Cardioid Condenser
April 17th, 2011
what is the difference between a Cardioid microphone and a condenser microphone?
Interesting question. To compare a cardioid to a condenser microphone is like comparing grass to the color green. You see, cardioid is what is called a Polar or Pickup Pattern, which describes the directionality of a mic. If a mic is cardioid, that means that it was designed to pick up the sound source in a one, single or unidirection. It doesn't pick up sounds well from the back of the mic, it picks up best from the front. A condenser mic is a type of mic that usually requires phantom power in order to run. The condenser mic is very popular in professional recording and many albums in stores today have had vocals and other instruments recorded on a condenser mic. A condenser mic can have a cardioid polar pattern or it can have an omnidirectional, hypercardioid or figure 8 polar pattern. Just depends on the mic, but cardioid is the most popular pickup pattern! Hope that helps!
Audio Technica AT2020 Cardioid Condenser USB Microphone Review
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Blue Blueberry Cardioid Condenser Microphone
The Blueberry Cardioid Condenser Microphone from Blue consists of a Class A discrete mic amp perfectly chosen to match the single pattern, cardioid, hand-built, large diaphragm capsule. The mic capsule has been tuned to provide a silky-bright and airy top end reminiscent of the best vintage microphones. The result is a recorded signal such as a vocal, minus unwanted low end resonance that ca... |
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AKG Dual Channel UHF Wireless System with 2 Handheld Microphones - 748.8-751.5MHz $498.95 Dual Channel UHF Wireless System with 2 Handheld Microphones - 748.8-751.5MHz... |
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Stereo Condenser Microphone for Camcorders-U75734 AUDIO TECHNICA STEREO CONDENSERCAM MIC CONDENSER CAM MICFor camcorders with an accessory shoe and stereo microphone input Lightweight, portable design with rugged all-metal construction Pair of cardioid condenser elements provides spatial impact and high-fidelity stereo sound image Battery-free operation when used with recording devices that provide plug-in power at the mic inputPermanently attach... |
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Shure SM57-LC Cardioid Dynamic Microphone $146.00 The Shure SM57 is a fixture in the music business. You see it everywhere. In small clubs and 100,000 seat stadiums. This renowned mic is used by legendary performers and the latest up-and-comers. What you may not have seen are the thousands of SM57s at work behind the scenes in professional recording studios around the world. In fact, you'll probably find it in more studios than any other mic. Not... |
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CAD U2 USB Stereo Headphone with Mic $49.00 Great for VoIP gaming podcasting music listening and language trainingFlexible gooseneck for easy microphone placementPowerful headphone amplifier for full-listening fidelityComfortable heaband and soft earpadsMac and Windows patibleIncludes 10' USB cable... |
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ADX20i Mini Cardioid Condenser Microphone $149.99 The ADX-20i is a pre-polarized condenser microphone designed to handle a wide variety of clip-on applications. The ADX20i is sonically superior as well as aesthetically pleasing and is ideally suited for saxophone, trombone, trumpet and other brass instruments. With a smooth uniform response over a frequency range of 40 Hz 20 kHz, the ADX-20i provides a rich, warm sound not typical of microphones this size. It is machined from solid brass and has a low reflective black e-coat finish. The ADX-20i operates on phantom power (9-52 volts) with the preamp module provided (APS-910). It may be used in battery mode with optional phantom power adapter (APS-911). The ADX-20i can be utilized with a wireless system. Depending on the brand of wireless and the connector configuration of the instrument body pack, the ADX-20i connector would need to be modified accordingly. Low noise electronic circuitry, and balanced low impedance output allow for interference free performance even with long cable runs. Specifications: Transducer: Type Condenser (pre-polarized) Frequency Response: 40 Hz - 20 kHz Polar Pattern: Cardioid Output Impedance: 250 Ohms balanced Open Circuit Sensitivity: 5.2 mV Equivalent Noise Level: 29 dB (A weighted) Signal to Noise Rati 65 dB (ref 1k @ 1 Pascal) Power Requirements: 9 - 52v phantom Maximum SPL: 130 dB Cable/Connector: Shielded 6 cable terminating to a miniature 3 pin XLR-f Phantom Adapter: mini XLR male - XLR male Polarity: Positive voltage on pin 2 relative to pin 3 of output XLR connector Housing: Machined Brass Gooseneck: Flexible steel Weight: 1.7 oz/4.7 grams (without cable) |
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AT2020 Cardioid Condenser Microphone $99 Audio-Technica brings you the price/performance standard in side-address studio condenser microphone technology with the AT-2020. Ideal for project/home-studio applications, this mic features high SPL handling and wide dynamic range which provides unmatched versatility. Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response. Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source. Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone. Specifications: Element: Condenser Signal to Noise Rati 74 dB, 1 kHz at 1 Pa Polar Pattern: Cardioid Dynamic Range (Typical) 124 dB, 1 kHz at Max. SPL Frequency Response: 20 - 20,000 Hz Phantom Power Requirements: 48V DC, 2 mA typical Open Circuit Sensitivity: -37 dB (14.1 mV) re 1V at 1 Pa Noise: 20 dB SPL Impedance: 100 ohms Weight: 12.1 oz (345 g) Maximum Input Sound Level: 144 dB SPL, 1 kHz at 1% T.H.D. Output Connector: Integral 3-pin XLRM-type |
