Dynamic Microphone
August 5th, 2010
i have a dynamic karoke microphone and it dont work?
i connected the mic 2 my computer using a jack because the socket was 2 big and i use audacity 2 test it and the quality came out crap and it was all buzzing. why is that? also i have a desktop mic and that had much better quality which shoudnt really it shoulb be the dynamic karoke mic.
sorry spelt should with a b instead of a d
Pro mics are not really electrically compatible with the mic input jacks on computers, and you can't convert them with a simple adapter. The buzzing you're hearing is a typical result.
Your best bet is to use a small mixer as a mic preamp and run the line out from the mixer into your computer's line in.
What kind of connector is on the mic?
btw, the word "to" is spelled "to", and you do have a shift key for capital letters like the word "I". You have an apostrophe as well for "don't" and "shouldn't". Also, "Karoake". This isn't txting, yo.
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AudioFire12 Firewire Audio Interface $599 AudioFire12 offers the same high quality hardware and software as the new AudioFire8, but with 12 balanced analog inputs and outputs for 24 bit 192kHz recording and playback. If you already have a mixer and tons of microphone / instrument preamps, but you need to get all that audio into your computer then the AudioFire12 is just for you. The AudioFire12 has 12 balanced analog inputs and outputs (TRS), 2 FireWire ports, MIDI I/O, word clock synchronization, and 12 channels of full duplex 24 bit 192kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 12 balanced " analog inputs: 113dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels 12 balanced " analog outputs: 114dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels MIDI I/O Sync via word clock Supports full duplex 12 channel in, 12 channel out operation at 24 bit, 192kHz sample rate Rack mountable single space breakout box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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BCM705 Hypercardioid Dynamic Microphone $719.95 The BCM705 is Neumann's first mic with a dynamic capsule. Functionally optimized design specifically for the broadcast field, featuring integrated pop protection, suppression of structure-borne noise and a hypercardioid directional characteristic. Dynamic capsule Hypercardioid directional characteristic Integrated, neutral pop protection Integrated elastic suspension Individual headgrilles for different users Colored rings to identify the replacement headgrilles Easy removal and cleaning of microphone headgrille (with bayonet mount) Mechanical compatibility with standard studio boom arms Multi-level isolation from structure-borne noise No power supply required The BCM 705 is Neumanns first dynamic microphone. The housing and headgrille are identical to those of the BCM 104; only the green logo indicates that this is something new from Neumann. The principle of reduction to the essentials can be seen in the dynamic capsule with a hypercardioid directional characteristic, specifically designed for speech reproduction at close range. Multi-level isolation from structure-borne noise ensures operation free of interference, even in a lively studio environment. Mechanical FeaturesThe microphone headgrille twists off easily for quick cleaning. Neumann offers optional, color-coded headgrilles so that, for reasons of hygiene, each announcer can use his or her individual headgrille. In front of the capsule, mounted on a frame holder, a fine gauze serves as a built-in popscreen. The microphones of the Broadcast Line have an elastic mount against structure-borne noise, that is compatible with standard broadcast-segment microphone arms. Acoustic Features The frequency response has a light treble boost, in the region from 2 kHz to 9 kHz, aiding the speech intelligibility. The bass frequency response is designed to compensate for the overemphasis of the bass caused by the proximity effect. The integrated Pop ScreenA pop screen not only prevents the occurre |
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BETA 181 Ultra Compact Side-Address Instrument Microphone $499 Beta 181 Ultra-Compact Side-Address Instrument MicrophoneSmall-diaphragm microphone with interchangeable polar pattern capsules presents superior versatility and discrete placement in wide dynamic range applications Capsule options attach securely to a compact XLR preamplifier with integrated XLR connection Ships with one polar pattern capsule and one XLR preamplifier. Available polar pattern SKUs; Beta 181/C (cardioid), Beta 181/S (supercardioid), Beta 181/O (omnidirectional), Beta 181/BI (bidirectional).Capsules are also available separately for custom flexibility |
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Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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Beta 91A $239 For over two decades Beta Microphones have been the choice of top touring and recording professionals seeking reliable, application-specific performance in demanding live and studio environments. With superior construction, low handling noise and high gain before feedback, Beta Microphones redefine sensitivity and control for expert sound reinforcement. The Beta 91A is a precision-engineered Half-Caridoid Condenser Boundary Microphone. It's two position contour switch maximizes attach and clairty depending on the application. This low-profile microphone with integrated XLR preamplifier is perfect for kick drum and other low frequency applications. The Beta 91A requires no external mounting or accessories for improved control, simple set-up and storage.An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connection for easy setup and minimal stage clutter. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPLs).Features:Premier live performance microphone with Shure quality, ruggedness, and reliabilityUniform half-cardioid polar pattern (in the hemisphere above mounting surface) for maximum gain before feedback and rejection of off-axis soundTailored frequency response for kick drums and bass-heavy instrumentsWide dynamic range for use in high SPL environmentsTwo-position contour switch enhances attack and clarityIntegrated preamp and XLR connector reduce stage clutter and provide a quick, secure setupLow profile design requires no external mounting hardwareSteel grille and die-cast metal construction resist wear and abuse |
