Condenser Microphone
June 16th, 2009
How do I connect a Condenser Microphone to my Laptop?
I have a Dell Studio 1555 Laptop. I have FL studio 8 on it so I already have a internal mixer. I have a AKG Perception 420 Condenser Mic and I have a Phantom Power Adaptor. How do I run this mic to my computer? Do I need a pre amp once I dont have a mixer?
connect it to the circle port with the little mic on it
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Sennheiser HSL10 Handset Lifter $51.94 Gemini HSL10 Combo Headset MicrophoneFeatures:Combo Headset / Lavalier MicConvertible, lightweight headsetDetachable lavalier microphoneFoam wind and pop control insertsPadded non-slip face restFlexible headband to fit most sizesEasy grip lavalier clipInternational Info:? This item will work on both 110V and 220V/240V power systems or does not need power. This item is will work perfectly anywhere ... |
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Blue Blueberry Cardioid Condenser Microphone The Blueberry Cardioid Condenser Microphone from Blue consists of a Class A discrete mic amp perfectly chosen to match the single pattern, cardioid, hand-built, large diaphragm capsule. The mic capsule has been tuned to provide a silky-bright and airy top end reminiscent of the best vintage microphones. The result is a recorded signal such as a vocal, minus unwanted low end resonance that ca... |
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Blue Microphones Icicle XLR to USB Mic Converter/Mic Preamp $48.75 Why should you bother with a bulky interface, when all you want to do is plug a single microphone into your computer? With a Blue Icicle in your arsenal, you can turn any microphone into a totally streamlined, USB-ready recording device. Instead of lugging around some fancy rack and a bunch of outboard gear, just toss an Icicle and a mic in your laptop bag, and take your studio straight to the sou... |
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Music Maker 17 [Old Version] $21.50 Music Maker 17 will put you in the composer's shoes and provide you with all the tools you need to create your own songs from scratch. Plus, being your own artist will allow you to decide whether you want to stick to conventional musical genres, such as Rap, R'n'B, pop, or classical music or take the plunge and develop your own--no musical training required! With over 1,500 sound loops and an e... |
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Manhattan Mini PC Microphone for IM, VoIP & Multimedia $6.00 Mini microphone with lapel clip and stand with muteProduct InformationThe MANHATTAN Mini Microphone is an ideal accessory for notebookcomputers and travelers. It’s tiny but equipped with an omni-directionalelectret condenser that equally detects sound from all directions and provides astable frequency and dynamic range suitable for voice recording instantmessengers voice-over-IP (VoIP)... |
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8pre Firewire Audio Interface $549 The MOTU 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces. FireWire audio interface for Mac and Windows - provides 16 inputs with 8 mic preamps and 12 outputs including separate phone and main outs for all the basic I/O you need for a powerful desktop studio. Eight XLR/TRS "combo jack" mic inputs - connect up to eight mics, or mix and match mics with guitars, synths, drum machines and other analog input signals. Flexible analog inputs - each provides a crystal-clear preamp (for both the XLR and TRS input), 24-bit 96 kHz converters, individually switchable 48-volt phantom power, 20 dB pad and front-panel trim controls. Mix and match condenser and dynamic microphones as your needs require. Eight channels of ADAT optical I/O - provides two sets of optical connectors to provide eight channels of optical digital I/O even at high samples rates (88.2 or 96 kHz). Operates as an optical expander - connect the 8pre to any ADAT optical compatible device (another audio interface, a digital mixer, etc.) to add 8 additional mic inputs seamlessly integrated into the mixing environment of the host device. Discrete ins/outs - there's no channel sharing in the 8pre; the mic inputs, ADAT optical I/O, headphone out and main outs are all handled as separate channels. CueMix DSP near-zero monitoring system. Multiple CueMix DSP mixes - create different monitor mixes for the main outs and headphones. Add send/return loops for outboard gear with no latency. Front-panel metering - five-segement meters for all analog inputs, plus status lights for clock and interface/expander mode. Sample-accurate MIDI - connect a MIDI controller and/or sound module w |
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ADA8000 Ultragain Pro AD Converter and 8 Microphone Preamp $217.99 The ADA8000 is a state-of-the-art 8-channel A/D (Analog to Digital) and D/A converter with 8 built-in IMP (Invisible Microphone Preamps) microphone preamps. You can plug in your favorite mics (ADA8000 even includes +48 V phantom power for studio-grade condenser mics) and record directly to your multitrack or computer-based recorder, thanks to the built-in ADAT? interface. Conversely, the ADA8000 can also be used to convert digital signals, from soundcards and other multitrack devices, back into analog audio. |
