect in "daisy chain" fashion to the SPEAKER B-SATELLITE/REMOTE output on the rear panel of the HA-6A. This output is a male 3-pin XLR connector, so that ordinary microphone cables can be used. The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and s |
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Hear Back Four Pack Personal Monitor (Entire System) $1694 The Hear Back Four Pack includes 4 Mixers, 1 Hub, 4 - 50 foot CAT5e cables, and a Hear Back analog DA-88 style cable.A basic Hear Back system consists of a Hub and personal Mixers connected using standard CAT5E cables. A single Hub supplies signal and power to a maximum of eight Mixers. Thats one for you and everybody in the band. If thats not enough, the Hubs can be daisy-chained using the HearBus In and Out for virtually unlimited system size. The Hear Back Hub can accept analog input signals from audio mixers, auxiliary, matrix, monitor, and/or direct outputs. Features: Virtually unlimited system size Very attractive pricing Excellent audio fidelity Built-in DSP Limiter Very long digital lines possible without loss of audio quality Audio inputs ADAT, analog, and the HearBus are switch selectable from the front panel. Local control of up to ten channels of audio (8 inputs plus a stereo Aux input) Master Volume (controls the level to the headphones, line outs and the Aux input to the line outputs) Built-in DSP Limiter (designed as a brick wall limiter for hearing protection and to protect monitor wedges from overload) Headphone amplifier fault indicator in case of over temperature, or a short, the red LED comes on to alert the user something is a problem. A second visual trouble shooting aid for the user is the Bus status indicator Link Indicators Whenever two pairs of mono inputs are linked for stereo operation the link LED is illuminated Standard CAT5E power and signal Connection, cost effective, simple, non-obtrusive way to connect eight channels of audio. The Cable is held in place with a built-in cable strain relief Balanced Line-Outs, Mono/Stereo Stereo AUX In Built-in Mic Stand Mount may be mounted to a standard mic stand or clipped onto a stand extension bar or clip High Power Low Distortion Headphone Amplifiers One of the industry's most powerful headphone amplifiers |
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IFFWDMmkII Firewire Mixer Expansion Board (for DM3200 and 4800) $399.99 Who says a powerful computer recording system needs to be complex to set up? TASCAM's IF-FW/DM mkII is the first 32-channel audio interface to use a single FireWire cable to get in and out of the computer. The card is compatible with TASCAM's DM-3200 and DM-4800 digital consoles, turning them into the ultimate front-end for computer workstation recording. The card supports resolutions up to 96kHz/24-bit without changing the incredible 32-in/32-out channel count.For recording engineers and musicians who are comfortable working on a mixing console, the DM-3200 and DM-4800 is the control center for their studio. The IF-FW FireWire Interface Card is integrated into the mixer, bypassing the need for expensive audio interfaces. They provide 32x32 audio and remote control over recording software like Logic Pro, Cubase, Nuendo, SONAR, and Digital Performer, adding transport, jog/shuttle, fader, panning, aux control and more. All of this control is a single button press away from normal mixer operations, making DAW software control simply another fader layer of these powerful consoles for seamless workflow.During tracking, the DM-series gives engineers the flexibility that only a large console provides. The DM-4800 provides 24 great-sounding mic pres, 36 digital inputs, 24 groups and 32 direct outs, so tracks can easily be routed into the computer. Twelve aux sends (8 on the DM-3200) means that everyone in the band can get their own headphone mix while leaving a few for effects sends. The consoles offer powerful monitoring capabilities, including source switching, dim, mono, and even speaker switching on the DM-4800. Add other interface cards for additional ADAT, TDIF and AES/EBU I/O, or install the powerful IF-SM/DM Surround Monitoring card for mixing in up to 6.1 surround.The mix processing and automation capabilities of the DM-series free the computer's CPU to add tracks and plug-ins to the recording project. As recording software continues to add tracks and plug-ins get |