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AT2020 Cardioid Condenser USB Microphone $99.99 Audio-Technicas stringent quality and consistency standards set the AT2020 apart from other mics in its class. Its low-mass diaphragm is custom-engineered for extended frequency response and superior transient response. With rugged construction for durable performance, the microphone offers a wide dynamic range and handles high SPLs with ease. The AT2020: the new standard for affordable side-address studio condensers.Features:The price/performance standard in side-address studio condenser microphone technology Ideal for project/home-studio applications High SPL handling and wide dynamic range provide unmatched versatility Custom-engineered low-mass diaphragm provides extended frequency response and superior transient response Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Pivoting, threaded stand mount attaches securely for easy and precise placement of the microphone |
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AT2035 Cardioid Condenser Microphone $149.99 Designed for critical home/project/professional studio applications and live performance, this side-address cardioid studio condenser delivers exceptional detail and low noise. Equipped with a switchable 80 Hz high-pass filter and 10 dB pad, the AT2035 handles high sound pressure levels with ease. Along with its rugged construction and high-performance specifications, the AT2035 provides an exceptional level of consistency from model to model. It comes equipped with a protective pouch and a custom shock mount. Features:Large diaphragm for smooth, natural sound and low noise High SPL handling and wide dynamic range provide unmatched versatility Custom shock mount provides superior isolation Switchable 80 Hz high-pass filter and 10 dB pad Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Includes custom shock mount & protective pouch |
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AT829mW Lavalier Microphone (for PRO 88W Systems) $49.99 Miniature cardioid condenser microphone only, terminated for use with PRO 88W transmitter. Includes clothing clip and windscreen. |
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AT831B Lavalier Microphone $219.99 For years this condenser microphone has been one of the top choices in the industry for lavalier microphones and can be found installed in many of the top wireless lavalier systems as well. It also can serve as an acoustic guitar mic mounted in the sound hole. The cardioid pickup pattern ensures the best possible pickup directly in front of the microphone while minimizing external noise, thus resulting in minimal feedback. The microphone comes with a tie/collar clip and terminates to a power module with battery. In place of the battery, the microphone can also be powered by 48 volt phantom power. Features: Clip-on lavalier mic also excels in acoustic guitar applications Provides crisp, full-sounding voice and instrument pickup Operates on battery or phantom power 6' (1.8 m) cable permanently attached between microphone and power module Specifications: Element: Condenser Polar Pattern: Cardioid Frequency Response: 40 - 20,000 Hz Open Circuit Sensitivity: PHANTOM: -44 dB (6.3 mV) re 1V at 1 Pa; BATTERY: -45 dB (5.6 mV) re 1V at 1 Pa Impedance: PHANTOM: 200 ohms; BATTERY: 270 ohms Maximum Input Sound Level: PHANTOM: 135 dB SPL, 1 kHz at 1% T.H.D.; BATTERY: 121 dB SPL, 1 kHz at 1% T.H.D. Signal to Noise Rati 65 dB, 1 kHz at 1 Pa Dynamic Range (Typical): PHANTOM: 106 dB, 1 kHz at Max. SPL; BATTERY: 92 dB, 1 kHz at Max. SPL Phantom Power Requirements: 9 - 52V, 2 mA typical Battery Type: 1.5V AA/UM3 Battery Current/Life: 0.4 mA/1200 hours typical Switch: Off/on-flat/on-roll-off Low Frequency Roll-off: 80 Hz, 18 dB per octave Weight: 0.1 oz (2.8 g) Power Module: Inline Output Connector: XLRM-type (power module) Accessories: AT8116 foam windscreen; AT8417 clothing clip; AT8444 instrument adapter; AT8530 power module (attached); battery; protective case |
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AT831CW Lavalier Microphone $119.99 Miniature cardioid condenser lavalier microphone for use with UniPak wireless transmitters. A wide frequency response and an incredible clarity makes this model the best choice. Includes a clothing clip and windscreen. |