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ADX20i Mini Cardioid Condenser Microphone $149.99 The ADX-20i is a pre-polarized condenser microphone designed to handle a wide variety of clip-on applications. The ADX20i is sonically superior as well as aesthetically pleasing and is ideally suited for saxophone, trombone, trumpet and other brass instruments. With a smooth uniform response over a frequency range of 40 Hz 20 kHz, the ADX-20i provides a rich, warm sound not typical of microphones this size. It is machined from solid brass and has a low reflective black e-coat finish. The ADX-20i operates on phantom power (9-52 volts) with the preamp module provided (APS-910). It may be used in battery mode with optional phantom power adapter (APS-911). The ADX-20i can be utilized with a wireless system. Depending on the brand of wireless and the connector configuration of the instrument body pack, the ADX-20i connector would need to be modified accordingly. Low noise electronic circuitry, and balanced low impedance output allow for interference free performance even with long cable runs. Specifications: Transducer: Type Condenser (pre-polarized) Frequency Response: 40 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms balanced Open Circuit Sensitivity: 5.2 mV Equivalent Noise Level: 29 dB (A weighted) Signal to Noise Rati 65 dB (ref 1k @ 1 Pascal) Power Requirements: 9 - 52v phantom Maximum SPL: 130 dB Cable/Connector: Shielded 6 cable terminating to a miniature 3 pin XLR-f Phantom Adapter: mini XLR male - XLR male Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Machined Brass Gooseneck: Flexible steel Weight: 1.7 oz/4.7 grams (without cable) |
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AT2020 Cardioid Condenser Microphone $99 Audio-Technica brings you the price/performance standard in side-address studio condenser microphone technology with the AT-2020. Ideal for project/home-studio applications, this mic features high SPL handling and wide dynamic range which provides unmatched versatility. Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Specifications: Element: Condenser Signal to Noise Rati 74 dB, 1 kHz at 1 Pa Polar Pattern: Cardioid Dynamic Range (Typical) 124 dB, 1 kHz at Max. SPL Frequency Response: 20 - 20,000 Hz Phantom Power Requirements: 48V DC, 2 mA typical Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa Noise: 20 dB SPL Impedance: 100 ohms Weight: 12.1 oz (345 g) Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Output Connector: Integral 3-pin XLRM-type |
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AT2020 Cardioid Condenser USB Microphone $99.99 Audio-Technicas stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.Features:The price/performance standard in side-address studio condenser microphone technology Ideal for project/home-studio applications High SPL handling and wide dynamic range provide unmatched versatility Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone |
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AT2035 Cardioid Condenser Microphone $149.99 Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount. Features:Large diaphragm for smooth, natural sound and low noise High SPL handling and wide dynamic range provide unmatched versatility Custom shock mount provides superior isolation Switchable 80 Hz high-pass filter and 10 dB pad Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Includes custom shock mount & protective pouch |
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AT829mW Lavalier Microphone (for PRO 88W Systems) $49.99 Miniature cardioid condenser microphone only, terminated for use with PRO 88W transmitter. Includes clothing clip and windscreen. |
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AT831B Lavalier Microphone $219.99 For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features: Clip-on lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Operates on battery or phantom power 6' (1.8 m) cable permanently attached between microphone and power module Specifications: Element: Condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: PHANTOM: 200 ohms; BATTERY: 270 ohms Maximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Rati 65 dB, 1 kHz at 1 Pa Dynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPL Phantom Power Requirements: 9 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 18 dB per octave Weight: 0.1 oz (2.8 g) Power Module: Inline Output Connector: XLRM-type (power module) Accessories: AT8116 foam windscreen; AT8417 clothing clip; AT8444 instrument adapter; AT8530 power module (attached); battery; protective case |
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AT831CW Lavalier Microphone $119.99 Miniature cardioid condenser lavalier microphone for use with UniPak wireless transmitters. A wide frequency response and an incredible clarity makes this model the best choice. Includes a clothing clip and windscreen. |
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ATW3192a Headset Wireless System $639 TW-R3100 receiver and ATW-T310 UniPak transmitter with MicroSet omnidirectional condenser headworn microphone. Includes element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitters control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic designAutomatic frequency scanning200 PLL-synthesized channels per band selectable via soft-touch controls on receiver and transmitterTrue Diversity operation selects the better signal from two independent receiver sections, reducing dropoutsInterference-resistant UHF band operationAdvanced digital Tone Lock squelchRed alert light that warns of low battery power, signal loss and input overloadTransmitter battery-life fuel gauge on the receiverGround-lift switchBalanced and unbalanced audio output jacksTwo receivers can be mounted side-by-side in a single 19" rack space |
