Condenser Mic
December 30th, 2010
What is the best brand of condenser mic?
What company makes the best condenser microphones available? I'm trying to build a studio to produce hip-hop and rock music.
SHURE makes pretty good ones, BEWARE OF CHINESE FAKES!!!
The real ones are made in Mexico
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Sennheiser HSL10 Handset Lifter $51.94 Gemini HSL10 Combo Headset MicrophoneFeatures:Combo Headset / Lavalier MicConvertible, lightweight headsetDetachable lavalier microphoneFoam wind and pop control insertsPadded non-slip face restFlexible headband to fit most sizesEasy grip lavalier clipInternational Info:? This item will work on both 110V and 220V/240V power systems or does not need power. This item is will work perfectly anywhere ... |
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GSI Quality Mini Digital A Frequency Sound Level Meter - Instant Accurate 35 To 100 dB Measurements, LCD Display - For Musicians And Sound Audio Professionals $32.99 The GSI Sound Level Meter Was Designed To Provide Accurate And Precise Readings. Perfect For The Professional Or Private User - Friendly And Affordable.... |
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GSI Quality Handheld Digital A/C Frequencies Sound Level Meter - Instant Accurate 30 To 130 dB Measurements - LCD Display And Microhone - For Musicians And Sound Audio Professionals $59.99 The GSI Sound Level Meter Was Designed To Provide Accurate And Precise Readings. Perfect For The Professional Or Private User - Friendly And Affordable.... |
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Mic Phantom Power Adapter $31,153.99 Microphone Phantom Power Adapter... |
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Corsair CA-9011112-WW Vengeance 1500 Dolby 7.1 USB Gaming Headset $81.95 If you have onboard sound, the Corsair CA-9011112-WW Vengeance 1500 Gaming Headset offers easy one-cable USB connection and Dolby headphone technology that allows you to enjoy multi-channel games the way they were meant to be played. It features 50mm drivers which greatly reduce the overloading and distortion that can happen with gaming headsets that uses 40mm drivers. It's also equipped with in... |
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1202-VLZ3 Compact Mixer $269.99 The Mackie 1202-VLZ3 Premium 12-Channel Compact Mixer builds on the legacy of the best-selling 1202-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Four studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1202-VLZ3 its high-headroom, low-noise functionality. The 1202-VLZ3 is the model of efficiency, packing more features into its small footprint than any other mixer in this class. With its outstanding sound quality, just the right amount of control, and multi-voltage power supply, the 1202-VLZ3 is the perfect choice for smaller mixing applications, anywhere in the world. Features:12-channel ultra-low noise compact mixer with highest possible headroom 4 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz ­ 20kHz) oPhantom power for studio condenser mics 12 high-headroom line inputs Advanced DC pulse transformer RF rejection 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut filter on Mic input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1202-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals |
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1402-VLZ3 Compact Mixer $399.99 The Mackie 1402-VLZ3 Premium 14-Channel Compact Mixer builds on the legacy of the best-selling 1402-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Six studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1402-VLZ3 its high-headroom, low-noise functionality. With its outstanding sound quality, multi-voltage power supply, and 60mm faders for precise mix control and visibility, the 1402-VLZ3 becomes the ideal choice for small and medium-sized mixing applications, anywhere in the world. Features: 14-channel ultra-low noise compact mixer with highest possible headroom 6 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz­20kHz) oPhantom power for studio condenser mics 14 high-headroom line inputs Advanced DC pulse transformer RF rejection 60mm long-wearing log-taper faders 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut Filter on Mic input channels Switchable +4/-10 operation on Line input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-le |
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2404-VLZ3 24-Channel Mixer $1149.99 The 24-channel Mackie 2404-VLZ3 features low-noise, high-headroom technology with increased channel count and superior processing thats perfect for real-world live gigs. 20 XDR2 mic channels, each with 3-band EQ, offer more clean and useable gain than the competition. Create great-sounding, professional mixes using dedicated channel and subgroup compression, dual RMFX+ effects processors and true 4-bus architecture. You can even connect to your laptop to record the show, stream house music or use your favorite plug-in live using the built-in 4x2 USB interface. Define your sound, create your mix and record the whole show with the 2404-VLZ3.24-channel 4-bus mixer with proven VLZ3 low-noise, high-headroom design20 studio-grade XDR2 mic preamps - 130dB dynamic range - Distortion under 0.0007% (20Hz 20kHz - Phantom power for studio condenser mics4 subgroups, featuring dedicated compressors for total dynamic control Dedicated inline channel compression for critical inputs (ch. 17-20) 3-band active EQ with carefully selected frequency ranges for maximum flexibility Dual 32-bit RMFX+ processors featuring 24 Gig Ready, useable reverbs, choruses, and tap delay for live applications Integrated 4x2 24-bit USB interface Stream subgroups or master L/R to your PC or Mac for recordingUse your favorite plug-in live via auxes 5/6Convenient stereo return to mains for music playback or return to channel and implement EQ, auxes and more6 aux sends with inserts, pre/post fader and internal/external FX send options available 18dB/oct. 100Hz low cut filter 60mm long-wearing logarithmic-taper faders All steel, classic Mackie Built-Like-A-Tank chassis design Smallest footprint in class, saves precious desk space Lightweight and portable ( 39 lbs / 17.7 kg ) Includes Tracktion 3 Music Production Software for Mac or PC Get your Mackie 2404-VLZ3 mixer today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lo |
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286S Single Channel Channel Strip $199.95 The DBX 286S Mic Pre-amp Processor combines 4 separate analog processers into one convenient, great sounding easy to use channel strip.The 286S mic preamp features a wide-ranging input-gain control, switchable +48v phantom power for your condenser mics and an 80Hz high-pass filter helping to cut out any low frequency hum and rumble.DBXs famous and patented OverEasy compressor is the next stage of processing. DBX OverEasy is known for its smooth, transparent leveling of the audio signal and its simple controls. You can dial in a subtle, transparent amount of compression or set to stun for an obvious in-your-face treatment of the audio. Next up is the frequency tunable De-esser. It helps to eliminate vocal sibilance and high frequency distortion from instruments. You can add some definition, high-end sparkle and low frequency detail to your signal by dialing in the Enhancer HF Detail control. It enables you to add some depth to vocals and bass while it cleans up muddy low-midrange frequencies. Adjust to taste!Rounding out the individual processors of the DBX 286S Mic Pre-amp Processor is the Expander/Gate. It gates unwanted leakage and keeps your post audio editing work to a minimum.Easy to read metering and status LEDs visually guide you to keep your levels properly adjusted for the recording task at hand.Rear panel connections include an XLR Mic Input, TRS Line Input, Insert jack (to integrate another external processor) and output.The DBX 286S Mic preamp Processer gives you all the tools you need to track in pristine DBX style as well as sweeten up some of your already recorded tracks. Its priced within the budget of the home or project studio but its sound quality is decidedly Pro!Get your DBX 286S Mic Pre-amp Processor Interface today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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3204-VLZ3 32-Channel Mixer with Effects and USB $1349.99 The 32-channel Mackie 3204-VLZ3 combines VLZ3 low-noise, high-headroom technology with increased channel count and superior processing thats perfect for real-world live gigs. 28 XDR2 mic channels, each with 3-band EQ, offer more clean and useable gain than the competition. Create great-sounding, professional mixes using dedicated channel and subgroup compression, dual RMFX+ effects processors and true 4-bus architecture. You can even connect to your laptop to record the show, stream house music or use your favorite plug-in live using the built-in 4x2 USB interface. Define your sound, create your mix and record the whole show with the Mackie 3204-VLZ3.Features:32-channel 4-bus mixer with proven VLZ3 low-noise, high-headroom design28 studio-grade XDR2 mic preamps130dB dynamic rangeDistortion under 0.0007% (20Hz 20kHz)Phantom power for studio condenser mics4 subgroups, featuring dedicated compressors for total dynamic controlDedicated inline channel compression for critical inputs (ch. 25-28)3-band active EQ with carefully selected frequency ranges for maximum flexibilityDual 32-bit RMFX+ processors featuring 24 Gig Ready, useable reverbs, choruses, and tap delay for live applicationsIntegrated 4x2 24-bit USB interfaceStream subgroups or master L/R to your PC or Mac for recordingUse your favorite plug-in live via auxes 5/6Convenient stereo return to mains for music playback or return to channel and implement EQ, auxes and more6 aux sends with inserts, pre/post fader and internal/external FX send options available18dB/oct. 100Hz low cut filter60mm long-wearing logarithmic-taper fadersAll steel, classic Mackie Built-Like-A-Tank chassis design Smallest footprint in class saves precious desk space Lightweight and portable ( 39 lbs / 17.7 kg )Includes Tracktion 3 Music Production Software for Mac or PCGet your Mackie 3204-VLZ3 today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/pric |