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ATW3192a Headset Wireless System $639 TW-R3100 receiver and ATW-T310 UniPak transmitter with MicroSet omnidirectional condenser headworn microphone. Includes element covers, windscreens and clothing clip.With automatic frequency scanning to find and set the best available channel, 200 selectable UHF channels, true diversity protection from RF hits and dropouts, soft-touch controls, easy setup and great sound, the 3000 Series wireless delivers truly professional performance.The versatile UniPak body-pack transmitter features a secure 4-pin locking connector compatible with a wide range of microphones, as well as a guitar cable. A 3-position sliding cover on the transmitters control panel prevents accidental shut-off or channel-switching.The 3000 Series is available with either a cardioid dynamic or cardioid condenser handheld transmitter featuring robust metal construction and slim ergonomic designAutomatic frequency scanning200 PLL-synthesized channels per band selectable via soft-touch controls on receiver and transmitterTrue Diversity operation selects the better signal from two independent receiver sections, reducing dropoutsInterference-resistant UHF band operationAdvanced digital Tone Lock squelchRed alert light that warns of low battery power, signal loss and input overloadTransmitter battery-life fuel gauge on the receiverGround-lift switchBalanced and unbalanced audio output jacksTwo receivers can be mounted side-by-side in a single 19" rack space |
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Baby Bottle Cardioid Condenser Microphone $399.99 Following in the footsteps of their acclaimed Bottle mic system, The Blue Microphones Baby Bottle is truly a chip off the old block. They hand-select each component of this solid-state, Class A discrete condenser to insure nothing short of stellar performance. Enclosed in a lollipop spherical grille is a precision-machined, gold-sputtered cardioid capsule. In the tradition of Blue's award-winning microphones, The Baby Bottle is ideal for recording vocals, percussion, or any acoustic instruments. Delivering a smooth detailed midrange quality where required, this Baby can cut through the busiest tracks. Characteristics: Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Detailed midrange with a soft top end to tame harsh sound sources Hand-tuned and tested Includes cherry-stained storage box, velvet bag, mic clip & pop/shock Suggested ApplicationsMale & Female Vocals, Saxophones, Acoustic Bass, Classic Steel and Nylon-Stringed Guitars Specifications: Acoustical Operating Principle: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1k: 33.5mV/Pa Rated Impedance: 50 Rated Load Impedance: Not less than 1k S/N ratio: CCIR468-3 76dB S/N ratio: DIN/IEC 651 87dB-A Noise Level: DIN/IEC 651 5.5dB-A Max SPL (0.5% THD) into 2.5k: 133dB Dynamic Range: (2.5k load) 128dB Supply Voltage: (IEC 268-15) 48V Phantom (35V min) Weight: 350g Dimensions: (mm) 222 x 45 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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Beta 91A $239 For over two decades Beta Microphones have been the choice of top touring and recording professionals seeking reliable, application-specific performance in demanding live and studio environments. With superior construction, low handling noise and high gain before feedback, Beta Microphones redefine sensitivity and control for expert sound reinforcement. The Beta 91A is a precision-engineered Half-Caridoid Condenser Boundary Microphone. It's two position contour switch maximizes attach and clairty depending on the application. This low-profile microphone with integrated XLR preamplifier is perfect for kick drum and other low frequency applications. The Beta 91A requires no external mounting or accessories for improved control, simple set-up and storage.An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connection for easy setup and minimal stage clutter. The Beta 91A combines superior attack and punch for studio-quality sound, even at extremely high sound pressure levels (SPLs).Features:Premier live performance microphone with Shure quality, ruggedness, and reliabilityUniform half-cardioid polar pattern (in the hemisphere above mounting surface) for maximum gain before feedback and rejection of off-axis soundTailored frequency response for kick drums and bass-heavy instrumentsWide dynamic range for use in high SPL environmentsTwo-position contour switch enhances attack and clarityIntegrated preamp and XLR connector reduce stage clutter and provide a quick, secure setupLow profile design requires no external mounting hardwareSteel grille and die-cast metal construction resist wear and abuse |
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Blue Series Cardinal Cardioid Condenser Microphone $149 Style meets substance. Can a phrase usually reserved for the fashion world apply to a budget-friendly, expensive-sounding microphone? Absolutely, if youre talking about the Electro-Voice Cardinal Microphone!The Cardinal is a cardioid condenser mic perfectly tailored to capture vocals, but its usefulness doesnt stop there; its also a great mic for toms, overhead drums, worldly percussion or anything that demands to be recorded in full-range detail. The EV Cardinal employs a class A discrete amp along with a self-biased condenser element making for a mic that captures a wide range of frequencies with excellent transient response characteristics, yet exhibiting ultra-low noise.It has a great proximity effect when your vocal sound requires that extra low-end boost. The closer you get to the Cardinals grille the more prominent the bass response really very versatile. Back off a bit to lessen the effect. Very useful when mixing together lead and background vocal tracks different colors to play with, all from the same microphone!The Electro-Voice Cardinal Microphone is a beauty to behold with its retro-styled cherry-stained hardwood outer housing and nickel-chrome detail. The adjustable double-swivel mount provides exceptional results in many positions and situations making this microphone a versatile workhorse. Err, uh Cardinal!Features:Pressure gradient cardioid condenserClass-A discrete ultra-low noise circuitryUnique double swivel-mounted design for ideal positioingInnovative visual design with cherry wood mic housingGreat for voice or instruments |