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Audio Express 6 x 6 FireWire/USB 2.0 Hybrid Audio Interface $395 The MOTU Audio Express Hybrid interface with both FireWire and USB 2.0 connectors makes it possible to connect to any Mac or PC computer you come across so you can track and monitor audio with ease and precision. Its compatible with most music software titles so total integration within your studio environment is totally easy! You can record at rates of up to 24-bit/96kHz enabling you to produce professional sounding results whether in the studio or on the stage. It doubles as a standalone, compact mixer for live performance making it an all-around indispensible audio tool for your music-making arsenal.Ins, Outs and ReadoutsThe MOTU Audio Express offers comprehensive connectivity allowing you to hook up your mics, guitar, keyboards and other audio sources and easily mix and route them to your computer or live venues PA system. The front panel is adorned with all the knobs and information needed to effortlessly route your audio signals to their proper destination. Microphone controls 1 and 2 feature 48v phantom power for your sensitive condenser mics. Line level controls for inputs 3 and 4, a SPDIF level control and the master mix volume control are all within easy reach for quick and painless adjustments and a dedicated volume knob for the front panel headphone jack lets you set your level to a comfortable listening level. The easy to read front panel LED displays all your levels and recording status readouts so you always know whats going on under the hood, behind the chassis and inside your computer.Rear panel connections include 2 mic/guitar combo jacks, 2-1/4 line inputs, 4-1/4 outputs, pedal jack, SPDIF I/O, FireWire 400, USB 2.0 and MIDI I/O.All Together NowIncluded with the MOTU Audio Express FireWire/USB 2.0 6 x 6 Audio Interface is MOTUs AudioDesk workstation software for the Macintosh. It enables you to record, edit, mix and master using real-time 32-bit effects processing and sample-accurate synchronization. CueMix FX software for both Mac and PC gives yo |
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AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor |
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BP892C MicroSet Miniature Headworn Condenser Microphone $289 Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight Audio Technica BP892C hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit. The Audio Technica BP892C microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.Features:Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesComes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality* Doe NOT include the AT8539 power module, sold separately.Get your Audio Technica BP892C MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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BP892CT4 Omnidirectional Condenser Headworn Microphone for Shure Wireless Systems $329 Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight Audio Technica BP892 hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit. |
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BP892CW-TH MicroSet Headworn Omnidirectional Condenser Microphone (Beige) $299 The Audio Technica BP892CW MicroSet Headworn Omnidirectional Condenser Microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use. Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesIncludes AT8440 cable clip, AT8464 dual-ear microphone mount, two AT8157 windscreens, two AT8156 element covers, a moisture guard, and a carrying case.Get your Audio Technica BP892 MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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BR1200CD Digital Multitrack Recorder $1199 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM effects and amp models derived from BOSSs GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add hamornies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y |
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Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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Beta 91A $239 For over two decades Beta Microphones have been the choice of top touring and recording professionals seeking reliable, application-specific performance in demanding live and studio environments. With superior construction, low handling noise and high gain before feedback, Beta Microphones redefine sensitivity and control for expert sound reinforcement. The Beta 91A is a precision-engineered Half-Caridoid Condenser Boundary Microphone. It's two position contour switch maximizes attach and clairty depending on the application. This low-profile microphone with integrated XLR preamplifier is perfect for kick drum and other low frequency applications. The Beta 91A requires no external mounting or accessories for improved control, simple set-up and storage.An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connection for easy setup and minimal stage clutter. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPLs).Features:Premier live performance microphone with Shure quality, ruggedness, and reliabilityUniform half-cardioid polar pattern (in the hemisphere above mounting surface) for maximum gain before feedback and rejection of off-axis soundTailored frequency response for kick drums and bass-heavy instrumentsWide dynamic range for use in high SPL environmentsTwo-position contour switch enhances attack and clarityIntegrated preamp and XLR connector reduce stage clutter and provide a quick, secure setupLow profile design requires no external mounting hardwareSteel grille and die-cast metal construction resist wear and abuse |
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Blue Series Cardinal Cardioid Condenser Microphone $149 Style meets substance. Can a phrase usually reserved for the fashion world apply to a budget-friendly, expensive-sounding microphone? Absolutely, if youre talking about the Electro-Voice Cardinal Microphone!The Cardinal is a cardioid condenser mic perfectly tailored to capture vocals, but its usefulness doesnt stop there; its also a great mic for toms, overhead drums, worldly percussion or anything that demands to be recorded in full-range detail. The EV Cardinal employs a class A discrete amp along with a self-biased condenser element making for a mic that captures a wide range of frequencies with excellent transient response characteristics, yet exhibiting ultra-low noise.It has a great proximity effect when your vocal sound requires that extra low-end boost. The closer you get to the Cardinals grille the more prominent the bass response really very versatile. Back off a bit to lessen the effect. Very useful when mixing together lead and background vocal tracks different colors to play with, all from the same microphone!The Electro-Voice Cardinal Microphone is a beauty to behold with its retro-styled cherry-stained hardwood outer housing and nickel-chrome detail. The adjustable double-swivel mount provides exceptional results in many positions and situations making this microphone a versatile workhorse. Err, uh Cardinal!Features:Pressure gradient cardioid condenserClass-A discrete ultra-low noise circuitryUnique double swivel-mounted design for ideal positioingInnovative visual design with cherry wood mic housingGreat for voice or instruments |