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402-VLZ3 4-Channel Compact Mixer $99.99 The ultra-compact 402-VLZ3 Premium 4-Channel Mic/Line Mixer builds on the legacy of Mackies top-selling VLZ mixers. Two studio-grade XDR2 (Extended Dynamic Range) mic preamps and proprietary active EQ give the 402-VLZ3 its high-headroom and low-noise functionality. Its super-sleek, extra-rugged steel chassis is packed with useful features like 2 switchable Hi-Z instrument inputs, assignable stereo RCA input, phantom power for condenser mics, and bright 8-segment stereo meters. Thanks to the 402-VLZ3, you can now get exceptional sound quality and performance in an amazingly small footprintat an astonishingly low price. Ultra-compact 4-channel mixer featuring Mackie VLZ3s signature low noise, high-headroom design 2 studio-grade XDR2 Extended Dynamic Range mic preamps with 130dB dynamic range and distortion under 0.0007% (20Hz - 20kHz) 4 high-headroom line inputs 2 selectable Instrument inputs - no DI box needed 2-Band Active EQ (80Hz, 12kHz) and Lo-Cut filter on mic channels Phantom power for studio condenser mics Dedicated Stereo Line Input and Tape Input channels High-resolution 8-segment stereo meters Sealed rotary controls to resist dust and grime Sleek, rugged steel chassis Includes Tracktion 3 Basic Bundle for Mac/PC (download required)Get your Mackie 402-VLZ34-channel mixer today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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828 mk3 Hybrid Computer Audio Interface $749 Having trouble deciding between a high-end FireWire and USB2 audio interface for computer recording? Cringing at the idea that youll need multiple audio solutions for your multiple systems? Dont sweat it! The MOTU 828mk3 Hybrid Audio Interface offers audio engineers a high-end solution for moving audio in and out of your computer via a feature-filled first class audio interface. Its compatible with both FireWire and USB2 and, in addition, the MOTU 828mk3 doubles as a standalone mixer for live performance duty ultimately making it 3 professional solutions in one. Get ConnectedAdorned with a wealth of analog and digital connectivity, the MOTU 828mk3 delivers professional, reliable performance whether used with MOTU software or the software of your choice, Mac or PC. The 828mk3 provides a total of 28 inputs and 30 outputs including dedicated main XLR outputs and 2 front panel headphone outputs. There are 10 channels of 192kHz recording and playback, 16 channels of ADAT I/O and stereo S/PDIF. A pair of front panel XLR/TRS combo jack inputs let you plug in your dynamic or condenser microphones (switchable 48V phantom power is available on both mic preamps). Built-in overload protection gives you an extra 12 dB of headroom above zero with no digital clipping or digital artifacts. Both mic preamps provide 53 dB of gain and is adjustable using the detented rotary encoder. The LCD gives you a precise readout of your settings so youre always in-the-know.Built-In Digital MixerThe MOTU 828mk3 features the onboard CueMix FX digital mixer with built-in DSP offering compression, EQ, and reverb to all the inputs and outputs freeing your computer of these system taxing chores as well as providing you with all the effects youll need for a live performance when you use the 828mk3 as a live mixer. When operating the 828mk3 as a stand-alone mixer with effects, all operations are carried out via the front panel backlit LCD on the front panel.Whether youre an audio engineer in need of a |
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8pre Firewire Audio Interface $549 The MOTU 8pre FireWire audio interface delivers everything you need to turn your computer into a powerful 24-bit, 96kHz digital audio workstation. The 8pre provides eight microphone/instrument preamps with pristine 96kHz analog recording and playback, combined with 8 channels of ADAT optical digital I/O. Expand your system by connecting additional 8pres or other MOTU FireWire audio interfaces. FireWire audio interface for Mac and Windows - provides 16 inputs with 8 mic preamps and 12 outputs including separate phone and main outs for all the basic I/O you need for a powerful desktop studio. Eight XLR/TRS "combo jack" mic inputs - connect up to eight mics, or mix and match mics with guitars, synths, drum machines and other analog input signals. Flexible analog inputs - each provides a crystal-clear preamp (for both the XLR and TRS input), 24-bit 96 kHz converters, individually switchable 48-volt phantom power, 20 dB pad and front-panel trim controls. Mix and match condenser and dynamic microphones as your needs require. Eight channels of ADAT optical I/O - provides two sets of optical connectors to provide eight channels of optical digital I/O even at high samples rates (88.2 or 96 kHz). Operates as an optical expander - connect the 8pre to any ADAT optical compatible device (another audio interface, a digital mixer, etc.) to add 8 additional mic inputs seamlessly integrated into the mixing environment of the host device. Discrete ins/outs - there's no channel sharing in the 8pre; the mic inputs, ADAT optical I/O, headphone out and main outs are all handled as separate channels. CueMix DSP near-zero monitoring system. Multiple CueMix DSP mixes - create different monitor mixes for the main outs and headphones. Add send/return loops for outboard gear with no latency. Front-panel metering - five-segement meters for all analog inputs, plus status lights for clock and interface/expander mode. Sample-accurate MIDI - connect a MIDI controller and/or sound module w |
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AT2020 Cardioid Condenser Microphone $99 Audio-Technica brings you the price/performance standard in side-address studio condenser microphone technology with the AT-2020. Ideal for project/home-studio applications, this mic features high SPL handling and wide dynamic range which provides unmatched versatility. Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Specifications: Element: Condenser Signal to Noise Rati 74 dB, 1 kHz at 1 Pa Polar Pattern: Cardioid Dynamic Range (Typical) 124 dB, 1 kHz at Max. SPL Frequency Response: 20 - 20,000 Hz Phantom Power Requirements: 48V DC, 2 mA typical Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa Noise: 20 dB SPL Impedance: 100 ohms Weight: 12.1 oz (345 g) Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Output Connector: Integral 3-pin XLRM-type |
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AT831B Lavalier Microphone $219.99 For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features: Clip-on lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Operates on battery or phantom power 6' (1.8 m) cable permanently attached between microphone and power module Specifications: Element: Condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: PHANTOM: 200 ohms; BATTERY: 270 ohms Maximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Rati 65 dB, 1 kHz at 1 Pa Dynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPL Phantom Power Requirements: 9 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 18 dB per octave Weight: 0.1 oz (2.8 g) Power Module: Inline Output Connector: XLRM-type (power module) Accessories: AT8116 foam windscreen; AT8417 clothing clip; AT8444 instrument adapter; AT8530 power module (attached); battery; protective case |