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C 214 Large Diaphram Electric Condenser Microphone $399 AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting,and on-stage miking as well.The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance very close to the famous C 414 B-XLS. Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switchall in an elegant but rugged package. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C 214 comes complete with a carrying case, windscreen, and spider suspension mount included.Features:AKGs Legendary 1 Edge-Terminated Large Diaphragm SoundOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)Roadworthy DesignIntegrated Suspension to reduce mechanical NoiseSwitchable 20 dB Attenuation Pad and Low Cut SwitchRugged double mesh Grill for high RF immunity but unaffected AcousticsAll-metal Die-cast body with shock- and scratch-resistant FinishSpider-type Shock Mount includedMetal Carrying Case includedDesigned, Engineered and Built in Vienna, Austria Specs:Polar pattern Cardioid Frequency range 20 to 20,000 Hz Sensitivity 20 mV/Pa (-34 dBV) Max. SPL 136/156 dB SPL (0/-20 dB) (for 0.5% THD) Equivalent noise level 13 dB-A to IEC 60268-4 (A-weighted) Signal/noise ratio (A-weighted) 81 dB Preattenuation pad 0/-20 dB (switchable) Bass cut filte |
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C414 XLS Large Diaphragm Condenser Microphone $999 AKGs legendary C 414 needs no introduction it is a tool found in most recording studios and has been used on thousands of hit records; its been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the worlds most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.The C414 XLS offers nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components.Includes a carrying case, pop filter, windscreen, and spider-type shock mount.Features:Nine selectable pickup patterns enable to choose the perfect setting for every applicationLock Mode: all controls can be disabled easily for trouble-free usePeak Hold LED even detects shortest overload peaksIncredible Dynamic Range of 152 dBThree switchable different bass cut filters and three pre-attenuation levelsLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moistureDesigned, engineered and built in Vienna, A |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CS Series Microphone with 2 Interchangeable Capsules $89.99 Samsons CS Series (Capsule Select) Microphone offers the capabilities of two pro-level dynamic microphones in one versatile package. With easily interchangeable Vocal and Instrument mic capsules, the CS Series mic is perfect for capturing stunning vocal performances or miking your favorite instruments.The CS Series mic features both the CS1 (vocal) and CS2 (instrument) selectable mic elements, as well as a handheld base. Both neodymium capsules offer a supercardiod pickup pattern, but are further designed to support completely different miking applications. The bases threaded twist-off construction makes it both quick and easy to change capsules and miking techniques. The base also features a gold-plated XLR jack (mic cable not included) for strong connectivity. |
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D112 Cardioid Dynamic Microphone $199.99 The ultimate bass drum microphone! This microphone was developed for clean kick drum and bass guitar performance with a powerful, punchy sound. Absolutely free of distortion even at high sound pressure levels, very low diaphragm resonance, a relatively narrow-band rising high frequency response at 4 kHz and an extremely robust construction are the outstanding features of this microphone. |
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D5 Handheld Cardioid Dynamic Microphone $99 The AKG D 5 is a supercardioid dynamic microphone with a new diaphragm technology called Laminate Varimotion. Thanks to this new technological breakthrough, the D 5 delivers unprecedented sound quality, characterized by smooth, extended response with airy, detailed highs along with the highest gain-before-feedback of any product in its class. The D 5 is the most roadworthy live sound mic AKG has ever built and features a double shock mount system to keep handling noise low, thick, dent-resistant spring steel grille and gold-plated XLR output connector for loss-free signal transfer. The D 5s nicely weighted chassis is the heaviest in its class and the dark gray matte finish is modern and classy. Laminate Varimotion diaphragm delivers incredibly detailed sound quality with smooth, airy highs Laminate Varimotion diaphragm and supercardioid pickup pattern delivers the highest gain-before-feedback Neodymium-iron-boron magnet delivers improved transient response and high output level Extra-thick spring steel grille is especially dent-resistant Gold-plated XLR-type output connector ensures loss-free signal output Specifications: Polar pattern supercardioid Frequency range 70 Hz to 20 kHz Sensitivity 2.6 mV/Pa (-52 dBV) Max. SPL 147/156 dB SPL (for 1% / 3% THD) Equivalent noise level 18 dB-A Signal/noise ratio (A-weighted) 76 dB Impedance <= 600 ohms Recommended load impedance >= 2000 ohms Connector 3-pin XLR Finish matte grayish blue Dimensions length: 185.2 mm (7.3 in.); diameter: 51 mm (2 in.) Net weight 340 g (12 oz.) Shipping weight 655 g (1.45 lbs.) Warranty:AKG warrants AKG products against evident defects in material and workmanship for a period of two years from the date of original purchase for use. This warranty does not cover electrical or mechanical damage resulting from misuse or abuse, lack of reasonable care, damage due to force majeure or natural forces, or inadequate repairs performed by unauthorized service centers. |