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C 214 Large Diaphram Electric Condenser Microphone $399 AKG's industry-leading C 414 microphones are already a permanent fixture in the world's biggest recording studios and a highly respected work horse for independent artists, broadcasting,and on-stage miking as well.The C 214 is designed as a cost-effective alternative to the high-end, industry-leading C 414 family. It captures sound combining one side of the legendary C 414 dual-capsule system and AKGs patented Back-Plate Technology which results in an outstanding performance very close to the famous C 414 B-XLS. Like the C 414 models, the C 214 is capable of handling the rigors of high-pressure sound such as amplified guitars, with a sensitivity perfect for voice and orchestral instruments as well. Additionally, the microphone offers a 20 dB Attenuation pad, 13 dB noise floor, and a low cut switchall in an elegant but rugged package. Additional features include an integrated suspension, a double mesh grill high RF immunity without affecting acoustics. The circuitry in the C 214 provides maximum SPL capability with minimum noise and the gold-plated XLR-type output connector offers loss-free signals. The C 214 comes complete with a carrying case, windscreen, and spider suspension mount included.Features:AKGs Legendary 1 Edge-Terminated Large Diaphragm SoundOutstanding Dynamic Range (up to 156 dB SPL, Ultra-Low Noise)Roadworthy DesignIntegrated Suspension to reduce mechanical NoiseSwitchable 20 dB Attenuation Pad and Low Cut SwitchRugged double mesh Grill for high RF immunity but unaffected AcousticsAll-metal Die-cast body with shock- and scratch-resistant FinishSpider-type Shock Mount includedMetal Carrying Case includedDesigned, Engineered and Built in Vienna, Austria Specs:Polar pattern Cardioid Frequency range 20 to 20,000 Hz Sensitivity 20 mV/Pa (-34 dBV) Max. SPL 136/156 dB SPL (0/-20 dB) (for 0.5% THD) Equivalent noise level 13 dB-A to IEC 60268-4 (A-weighted) Signal/noise ratio (A-weighted) 81 dB Preattenuation pad 0/-20 dB (switchable) Bass cut filte |
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C05 CL Handheld Condenser $59.99 The Samson C05 handheld condenser has been added to the ConcertLine Series. Its great for obtaining studio quality vocals for live performance. The C05 features a 19mm multi-axis shock mounted capsule, condenser optimized cardioid pickup pattern, gold plated XLR connection and 48-volt phantom power operation. Included is an XLR mic cable, mic stand clip and carry pouch. Features: Cardioid Pickup Pattern 19mm shock-mounted capsule Gold-plated XLR connector Die-Cast Zinc Casing Carry Pouch, Mic cable & Mic Clip included WARRANTY 3 years parts and labor. |
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C1000S Cardioid Condenser Microphone $199 The versatile C 1000 S is ideally suited for all kinds of recording and live sound applications. If no phantom power is available, the C1000S can be powered by a standard 9V battery, making it perfect for mobile use. With its new battery monitoring electronics, the C 1000 S now features a reliable LED warning light. The red LED above the microphone switch lights up when the remaining battery life falls below 45 minutes. The polar pattern can quickly be switched from cardioid to hypercardioid simply by attaching the provided PPC 1000 Polar Pattern Converter to the microphone capsule. The PB 1000 Presence Boost Adapter also supplied with the C 1000 S adds 3 to 5 dB of high-end enhancement between 5 and 9 kHz, improving clarity of speech and adding definition to instrument sounds. Battery status LED for reliable monitoring of remaining battery life Can be powered by internal 9 V battery or by phantom power (9-52 V DC) PPC 1000 allows the microphone to be switched from cardioid to hypercardioid pickup pattern Presence Boost Adapter PB 1000 is included for high-end enhancement SPECIFICATIONS Polar pattern: cardioid, or hypercardioid (with PPC 1000 attached) Frequency range: 50-20.000 Hz Sensitivity: 6 mV/Pa (-44 dBV) Max. SPL (k=1%): 137 dB Equivalent noise level (CCIR 468-3): 32 dB Equivalent noise level: 21 dB-A Signal/noise ratio (A-weighted): 73 dB Impedance: 200 ohms Recommended total impedance: =2.000 ohms Powering: 9-52 V phantom power in accordance with DIN 45596 or internal 9 V battery (6F 22) Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte silver enamel Standard accessories: W 1000, SA 63, PPC 1000, PB 1000, microphone bag WARRANTY AKG Acoustics warrants AKG products against defects in material or workmanship for a period of two years from the date of original purchase, and agrees to repair or, at AKG's option replace any defective unit without charge for either parts or labor. AKG grants a three-year warranty c |
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C2000B Cardioid Condenser Microphone $199 This versatile condenser mic delivers super flat response and provides a crystal clear up-front sound. Switchable bass rolloff filter for eliminating proximity effect. A 10-dB preattenuation pad, so that the microphone can be adjusted to all recording or live miking situations. Built-in pop screen will reduce unwanted noise. Rugged construction, elegantly styled die-cast metal housing, and silver-gray finish complete this mic. |