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KC550 Keyboard Amplifier $599 The KC-550 boasts 180 watts of powerful sound via a 15-inch speaker and horn tweeter. In addition to its four input channels, this flagship amp includes an Output Select switch for selecting the monitor sound destination, a Shape switch for quick sound adjustment and an XLR Line output for direct connection to a mixing console. Features Flagship keyboard amplifier with powerful 180-watt/15" speaker and horn tweeter Output Select feature and convenient Shape switch for tonal adjustment 3-band EQ and Subwoofer output compatible with new KCW-1 XLR Line output for connection to mixing consoles Stereo Link In/Out for chaining to KC-550s for stereo applications Up to 4-Channel MixingKC-series amplifiers feature a flexible mixing section designed with the performing musician in mind. Our flagship models feature up to four stereo inputs, and KC amps include a Microphone input and stereo Auxiliary input for connecting CD players. Stereo Link Capabilities The KC-550 and KC-350 include Rolands Stereo Link feature for chaining two amplifiers. Using a single cable, you can connect two KC amps for true stereo sound while controlling them both from the amp nearest you on stage. Subwoofer-Ready Want more low end? Simply add an optional subwoofer like Rolands new KCW-1. Connections are easy, thanks to the Subwoofer output found on all new KC amps. Now even the most affordable models can sound huge! Made for the RoadKC amps are built for life on the road. All models have built-in handles for easier transportation (the KC-550 also includes casters) and a rugged design with heavy-duty carpeting, protective edges and an all-metal grille. Specifications: Rated Power Output 180 W Speakers 38 cm (15 inches) x 1 Tweeter x 1 Nominal Input Level (1 kHz) Channel 1 (MIC/LINE) -50 to -20 dBu, Channel 2-4 (LINE) -20 dBu, STEREO LINK INPUT 0 dBu, AUX IN -10 dBu Nominal Output Level (1 kHz) LINE OUT +4 dBu, STEREO LINK OUTPUT 0 dBu SUBWOOFER OUT +4 dBu CHANNEL CONTRO |
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Kassette Earphones $39 As the technology of the 70s became more lightweight and easy to transport, the demand for mobile listening devices like the cassette player boomed. Kassette is eskuchs tribute to the days of the Walkman and all they symbolized. An agile, small, on-ear-style headphone that utilizes durable industrial materials to maintain both sonic high fidelity and a contemporary aesthetic. Keeping to the eskuch design DNA, the Kassette incorporates a unique CD-textured ear cup construction and woven cloth cable, and merges it all with modern-day functionality. The pivoting speaker driver mechanism for adjustable on-ear fit, the mic answer/end button, which adds iPod/iPhone/iPad compatibility, and the adjustable aluminum headband allow the smallest of our headphones to pack just as much of a punch as the others.Product Features Light weight, on-ear headphone with a thin, durable, adjustable aluminum headband Custom designed single touch controller for seamless play/pause + answer/end technology Gold plated 3.5mm 4 pin plug (for music AND talk) Compatible with iPod/iPhone/iPad and other music output devices Spongy foam ear cushion for prolonged comfort Premium woven cloth cording to prevent tanglingGet the newest brands from Sam Ash and remember, accessories ship fast and free from Sam Ash DirectAudio Specs Driver Diameter: 40mm Impedance: 32O 15% at 1KHz Frequency Response: 20Hz-20KHz Sensitivity: 1053dB at 1KHz Input plug diameters: 3.5mm to 6.3mm and 3.5mm 4 pin |
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LS-7 Linear PCM Recorder $199.99 The Olympus LS-7 Linear PCM Recorder brings you 24-BIT / 96KHZ LINEAR PCM RECORDING. You will get superior-to-CD quality sound with the extra high quality digital recording.Features:4GB BUILT-IN MEMORY AND MICRO SD CARD SLOT.Comes with plenty of storage. The LS-7 is equipped with a generous 4GB of internal memory or add memory with a micro SD card.3 MICROPHONES STEREO DIRECTIONAL MIC AND CENTER OMNI DIRECTIONAL MIC.The LS-7 helps you get it all with stereo, directional condenser microphone and a center, omni-directional microphone capable of capturing lower bass ranges with stunning clarity.24 BIT/ 96 KHZ LINEAR PCM RECORDING.Sound thats even better than what you hear on a compact disc. Every nuance of every note and syllable is captured and played back with a rich and resonant quality.4GB INTERNAL MEMORY AND REMOVABLE MICRO SD CARD CAPABILITY.With 4GB of internal memory youll be able to capture hours of music, lectures, and more and still have room to store documents. For even more storage, the