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DJM-250W 2-Channel Performance DJ Mixer (White) $349 The Pioneer DJM-250-W is equipped with eight different input paths including four DJ multi-player and analog turntable inputs, three auxiliary (AUX) inputs, and one microphone (MIC) input. The mixer can be used as a preamp and connected to a variety of devices such as PCs, portable music players, televisions or synthesizers.Dedicated Sound Color Filter On Each ChannelThe manual filter function employed on each channel of Pioneers high-end equipment is built into the DJM-250-W as its Sound Color Filter function. By simply turning the integrated large knob, filter effects can be adjusted enabling dynamic and intuitive song arranging. In addition, since filter effects can be added independently to the songs on each channel, a variety of mixing possibilities can be realized by combining fader operation and EQ effects. Furthermore, different colors and blinking lights on the knob visually indicate the filter mode of the mixer.Premium XLR Balanced OutputsThe Pioneer DJM-250-W is equipped with XLR balanced outputs that minimize degradation of audio signals. Additionally, the mixer enables users to quickly connect XLR compatible devices such as powered speakers without an adapter.Additional Features Include: Compatible with 48 kHz/24-bit full digital processing for added sound quality Each channel equipped with a 3-band isolator type equalizer to allow a wide level of control (+9dB to - of cut for HI/MID/LOW bands) Fader Start Play function enables user to begin playback on connected Pioneer DJ players linked with fader operation Peak level meter displays audio input level for each channel Cross Fader Curve Adjust function allows switching between three patterns of cross fader curves Rack mount ears for installation into a DJ table or DJ rack Dedicated Sound Color Filter on each channel 8 flexible inputs for connecting a multitude of devices Premium XLR balanced outputs 3-band Isolator equipped on each channel Cross Fader Curve Adjust and Fader Start Play functions |
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DPSII Dual Digital Microphone Preamp $265 The DPS II updates the latest ART advances in Tube Microphone Preamps. The DPS II adds continuously variable input impedance, LED input meters, auto mic/instrument switching, OPL (Output Protection Limiting) flexibility and more tube warmth to the DPS II. Twin high performance discrete preamplifiers with local feedback are coupled with our flexible V3 (Variable Valve Voicing) 12AX7A gain stage (which delivers both flexibility and consistency in settings) and choice of analog and digital outputs. The new enhanced mic preamp can accept +20dB peaks while maintaining over 120dB dynamic range and incredibly low distortion. A LED input meter, monitors the signal level of the input amplifier. The auto-switching input allows the DPS II rear inputs to stay patched in while you use the front panel instrument inputs. Enhancements to our legendary tube stage maintain our classic "warm sound" and add additional tube voicings specifically tailored to vocal, guitar, bass, and acoustic instruments making this an incredible DI box. The enhanced OPL is available to control overshoots and normalize levels before digital clipping occurs. A versatile insert loop on each channel provides access for additional signal processing or direct access to our high quality A/D converter. Separate gain controls on analog and digital outputs allow you to optimize the unit for simultaneous applications. Digital outputs include S/PDIF, TOSLINK or ADAT (front panel selectable). The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). You can patch into any ADAT stream and select which pair (or all) of channels the DPS II transmits. The DPS II also features ART A-to-D digital conversion and ART Tube Technology similar to that of the ART DI/O Preamp System. This ensures that when you are going from the analog preamplification to digital, your signal will be as warm and musical as you decide it to be. Features Variable Input Impedance 24bit/96KHz A-to |
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DigiMax D8 8 Channel Microphone Preamp $399.99 The DigiMax D8 is an 8 channel preamplifier featuring 8 award-winning class A XMAX mic preamps with 24-bit ADAT digital output. All eight preamps include variable trim control, 48V phantom power, ultra-fast acting LED metering and 20 dB pad. In addition, 2 instrument inputs are located on the front panel for direct Hi-Z instrument input. Balanced TRS direct analog outputs are located on the rear panel for routing and flexibility. The DigiMax D8 also includes word clock sync input for ultra-low jitter and robust synchronization.The DigiMax D8 is the perfect solution to add eight professional microphone preamplifiers to any digital recording system with ADAT optical lightpipe expansion capability including Digidesigns HD and 003 systems, RME, YAMAHA, Alesis, Mackie, and many others. 