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C414 XL II ST Stereo Set Condenser Microphones $2199 Realistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localisation from the pair of microphones. Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode. The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.Using this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama. |
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C414 XLS ST Stereo Pair Condenser Microphones $2199 Realistic stereo recordings require microphones with outstanding performance and excellent quality. They also require performance consistency and accurate localisation from the pair of microphones. Therefore, every factory-matched pair has been created from thousands of individual microphones selected by AKG's sophisticated computer-aided matching method. The result is the highest possible correlation over the whole frequency range and virtually identical sensitivity for stunning, three-dimensional recordings.The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode. The microphones are selected from a large quantity of individual microphones according to the described criteria by using a proprietary computer program.Using this matched pair for stereo recordings in various techniques will provide a good and stable balance without frequency-dependent shifting of the stereo panorama.The kit includes all the standard accessories of the deluxe package (excluding the PF 80) along with a stereo bar and proof of performance charts in an attractive carrying case (large Soundtool case). |
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C430 Cardioid Condenser Microphone $229 Specifically designed for cymbal and overhead miking, the frequency response of the C 430 ensures a uniquely crisp sound. With its extremely compact external dimensions, this microphone will keep a low profile in any application without compromising audio quality. The major benefits of the C 430 include: Frequency response tailored to cymbal and overhead miking Extremely compact, professional quality overhead MicroMic Phantom or battery powering options Easy to use with any mixer, with no need to use the EQ Trouble-free use on open-air stages Mounts securely on all commercial microphone stands Specifications: Polar pattern: cardioid Frequency range: 20 to 20,000 Hz Sensitivity: 7 mV/Pa (-43 dBV) Max. SPL: 126/130 dB (k=1 %/3 %) Equivalent noise level (CCIR 468-3): 33 dB-A Signal/noise rati (A-weighted) 61 dB Impedance: 200 ohms Recommended load impedance: >2000 ohms Supply voltage: 9 to 52 V phantom power Current consumption: approx. 2 mA Connector: 3-pin XLR Finish: matte black Dimensions: 19 dia. x 79 mm / 0.7 x 3.1 in. Net weight: 23 g / 1.1 oz. Shipping weight: 192 g / 6.8 oz. |
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C451B Cardioid Condenser Microphone $579 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICATIONS |
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C451B Cardioid Condenser Microphone (Matched Stereo Pair) $1299 The C 451 B is an excellent tool for accurately capturing signals rich in transients such as drums, instruments with a percussive sound, acoustic guitar, or for overhead applications. Responding to growing demand, AKG decided to make the C 451 B with the same acoustic performance as the popular original C 451 EB + CK 1, with dramatically improved specifications. Using an extremely light diaphragm, the new C 451 B is almost totally insensitive to handling noise. Other features include an all-metal body for excellent protection from RF interference and high reliability for excellent results under almost all conditions. Ultra-smooth response with slight rising on-axis frequency characteristic High front-to-back rejection ratio Transformerless output for low distortion at high operating levels 10 and 20 dB pad Switchable 12-dB roll-off at 75 or 150 Hz The C 451 B is a cardioid only design with a permanently fixed capsule (a departure from the previous modular system). The acoustics of the original cardioid-capsule, CK 1, are modeled and matched in the current version, producing the unique overall rising frequency characteristics. The rise is no more than 3 dB and is broadly centered around 12 kHz. Its transformerless preamp uses surface mount technology and, therefore is lighter, yet more rugged than its predecessor. Switchable 10 and 20 dB pads are now integrated. Maximum sound pressure levels in the range of 155 dB (in the 20 dB sensitivity position) can be attained with no greater than 0.5% distortion. A selectable low frequency, or bass roll-off option, provides 12 dB per octave attenuation below 75 or 150 Hz. The C 451 B, like its predecessor, is most commonly used in studio and tour sound applications such as miking choirs, drums, percussion and acoustic guitars. It operates on all phantom voltages between 9 and 52 volts. The SA 40 stand adapter and W 90 windscreen are included as standard accessories. SPECIFICA |