LS-7 is microSD card compatible.3 MICROPHONES (STEREO DIRECTIONAL MIC AND CENTER OMNI DIRECTIONAL MIC).The LS-7 employs two condenser stereo mics and a center, omni-directional mic capable of capturing lower bass ranges as low as 20Hz. The 45-degree outward positions of the two condenser mics enable users to record with wider stereo sound.PCM (WAV), MP3 AND WMA RECORDING.Select from one of three standard recording formats: WAV, MP3 or WMA. The availability of three compatible formats increases the versatility of decisive, on-the-spot audio recording.VIA USB OR OPTIONAL AC ADAPTER FOR CHARGING BATTERY.With a USB cable or optional AC adapter it is easy to charge your recorder. You can also quickly transfer your files over to your Mac or PC via a USB cable.FILE DIVIDE, MOVE AND COPY.Divide files and make partial cuts right inside the device. Or, move and copy files between the internal memory and the micro SD card, which makes it easier to switch to a different micro SD card |
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Layla3G PCI Audio Interface $499 Layla3G is the third generation of Echo's flagship PCI based multitrack digital recorder. The original Layla premiered seven years ago to critical acclaim, including a TEC award nomination. Since then Echo has been perfecting the art of making high quality recording products at affordable prices. Now you can get all of the features of the Layla24 for a new low price, but with better converters and dual mic preamps!! Layla3G is the perfect center for any professional studio. It has 2 universal inputs with mic preamps, 6 balanced analog inputs, 8 balanced analog outputs, and a stereo headphone output. ADAT lightpipe, optical and coaxial S/PDIF, and MIDI are included as well. Layla3G comes with a 15' cable and PCI card that connects to the audio interface. Layla3G is compatible with PCI-X (3.3 or 5 volt) motherboards and Power Mac G5 computers, as well as older systems. Hardware Features 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced 1/4" analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced ?" analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O (coax & optical) at 24-bit/96kHz ADAT optical digital I/O MIDI I/O Stereo headphone output with volume knob Sync via word, S/PDIF, ADAT, or MTC Supports full duplex 16 channel in, 16 channel out operation Rack mountable single space breakout box Heavy-duty aluminum case 15' cable to connect to PC PCI bus mastering interface: Bus powered; Works with PCI-X (3.3/5 volt) & Power Mac G5 A/D & D/A converters in external breakout box 56-bit / 100mHz DSP for digital mixing: Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0; GSIF 2.0 (Gigastudio 3 w/ low latency MIDI); WDM kernel streaming mode; CoreAudio & Core |
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M1Active 320 USB Active Studio Monitors (Pair) $99 Alesis brings pro-grade USB speaker performance to the computer desktop. M1Active 320 USB speakers enable you to play audio from your computer and record audio coming into the speaker to your computer. Simply plug in the USB cable to your computer No special drivers required. M1Active 320 USB speakers are not only substantial audio monitors, but a convenient audio interface.Simply plug in your professional audio products directly to the M1Active 320 USB - keyboards, mic pre's, guitar effects, Dj Mixers, and regular audio components such as CD and tape players can easily be connected and recorded. Full range, superb sound quality insures that you get more accurate audio reproduction to check your mixes. A Bass Boost switch helps emphasize bass frequencies - Great for various room situations where you want to hear more bass emphasis. The lightweight and portable design means you can put them into a handy carrying case and take them on the road. USB 1.1 audio interface16-Bit / 44.1-48 kHz recording and playbackPro-grade 1/4" plugs and standard RCA jacksTRS Headphone outputTwo 1/4" phone jacks inputsStereo 1/8" TRS mini-jack inputStereo RCA inputs1/8" TS output to passive speakerSwitchable power supplyMagnetically shielded for placement near TV and computer monitors Specifications:Woofer: 3" lightweight, magnetically-shielded, polypropylene cone with rubber surround and high power handling voice coil [4 Ohm impedance].Tweeter: 1" silk domeFrequency Response: 80 Hz 20 kHzBass Boost: 4.8dB at 100HzPower: 10 W per channel RMSSignal-to-Noise Ratio: 88dB weightedInputs: 1/4" TS, RCA, 1/8" Stereo, USB1.1Input Impedance: 20k ohmsDAC/ADC: 16 bit delta sigma, 44.1kHz or 48kHz sampling rateDimensions (W x H x D): 6.0" x 5.0" x 7.5" / 15.3 cm x 12.7 cm x 19.0 cmNet Weight (total): 7.5 lbs / 3.4 kg |