8 XMAX class A microphone preamps w/ trim control 24-bit resolution ADAT digital output 44.1 and 48K sampling rates External sync via BNC word clock input Direct outputs on every channel LED input metering -20dB Pad on every channel Specifications: Type XLR Female Balanced Frequency Response (+/-0.5 dB) 20 Hz to 50 kHz Frequency Response (+/-3.0 dB) 20 Hz to 150 kHz Input Impedance (Balanced) 1600 Ohms THD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) < 0.003% EIN (unwtd, 55dB Gain, 150 Ohms Input, 20Hz to 22 kHz) -126 dBu S/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20Hz to 22 kHz) > 101 dB Common Mode Rejection Ratio (1 kHz, 55 dB Gain) > 55 dB Gain Control Range (+/- 1dB) -4 dB to 50 dB Maximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) +14 dBu Signal Level LEDs: Red / Clip (+/-0.5 dBu); Yellow (+/-0.5 dBu); Green (+/-0.5 dBu); Green (+/-0.5 dBu) +10 dBu (0 dBFS); +4 dBu (-6 dBFS); -8 dBu (-18 dBFS); -14 dBu (-24 dBFS) Phantom Power (+/-2 VDC) +48 VDC Instrument Input (channels 1 and 2 only) Type 1/4" TRS Female Unbalanced; Input Impedance 1 MOhms Line Outputs Type 1/4" TRS Balanced; Output Impedance 51 Ohms Digital Audio ADC Dynamic Range (Awtd, 48 kHz Sampl |
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Digital MPA Tube Microphone Preamp $399.99 ART's unique tube circuitry using two 12AX7A tubes render unsurpassed detail and clarity with the broadest range of microphones. Take advantage of this world class processing via the analog and digital outputs. AES/EBU, S/PDIF. TOSLINK, and ADAT interfaces allow connection to the broadest range equipment. The Digital MPA provides 24 bit or it can adapt to 16 bit applications with the push of a button. The A/D is front panel adjustable from 44.1 to 96K or syncs to ADAT or external word clock (32KHZ to 100KHz). The ART Digital MPA circuitry is a hybrid design utilizing the strengths of all available technologies. The active balanced triple-differential transistor design with local feedback provides excellent CMRR and lower noise than the typical transformer/tube front end. The 12AX7A tube section running on a regulated supply provides gain while maintaining the incredible dynamic range of the previous stage and controlled overload characteristics. Insert jacks between the analog and digital section allow patching in additional signal processing before entering the digital realm. Separate balanced analog outputs and multiple digital outputs possess individual level controls allowing simultaneous use. While the new Digital MPA accepts full line levels, an additional high-Z 1/4" input makes the Digital MPA the perfect DI in studio and live applications. The digital output section can be patched into directly via 1/4" insert jacks between the analog and digital sections. This allows additional signal processing before entering the digital realm or use as a standalone high quality A/D converter. Professional and consumer output formats are selectable as well as choice of optical format. You can even patch into any ADAT stream and select which pair (or ALL) of channels the Pro MPA w/ DIO transmits. Variable Input Impedance for flexible microphone voicing (150 Ohms to 2400 Ohms). Selectable plate voltage Large VU meters Front accessible meter trim Selectab |
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Dragonfly Cardioid Condenser Microphone $999.99 The Blue Microphones Dragonfly combines an innovative design that allows precise placement in the smallest of spaces, with an integrated elastic shockmount and rotating grille. The Dragonflys sonic signature generates a silky extended top-end, contoured midrange and a bump at the upper end of the lower frequencies to help beef up thin signal sources. The Dragonflys transformerless Class A discrete amplifier circuit insures maximum detail and clarity. Its sonic character gives flight to everything from female vocals to percussion, electric guitar and drum overheads. The Dragonfly also excels with more difficult sources such as stringed instruments, as well as delivering a contemporary saxophone sound. Characteristics Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Extended top end with a contoured midrange and tight punchy bottom end Integrated elastic shockmount/rotating head for optimal placement Hand-tuned and tested Includes linen storage box Suggested ApplicationsMale & Female Vocals, Electric Guitar Amplifiers, Flutes, Saxophones, Drum Overheads and Tom-Toms Technical Specifications Acoustical Operating Principal: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1kohm: 21mV/Pa Output Impedance: 50ohms Rated Load Impedance: Not less than 1kohm S/N ratio CCIR468-3: 75dB S/N ratio DIN/IEC 651: 86dB-A Noise Level DIN/IEC 651: 8dB-A Max SPL (0.5% THD) into 2.5kohms: 140dB Dynamic Range (2.5kohm load): 132dB Supply Voltage (IEC 268-15): 48V Phantom (35V min) Weight: 630g Dimensions (mm): 165x60 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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E604 Cardioid Clip On Dynamic Microphone Package $339.99 BONUS 3 PACK! Get three microphones for the price of two! Compact drum and bass microphone with integral clip. Handles high sound levels and provides ideal close miking characteristics. Lightweight voice coil for ultra-high transient response. Reinforced fiberglass construction takes blows while suppressing impact noise. A drummer's dream! Now you can mic your whole kit! |
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E604 Cardioid Dynamic Microphone $139.95 The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condensor microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise. |