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C 214 Large Diaphram Electric Condenser Microphone $399 AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting,and on-stage miking as well.The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance very close to the famous C 414 B-XLS. Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switchall in an elegant but rugged package. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C 214 comes complete with a carrying case, windscreen, and spider suspension mount included.Features:AKGs Legendary 1 Edge-Terminated Large Diaphragm SoundOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)Roadworthy DesignIntegrated Suspension to reduce mechanical NoiseSwitchable 20 dB Attenuation Pad and Low Cut SwitchRugged double mesh Grill for high RF immunity but unaffected AcousticsAll-metal Die-cast body with shock- and scratch-resistant FinishSpider-type Shock Mount includedMetal Carrying Case includedDesigned, Engineered and Built in Vienna, Austria Specs:Polar pattern Cardioid Frequency range 20 to 20,000 Hz Sensitivity 20 mV/Pa (-34 dBV) Max. SPL 136/156 dB SPL (0/-20 dB) (for 0.5% THD) Equivalent noise level 13 dB-A to IEC 60268-4 (A-weighted) Signal/noise ratio (A-weighted) 81 dB Preattenuation pad 0/-20 dB (switchable) Bass cut filte |
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C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included |
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C1000S Cardioid Condenser Microphone $199 The versatile C 1000 S is ideally suited for all kinds of recording and live sound applications. If no phantom power is available, the C1000S can be powered by a standard 9V battery, making it perfect for mobile use. With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the provided PPC 1000 Polar Pattern Converter to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds. Battery status LED for reliable monitoring of remaining battery life Can be powered by internal 9 V battery or by phantom power (9-52 V DC) PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup pattern Presence Boost Adapter PB 1000 is included for high-end enhancement SPECIFICATIONS Polar pattern: cardioid, or hypercardioid (with PPC 1000 attached) Frequency range: 50-20.000 Hz Sensitivity: 6 mV/Pa (-44 dBV) Max. SPL (k=1%): 137 dB Equivalent noise level (CCIR 468-3): 32 dB Equivalent noise level: 21 dB-A Signal/noise ratio (A-weighted): 73 dB Impedance: 200 ohms Recommended total impedance: =2.000 ohms Powering: 9-52 V phantom power in accordance with DIN 45596 or internal 9 V battery (6F 22) Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte silver enamel Standard accessories: W 1000, SA 63, PPC 1000, PB 1000, microphone bag WARRANTY AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at AKG's option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty c |
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C2000B Cardioid Condenser Microphone $199 This versatile condenser mic delivers super flat response and provides a crystal clear up-front sound. Switchable bass rolloff filter for eliminating proximity effect. A 10-dB preattenuation pad, so that the microphone can be adjusted to all recording or live miking situations. Built-in pop screen will reduce unwanted noise. Rugged construction, elegantly styled die-cast metal housing, and silver-gray finish complete this mic. |
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C414 XLS Large Diaphragm Condenser Microphone $999 AKGs legendary C 414 needs no introduction it is a tool found in most recording studios and has been used on thousands of hit records; its been on stage with artists of every musical genre and is also used by leading broadcast facilities the world over.For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the worlds most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.The C414 XLS offers nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.The C 414 XLS maintains the sonic character of the legendary C 414 B-ULS, the longest-lived C 414 model. Engineered for highest linearity and neutral sound, it is the most universal and versatile large diaphragm microphone for decades. Widely used for accurate, beautifully detailed pickup of any acoustic instrument the new C 414 XLS combines proven reference quality, leading-edge technology and state-of-the-art components.Includes a carrying case, pop filter, windscreen, and spider-type shock mount.Features:Nine selectable pickup patterns enable to choose the perfect setting for every applicationLock Mode: all controls can be disabled easily for trouble-free usePeak Hold LED even detects shortest overload peaksIncredible Dynamic Range of 152 dBThree switchable different bass cut filters and three pre-attenuation levelsLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moistureDesigned, engineered and built in Vienna, A |