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C5 Handheld Cardioid Condenser Microphone $149 The C 5 is a professional cardioid condenser microphone with less reach than competitive products to work better for vocalists who use in-ear monitor systems and for use on loud stages. The C 5 uses a classic AKG small-diaphragm capsule design with an edge-terminated diaphragm that is wrapped in 24-carat gold housing for protection against moisture and humidity.The C 5 also includes a presence boost adapter a small snap-on acoustic equalizer that gives the sound more energy and intelligibility in the 3 5 kHz range. The presence boost adapter can be removed for use with singers with thinner voices and adds considerable sonic flexibility to the microphone.The C 5 has other premium construction features including a thick spring steel dent-resistant grille and gold-plated XLR output connector for loss-free signal transfer. The C 5 delivers studio-quality sound for the stage.Features:AKG condenser capsule delivers pristinely-detailed, studio-quality vocals on stageComes with AKG presence boost adapter installed for additional vocal intellibility and up-front sound qualityCan be easily removed if additional presence isn't needed24-carat gold-plated transducer housing minimizes moisture and humidity problemsRugged double shock mount system ensures low handling noiseThick dent-resistant spring steel grille and gold-plated XLR-type outputSpecifications:Polar pattern cardioidFrequency range 65 Hz to 20 kHz Sensitivity 4 mV/Pa (-48 dBV ) Max. SPL 140 / 145 dB SPL (for 1% / 3% THD) Equivalent noise level 25 dB-A Signal/noise ratio (A-weighted) 69 dB Impedance <= 200 ohms Recommended load impedance >= 2.000 ohms Current consumption typ. 3 mA Power requirement 9 to 52 V phantom power to DIN 45596 Connector 3-pin XLR Finish matte grayish blue Net weight 345 g (12.2 oz.) Shipping weight 660 g (1.5 lbs.) |
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C518M Drum or Percussion Condenser Microphone $249 The AKG C518M is the ultimate miniature condenser microphone for drums and percussion. The C 518M features a solid vise-type clamp that has a attachment range of 2.75 inches so the microphone can be used on congas and Indian drums as well as snares and toms. The cardioid mic element is wrapped in metal and is attached to a flexible gooseneck arm with a strong shock mount to minimize vibration and noise. The C 518M also features a detachable input cable that attaches with a locking 3-pin mini-XLR making transportation and setup easier. To faciliatate placement, the C 518M comes with a snap-on stablizer knee that helps keep the mic aimed even if an errant stick hits it. With its extremely detailed sound quality, fast transient response and incredible placement flexibility, the AKG C 518M will be appearing on stages everywhere. Strong vise-type clamp allows the microphone to be attached to instruments with rims/edges up to 2.75 inches thick Detachable output cable with locking connector makes setup and transport easy Switchable bass cut switch on output connector gives added sonic flexibility Special snap-on stabilizer knee keeps gooseneck and mic capsule in place Extremely detailed "fat" sound quality Cardioid pattern is opimized to reject sound other than what the mic is aimed at Specifications: Polar: pattern cardioid Frequency range: 60 Hz to 20 kHz Sensitivity: 5 mV/Pa (-46 dBV) Max. SPL :130/132 dB SPL (for 1%/3% THD) Equivalent noise level: 31 dB(A) Signal/noise ratio: (A-weighted) 63 dB Impedance: <= 200 ohms Recommended load impedance: >= 2000 ohms Current consumption: <= 2 mA Power requirement: B 29 L battery power supply, MPA V L phantom adapter, AKG WMS bodypack transmitters Connector: 3-pin mini XLR Cable: 1.5 m (5 ft.) Finish: matte black Dimensions: Length: 200 mm (7.9 in.) (microphone only); max. width: 47 mm (1.9 in.) Net weight: 220 g (7.8 oz.) Shipping weight: 450 g (15.9 oz.) Warranty:AKG warrants AKG products against |
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C519M Cardioid Instrument Condenser Microphone $249 The AKG C 519M clips easily onto the bell of a trumpet, saxophone, trombone, tuba, digeridoo or other wind instrument and captures its sound perfectly. The microphone features a cardioid condenser capsule that is encased in metal and attached to a gooseneck with a strong, flexible shock mount. The shock mount greatly minimizes noise and vibration ensuring that the mic only picks up the desired signal. The clip for the microphone is strong enough to stay attached to the instrument, yet is finished in a soft-touch rubber that won't hurt the finish of the instrument. The C 519M also features a detachable output cable with a locking connector to make transportation and setup easier - simply place and aim the microphone on the instrument and then attach the output cable. The C 519M's sound is accurate and detailed and the pickup pattern is optimized to ensure that it doesn't pick up anything other than what it is aimed at. A switchable bass cut filter on the output connector helps minimize boominess with baritone saxes or other instruments with low-end response. Miniature clip-on gooseneck-mounted cardioid condenser microphone for brass and woodwind instruments with 3-pin XLR-type output Cardioid condenser mic is encased in metal and attached to a strong, flexible gooseneck arm for placement flexibility Detachable output cable with locking connector makes setup and transportation easier Smooth, wide, specially-shaped frequency respose captures the instrument's sound perfectly Switchable bass-cut filter on output connector minimizes boominess necessary with some instruments Comes with windscreen and carrying bag Specifications: Polar pattern cardioid Frequency range 60 Hz to 20 kHz Sensitivity 5 mV/Pa (-46 dBV) Max. SPL 130/132 dB SPL (for 1 %/3 % THD) Equivalent noise level 31 dB(A) Signal/noise ratio (A-weighted) 63 dB Impedance <= 200 ohms Recommended load impedance >= 2000 ohms Current consumption <= 2 mA Power requirement B 29 L battery power supp |