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E835 Handheld Cardioid Dynamic Microphone 3 Pack $249.95 BONUS 3 PACK! Get three microphones for the price of two! Pro microphone with optimized response for close vocal work. Powerful sound with a presence boost for improved projection. Cardiod pickup pattern resists feedback. Full metal construction with an internal shock mount. Our most popular evolution microphone!Sennheiser e835 Dynamic Cardioid Handheld Vocal MicThe Sennheiser e835 lives up to the very high standards that the Sennheiser Company is known for all these years.Its got a very high output and can handle extremely loud voices (which by the way, its frequency response is tailored to) due to its high SPL. Theres a slight bump in the frequency response that really helps a vocal leap out of the speakers with intense presence and clarity, thus making the Sennheiser e835 an ideal choice when you absolutely must be heard above the rumble of the band and cheers from the crowd. The Sennheiser e835 Dynamic is built solid as it employs a rugged metal housing with an internal shockmount so handling noise is reduced to a minimum. Its super-tight cardioid pattern does an excellent job of rejecting sounds from the rear and sides so feedback wont creep in and ruin the show. This mics output is hot for sure, so check your levels carefully; the e835 will handle the load and then some.Perhaps the best feature of all is the friendly, affordable price so step up to the Sennheiser and belt it out. Youre in good company! |
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E906 Supercardioid Dynamic Microphone $189.95 The supercardioid e 906 instrument microphone was especially designed for guitar amplifiers, but it is also an excellent choice for percussion and brass instruments. Features: Lively, full sound Very fast attack Flat shape of microphone body perfect for guitar amps Three adjustable sound characteristics (bright, normal, smooth) Hum compensating coil Rugged metal body Package Includes: MZQ 100 clamp, Pouch, User manual Specifications: Pick-up pattern: supercardioid Frequency response: 40...18000 Hz Sensitivity in free field, no load: (1kHz) 2,2 mV/Pa Nominal impedance: 350 Ohm Min. terminating impedance: 1000 Ohm Dimensions: 55 x 34 x 134 mm Weight: 140 g |
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E935 Dynamic Cardoid Microphone $169.95 The e 935 is a cardioid vocal stage microphone specially designed to perform under pressure while cutting through the mix with its high output. Made for the working musician. Excellent sound results guaranteed, day to day, 365 days a year. First choice for rental companies.FeaturesMetal construction: Rugged and reliableShock-mounted capsule: Low sensitivity to impact and handling noiseCardioid pickup pattern: Insulation from other on-stage signalsHum compensating coil: Reduces electrical interferenceNeodymium ferrous magnet with boron: Keeps microphone stable regardless of climateFalcon ring: Consistent sound over timeMade in GermanySupplied Accessories1 Protective pouch1 MZQ 800 microphone clip |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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EP84 8 Channel Microphone Preamp $329 Packed with quality features and connectivity options, the sturdy 2RU rack-mountable EP84 8 Channel Microphone Preamp is designed to provide studio users with 8 channels of pristine microphone preamplification. The EP84 is the perfect front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation. With all the functionality of a top line preamplifier, the EP84 features independent variable gain control, -20dB pad, phase reverse, low cut filters, 48v Phantom power, and insert points on each of the eight (8) channels. Each mic-pre provides some 60dB of gain with a massive 23db of maximum output. Eight ADAT format channel outputs can be added to the EP84 via installation of the optional PR8IIA ADAT output module. With this simple user installed option, the EP84 integrates superbly into todays digital studio environments without a hitch. Great for connection to the latest ADAT compatible audio interfaces, the EP84 expands your recording possibilities. Why not make use of the features you have and mic up the whole band! 8 x discrete microphone preamplifiers Modular PCB design XLR and TRS inputs and outputs Insert points per channel Ultra-Wide Dynamic Range Low-Noise Operating Levels Peak Light per channel 48V Phantom Power per channel Phase reverse per channel -20dB Pad per channel Gain control per channel 80 Hz Low cut filter per channel optional ADAT Module (PR8IIA) Mic In: Min sensitivity -60 dB Mic In: Peak input level +9.5 dB Line In: Impedance 47K Line In: Min sensitivity: -35dB Line In: Peak input level: +32 dB Output: Impedance: 600 Ohms Peak output level:+23dB Frequency response: 20Hz- 20KHz 0dB- -0.5dB Distortion: 0.005% S/N: > 105dB Crosstalk rejection: >120dB @1KHz; -20dB input Max Gain: 58dB Housing: Metal |
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EPA40 Europort Portable PA System $108.99 The EUROPORT EPA40 portable PA system has been designed for public address applications, projecting to a crowd of up to 100 people, while you strap it conveniently on your shoulder. This is the ideal PA system for business meetings, tour guides, classrooms and outdoor activitiesultra-compact, portable and easy to operate. It features a 5" full-range loudspeaker with 40 Watts of power, an integrated battery pack for 8 hours of continuous operation, Mic and Aux inputs as well as a high-quality dynamic microphone and accessories such as charger and cables. Get carried away by this cool and portable PA system! Ultra-compact, portable PA system ideal for business meetings, tour guides, classroom activities, and various other applications 5" full-range loudspeaker with enormous power and incredible sonic performance in a super-light package Built-in battery with 8 hours liferecharges completely in just 4 hours Mic and Auxiliary inputs to connect to your mic, CD, and other line level sources Comes with a BEHRINGER XM1800S microphone, 3' cable, recharger, shoulder strap, and