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MXLV69ME Cardioid Tube Condenser Microphone $299.95 The MXL V69 is a large diaphragm Tube Condenser Microphone. Its classic sound enhances vocal and instrument performances in professional and top level home studio environments. The extremely low noise level, wide dynamic range and warm sonic characteristics make the V69 a perfect complement to all digital recording devices. Includes a deluxe flight case, versatile shock mount, dedicated power supply, Mogami 7-pin and XLR microphone cables and wind screen. Highlights Internally wired and supplied with Mogami cable Vintage Tube Sound 25mm (1") large capsule condenser Complete microphone system with Mogami 7-pin and XLR Cable Vintage cosmetics 24 carat gold plated grill Durable brass enclosure Supplied with carrying case Specifications Type: Condenser, pressure gradient mic Capsule size: 25mm Tube: 12AT7 Frequency Range: 20Hz-20kHz Polar Pattern: Cardioid Impedance: 200W S/N Ratio: 69dB (Ref. 1Pa A-weighted) Equivalent Noise Level: 14dB(A weighted IEC 268-4) Max SPL for 0.5% THD: 140dB Size: 55mm ~ 215mm Weight: 500g Metal Finish: Black/Gold |
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MicLink XLR to USB Microphone Cable $49 Turn your favorite microphone into a USB mic. The Alesis MicLink XLR to USB cable enables you to connect your dynamic microphone directly to your computer for high-quality mono recording. Its as simple as plug-and-play and enables you to record at 16-bit/44.1 kHz CD quality.The Alesis MicLink has a built-in analog-to-digital converter that eliminates the need for an additional converter box. MicLink works to connect any XLR microphone to any Mac and PC and is compatible with most Mac and Windows software and drivers.Get your Alesis MicLink Dual -to-USB Cable today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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PG81 Cardioid Condenser Instrument Microphone $129 The Shure PG81 is a sensitive, flat response mic ideal for acoustic instruments. Perfect for Acoustic Guitar, Cymbals, Piano, Strings, Woodwinds, Ensembles. Specifications: Cardioid, Condenser, Flat Response, 40 Hz to 18 kHz. Comes with 15' XLR to XLR cable. |
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PSM 200 Wireless In-Ear Monitor System with SE215 Earphones $599 The Shure PSM 200 Wireless In-Ear Featuring smart, versatile components that grow with you as your needs change, PSM 200 is the personal monitoring breakthrough for entry-level performers. In ear is now in reach.The PSM 200 features the P2R Hybrid Bodypack Receiver. Its the first bodypack receiver to function as a wired receiver, a wireless receiver, or both at the same time. This and other unique features, along with excellent sound quality, make the P2R an exceptional value.The PSM200 also includes the P2T Wireless TransMixer -- another breakthrough design for personal monitoring. It allows the user to connect two line-level or mic-level inputs directly into the transmitter. The two signals can then be mixed independently. You can connect microphones or instruments directly to the inputs, use line outputs from a mixing console, or connect it to the Shure AuxPander. In short, you can plug practically any output device into the TransMixer.The compact SE215 sound isolating earphones deliver detailed sound with enhanced bass. A detachable cable with formable wire enables easy replacement and a secure, comfortable fit on-stage or on-the-go. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation and a customized fit.Get your Shure PSM 200 Wireless In-Ear Monitor System today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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Palm Track Handheld Stereo Recorder $119 You can capture live sound anywhere and anytime without a single cable! The PalmTrack is perfect for recording quality sound in a wide variety of settings from rehearsals, jam sessions, and gigs to conferences, lectures, and classes to interviews and meetings. The possibilities are virtually limitless.Recording with the PalmTrack is easy and flexible. Just insert the included batteries and SD card and press record! You can monitor while recording in headphones and watch the real-time level meters, or just switch on Auto Mic Gain and let the PalmTrack take the hassle out of recording. When youre