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C535EB Cardioid Condenser Microphone $299 The lead singers secret weapon! Used by Sting and Billy Joel, The C 535 EB has the clean, open characteristic of AKG's best studio condensers, enhanced by a 2dB rise between 7 and 12kHz to project vocals in front of the mix. An integral four-position switch tailors output level and bass roll-off for a variety of uses. A sharp LF cut at the full output level reduces pops and handling noise in vocal applications, while a more gradual roll-off at the reduced output is ideal for most instrument applications. The C 535 EB requires 9-52V phantom power. |
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C800GPAC Studio Condenser Microphone $8999.99 Excellent for vocal recording in studios and film post production houses, Sony's C-800G Studio Tube Condenser Microphone is designed for the highest possible sound reproduction quality. The C-800G features a high-quality dual large diaphragm for true reproduction of vocal qualities, vacuum tube warm sound quality through a 6AU6 vacuum tube, a unique Peltier-based cooling system to achieve optimum tube operating temperature, and an electronically selectable pick-up pattern (Omni/Uni) for various recording applications. The package includes a power supply (AC-MC800G) and all the necessary accessories. Highlights Designed for the highest possible sound reproduction quality Suitable for vocal recording in studios and film post production houses High sensitivity of -33dB/Pa Low noise and low distortion due to built-in cooling system Large diaphragm capsule Electronically selectable directivity, either omni- directional or cardioid Features Signal-to-noise ratio: 76 dB (Uni), 73 dB (Omni). High sensitivity of -33dB/Pa. Frequency response: 20 Hz-18,000 Hz Dynamic range: 113 dB Specifications Capsule type: Condenser Frequency response: 20-18,000 Directivity: Uni/Omni Microphone Connector: CNR-01 type (7 pin) Stand screw/Mic Holder screw: PF 1/2 inch thread Remarks: Vacuum Tube Output impedance at 1kHz (balanced) (1/2 20%): 100 Induction noise from ext. magnetic field (0dB=20P: 0 Max. input sound pressure level (dB SPL) (0dB=20P: 131 (Uni), 134 (Omni) Supplied Cable: JIS CN01 type (7 pin) Cable Length: 8m Inherent noise (0dB=20Pa.): 18 (Uni), 21 (Omni) (dB SPL) Wind noise (0dB=20Pa.): less than or equal to 50(dB SPL) Supplied Stand Adapter: NS 5/8 inch thread, W 3/8 inch thread Effective output level at 1kHz (0dBm=1mW/1 P: -28.0 (Uni), -31.0 (Omni) (dBm) Sensitivity (0dB=1V/1 Pa at 1kHz): -32.0 2.0 (Uni), -35.0 2.0 (Omni) (dB) Dynamic range: 113(dB) Signal-to-noise ratio (A weighted, 1kHz, 1Pa.: 76 (Uni), 73 (Omni) (dB) |
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CS5 Multi Pattern Condenser Microphone $349 The Studio Projects CS5 is an externally polarized five pattern pressure gradient transducer microphone with FET impedance converter. The capsule is a 1.06 (27mm) capsule, with a diaphragm thinkness of 6m. It features five selectable polar patterns, four selectable pads, four high pass filters, and four low pass filters for added control in various recording applications and a clear, full response expected from a large capsule microphone design. Versatility is key in the recording arena, and the Studio Projects CS5 is well equiped to handle any recording application. It is designed to deliver the finest quality vocal and instrumental recordings and will serve to enhance any professional or project studio. Features Pressure-Gradient Transducer: 1.06" (27mm) 6um mylar diaphragm FET impedance converter Five Polar Patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, Fig 8 -5dB, -10dB, -15dB, and -20dB Pads 50hZ, 75hZ, 150Hz, and 300hZ High Pass Filters @ 6dB/octave 15kHz, 7kHz, 5kHz, and 3kHz, Low Pass Filters @ 6dB/octave Applications Close miking of instruments with high sound pressure levels Announcers mic for broadcasting/dubbing Home recording and project studios Vocalist recording Spot mic for: wind instruments, strings, percussion and guitar amps XY - Coincident Cardioids Mid-Side Method Stereosonic Technique (Blumlein) Overheads Included Accessories Shockmount Foam wind screen Case CS5 Specifications Type: Pressure gradient transducer microphone Polar patterns: Cardioid, Wide Cardioid, Hyper Cardioid, Omni, and Figure of 8 Frequency response: 20~20000Hz Sensitivity: 14mV/Pa=-32dB(0dB=1V/Pa) Output impedance: 200 Ohm Load impedance: 1000 Ohm Maximum SPL: 136 dB SPL for 1% THD @1000Hz (0dB SPL=0.00002Pa) 156dB with -20dB preattnuation Equivalent Noise Level: 13dB-A S/N: 81 dB-A Power requirement: 48 +/- 4V Current consumption: 4mA Circuit: JFET impedance converter, discrete balanced output Connector: Gold-plate |