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Audio Express 6 x 6 FireWire/USB 2.0 Hybrid Audio Interface $395 The MOTU Audio Express Hybrid interface with both FireWire and USB 2.0 connectors makes it possible to connect to any Mac or PC computer you come across so you can track and monitor audio with ease and precision. Its compatible with most music software titles so total integration within your studio environment is totally easy! You can record at rates of up to 24-bit/96kHz enabling you to produce professional sounding results whether in the studio or on the stage. It doubles as a standalone, compact mixer for live performance making it an all-around indispensible audio tool for your music-making arsenal.Ins, Outs and ReadoutsThe MOTU Audio Express offers comprehensive connectivity allowing you to hook up your mics, guitar, keyboards and other audio sources and easily mix and route them to your computer or live venues PA system. The front panel is adorned with all the knobs and information needed to effortlessly route your audio signals to their proper destination. Microphone controls 1 and 2 feature 48v phantom power for your sensitive condenser mics. Line level controls for inputs 3 and 4, a SPDIF level control and the master mix volume control are all within easy reach for quick and painless adjustments and a dedicated volume knob for the front panel headphone jack lets you set your level to a comfortable listening level. The easy to read front panel LED displays all your levels and recording status readouts so you always know whats going on under the hood, behind the chassis and inside your computer.Rear panel connections include 2 mic/guitar combo jacks, 2-1/4 line inputs, 4-1/4 outputs, pedal jack, SPDIF I/O, FireWire 400, USB 2.0 and MIDI I/O.All Together NowIncluded with the MOTU Audio Express FireWire/USB 2.0 6 x 6 Audio Interface is MOTUs AudioDesk workstation software for the Macintosh. It enables you to record, edit, mix and master using real-time 32-bit effects processing and sample-accurate synchronization. CueMix FX software for both Mac and PC gives yo |
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AudioBox Studio USB Recording Kit $249.95 AudioBox is the heart of the 1BoxPerfect for musicians and podcasters, the 2-channel AudioBox USB boasts high-performance microphone preamplifiers and professional quality, 24-bit converters. Powered by your computer, its compact, ruggedly built and designed to work perfectly with Studio One recording and production software on your PC or Mac.AudioBox USB features: Bus-powered USB audio and MIDI interface Perfect match with Studio One Artist software for Mac and Windows 24-bit resolution, 44.1 and 48 kHz sampling rate 2 combo mic/instrument inputs with Class A XMAX mic preamplifiers 48V phantom power for M7 condenser microphone Zero-latency monitoring via internal mixer Headphone jack with level control for included HD7 headphones 1/3U rack-mountable Computer-to-interface connection cable includedStudio One Software is the soul of the 1BoxPresonus Studio One Artist recording and production software is easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers great features. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.Studio One Artist features: Elegant single-window work environment Powerful drag-and-drop functionality Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels Content browser with convenient sort options and preview player Most intuitive MIDI-mapping system available Real-time audio time-stretching and resampling Automatic delay compensation Advanced automationInstantly configures to PreSonus audio interfaces25 Native Effects 32-bit effects and virtual instrument plug-ins4+ GB of third-party software, loops, and instrumentsM7 Microphone: High-Definition Condenser Microphone Large-diaphragm design Captures far more detail than a dynamic mic Mic stand adaptor |
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BP892C MicroSet Miniature Headworn Condenser Microphone $289 Delivering clear and accurate sound in an inconspicuous package, the ultra-lightweight Audio Technica BP892C hooks securely behind either ear and can be worn for hours without fatigue. For maximum stability and comfort, the included AT8464 dual-ear microphone mount converts the MicroSet to a dual-ear-worn unit. The Audio Technica BP892C microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use.Features:Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesComes equipped with AT8464 Dual-Ear Microphone Mount that converts single ear-worn MicroSet to a dual-ear-worn unit for maximum stability and comfort High-pass filter on power module provides a steep low-frequency attenuation to improve sound pickup without affecting voice quality* Doe NOT include the AT8539 power module, sold separately.Get your Audio Technica BP892C MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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BP892CW-TH MicroSet Headworn Omnidirectional Condenser Microphone (Beige) $299 The Audio Technica BP892CW MicroSet Headworn Omnidirectional Condenser Microphone features a flat, extended frequency response and other outstanding performance specifications, resulting in extremely intelligible, natural audio for stage and television talent, lecturers and houses of worship. Protected by a highly durable Parylene coating, the new headworn mic is built to stand up to the rigors of day-to-day use. Handles high sound pressure levels with easeExtremely intelligible natural audioInconspicuous, lightweight headset with capsule diameter of just 2.6 mm is ideal for applications requiring minimum visibilityErgonomic under-ear designflexible, lightweight contoured loop hooks behind the ear for an ultra-secure, comfortable fit with or without glassesIncludes AT8440 cable clip, AT8464 dual-ear microphone mount, two AT8157 windscreens, two AT8156 element covers, a moisture guard, and a carrying case.Get your Audio Technica BP892 MicroSet Miniature Headworn Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy. |
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BR1200CD Digital Multitrack Recorder $1199 From guitar pick to compact disc, the BR-1200CD can turn your ideas into radio-quality songs with power and ease. Packed with great COSM effects and amp models derived from BOSSs GT-6/6B multi-effects processors, plus a great-sounding bass and drum rhythm programmer for instant backing tracks, the BR-1200CD is the friendliest and most comprehensive hard disk recorder on the market.Hassle-Free Recording & CD Burning Fly from point A to B in record time, thanks to the BR-1200CD's logical arrangement of buttons, knobs, and faders, and its inviting icon-based user interface. Recording, mixing, and CD burning is simple. To record, simply connect an instrument or microphone (XLR inputs with phantom power are provided), and follow the logical flow of controls on the left side of the panel. Use the fader pack in the middle to mix, and press the "Audio CD Write/Play" button to jump to the CD Burning menu.Multi-Effects & COSM Models From full dunk to subtle sweetening, the BR-1200CD is equipped with a powerful multi-effects processor derived from the famous BOSS GT-6/GT-6B. A lineup of COSM amp models are in the lineup, including the world standard Roland JC-120 Jazz Chorus, R-FIier Vintage, Metal Stack, BOSS Compact Pedal models such as OD-1 and MT-2, and more. Also onboard COSM Mic Models, which emulate expensive condenser mics. Correct pitch and add hamornies with the Vocal Tool Box, and for the finishing touch, tap into the Mastering Tool Kit to put a pro-quality polish on your track.Backing Band Built In Another distinguishing feature of the BR-1200CD is its world-class bass and drum programmer, packed with instruments and patterns to suit a variety of styles. Realistic acoustic drums and percussion are included, as well as many electronic sounds to compose modern hybrid type of music. For bass, you can choose from a variety of bass sounds, such as slapped basses, picked basses, and fretless basses. Jam along with the supplied patterns or create y |
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Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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Blue Series Cardinal Cardioid Condenser Microphone $149 Style meets substance. Can a phrase usually reserved for the fashion world apply to a budget-friendly, expensive-sounding microphone? Absolutely, if youre talking about the Electro-Voice Cardinal Microphone!The Cardinal is a cardioid condenser mic perfectly tailored to capture vocals, but its usefulness doesnt stop there; its also a great mic for toms, overhead drums, worldly percussion or anything that demands to be recorded in full-range detail. The EV Cardinal employs a class A discrete amp along with a self-biased condenser element making for a mic that captures a wide range of frequencies with excellent transient response characteristics, yet exhibiting ultra-low noise.It has a great proximity effect when your vocal sound requires that extra low-end boost. The closer you get to the Cardinals grille the more prominent the bass response really very versatile. Back off a bit to lessen the effect. Very useful when mixing together lead and background vocal tracks different colors to play with, all from the same microphone!The Electro-Voice Cardinal Microphone is a beauty to behold with its retro-styled cherry-stained hardwood outer housing and nickel-chrome detail. The adjustable double-swivel mount provides exceptional results in many positions and situations making this microphone a versatile workhorse. Err, uh Cardinal!Features:Pressure gradient cardioid condenserClass-A discrete ultra-low noise circuitryUnique double swivel-mounted design for ideal positioingInnovative visual design with cherry wood mic housingGreat for voice or instruments |