mic stand adapter Power switch doubles as Volume control with battery charge indicator LEDs Convenient battery and shoulder strap compartment Ergonomically designed carrying handle for effortless portability High-quality components and exceptionally rugged construction ensure long life |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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Escort 3000 $649.99 The Escort's integrated design allows for ease of transportation, while its user-friendly controls offer ease of operation, making it the perfect choice for schools, churches, civic organizations and small musical groups. The Escort features dual two-way speakers driven by a five-channel, 300 Watt stereo powered mixer, making it ideal for both vocal and musical applications. The system also includes a PVi unidirectional (cardioid pattern) dynamic microphone, two folding speaker stands and all necessary connecting cables. Among many professional features, the mixer includes 60mm faders, a five-band graphic equalizer with FLS (Feedback Locating System) and digital reverb. The carrying case provides storage for all the system components with ample room for additional mics and cables. This clever design incorporates the speakers into the package, allowing the unit to be easily carried or pulled along on its luggage-style wheelsFeatures:Convenient package with luggage-style wheels Two-way speaker system with 10" woofer and piezoelectric horn Five-channel powered mixer Four XLR mic inputs with 15 V phantom power Two stereo line inputs 60 mm faders High quality digital reverb 300 Watts output power (150 Watts per channel) with DDT Five-band graphic equalizer with FLS Two folding speaker stands One PVi cardioid dynamic microphone with cable Two 25' speaker cables Storage compartments for microphones, cables and accessories |
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Expedition XP510i Portable PA $699 Finally! A cleverly designed, portable powered PA system that leaves you wanting for nothing! The Samson Expedition 510i is the culmination of years of audio expertise fused together with a commitment to give musicians and sound professionals the features and quality they most desire. The Samson Expedition 510i Portable PA System is sturdy yet lightweight and easy to set up and operate. Its comprised of two 2-way speakers with custom 10 woofers and a 1 high frequency driver. They have a wide dynamic range and produce clear, loud, full-range audio that can fill up a small to medium sized venue with relative ease. They can be mounted on standard speaker stands, thanks to the integral pole mount receptacles. The XP510i is constructed using durable ABS, high impact plastic, making it super road tough, and at the same time, lightweight.The Expedition 510is power comes from the systems full-featured 10 channel powered mixer. It stores neatly into the rear of one of the speakers and can be removed and placed on a table top. It features 500 watts (2 x 250) of chest kicking power, a perfect match for the speakers. It is a class D design that means its long on power yet light in weight. The mixers first four channels sport 4 XLR microphone inputs, as well as 4 mono jacks. Switchable phantom power is provided enabling the use of your condenser mics. Channels 5 through 10 feature stereo input jacks and 7 through 10 add a set of RCA connectors. The first 2 channels have a built-in limiter/compressor. It turns on at the touch of a button and provides quality signal processing, enabling you to smooth out the dynamic range of your voice or instrument with ease. This can really help place your vocal performances clearly out front of the music for increased intelligibility, enabling your audience to hear every word and note clear and precise. Each channel has high and low EQ enabling you to dial in the perfect frequency to enhance your signal. Rotary faders on each channel make it |
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Fireface 800 FireWire Audio Interface $1799 RME's Fireface 800 is the world's most powerful FireWire audio interface ever. Up to 56 channels record/playback, up to 192 kHz sample rate, and true FireWire 800 sum up to an unsurpassed high-end, high performance and high speed FireWire audio interface. Since the Fireface first shipped in July 2004, the unit became the reference for FireWire audio - and still is today! Lots of 'world's first' and 'world's only' features put the Fireface 800 far ahead of the competition. The Fireface 800 combines the latest and also proven technologies of previous RME products with the fastest FireWire technology. Analog technology of the ADI-8 converters, microphone technology of QuadMic and OctaMic, TotalMix technology of the Hammerfall DSP series, years of experience in programming of efficient and reliable drivers, up to complete support from DIGICheck - only the best of the best, and even a bit more. The Fireface 800 offers the best worked out instrument input that could ever be found in an audio interface, a high power headphone output and signal-to-noise ratios of 119 dBA - typically RME! Analog I/OsEight balanced line inputs and outputs with software controlled switching of the reference levels (-10 dBV, +4 dBu, HiGain), of course realized discretely in the analog domain, guarantee highest dynamic range and highest fidelity. Apart from the levels of the microphone pre-amps and the headphone outputs, all device settings are software controlled. Equipped with the latest A/D and D/A converter chips, all I/Os operate up to 192 kHz and reach 119 dBA dynamic range on playback - even the headphone output!The front-sided headphone output in high power technology does not only deliver high volume with low-impedance headphones, but represents the playback channels 9/10. Therefore the headphone output can be used directly with ASIO Direct Monitoring.On the front side, the Fireface 800 has 4 discrete balanced microphone inputs with class-A stage, separate activation of 48 V phantom pow |