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C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C430 Cardioid Condenser Microphone $229 Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality. The major benefits of the C 430 include: Frequency response tailored to cymbal and overhead miking Extremely compact, professional quality overhead MicroMic Phantom or battery powering options Easy to use with any mixer, with no need to use the EQ Trouble-free use on open-air stages Mounts securely on all commercial microphone stands Specifications: Polar pattern: cardioid Frequency range: 20 to 20,000 Hz Sensitivity: 7 mV/Pa (-43 dBV) Max. SPL: 126/130 dB (k=1 %/3 %) Equivalent noise level (CCIR 468-3): 33 dB-A Signal/noise rati (A-weighted) 61 dB Impedance: 200 ohms Recommended load impedance: >2000 ohms Supply voltage: 9 to 52 V phantom power Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte black Dimensions: 19 dia. x 79 mm / 0.7 x 3.1 in. Net weight: 23 g / 1.1 oz. Shipping weight: 192 g / 6.8 oz. |
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C451B Cardioid Condenser Microphone $579 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICATIONS |
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C451B Cardioid Condenser Microphone (Matched Stereo Pair) $1299 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICA |
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C5 Handheld Cardioid Condenser Microphone $149 The C 5 is a professional cardioid condenser microphone with less reach than competitive products to work better for vocalists who use in-ear monitor systems and for use on loud stages. The C 5 uses a classic AKG small-diaphragm capsule design with an edge-terminated diaphragm that is wrapped in 24-carat gold housing for protection against moisture and humidity.The C 5 also includes a presence boost adapter a small snap-on acoustic equalizer that gives the sound more energy and intelligibility in the 3 5 kHz range. The presence boost adapter can be removed for use with singers with thinner voices and adds considerable sonic flexibility to the microphone.The C 5 has other premium construction features including a thick spring steel dent-resistant grille and gold-plated XLR output connector for loss-free signal transfer. The C 5 delivers studio-quality sound for the stage.Features:AKG condenser capsule delivers pristinely-detailed, studio-quality vocals on stageComes with AKG presence boost adapter installed for additional vocal intellibility and up-front sound qualityCan be easily removed if additional presence isn't needed24-carat gold-plated transducer housing minimizes moisture and humidity problemsRugged double shock mount system ensures low handling noiseThick dent-resistant spring steel grille and gold-plated XLR-type outputSpecifications:Polar pattern cardioidFrequency range 65 Hz to 20 kHz Sensitivity 4 mV/Pa (-48 dBV ) Max. SPL 140 / 145 dB SPL (for 1% / 3% THD) Equivalent noise level 25 dB-A Signal/noise ratio (A-weighted) 69 dB Impedance <= 200 ohms Recommended load impedance >= 2.000 ohms Current consumption typ. 3 mA Power requirement 9 to 52 V phantom power to DIN 45596 Connector 3-pin XLR Finish matte grayish blue Net weight 345 g (12.2 oz.) Shipping weight 660 g (1.5 lbs.) |
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C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against |
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C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp |
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C535EB Cardioid Condenser Microphone $299 The lead singers secret weapon! Used by Sting and Billy Joel, The C 535 EB has the clean, open characteristic of AKG's best studio condensers, enhanced by a 2dB rise between 7 and 12kHz to project vocals in front of the mix. An integral four-position switch tailors output level and bass roll-off for a variety of uses. A sharp LF cut at the full output level reduces pops and handling noise in vocal applications, while a more gradual roll-off at the reduced output is ideal for most instrument applications. The C 535 EB requires 9-52V phantom power. |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CDR420 Portable CD Recorder $1399 The industry's first portable CD Recording System designed to completely eliminate the need of a PC for audio conversion, post production and CD manufacturing. Now you can record an entire, uninterrupted day in high quality audio formats that perfectly match your application. Organize and assemble your audio files onto inexpensive blank CDs for listening and or archiving. If you can operate a cassette deck you can record in flexible MP3 or uncompressed WAV formats and make professional CDs. Auto Time Date Stamping On-the-fly Keyboard Input File Naming Quick Jump Audio Navigation Copy Cut and Paste Audio Editing Easy Multiple CD Volume Creation with Marantz exclusive Audio Overlap Feature at the beginning of each new CD 20GB Hard Drive MP3 and WAV recording Onboard Editing CD Ripping, Assembly and Copy functions Internal Time Date Clock Timer and Auto Record XLR, 1/4" and Digital SPDIF inputs Phantom Power for external professional microphones High Quality Built-in Condenser Microphone Integrated Limiter and Auto Record Level Control Built-in Speaker and Headphone jack with Level Control RCA analog line output USB 2.0 Connection for fast file transfers |
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CHM 99 Condenser Hanging Microphone $154 The AKG CHM99 Condenser Hanging Microphone provides a simple, affordable solution for houses of worship in need of a professional microphone for the amplification or recording of a choir, or conference room scenarios where lectures and speeches need to be easily heard. Just suspend the CHM 99 from a beam or ceiling and effortlessly adjust the mics angle using the spring steel clamp and youre ready to roll! Using a pair of the ruggedly built AKG CHM-99 Condenser Hanging Mics will yield a superbly captured stereo signal that easily belies its small price tag. Get your AKG CHM99 Hanging Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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CM12C Hanging Choir Microphone $99 The CM12C is a miniture condenser microphone designed to hang directly over a choir or orchestra. The steel hanging positioning bracket places the condenser element in the proper position to properly capture the performance. Miniature hanging Choir MicrophoneCondenser elementCardioid Pickup PatternMini XLR connectorSteel Hanging positioning bracketHardwired 30-foot cableMini to standard XLR connector includedMultistage windscreen952 Volt Phantom Power Operation |