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C03U Multi-Pattern USB Studio Condenser Microphone $99.99 Includes recording software courtesy of Cakewalk! Following on the success of the C01U, Samson is proud to introduce the C03U, multi-pattern USB studio condenser microphone. Based on the extremely popular C03 studio condenser, the C03U delivers the same pristine audio quality and enhanced capabilities along with a high quality A/D converter and USB output.The C03U features dual 19mm internal shock mounted diaphragms with switchable omni, supercardioid and figure-8 pickup patternss. Perfect for recording vocals or any acoustic instrument plus the selectable patterns make it ideal for a variety of specialized recording situations, like multiple vocalists, ambient room miking, and even a group of people around a conference table recording a Podcast.The C03U works seamlessly on any computer running Mac OS X or Windows XP, and with most DAW software programs without having to install any extra software or drivers.The Samson C03U will work without the SoftPre applet software using the standard drivers included in your computer's operating system. However if you would like added functionality of the Samson SoftPre applet (Input Level Meter, Volume control, High-pass filter and Phase Switch), you may download the appropriate one for your operating system at the SoftPre Page.Windows Applet Note: The Windows SoftPre applet supports WDM and is designed to work with Windows XP (Service Pack 2). Without the Soft pre applet, Windows should recognize the mic and use the Windows mixer as a volume control if needed.Features:Plugs in directly to any computer with a USB interfaceswitchable omni, supercardioid and figure-8 pickup patternsHigh Quality A/D Converter with 16-Bit, 48kHz Sampling RateDual Large 19mm Diaphragm ElementsSwitchable High-Pass Filter and 20 dB PadSmooth, Flat Frequency ResponseUSB cable and carry pouch included |
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C05 CL Handheld Condenser $59.99 The Samson C05 handheld condenser has been added to the ConcertLine Series. Its great for obtaining studio quality vocals for live performance. The C05 features a 19mm multi-axis shock mounted capsule, condenser optimized cardioid pickup pattern, gold plated XLR connection and 48-volt phantom power operation. Included is an XLR mic cable, mic stand clip and carry pouch. Features: Cardioid Pickup Pattern 19mm shock-mounted capsule Gold-plated XLR connector Die-Cast Zinc Casing Carry Pouch, Mic cable & Mic Clip included WARRANTY 3 years parts and labor. |
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C2000B Cardioid Condenser Microphone $199 This versatile condenser mic delivers super flat response and provides a crystal clear up-front sound. Switchable bass rolloff filter for eliminating proximity effect. A 10-dB preattenuation pad, so that the microphone can be adjusted to all recording or live miking situations. Built-in pop screen will reduce unwanted noise. Rugged construction, elegantly styled die-cast metal housing, and silver-gray finish complete this mic. |
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C417 Lavalier Microphone $219 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C417L Lavalier Microphone (with Mini XLR Connection) $89 The C417 is an affordable professional miniature condenser microphone. Its broadband, flat audio reproduction in an omnidirectional format is ideal for all types of broadcast and theatrical applications. The sound is extremely open and natural, making it ideal for wireless or hardwire multi-mic situations. An attachment clip, tiepin, and windscreen are supplied with each C 417. Comes with mini XLR connector for use with B 29 L battery operated power supply, MPA III L external phantom power adapter, or AKG WMS bodypack transmitters. Specifications: Polar pattern: omnidirectional Frequency range: 20 to 20,000 Hz Sensitivity: 10 mV/Pa (-40 dBV) Max. SPL: 118/126 dB (for 1%/3% THD) Equivalent noise level: 34 dB-A Signal/noise rati (A-weighted) 60 dB Impedance: 200 ohms Recommended load impedance: 1000 ohms Supply voltage: 9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitters Current consumption: approx. 2.2 mA Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: 7.5 dia. x 15 mm / 0.3 x 0.6 in. Net weight: 8 g / 0.3 oz. Shipping weight: 160 g / 5.9 oz. |
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C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against |
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C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CS5 Multi Pattern Condenser Microphone $349 The Studio Projects CS5 is an externally polarized five pattern pressure gradient transducer microphone with FET impedance converter. The capsule is a 1.06 (27mm) capsule, with a diaphragm thinkness of 6m. It features five selectable polar patterns, four selectable pads, four high pass filters, and four low pass filters for added control in various recording applications and a clear, full response expected from a large capsule microphone design. Versatility is key in the recording arena, and the Studio Projects CS5 is well equiped to handle any recording application. It is designed to deliver the finest quality vocal and instrumental recordings and will serve to enhance any professional or project studio. Features Pressure-Gradient Transducer: 1.06" (27mm) 6um mylar diaphragm FET impedance converter Five Polar Patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, Fig 8 -5dB, -10dB, -15dB, and -20dB Pads 50hZ, 75hZ, 150Hz, and 300hZ High Pass Filters @ 6dB/octave 15kHz, 7kHz, 5kHz, and 3kHz, Low Pass Filters @ 6dB/octave Applications Close miking of instruments with high sound pressure levels Announcers mic for broadcasting/dubbing Home recording and project studios Vocalist recording Spot mic for: wind instruments, strings, percussion and guitar amps XY - Coincident Cardioids Mid-Side Method Stereosonic Technique (Blumlein) Overheads Included Accessories Shockmount Foam wind screen Case CS5 Specifications Type: Pressure gradient transducer microphone Polar patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, and Figure of 8 Frequency response: 20~20000Hz Sensitivity: 14mV/Pa=-32dB(0dB=1V/Pa) Output impedance: 200 Ohm Load impedance: 1000 Ohm Maximum SPL: 136 dB SPL for 1% THD @1000Hz (0dB SPL=0.00002Pa) 156dB with -20dB preattnuation Equivalent Noise Level: 13dB-A S/N: 81 dB-A Power requirement: 48 +/- 4V Current consumption: 4mA Circuit: JFET impedance converter, discrete balanced output Connector: Gold-plate |
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DM3200 32 Channel Digital Mixer $2199 More channels. More inputs. The new TASCAM DM-3200 has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more. The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capible of running the built-in TC Works Reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200. The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI, Mackie Control and FW-1884 emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200. 32 channels and 16 auxiliary returns for 48 total inputs 16 busses 8 Aux Sends 16 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cards Dedicated cascade port supports cascade of two DM-3200s Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control All inputs, effects and processing are available at 96k -- no f |
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DM4800 64 Channel Digital Mixer $3499 The TASCAM DM-4800 is the ultimate digital mixer for professional users who demand a flexible, 64-channel mix platform that configures to fit their needs. A fat channel strip in the center of the board provides instant access to 4-band parametric EQ, dynamics and aux controls available for the first 48 channels. Twenty-four studio-grade mic preamps provide enough inputs for a live event, and more can be added using expansion cards with external preamps. The standard compliment of analog and digital I/O is more than youll find on consoles costing three times as much, and a completely configurable 24-buss routing system allows you to re-patch the board at the flick of a switch. TASCAMs DM-4800 fits seamlessly into the modern recording environment based around a computer DAW. With a single button press, the Remote layer provides a 24-fader control surface for control of premiere workstations such as Pro Tools, Logic, SONAR, DP, Cubase and Nuendo. The optional IF-FW/DM mkII interface card provides 32 channels to and from a computer at up to 96kHz over a single FireWire cable. And the optional surround monitoring card provides downmixing, bass management and level control for mixing in up to 6.1 surround. No matter what your application, the TASCAM DM-4800 adapts to the needs of any professional audio installation. 48 channels and 16 returns for 64 total inputs 24 busses 12 Aux Sends 24 analog mic/line inputs with phantom power for condenser mics and analog inserts 24 channels of TDIF and 8 channels of ADAT built in 4 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog, TDIF and Surround Monitoring cards Dedicated cascade port supports cascade of two DM-4800s Channel Strip section for EQ, Dynamics and Aux control of selected channel Per channel LED ring encoders for pan, aux sends and EQ Built-in DAW control layer compatible with Pro Tools, Logic Pro, SONAR, Cubase, Nuendo, and Digital Performer Transport buttons control DAW software or RS-422 dev |