done recording, you can check out your recordings on the PalmTracks built-in speaker, using your own headphones, connecting the PalmTrack to your Mac or PC with its mini USB jack, or by removing the SD card and inserting it into your computers SD card slot or reader.While youre tracking, youll be able to easily tell that the PalmTracking is recoding thanks to its red Record light. You can easily switch the mics gain from high to low with the left-side switch, and you can adjust the input level with the up and down buttons on the right.You can choose between 44.1 and 48kHz sample rates, select an MP3 bitrate from 64 to 320kbps for maximum recording time, or choose uncompressed 16 or 24-bit WAV for broadcast-quality recording. For all-in-one recording, the PalmTrack has FOUR microphones housed in its protective grille. You can select two mics for stereo pickup pattern, four mics for omnidirectional pickup pattern, plug your own mic into the PalmTracks 1/8-inch mic input, or any line-level source into its 1/8-inch line input.The PalmTrack also gives you powerful processing onboard, including bass compensation for reducing the proximity effect in close-miked situations, as well as Chorus, Pitch Shift, Delay, and Reverb settings for adding flavor and creative effects to your recordings. Theres also an MP3 voice cancelling more that enables you remove vocals from MP3s. On top of al |
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Passport 150 PRO Portable PA System $399.99 Life is sweet when things are made easy for us. Its just our nature as humans. The smart folks over at Fender have done just that in making a PA system solution that is light, feature-rich and just plain easyintroducing the Fender Passport 150 Pro Portable PA System!The Passport 150 Pro is a complete 4 channel 150-watt PA system housed in a clever carryall design thats easily luggable and a cinch to set up and get going. The newly designed speakers boast a 5.25 woofer and two 2.75 tweeters. They deliver crystal clear sound and can handle a high SPL without breaking up and distorting. The 150-watt, class D power amp is perfectly matched to the speakers and built-in to the mixer.The mixer has 2 XLR microphone and 2-1/4" line inputs as well as 2-1/4" stereo inputs. Theres also a stereo 1/8 line out. Engage the built-in reverb for vocal and guitar sweetening. The built-in effects loop allows you to add your own outboard effects. Stand adaptors are built in to each speaker enabling them to be set up on poles. Theres also a mic/cable storage compartment with a latching lid, so you really can show up to the performance with just your handy Fender Passport 50 Pro in tow! There is also a docking connector, located in the Passports built-in storage compartment for hooking up an optional Passport wireless receiver. This allows you to use a wireless microphone with your system.Included are 2 speaker cables and a detachable power cord so the Passport 150 Pro is ready to rock, right out of the box!The Fender Passport 150 Pro is a great end-all solution to a portable PA system with features you really need and sound quality youll really appreciate! |
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ProFire 2626 Firewire Audio Interface $599.99 Building on a legacy of award-winning FireWire audio interfaces, the M-Audio ProFire 2626 brings next-generation performance to your PC or Mac host-based recording system. This powerful interface delivers 26 x 26 simultaneous I/O, complete with an onboard DSP mixer sourced from up to 52 audio streams. It features every kind of connection you needincluding award-winning Octane preamp technology on all eight analog inputs, ADAT, S/PDIF, word clock and MIDI. Critically acclaimed JetPLL jitter elimination technology ensures pristine audio quality and reliable synchronization all the way up to high-definition 24-bit/192kHz resolution. In addition, ProFire 2626 offers easy FireWire connectivity, extremely low latency, dual headphone outputs, front-panel instrument inputs and standalone operation.Up to 24-bit/192kHz for high-definition audio Eight analog inputs sourced from: eight XLR mic inputs with phantom power; eight TRS balanced line inputs; two TS instrument inputsOptical I/O in the form of 2 x 2 S/PDIF (on optical port B) or 16 x 16 ADAT (8 x 8 in S/MUX II mode, 4 x 4 in S/MUX IV mode)2 x 2 coaxial S/PDIF (via included breakout cable) Eight TRS balanced line outputs Two TRS headphone outputs 1 x 1 MIDI I/O (via included breakout cable) Word clock I/O (via included breakout