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Fusion FP5 5-Piece Dynamic Drum Microphone Package $329 The Audix Fusion FP5 is a collection of 5 application-specific dynamic microphones that are accompanied by high impact mic stand adaptors. The kit comes conveniently stored in the included heavy-duty foam lined aluminum carrying case.The mics in the Audix Fusion FP5 Drum Mic pack are lightweight, compact and easy to place in proper drum-miking positions. They produce a clear, accurate sound right out of the box aThe Audix Fusion FP5 Drum Mic Package offers an all-in-one affordable solution for professional drum miking for live performance and recording. Sam Ash Direct has the guaranteed lowest price and fast free, shippingnd make miking up and getting a satisfying sound from your drums a joy!Get your Audix Fusion FP5 Drum Mic Pack today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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HV3C Stereo Microphone Preamp $1843.99 Combining a precisely matched octet of discrete bipolar transistors with a laser trimmed DC coupled FET-based output driver stage, the Millennia HV-3C (tm) is an entirely "double balanced," extremely wide dynamic range stereo microphone preamplifier intended for demanding acoustic recording. Unlike "textbook" mic preamplifiers, the HV-3C signal path never unbalances or rebalances the original signal thus maintaining a high degree of signal integrity. Over 20,000 channels of HV-3 micamps are already in use by a who's-who in critical acoustic recording. Unlike preamps using vacuum tubes, IC function modules and audio transformers (all of which can lend their own audio coloration) the Millennia HV-3C is precisely optimized towards capturing the subtlest detail of music and ambience. With +23 dBu native input headroom, the HV-3C requires no input pads, attenuators, or switch points as found on common textbook preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity is assured. NOTE: The HV-3C is a recently-updated version of the HV-3B two channel mic preamp, with improved mechanical design and cosmetics, and standard 36 step gain control. HV-3C uses the identical preamps as found in the HV-3D 8-ch units. HV-3C signal path from input through output is entirely balanced with a minimum amplifier topology. Uncompromising circuit design with meticulous selection and hand-matching of critical components assures consistently transparent audio performance at all dynamic excursions and frequency extensions. Features and Specifications: HIGH SPEED TRANSFORMERLESS DESIGN 23 dB INPUT & 32 dB OUTPUT HEADROOM NO PADS (ATTENUATORS) REQUIRED ENTIRELY BALANCED AUDIO PATH LASER TRIMMED FET-BASED OUTPUT THD+N LESS THAN 5 PPM (.0005%) MATCHED DISCRETE TRANSISTOR OCTET FRONT-END OPTIONAL BREL & KJR (DPA) +130V MIC INPUTS OPTIONAL "DC INPUTS&qu |
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HV3D 4 Channel Microphone Preamp $2968.99 The Millennia HV-3D is a four channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3C preamplifiers at significantly less per-channel cost. With circuitry identical to Millennia's acclaimed HV-3C series high voltage microphone preamplifier, the HV-3D offers high resolution gain switching (36 steps @ 1.5 dB per step), optional B&K (DPA) 130V mic input option on every channel, DC-coupled input option on every channel for optimizing ribbon and other dynamic mics, a passive summing option, and remote gain control. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which lend their own audio coloration), Millennia's HV-3 micamp architecture is precisely optimized towards capturing the subtlest detail of music and ambience. With +23 dBu native input headroom, the HV-3D requires no input pads or switch points as found on common "textbook" preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity is assured. HV-3D signal path from input through output is entirely balanced with a minimum amplifier topology. Uncompromising circuit design with meticulous selection and matching of critical components assures consistently transparent audio performance at all dynamic excursions and frequency extensions. Moreover, standard audio cables over 1000 feet in length have been driven from HV-3 mic preamps with no immediately detectable signal degradation. Features and Specifications: HIGH SPEED TRANSFORMERLESS DESIGN 23 dB INPUT & 32 dB OUTPUT HEADROOM (No Pads Required) ENTIRELY BALANCED AUDIO PATH OPTIONAL B&K (DPA) +130 VOLT INPUTS ON ALL CHANNELS OPTIONAL DC-COUPLED "RIBBON INPUTS" ON ALL CHANNELS LASER TRIMMED FET-BASED OUTPUT THD+N LESS TYPICALLY THAN 5 PPM (.0005%) MATCHED DISCRETE TRANSISTOR FRONT-END |
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HV3D 8 Channel Microphone Preamp $4021.99 The Millennia HV-3D is aeight channel, fully matched microphone preamplifier of uncompromising sonic character, technical specification, and mechanical workmanship. The HV-3D offers multiple channels of HV-3C preamplifiers at significantly less per-channel cost. With circuitry identical to Millennia's acclaimed HV-3C series high voltage microphone preamplifier, the HV-3D offers high resolution gain switching (36 steps @ 1.5 dB per step), optional B&K (DPA) 130V mic input option on every channel, DC-coupled input option on every channel for optimizing ribbon and other dynamic mics, a passive summing option, and remote gain control. Unlike preamps using vacuum tubes, IC function modules, and audio transformers (all of which lend their own audio coloration), Millennia's HV-3 micamp architecture is precisely optimized