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DP-004 Digital Pocketstudio Portable Recorder $169.99 TASCAM's DP-004 Digital Pocketstudio is based on 30 years of easy-to-use cassette Portastudios, updated with four tracks of CD quality digital recording. Like those groundbreaking Portastudios, a row of knobs set levels and pan instead of a list of menus. The DP-004 can record two sources at once to the included 1 GB SD Card, A built in stereo condenser microphone makes it simple to record anywhere you go, perfect for concerts, rehearsals, and songwriting inspirations. A pair of 1/4 jacks on the rear panel allows you to connect your own microphones or sources. You can switch the inputs to guitar level for recording. The DP-004 allows you to build up your arrangements until you have filled up all four tracks. The bounce feature allows you to consolidate tracks and make room for more overdub layers. Also available is an autopunch feature for fixing problems, track editing, and undo function. Mixing is also built into the Digital Pocketsudio. Once you set levels and pan; record your mix onto a dedicated stereo master track. You're able to transfer your tracks and mixes to a computer over USB 2 for CD burning and sharing online. Despite its go - anywhere compact design-smaller than a paperback book - the DP-004 is simple enough for students, songwriters and musicians who want to keep their recording process simple and creative.Features:4- Track Digital Pocket studioBattery or AC powerBuilt in Stereo Condenser Microphone and 2- 1/4" mic/line inputsDedicated Stereo Master track and USB I/OAuto punch, track editing and undo function |
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DR-07mkll Portable Digital Recorder $149.99 Superior Sound QualityThe Tascam DR-07mkII stereo recorder features a pair of adjustable condenser microphones. The built-in cardioid pattern mics can be moved from an XY position, for tight imaging, to an AB position, for a wider ambient sound. A separate power supply for the codec enables the full capabilities of the A/D and D/A converter, and separate analog & digital circuit boards and low impedance circuit design reduce noise in the design. The DR-07mkII records to microSD or microSDHC media, recording in MP3 or WAV (BWF) file format at up to 96kHz/24-bit resolution.The 1/8 mic/line input allows you to plug in your own microphones and can supply plug-in power for mics that need it. The Level Align function prevents uneven volume levels during playback through the 1/8 headphone output or built-in speaker. Variable-Speed Audition which changes playback speed without affecting pitch and looping are also available during playback for transcription or learning new music. 17.5 hours of longer battery life at 44.1kHz/16-bit, WAV (BWF) is long enough for any recording situation.Advanced Recording FeaturesThe Tascam DR-07mkII makes recording simple enough for any musician. The Peak reduction function sets the optimum recording level even in recording to avoid the over level. Quick Menu selects commonly used parameters in playback or record like auto level setting or limiting, while deeper settings are available through a full-featured setup menu.Features include Overdub mode, which records over your previous take but keeps a copy of the original. The portable recorder also includes Auto Record and Auto Mark settings for hands-off operation. A reverb effect is also provided to give your recordings that mastered polish. Getting great-quality stereo recordings has never been easier than TASCAMs DR-07mkII. Get your Tascam DR-07mkll Portable Digital Recorder from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price an |
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DR-680 8-track Portable Recorder $699 TASCAM's DR-680 brings multi-channel portable recording within reach of any musician for polished live, location and surround recordings. Up to eight tracks can be recorded to solid-state SD card media at 96kHz/24 bit Broadcast WAV quality. Six mic inputs provide phantom power and 60db of gain for great-sounding recordings with your condenser microphones. Record the six microphones along with a digital S/PDIF source for 8 track recording. Each mic input has a selectable low cut filter and analog limiter for optimal sound. Inputs can be monitored using a built-in mixer with level and pan controls for each input. The stereo mixdown can even be recorded along with the six mics for quick stereo playback of the event. There's even a built-in speaker to check recordings with headphones. In addition to WAV recording up to 96 kHz, the DR-680 records up to four channels of MP3 audio for web-ready recordings. Two of the recorders can be connected with cascade cable for up to 16-track recording on battery power. Multi-channel portable recording has never been as simple or affordable as the TASCAM DR-680. |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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Europower PMP960M 6 Channel Powered Mixer (with Effects) $359.99 If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.Features:Ultra-compact 450-Watt dual mono powered mixerRevolutionary amplifier technology: enormous power, incredible sonic performance and super-light weightUltra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weightMixer section features 6 mono channels plus separate tape returnsStudio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects6 high-quality mic preamps with switchable +48 V phantom power for condenser microphonesEffective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all channelsDual 7-band graphic EQ allows precise frequency correction of monitor and main outputsVoice Canceller function removes singer's voice from recordings for Karaoke applicationsSelectable double mono (main/main, main/monitor) or bridged mono amplifier operation modeSpeaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.Standby switch mutes all input channels during breaks while background music is provided via tape inputsAdjustable Aux input for connecting external signal sourcesInternal switch-mode power supply, noise-free audio, superior transient response and very low power consumptionRack mount brackets includedHigh-quality components and exceptionally rugged construction ensure long lifeConceived and designed by BEHRINGER Germany |
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Eurorack Pro RX1202FX 12 Channel Rackmount Mixer (with Effects) $217.99 The versatile and multi-purpose Behringer Eurorack Pro RX1202FX 12-channel rack-mount mixer has been designed as submixer for your keyboard and drum setup, multi-track monitoring or as a line mixer in fixed audio/video installations. It boasts 8 renowned studio-grade IMP Invisible Mic Preamps with ultra-low noise and transparent audio quality! The mixer also features an outstanding 24-bit digital stereo FX processor with 100 awesome presets, switchable +48 V phantom power for condenser microphones and offers 2-band EQing with Clip LED for each channel. This Jack of all trades fits perfectly into your 19 rack (and your budget). Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio 8 new state-of-the-art, studio-grade IMP "Invisible" Mic Preamps with: - 130 dB dynamic range for 24-bit, 192 kHz sampling rate inputs, - Ultra-wide 60 dB gain range Integrated 24-bit digital stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects Effective, extremely musical 2-band EQ and Clip LED on all channels 4 balanced high-headroom line inputs State-of-the-art 4580 operational amplifiers provide lowest noise and distortionbetter than 4560 op amps 2 aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external send CD/tape inputs assignable to main mix or control room/phones outputs Separate control room, phones and stereo CD/tape outputs Balanced main mix outputs with gold-plated XLR connectors Switchable +48 V phantom power for condenser microphones Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls Internal switch-mode power supply for maximum flexibility (100 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy saving High-quality components and exceptionally rugged construction ensure long life Warranty:One year parts and labor. |
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G-Track USB Condenser Mic with Audio Interface $119.99 The G-Track is a total solution capable of taking you from your musical inspiration to your finished tracks. Samson's G-Track is the world's first USB condenser microphone with a built-in audio interface and mixer, allowing simultaneous input of vocals and guitar, bass, or keyboard while also providing monitoring through an on board headphone output. The G-Track allows you to record vocals like a standard USB mic, or two mono instruments through the line/instrument input, or a mix of one mono instrument and vocal. Now singer/songwriters can directly record vocals and instruments quickly and easily with one device, making the G-Track a must have for any songwriter's home studio. And its ease of use and portability allows you to take it anywhere inspiration may strike you. Ideal for the traveling musician or the project studio, the G-Track ships with a desktop mic stand, swivel stand mount, USB cable and all the cables needed to connect any musical instrument with a standard 1/4" or RCA output. The G-Track ships with Cakewalk's Sonar LE and works brilliantly with Apple's GarageBand. Large diaphragm studio condenser microphone Mic and Instrument/Line gain control with clip LED Stereo input jacks for instruments or line level signal Stereo headphone jack for no latency monitoring with level control 3-position headphone switch for stereo, mono, computer monitoring USB bus-powered and compliant Audio I/O and USB cables included Desktop microphone stand included Optional shockmount available Warranty:Three years parts and labor. |