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CS5 Multi Pattern Condenser Microphone $349 The Studio Projects CS5 is an externally polarized five pattern pressure gradient transducer microphone with FET impedance converter. The capsule is a 1.06 (27mm) capsule, with a diaphragm thinkness of 6m. It features five selectable polar patterns, four selectable pads, four high pass filters, and four low pass filters for added control in various recording applications and a clear, full response expected from a large capsule microphone design. Versatility is key in the recording arena, and the Studio Projects CS5 is well equiped to handle any recording application. It is designed to deliver the finest quality vocal and instrumental recordings and will serve to enhance any professional or project studio. Features Pressure-Gradient Transducer: 1.06" (27mm) 6um mylar diaphragm FET impedance converter Five Polar Patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, Fig 8 -5dB, -10dB, -15dB, and -20dB Pads 50hZ, 75hZ, 150Hz, and 300hZ High Pass Filters @ 6dB/octave 15kHz, 7kHz, 5kHz, and 3kHz, Low Pass Filters @ 6dB/octave Applications Close miking of instruments with high sound pressure levels Announcers mic for broadcasting/dubbing Home recording and project studios Vocalist recording Spot mic for: wind instruments, strings, percussion and guitar amps XY - Coincident Cardioids Mid-Side Method Stereosonic Technique (Blumlein) Overheads Included Accessories Shockmount Foam wind screen Case CS5 Specifications Type: Pressure gradient transducer microphone Polar patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, and Figure of 8 Frequency response: 20~20000Hz Sensitivity: 14mV/Pa=-32dB(0dB=1V/Pa) Output impedance: 200 Ohm Load impedance: 1000 Ohm Maximum SPL: 136 dB SPL for 1% THD @1000Hz (0dB SPL=0.00002Pa) 156dB with -20dB preattnuation Equivalent Noise Level: 13dB-A S/N: 81 dB-A Power requirement: 48 +/- 4V Current consumption: 4mA Circuit: JFET impedance converter, discrete balanced output Connector: Gold-plate |
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Classic II Multi Pattern Tube Condenser Microphone $2099.99 The Classic II is RDEs top-of-the-line studio condenser microphone. Classic by name and nature. Featuring a custom spec 1 dual diaphragm capsule feeding a vintage twin triode (New old stock) GE JAN-6072 valve and custom Jensen output transformer. The result? Classic warmth and richness on both vocals and acoustic instruments. Features:9 polar patterns, Variable Pad and filter. Shock mount. Machined from solid Brass, the body is hand-polished, glass bead-blasted and coated in satin nickel. Also included is a double-shielded oxygen-free 30 copper cable with heavy-duty plugs and sockets, power supply, a suspension shock mount, stand mount, thread adaptor and sturdy aluminium flight case. |
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DM3200 32 Channel Digital Mixer $2199 More channels. More inputs. The new TASCAM DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capible of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200. The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI, Mackie Control and FW-1884 emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200. 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-3200s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no f |
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DP-004 Digital Pocketstudio Portable Recorder $169.99 TASCAM's DP-004 Digital Pocketstudio is based on 30 years of easy-to-use cassette Portastudios, updated with four tracks of CD quality digital recording. Like those groundbreaking Portastudios, a row of knobs set levels and pan instead of a list of menus. The DP-004 can record two sources at once to the included 1 GB SD Card, A built in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals, and songwriting inspirations. A pair of 1/4 jacks on the rear panel allows you to connect your own microphones or sources. You can switch the inputs to guitar level for recording. The DP-004 allows you to build up your arrangements until you have filled up all four tracks. The bounce feature allows you to consolidate tracks and make room for more overdub layers. Also available is an autopunch feature for fixing problems, track editing, and undo function. Mixing is also built into the Digital Pocketsudio. Once you set levels and pan; record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB 2 for CD burning and sharing online. Despite its go - anywhere compact design-smaller than a paperback book - the DP-004 is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative.Features:4- Track Digital Pocket studioBattery or AC powerBuilt in Stereo Condenser Microphone and 2- 1/4" mic/line inputsDedicated Stereo Master track and USB I/OAuto punch, track editing and undo function |