towards capturing the subtlest detail of music and ambience. With +23 dBu native input headroom, the HV-3D requires no input pads or switch points as found on common "textbook" preamp designs - thus avoiding yet another source of sonic degradation. Moreover, with its +32 dBu output headroom, ultra-high dynamic stability and linearity is assured. HV-3D signal path from input through output is entirely balanced with a minimum amplifier topology. Uncompromising circuit design with meticulous selection and matching of critical components assures consistently transparent audio performance at all dynamic excursions and frequency extensions. Moreover, standard audio cables over 1000 feet in length have been driven from HV-3 mic preamps with no immediately detectable signal degradation. Features and Specifications: HIGH SPEED TRANSFORMERLESS DESIGN 23 dB INPUT & 32 dB OUTPUT HEADROOM (No Pads Required) ENTIRELY BALANCED AUDIO PATH OPTIONAL B&K (DPA) +130 VOLT INPUTS ON ALL CHANNELS OPTIONAL DC-COUPLED "RIBBON INPUTS" ON ALL CHANNELS LASER TRIMMED FET-BASED OUTPUT THD+N LESS TYPICALLY THAN 5 PPM (.0005%) MATCHED D |
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IM8-32 32 Channel Mixer $4899 The Yamaha IM8 series brings experience and know-how accumulated over 35 years in the production of industry-leading mixing consoles to bear in three mid-size consoles that cut no corners when it comes to overall performance and sonic quality. In addition to no-compromise design and development aimed at delivering the finest performance and most useful feature set available in this class, production and assembly are carried out at Yamaha's own domestic facilities the same factories where the legendary Yamaha PM series consoles are produced to ensure unrelenting quality control throughout. Every inch of these extraordinary consoles is well thought out and built for a purpose. There are no unnecessary features, and nothing is out of place. The IM8 series consoles deliver a basic but plentiful complement of features plus truly transparent, high-resolution sound with tireless reliability.These are consoles for serious sound applications, and will provide eminently professional performance, sound, and control in permanent installations or on the road. Input ChannelsPrecision Mic/Line PreamplifiersMicrophone preamplifiers are one of the most critical sound-defining circuits in any mixer. Thats why professional who are serious about their sound often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the IM8 series consoles inherit technology from Yamahas top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any source. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones as well as line-level signals, which means cleaner, better sounding mixes overall. Input SectionAll mono input channels have both balanced XLR type and TRS phone jacks for versatile input connectivity. Individual +48V phantom power switches on each mono channel provide phantom power for condenser microphones, and |
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KM184 Cardioid Condenser Microphone $849.95 Designed for critical recording and live-sound operations the KM184 is a small diaphragm, cardioid condenser microphone. Its capsule and electronics are identical to those of the KM1240. By omitting the -10dB pad switch and making the KM184 cardioid only, Neumann is able to offer a microphone that provides maximum performance at a price much lower than previously possible. the KM184 can handle sound pressure levels of 138dB before overloading, making it particularly useful for percussion, cymbals, hi-hats and brass instruments. It is also extremely quiet (16dB A-weighted self noise), making it excellent for the caputring the subtle nuances of acoustic guitar and orchestral performances. Specifications: Acoustical operating principle Pressure/Pressure gradient transducer Directional pattern cardioid Frequency range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 15 mV/Pa Rated impedance 50 ohms Rated load impedance 1000 ohms Equivalent SPL CCIR 468-3 22 dB Equivalent SPL DIN/IEC 651 13 dB-A S/N ratio CCIR 468-3 72 dB S/N ratio DIN/IEC 651 81 dB Maximum SPL for THD 0.5% 138 dB Maximum output voltage 10 dBu Dynamic range of the microphone amplifier DIN/IEC 651 122 dB Supply voltage 48 V 4 V Current consumption 3.2 mA Matching connectors XLR 3F Weight approx. 80 g Diameter 22 mm Length 107 mm |
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KMS105 Supercardioid Condenser Microphone $699.95 Designed with superlative vocal reproduction in mind, the KMS105 brings Neumann quality to the demanding sound reinforcement environment. With its super-cardioid polar pattern, low self noise and colorless off-axis pickup, the KMS105 complements in-ear monitor systems. By employing a unique triple acoustic filter, The KMS105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS105 to identify whether he or she is "on mic". Acoustical features: When compared to other handheld vocal microphones, the KMS105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus. The K55 capsule was developed from the famous K50, found in the KMS150, KM150 and KM185 microphones. This new version features a super-cardioid pattern, achieved by specially modifying the response of the K50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very "open" and detailed capture of the human voice. Specifications Type: DC-polarized condenser Acoustical operating principle: Pressure gradient transducer Directional pattern: Super-cardioid Frequency range: 20 Hz - 20 kHz Sensitivity: 4.5 mV/Pa Rated impedance: 50 ohms Self Noise: 18 dB-A(DIN/IEC 651) S/N ratio re. 1 Pa @ 1kHz: 76 dB (A weighted) Max SPL for 0.5% THD: 150 dB SPL Total dynamic range of amplifier: 132 dB Powering: 47 volt phantom (IE |