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GLM200 Miniature Hypercardioid Condenser Microphone $249 The GLM-200 is a hypercardioid mic with a low impedance balanced XLR-type output, powered by 12 to 48V phantom power. It offers the quality of large studio microphones, yet is nearly invisible in use. The GLM can be attached to an acoustic guitar, sax, flute or the performer's face to allow freedom of movement. It can be attached to drum rims to pick up a drum set without the unsightly clutter of boom stands. These attachments can be made using the included mounting hardware or tape. Used as a lavalier microphone, or hidden on a film set, the GLM disappears in use yet provides excellent sound quality. The hypercardioid GLM-200 is the best choice if you need rejection of background noise, room acoustics, feedback, and sounds behind the microphone. Made of a rugged, resilient space-age material, the GLMs molded housing is designed to resist damage from demanding professional use. Performance benefits of the GLM include a wide, smooth frequency response; excellent transient response; and minimal off-axis coloration. The GLMs housing is designed to improve the high-frequency response of the microphone capsule. In contrast, the frequency response of large microphone capsules often is degraded by the microphone housing (due to sound diffraction). Included with the GLM-200 are a GLM-UM Universal Mount, a GLM-TB Tie Bar, GLM-BC Belt Clip, and a GLM-WS2 Windscreen. Specifications: Type: Miniature condenser. Element: Electret condenser. Frequency Response: 60 Hz to 20,000 Hz. Polar Pattern: Hypercardioid. Impedance: 100 ohms, balanced. Recommended minimum load impedance 1000 ohms. Open Circuit Sensitivity: 6 mV/Pa* (44.5 dB re 1 volt/Pa*). Power Sensitivity: GLM-200: 40.5 dBm/Pa*. Equivalent Noise Level: 31 dB SPL A-weighted, typical (0 dB = .0002 dyne/cm2). S/N Rati 63 dB at 94 dB SPL. Maximum Sound Pressure Level: 131 dB SPL produces 3% THD. Polarity: Positive pressure on the diaphragm produces positive voltage on pin 2 with respect to pin 3 of output con |
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GigRac 600 8 Channel Stereo Powered Mixer $399 Whether youre a solo performer or a in small band, youll appreciate not only GigRacs cool, stylish looks, but also its portability, and the ease with which you can connect your microphones, instruments and loudspeakers to deliver a punchy performance every time. GigRac comes from Soundcraft, the name behind the live sound mixing consoles used on many of the worlds major tours and festivals, so you can be sure that the sound quality is going to be absolutely staggering. GigRac makes it easy to set up your own PA, needing just speakers and cables to complete the system. Get from mic or guitar to a great sound in no time at all. Everything you need is provided, from high-quality mic preamps to make your voice clear and effective, a great sounding 2-band EQ to cope with demanding sources, a 7-band graphic EQ designed by professional audio industry leaders BSS Audio, and a selection of preset digital effects to give you major stage presence, and all this in a drop dead gorgeous package that you can carry over your shoulder. Features: Stereo Operation or Main/Monitor mode 300 Watts per channel (x2) at 4 ohms 8 Microphone Inputs 48V Phantom Power for condenser microphones (Inputs 1-4 only) PAD buttons for controlling loud input signals (Inputs 1-4 only) 4 Stereo compatible inputs Treble and Bass controls Individual volume controls on each channel for Monitor level. Individual volume controls on each channel for Main level. Individual send controls for GiGFX on each channel 7 Band Graphic Equalizer 8 x Digital Effects (24 Bit/48 kHz) Record Output FX bypass switch FX bus output socket Submix input Amplifier Clip warning light 10 segment LED output level meter Rack-mountable |
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Go Mic Portable USB Condenser Microphone $39.99 Go Mic - Portable USB Condenser Microphone Further expanding on its diverse line of USB microphones, Samson introduces Go Mic, the ideal portable recording microphone that clips to your laptop.Go Mic is perfect for recording music, podcasts or field recording, but its range of functionality extends beyond typical USB microphones. Ideal for voice recognition software, iChat, web casting and even Voice over Internet Protocol (VoIP), Go Mic is the ideal solution for recording on the go.Because of its custom, compact design, the Go Mic can clip right onto your laptop or sit unobtrusively on your desk. Plug and play operation also means it's completely compatible with a Mac OS or Windows, with no drivers required.High-quality components and meticulous engineering ensure the Go Mic offers remarkably clear, professional audio reproduction. Thanks to its switchable cardioid and omni polar patterns, you can pick whichever pattern is more appropriate for your specific situation. Plus, with a frequency response of 20Hz 18kHz and a resolution of 16-bit/44.1kHz, you can be sure you're getting professional audio specs in a compact, multi-purpose design.Go Mic is perfect for anyone who wants to make great recordings on a computer. And no matter where you go to record, Go Mic goes with you.Features:Portable USB condenser microphone Plug and Play Mac and PC compatible, no drivers required Custom compact design that clips to a laptop or sits on a desk Perfect for recording music, podcasting and field recording Ideal for voice recognition software, iChat, VoIP and web casting Transducer Type: condenser, pressure gradient with USB digital output Frequency Response: 20Hz 18kHz Polar Pattern: cardioid or omni Resolution: 16-bit/44.1kHz1/8-inch headphone output |
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H1 Handy Recorder Portable Digital Recorder $99 Named "Best Product" by Music Inc Magazine - 2010The Zoom H1 Handy Recorder, while the smallest of the Handy Recorder family is by no means small in performance or features! Powered by a single AA battery (allows for approximately 10 hours of recording time) and small enough to fit in your shirt pocket, the Zoom H1 is as portable as can be. The Zoom H1 Handy Recorder is truly the most convenient, best value, in a Portable Digital Recorder.2 built-in high-quality condenser microphones record your sound source in beautiful hi-fidelity stereo utilizing an X/Y pattern. The imaging is accurate and the sound is pristine. Auto-record level keeps the signal in-check with no nasty distortion. Engage the low cut filter to eliminate low-end rumble from the source.All the H1s functions are right there at your fingertips; record, delete, playback, pause, marker, forward, as well as volume for playback and monitoring are all located on the unit, easily selected using your fingertips. You can record full bandwidth quality WAV files at 96kHz, 48kHz, 44.1kHz at 16 or 24-bit. It also records MP3s with rates from 48 to 320kbps.Monitor with confidence through the built-in speaker. The LCD screen provides an accurate readout of all recording attributes and levels. Mount the H1 on a tripod stand or on your HD camera using the built-in mounts. The headphone output doubles as an audio line-out, and the external mic input also serves as a stereo line-in, both using a 1/8 jack. Save your recordings to the included 2GB microSD memory card (up the ante with optional cards up to 32GB). Transfer and backup recordings quickly and easily via the built-in USB 2.0 port.Whether youre a songwriter, live sound engineer, videographer, field recordist, journalist, student, sales associate, or simply love recording, youll love the Zoom H1 Handy Recorder. |