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DP-008 8 Track Digital Multitrack Recorder $249.99 TASCAM culminates 30 years of Portastudio Recording with the DP-008, a portable 8-track recorder for all musicians. TASCAM's DP-008 is an eight-track recorder that captures CD-quality audio, two tracks at a time. You can use built-in microphones to grab ideas, plug condenser mics into the XLR inputs or plug a guitar directly in to lay tracks. There's even a metronome and chromatic tuner built-in for tight-sounding tracks. The DP-008 also allows you to digitally bounce tracks to make room for more, and touches like editing and undo make recording stress-free.Each track on the DP-008 has its own row of knobs for level, pan and effects, just like our classic cassette Portastudios of the past. The effects knob sends to a built-in stereo reverb processor with hall, room, stage and other effects. Each track also has EQ to tailor the sound for your mix. When your song is complete, mix it to a dedicated stereo track while riding levels and flipping pan as much as you want. You can export your mix, or even individual tracks, as a WAV or MP3 file.TASCAM invented the home recording studio with the original cassette Portastudio. The DP-008 takes the ease-of-use of those classic songwriting tools and adds portability, digital sound quality, effects and mixdown to bring home recording into the 21st century. Simplify your recording workflow with TASCAM's DP-008.Specifications:8-track Digital Portastudio2-track simultaneous recording(2) XLR microphone inputs with phantom power(2) 1/4" line inputs, one switchable to guitar level for direct recording1/4" footswitch input and Autopunch features for punch-in recordingRCA line outputs1/8" stereo headphone outputPowered by four AA batteries (included) or PS-P520 power supply (optional)Chromatic tuner and metronome featuresStereo reverb effect on send/return pathLevel, Pan and 2-band EQ controls per channel44.1kHz/16-bit recording resolutionRecords to SD or SDHC Card media, up to 32GB supportedUSB 2.0 connect |
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DP-03 8 Track Digital Multitrack Recorder $399 The DP-03 is the latest Portastudio in TASCAMs 37-year progression of making recording simple and affordable for musicians. The 8-track digital recorder captures your music at CD quality to affordable SD/SDHC cards, and a 2GB card is included with the recorder. With built-in microphones, effects, mastering and CD burning, the DP-03 provides everything musicians need to record and share their music.A pair of stereo condenser microphones is built into the front panel of the DP-03, helpful for capturing a rehearsal, live performance or songwriting ideas. Also included are a pair of high-quality XLR microphone preamps with phantom power for condenser microphones. 1/4 line inputs are also available, and an instrument-level switch allows you to record a guitar or bass without a direct box. A three-button footswitch, the RC-3F, is available for control and punch in.Routing the inputs to one of the eight tracks is simple, and you can record two at a time until you fill up all eight. A tuner and metronome are built-in for tight-sounding tracks, each with its own dedicated button for quick access. Track can be edited with commands like copy/paste, silence, clone track and undo. Bouncing is also available, even bouncing all eight tracks down to one or two. Theres even the option to import a recording through USB or audio CD.Each track has its own send to a stereo reverb processor as well as two-band shelving EQ. Once youve perfected your mix with the 45mm faders, pan knobs, reverb and EQ, record it to the dedicated stereo master track. Your mix can be processed with mastering effects like EQ and limiting for a tight, modern sound. When youre satisfied, transfer your mix to a computer over USB 2.0 or burn an audio CD.SPECIFICATIONS8-track Digital Portastudio with CD BurnerRecords to SD/SDHC Card mediaImport audio tracks from CDBuilt-in stereo condenser microphoneTwo XLR microphone inputs with phantom power1/4" stereo line inputsSwitchable instrument-level input for guitar/ |
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DR-100 MKII 24 BIT/96KHZ Linear PCM Recorder $329.99 The rugged TASCAM DR-100mkII offers high-end recording features to musicians and engineers who demand more from their portable recorder. It features four built-in microphones, two cardioid and two omnidirectional, for great sounding recordings. A pair of XLR microphone inputs with phantom power welcomes pro-grade condenser microphones, and line in and out connectors are also provided. The TASCAM DR-100mkII adds balanced line ins, S/PDIF digital inputs, locking connectors and more. |
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Dragonfly Cardioid Condenser Microphone $999.99 The Blue Microphones Dragonfly combines an innovative design that allows precise placement in the smallest of spaces, with an integrated elastic shockmount and rotating grille. The Dragonflys sonic signature generates a silky extended top-end, contoured midrange and a bump at the upper end of the lower frequencies to help beef up thin signal sources. The Dragonflys transformerless Class A discrete amplifier circuit insures maximum detail and clarity. Its sonic character gives flight to everything from female vocals to percussion, electric guitar and drum overheads. The Dragonfly also excels with more difficult sources such as stringed instruments, as well as delivering a contemporary saxophone sound. Characteristics Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Extended top end with a contoured midrange and tight punchy bottom end Integrated elastic shockmount/rotating head for optimal placement Hand-tuned and tested Includes linen storage box Suggested ApplicationsMale & Female Vocals, Electric Guitar Amplifiers, Flutes, Saxophones, Drum Overheads and Tom-Toms Technical Specifications Acoustical Operating Principal: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1kohm: 21mV/Pa Output Impedance: 50ohms Rated Load Impedance: Not less than 1kohm S/N ratio CCIR468-3: 75dB S/N ratio DIN/IEC 651: 86dB-A Noise Level DIN/IEC 651: 8dB-A Max SPL (0.5% THD) into 2.5kohms: 140dB Dynamic Range (2.5kohm load): 132dB Supply Voltage (IEC 268-15): 48V Phantom (35V min) Weight: 630g Dimensions (mm): 165x60 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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E965 Large Diaphragm