cable) Eight preamps with award-winning Octane technology User-assignable master volume knob Flexible onboard DSP mixerSelect from any of the 26 hardware inputs and 26 software returns as sources for its 18 input channelsCreate up to eight stereo mixesStandalone eight mic pre/eight-channel A/D-D/A converter JetPLL jitter elimination technology Sync options include internal clock, ADAT optical, S/PDIF and word clock Compatible with most popular DAWs Pro Tools M-Powered compatibleIncludes Award-winning Octane Preamp TechnologyThe quality of your preamps is critical to how your music sounds. Embraced by reviewers and audio professionals alike, M-Audio set a new standard with the 8-channel Octane |
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Q7VP Complete Dynamic Mic System $129.99 Everything you need in one package. Samson's acclaimed Q7 dynamic mic, a heavy-duty boom mic stand, durable mic clip, low noise cable and a rugged gig bag. About the Q7The Q7 is a hand held, dynamic microphone that excels in both live performance and recording applications. Equipped with a linear frequency response for superior reproduction, it is also designed to withstand high sound pressure levels. Extremely sensitive, it employs a tight super cardioid pattern to reduce feedback. A special shock-mounted element minimizes handling noise and provides additional protection. Ultra-sensitive neodimium element picks up all of the nuances of any performance. Tight super cardioid polar pattern minimizes feedback problems and effectively rejects signals not originating directly in front of the mic capsule Extended range frequency response for optimum reproduction and exceptionally clear, crisp sound. Special shock-mounting allows movement of the mic element and greatly reduces handling noise. Rugged zinc alloy die-cast case ensures reliable performance in even the most demanding environments. The Q7 can be mounted on any standard microphone stand (using the included mic clip). Withstands high SPLs lending itself to a wide range of miking situations Included foam-lined, impact resistant carrying case for convenience when transporting the Q7 microphone from venue to venue. Gold-plated XLR Connector. Includes a manufacturer's warranty of 3 years parts and 3 years labor. |
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Qbox REV 2 Mic and Line Tester $199.99 The Qbox is the all-in-one audio line tester ideal for applications such as live sound, maintenance, installation work - anywhere audio runs down a cable. The Qbox includes a microphone, a speaker, a test tone generator, outputs for standard headphones, a 1/4" jack for line-in or a 2k Ohm (telephone) earpiece out, plus voltage presence LEDs for confirming phantom or intercom power. A handy clip attaches the Qbox to your belt or equipment rack. For an instant hands-free intercom, simply plug in headphones and hook up one Qbox on each end of a line. Use it to monitor a standard 3-wire intercom feed or talkback from the main audio console. The Qbox can quick-check dynamic mics and cables without firing up the entire system. It provides a handy mic or line-level tone for activating a signal path or identifying a specific cable in a pile of cable ends. Powered by a single standard 9V alkaline battery and housed in rugged ABS, the Qbox is light yet able to withstand the wear and tear of fieldwork. The SOURCE section of the Qbox lets you send a tone or the signal from the built-in condenser mic at mic or line levels. The SPEAKER volume control lets you confirm incoming signals at mic or line level. New in Rev 2: A quieter headphone amplifier section for improved listening quality. A handy MONITOR switch that allows the user to listen to a balanced signal or to two separate unbalanced signals on pin 2 or 3 (referenced to pin 1), such as a two-channel intercom. A switch that unconnects the two XLRs from each other so tone or internal mic can be sent out of one while you listen to what's coming back on the other. Or connect the XLRs together and "loop-through" or daisy-chain units. An improved, test-tone oscillator circuit that more closely maintains the selected level into a wide range of load impedances. |