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IM8-32 32 Channel Mixer $4899 The Yamaha IM8 series brings experience and know-how accumulated over 35 years in the production of industry-leading mixing consoles to bear in three mid-size consoles that cut no corners when it comes to overall performance and sonic quality. In addition to no-compromise design and development aimed at delivering the finest performance and most useful feature set available in this class, production and assembly are carried out at Yamaha's own domestic facilities the same factories where the legendary Yamaha PM series consoles are produced to ensure unrelenting quality control throughout. Every inch of these extraordinary consoles is well thought out and built for a purpose. There are no unnecessary features, and nothing is out of place. The IM8 series consoles deliver a basic but plentiful complement of features plus truly transparent, high-resolution sound with tireless reliability.These are consoles for serious sound applications, and will provide eminently professional performance, sound, and control in permanent installations or on the road. Input ChannelsPrecision Mic/Line PreamplifiersMicrophone preamplifiers are one of the most critical sound-defining circuits in any mixer. Thats why professional who are serious about their sound often spend thousands of dollars on just a single channel of microphone pre-amplification. The microphone preamps built into the IM8 series consoles inherit technology from Yamahas top-line professional consoles, and have been painstakingly designed to deliver superior sonic performance with any source. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones as well as line-level signals, which means cleaner, better sounding mixes overall. Input SectionAll mono input channels have both balanced XLR type and TRS phone jacks for versatile input connectivity. Individual +48V phantom power switches on each mono channel provide phantom power for condenser microphones, and |
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KMS105 Supercardioid Condenser Microphone $699.95 Designed with superlative vocal reproduction in mind, the KMS105 brings Neumann quality to the demanding sound reinforcement environment. With its super-cardioid polar pattern, low self noise and colorless off-axis pickup, the KMS105 complements in-ear monitor systems. By employing a unique triple acoustic filter, The KMS105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS105 to identify whether he or she is "on mic". Acoustical features: When compared to other handheld vocal microphones, the KMS105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus. The K55 capsule was developed from the famous K50, found in the KMS150, KM150 and KM185 microphones. This new version features a super-cardioid pattern, achieved by specially modifying the response of the K50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very "open" and detailed capture of the human voice. Specifications Type: DC-polarized condenser Acoustical operating principle: Pressure gradient transducer Directional pattern: Super-cardioid Frequency range: 20 Hz - 20 kHz Sensitivity: 4.5 mV/Pa Rated impedance: 50 ohms Self Noise: 18 dB-A(DIN/IEC 651) S/N ratio re. 1 Pa @ 1kHz: 76 dB (A weighted) Max SPL for 0.5% THD: 150 dB SPL Total dynamic range of amplifier: 132 dB Powering: 47 volt phantom (IE |
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LS-7 Linear PCM Recorder $199.99 The Olympus LS-7 Linear PCM Recorder brings you 24-BIT / 96KHZ LINEAR PCM RECORDING. You will get superior-to-CD quality sound with the extra high quality digital recording.Features:4GB BUILT-IN MEMORY AND MICRO SD CARD SLOT.Comes with plenty of storage. The LS-7 is equipped with a generous 4GB of internal memory or add memory with a micro SD card.3 MICROPHONES STEREO DIRECTIONAL MIC AND CENTER OMNI DIRECTIONAL MIC.The LS-7 helps you get it all with stereo, directional condenser microphone and a center, omni-directional microphone capable of capturing lower bass ranges with stunning clarity.24 BIT/ 96 KHZ LINEAR PCM RECORDING.Sound thats even better than what you hear on a compact disc. Every nuance of every note and syllable is captured and played back with a rich and resonant quality.4GB INTERNAL MEMORY AND REMOVABLE MICRO SD CARD CAPABILITY.With 4GB of internal memory youll be able to capture hours of music, lectures, and more and still have room to store documents. For even more storage, the LS-7 is microSD card compatible.3 MICROPHONES (STEREO DIRECTIONAL MIC AND CENTER OMNI DIRECTIONAL MIC).The LS-7 employs two condenser stereo mics and a center, omni-directional mic capable of capturing lower bass ranges as low as 20Hz. The 45-degree outward positions of the two condenser mics enable users to record with wider stereo sound.PCM (WAV), MP3 AND WMA RECORDING.Select from one of three standard recording formats: WAV, MP3 or WMA. The availability of three compatible formats increases the versatility of decisive, on-the-spot audio recording.VIA USB OR OPTIONAL AC ADAPTER FOR CHARGING BATTERY.With a USB cable or optional AC adapter it is easy to charge your recorder. You can also quickly transfer your files over to your Mac or PC via a USB cable.FILE DIVIDE, MOVE AND COPY.Divide files and make partial cuts right inside the device. Or, move and copy files between the internal memory and the micro SD card, which makes it easier to switch to a different micro SD card |
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LX7ii 16 Channel Mixer $1449 The Soundcraft LX7ii is a 7-bus mid-sized mixing console capable of handling both FOH and monitors, making it ideal for live sound applications in small to medium-sized venues. Direct channel outputs allow for simple connection of multitrack recording equipment, making the LX7ii equally at home in the studio. MONO INPUT CHANNEL Mic InputA balanced XLR connector accepts balanced or unbalanced mic signals. Line InputThe balanced 1/4" jack allows connection of balanced or unbalanced electronic instruments, such as keyboards. +48V Phantom Power+48V Phantom Power is available switched in blocks of 4 for condenser mics and active DI boxes. Input StageLX7iis exclusive GB30 padless mic preamp provides up to +15dBu input capability with the input gain control operating between 5dB and 60dB on all mic inputs. HIgh Pass FilterA steep 18dB per Octave High Pass Filter is included straight after the preamp to reduce low frequency rumble on stage and clean up vocal performances. InsertA pre-fade, pre-EQ (but post-HPF) insert point is provided for patching in Limiters, Graphic Equalisers or other signal processors. It may also be used for recording. Direct OutputsA direct output is also available on all but the last 8 channels with individual pre/post fader switching situated in the EQ section. This allows LX7iis direct outputs to be equally useful for effects send applications or multitrack tape feeds. EQ SectionLX7iis GB30, 4 band equaliser section is based on that used in the high-end MH Series. Both the HF and LF shelving sections have steeper slopes than usual which substantially reduces mid frequency harshness in the HF band and muddiness in the LF. This increase in cleanliness of response is further enhanced by an element of undershoot and overshoot in the boost/cut response. It has two swept mid frequencies carefully selected for optimum control during live performances. All bands provide 15dB of cut or boost. The Low frequency equaliser response shelves at 80Hz. The swept |
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LX7ii 24 Channel Mixer $1699 The Soundcraft LX7ii is a 7-bus mid-sized mixing console capable of handling both FOH and monitors, making it ideal for live sound applications in small to medium-sized venues. Direct channel outputs allow for simple connection of multitrack recording equipment, making the LX7ii equally at home in the studio. MONO INPUT CHANNEL Mic Input A balanced XLR connector accepts balanced or unbalanced mic signals. Line Input The balanced 1/4" jack allows connection of balanced or unbalanced electronic instruments, such as keyboards. +48V Phantom Power +48V Phantom Power is available switched in blocks of 4 for condenser mics and active DI boxes. Input Stage LX7iis exclusive GB30 padless mic preamp provides up to +15dBu input capability with the input gain control operating between 5dB and 60dB on all mic inputs. HIgh Pass Filter A steep 18dB per Octave High Pass Filter is included straight after the preamp to reduce low frequency rumble on stage and clean up vocal performances. InsertA pre-fade, pre-EQ (but post-HPF) insert point is provided for patching in Limiters, Graphic Equalisers or other signal processors. It may also be used for recording. Direct OutputsA direct output is also available on all but the last 8 channels with individual pre/post fader switching situated in the EQ section. This allows LX7iis direct outputs to be equally useful for effects send applications or multitrack tape feeds. EQ Section LX7iis GB30, 4 band equaliser section is based on that used in the high-end MH Series. Both the HF and LF shelving sections have steeper slopes than usual which substantially reduces mid frequency harshness in the HF band and muddiness in the LF. This increase in cleanliness of response is further enhanced by an element of undershoot and overshoot in the boost/cut response. It has two swept mid frequencies carefully selected for optimum control during live performances. All bands provide 15dB of cut or boost. The Low frequency equaliser response shelves at 80Hz. The |