Condenser Microphone $699.95 The e 965 is Sennheiser's first large-diaphragm, true condenser handheld microphone. The innovative 1" dual-diaphragm capsule means you can access both cardioid and super-cardioid polar patterns with the flip of a switch. Ideal for every vocal application, the e 965 truly combines the sensitivity of a world-class studio condenser with the ruggedness our customers demand from a Sennheiser evolution stage microphone.Features:Switchable pick-up pattern (cardioid / super-cardioid) Low-cut switch, which reduces ambient noise, rumble , and wind noise Switchable pre-attenuation (-10 dB) accommodates singers with powerful voices Capsule shock-mount efficiently rejects handling noise for superbly clear sound Excellent protection against moisture Astounding frequency response of 40-20,000 Hz An unbeatable 10-year warranty! |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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EW365 G3 Wireless Microphone System $999.95 The Sennheiser EW365 G3 Wireless Microphone System is the best that the G3 300 series has to offer for the voice: top-notch condenser technology coupled with a true diversity receiver. This system captures every last nuance and detail of the vocalist. A programmable mute button on the microphone lets the user decide when it is time to go on-air.FeaturesSturdy metal housing (transmitter and receiver42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free receptionEnhanced frequency bank system with up to 24 compatible frequenciesEthernet port for connecting to the Wireless Systems Manager (WSM) software for control via computer - this delivers a good overview of monitoring and professional data management for multi-channel systemsHigh-quality true diversity receptionPilot tone squelch for eliminating RF interference when transmitter is turned offAutomatic frequency scan feature searches for available frequenciesEnhanced AF frequency rangeIncreased range for audio sensitivityWireless synchronization of transmitter parameter from receiverUser-friendly menu operation with more control optionsIlluminated graphic display, receiver also shows transmitter settingsAuto-Lock function avoids accidental changing of settingsHDX compander for crystal-clear soundTransmitter feature battery indication in 4 steps, also shown on receiver displayProgrammable Mute button on transmitter bodyEasy-exchangeable microphone modules from evolution seriesIntegrated Equalizer and Soundcheck modeContacts for recharging BA 2015 accupack directly in the transmitterWide range of accessories adapts the system to any requirementGet your Sennheiser EW365 G3 Wireless Microphone System today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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Expedition XP510i Portable PA $699 Finally! A cleverly designed, portable powered PA system that leaves you wanting for nothing! The Samson Expedition 510i is the culmination of years of audio expertise fused together with a commitment to give musicians and sound professionals the features and quality they most desire. The Samson Expedition 510i Portable PA System is sturdy yet lightweight and easy to set up and operate. Its comprised of two 2-way speakers with custom 10 woofers and a 1 high frequency driver. They have a wide dynamic range and produce clear, loud, full-range audio that can fill up a small to medium sized venue with relative ease. They can be mounted on standard speaker stands, thanks to the integral pole mount receptacles. The XP510i is constructed using durable ABS, high impact plastic, making it super road tough, and at the same time, lightweight.The Expedition 510is power comes from the systems full-featured 10 channel powered mixer. It stores neatly into the rear of one of the speakers and can be removed and placed on a table top. It features 500 watts (2 x 250) of chest kicking power, a perfect match for the speakers. It is a class D design that means its long on power yet light in weight. The mixers first four channels sport 4 XLR microphone inputs, as well as 4 mono jacks. Switchable phantom power is provided enabling the use of your condenser mics. Channels 5 through 10 feature stereo input jacks and 7 through 10 add a set of RCA connectors. The first 2 channels have a built-in limiter/compressor. It turns on at the touch of a button and provides quality signal processing, enabling you to smooth out the dynamic range of your voice or instrument with ease. This can really help place your vocal performances clearly out front of the music for increased intelligibility, enabling your audience to hear every word and note clear and precise. Each channel has high and low EQ enabling you to dial in the perfect frequency to enhance your signal. Rotary faders on each channel make it |
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Eyeball 1.0 HD Webcam and Condenser Microphone $99.99 Meet the Eyeball; a revolutionary new webcam with HD-quality audio and video. The Eyeball delivers Blues award winning design and soundquality to a portable webcam. The Eyeballs retractable camera lens preserves your privacy and ensures that the Eyeball turns itself off whenyou arent broadcasting. The custom-designed monitor adapter makes it simple to position it on virtually any laptop or desktop monitor. The Eyeball features Blues famous pro-quality condenser capsule, giving it better sound than any webcam in the market and features Super HD video to complete the picture. The Eyeball works on both Mac and PC with no complicated drivers to install: just connect it to your computers USB port. The Eyeballs unique design allows you to place it on a desk or flat surface near your computer, or mount it to the screen of most laptops. The Eyeball offers a wide range of applications coupled with an ease of use and unique privacy features never before offered in a professional-quality portable webcam. |