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RMX DJ Control Surface $269.99 The Hercules RMX DJ Control Surface builds upon the success of the Hercules DJ Console by incorporating a suite of professional features including a metal chassis with aluminum plate on top and a steel sheet under-chassis. The RMX has been designed with lots of space (13.8" x 10.7 " x 2.7") so that a DJ will not feel cramped while mixing. Also, sturdier and more responsive metal sided jog wheels (with adjustable accuracy and resistance), coupled with analog style metal controls for the faders, rotary wheels and buttons, give you just the right feel every time during any performance.The RMX is also loaded with a (4) In/(4) Out audio interface and a turntable audio interface with (4) 1/4" mono outs at + 4dBu for Pro level sound and (4) RCA mono outs at 10dBv for consumer level sound. Two (2) stereo inputs to plug in and mix external sounds with MP3 Files round out this console. Other features include a mic input, talk-over capability, headphone out, USB bus power and anti-slip feet.The included Virtual DJ 5 software for PC and Mac, with flawless ASIO and Core Audio drivers, ensure reliability, gig after gig. Also includes a users guide, durable vinyl carrying case and a USB cable. |
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RNP8380 Really Nice Preamp Microphone Preamp $475 INTRODUCING THE REALLY NICE PREAMP!The Really Nice Pre-amp, the RNP, is a 1/3 rack two channel mic pre-amp. FMR's objectives for this pre-amp were:Relatively neutral sonicsCompatibility with the RNC/RNLA A Really Nice price!WHAT'S COOLLots o' headroom. These days, the trend is for microphones to increase their output signal levels while reducing their output noise levels. This means either employing a front-end pad and/or increasing the headroom of a mic pre. FMR decided to do the latter: at unity gain, the RNP 8380 has a clip point of +27.5dBu (almost 25Volts peak-to-peak)! Even with a hefty microphone output, the RNP8380 should take what your mics have to give.FidelityWhen designing a pre-amp, there are many ways to balance the sometimes conflicting operating constraints. Unfortunately, with the proliferation of integrated-circuit (IC) based mic pres in recent years, one of the typical casualties has been fidelity. At this point, I won't bore you with the geeky details, but I want to assure you that fidelity was not sacrificed in the RNP8380. Even though there are many mic pres that are quieter, there are very few that have the spurious-free (i.e., distortion-free) spectrum of the RNP8380. Now, more than ever, what you put into a mic pre is what you'll get out.Ugly boxIf you look beyond the RNP8380's utilitarian ugliness, you'll see that we opted to throw the money saved in cosmetics into the quality of the audio electronics. Given the choice between something that so unds nice versus looks nice, the sound wins out everytime.Really Nice Compressor (RNC) insertsEach channel on the RNP8380 has an unbalanced send/receive jack that allow you to connect an RNC1773 using a single Tip-Ring-Sleeve (TRS) cable (per channel). With proper cabling, you could also use this feature to balance any other unbalanced piece of gear. In addition, with the right external configuration, the RNP can provide a separate +22dBu unbalanced output and a +28 |
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SE10 Headworn Condenser Microphone $99 The Samson SE10 micro-miniature condenser microphone's excellent audio reproduction makes it perfect for spoken word, fitness and other vocal applications. The mic can be easily shaped to fit the left or right ear and the unique retaining band holds the mic in place even when used in fitness applications. Plus, the omnidirectional pickup pattern results in a clear and articulate reproduction, regardless of the position of the capsule relative to the sound source. Its water resistant coating also provides protection from sweat and other moisture during high-energy performances.The SE10 is particularly well suited for use with Samson wireless systems. And with four included adapters, the microphone can be used with most any other manufacturers wireless beltpack systems. Manufactured with extreme care and the highest quality components, the SE10 delivers exceptionally clear, articulate sound with reliable performance in an extremely low profile design.Features: Micro-miniature condenser with 3mm capsule Omnidirectional pickup pattern Fits left or right ear and retaining band holds mic in place Moisture resistant coating Detachable cable Four cable adapters for compatibility with most popular wireless transmitters Includes three windscreens, clothing cable clip and carry case |
Categories: Sound Equipment audio, cable, iphone, mic, mic cable, mic cable impedance, mic cable reel, mic cable storage, mic cable to usb, microphone