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Lambda Studio USB Audio Interface $119.95 There is no easier way to get into desktop recording! Just add a microphone, computer and musical inspiration. Anywhere you can take your laptop, Lambda lets you record both a vocal track and an accompanying instrument at the same time (or two singers/ two instruments). It has two studio- quality balanced microphone inputs with phantom power for professional condenser microphones and TRS inserts that let you add outboard equipment such as compressors or equalizers. Two line level inputs are provided for adding keyboards, drum machines, turntables (with optional preamp) or pre-recorded backing tracks from CD or MP3 players. A separate front-panel high-impedance input is included so you can plug your electric guitar or bass right in. Via the separate headphone jack, you can monitor as you record, listen to a backing or click track while recording or hear tracks played back from your computer. Balanced analog line outputs let you connect to powered monitor speakers or a mastering deck. Includes Cubase LE and the Lexicon Pantheon Reverb. Features: Stereo line inputs for keyboards, drum machines or analog output of a CD/MP3 player. RF-filtered TRS active-balanced inputs accept either balanced or unbalanced signals. Two low-noise mic preamplifiers with phantom power for studio condenser mics. High-impedance front panel input for electric guitar or bass. Separate mic and line level input controls with individual peak indicators. Monitor mix control for balancing an audio source between live input and playback mix level while recording. Can be switched to stereo or mono. 2-channel, 4-segment bargraph meter to monitor exact levels of the analog-to-digital converters. High-powered headphone amp offers ultra-clear fidelity while delivering ample power for any type of headphones. RF-filtered and TRS balanced Line outputs for monitoring through powered speakers or recording to an analog source such as a cassette deck. TRS inserts let you add your favorite outboard proces |
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MC7 Clip On Omnidirectional Condenser Microphone $64.98 Two interchangeable non-marring clips attach to the instrument and the flexible neck allows precise mic placement for optimum tone, while eliminating most mechanical sounds (valves, keys, pads, etc.). This ultra-lightweight yet high quality microphone is ideal for a variety of uses including amplifying or enhancing your sound in performances and making quick, hassle-free recordings. It is also perfect for use in conjunction with Yamahas Personal Studio unit to enhance your sound by adding reverb to create a concert-hall style ambiance. The MC-7 is a high quality condenser mic and requires a 5~10V phantom power source from the pre-amp or recorder being used. It is perfect for use with Yamahas Personal Studio (ST-7) or Studio Mixer (SX-6). |
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MG10/2C 10 Channel Mixer $99.99 Brought to you by the company that builds the most toured professional mixers in the industry, the Yamaha MG10/2c Mixing Console takes its pedigree from those incredible mixing consoles and scales it down to a portable, powerful mixing solution. The Yamaha MG10/2c is a lightweight, portable professional mixer with some surprising features for a unit of this size and affordability. It has 4 Neutrik XLR microphone connectors and six line inputs. Four high performance microphone preamps, which take their heritage from those huge, larger format Yamaha mixers are here and boast some nice features. Channels 1 and 2 feature a built-in, single knob compressor. You dont need an audio engineering degree to operate these signal tamers. Just dial in the desired amount of compression and youre done! It will help keep your levels on these channels in check and smooth out the signal in an unobtrusive manner. Just below is a balanced insert point for patching in your favorite outboard gear.Each of the 4 microphone channels has a 3-band EQ (channels 7-10 feature a 2-band EQ) to help carve out the perfect frequency, and a peak light indicator tells you when youre overloading the channel causing possible distortion. Theres switchable phantom power onboard enabling you to use your valuable condenser mics. One switch turns on phantom power for all 4 mic pres. A stereo send and return lets you hook up your favorite effects processer and AUX returns on every channel let you dial in to taste just the perfect amount of effect per channel.Channels 7-10 feature RCA connectors as well as L/R inputs, making it easy to hook up your synths, MP3 player, and/or anything that sends a stereo output. A handy 2-track input enables you to hook up your iPod or MP3 player and dial in just the exact amount of signal desired. Its separate from the main mixing channels so they remain free for your mics and instruments.A bright, multi-segment LED meter lets you know where your level is and allows for easy c |
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MG2414FX 24x14 Channel Mixer $1049.99 If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 channels, the MG24/14FX is ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy. 24 Input ChannelsThe MG24/14FX has 16 mono microphone/line channels with four stereo line channels in addition to the mono mic/line channels. Low-noise, High-precision Mic Preamps With Phantom PowerAll 16 mic preamps in the MG24/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups. Illuminated SwitchesIlluminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance. 14 Buses In All For Flexible Signal RoutingIn addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In the MG24/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors. Insert I/OAll mono input channels feature insert I/O patch points so you can insert compressors, EQ, or |
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MG3214FX 32x14 Channel Mixer $1249.99 If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 32 input channels, the MG32/14FX is ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy. 32 Input ChannelsThe 32-channel MG32/14MX has 24 mono microphone/line channels with four stereo line channels in addition to the mono mic/line channels. Low-noise, High-precision Mic Preamps With Phantom PowerAll 24 mic preamps in the MG32/14FX are of exemplary quality. They offer low-noise, transparent amplification with the widest possible range of dynamic and condenser microphones, which adds up to cleaner, better-sounding mixes. All mic preamps feature switchable phantom power for phantom-powered studio condenser microphones. Phantom power is switchable in 8-channel groups. Illuminated SwitchesIlluminated ON (channel), PFL (Pre-Fader Listen), and phantom-power switches let you confirm critical console settings at a glance. 14 Buses In All For Flexible Signal RoutingIn addition to lots of input channels, live sound reinforcement applications usually demand a number of additional mixes - usually in the form of group sub-mixes and aux sends for external signal processing and monitor mixes. In the MG32/14FX you have a total of 14 mix buses: the main stereo program bus, four stereo group bus pairs for convenient channel grouping, six auxiliary busses (four configurable for pre- or post-fader operation and two set up as effect sends), and two internal effect busses that feed the dual high-performance built-in effect processors. Insert I/OAll mono input channels feature insert I/O patch points so you can insert com |
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MG82CX 8-Channel Mixer (with Digital Effects) $159.99 Brought to you by the company that builds the most toured professional mixers in the industry, the Yamaha MG82CX Mixing Console takes its pedigree from those incredible large format mixing consoles and scales it down to a portable, powerful mixing solution.The Yamaha MG82CX is a lightweight, portable 8 channel professional mixer with some surprising features for a unit of this size and affordability. It has 4 high-performance microphone preamps using Neutrik xlr connectors and six line inputs. Four high performance microphone preamps, which take their heritage from those huge, larger format Yamaha mixers, are here and boast some nice features. Channels 1 and 2 feature a built-in, single knob compressor. You dont need an audio engineering degree to operate these signal tamers. Just dial in the desired amount of compression and youre done! It will help keep your levels on these channels in check and smooth out the signal in an unobtrusive manner. Just below is a balanced insert point for patching in your favorite outboard gear. Built into the Yamaha MG82CX is an SPX digital multi-effects processer. The SPX family of effects has long been a Yamaha staple in the industry and have made their way onto countless recordings and live show rigs over the years. There are 16 editable programs including reverbs, delays, modulation and distortion effects.Each of the 4 microphone channels of the Yamaha MG82CX has a 3-band EQ (channels 7-10 feature a 2-band EQ) to help carve out the perfect frequency, and a peak light indicator tells you when youre overloading the channel causing possible distortion. Theres switchable phantom power onboard enabling you to use your valuable condenser mics. One switch turns on phantom power for all 4 mic pres. A stereo send and return lets you hook up your favorite effects processer and AUX returns on every channel let you dial in to taste just the perfect amount of effect per channel.Channels 7/8 feature RCA connectors as well as L/R inputs, makin |