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DR-07mkll Portable Digital Recorder $149.99 Superior Sound QualityThe Tascam DR-07mkII stereo recorder features a pair of adjustable condenser microphones. The built-in cardioid pattern mics can be moved from an XY position, for tight imaging, to an AB position, for a wider ambient sound. A separate power supply for the codec enables the full capabilities of the A/D and D/A converter, and separate analog & digital circuit boards and low impedance circuit design reduce noise in the design. The DR-07mkII records to microSD or microSDHC media, recording in MP3 or WAV (BWF) file format at up to 96kHz/24-bit resolution.The 1/8 mic/line input allows you to plug in your own microphones and can supply plug-in power for mics that need it. The Level Align function prevents uneven volume levels during playback through the 1/8 headphone output or built-in speaker. Variable-Speed Audition which changes playback speed without affecting pitch and looping are also available during playback for transcription or learning new music. 17.5 hours of longer battery life at 44.1kHz/16-bit, WAV (BWF) is long enough for any recording situation.Advanced Recording FeaturesThe Tascam DR-07mkII makes recording simple enough for any musician. The Peak reduction function sets the optimum recording level even in recording to avoid the over level. Quick Menu selects commonly used parameters in playback or record like auto level setting or limiting, while deeper settings are available through a full-featured setup menu.Features include Overdub mode, which records over your previous take but keeps a copy of the original. The portable recorder also includes Auto Record and Auto Mark settings for hands-off operation. A reverb effect is also provided to give your recordings that mastered polish. Getting great-quality stereo recordings has never been easier than TASCAMs DR-07mkII. Get your Tascam DR-07mkll Portable Digital Recorder from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price an |
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DR-100 MKII 24 BIT/96KHZ Linear PCM Recorder $329.99 The rugged TASCAM DR-100mkII offers high-end recording features to musicians and engineers who demand more from their portable recorder. It features four built-in microphones, two cardioid and two omnidirectional, for great sounding recordings. A pair of XLR microphone inputs with phantom power welcomes pro-grade condenser microphones, and line in and out connectors are also provided. The TASCAM DR-100mkII adds balanced line ins, S/PDIF digital inputs, locking connectors and more. |
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Dragonfly Cardioid Condenser Microphone $999.99 The Blue Microphones Dragonfly combines an innovative design that allows precise placement in the smallest of spaces, with an integrated elastic shockmount and rotating grille. The Dragonflys sonic signature generates a silky extended top-end, contoured midrange and a bump at the upper end of the lower frequencies to help beef up thin signal sources. The Dragonflys transformerless Class A discrete amplifier circuit insures maximum detail and clarity. Its sonic character gives flight to everything from female vocals to percussion, electric guitar and drum overheads. The Dragonfly also excels with more difficult sources such as stringed instruments, as well as delivering a contemporary saxophone sound. Characteristics Polar pattern: Cardioid Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Extended top end with a contoured midrange and tight punchy bottom end Integrated elastic shockmount/rotating head for optimal placement Hand-tuned and tested Includes linen storage box Suggested ApplicationsMale & Female Vocals, Electric Guitar Amplifiers, Flutes, Saxophones, Drum Overheads and Tom-Toms Technical Specifications Acoustical Operating Principal: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1kohm: 21mV/Pa Output Impedance: 50ohms Rated Load Impedance: Not less than 1kohm S/N ratio CCIR468-3: 75dB S/N ratio DIN/IEC 651: 86dB-A Noise Level DIN/IEC 651: 8dB-A Max SPL (0.5% THD) into 2.5kohms: 140dB Dynamic Range (2.5kohm load): 132dB Supply Voltage (IEC 268-15): 48V Phantom (35V min) Weight: 630g Dimensions (mm): 165x60 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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E965 Large Diaphragm Condenser Microphone $699.95 The e 965 is Sennheiser's first large-diaphragm, true condenser handheld microphone. The innovative 1" dual-diaphragm capsule means you can access both cardioid and super-cardioid polar patterns with the flip of a switch. Ideal for every vocal application, the e 965 truly combines the sensitivity of a world-class studio condenser with the ruggedness our customers demand from a Sennheiser evolution stage microphone.Features:Switchable pick-up pattern (cardioid / super-cardioid) Low-cut switch, which reduces ambient noise, rumble , and wind noise Switchable pre-attenuation (-10 dB) accommodates singers with powerful voices Capsule shock-mount efficiently rejects handling noise for superbly clear sound Excellent protection against moisture Astounding frequency response of 40-20,000 Hz An unbeatable 10-year warranty! |
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ECM719 One Point Stereo Microphone $69.95 One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in oneThe Sony ECM719 is a high-quality electric condenser microphone ideal for portable Dat or MD Digital Recorders. It includes a Mode switch for ideal recording (music/meeting). FEATURES One-Point Stereo Recording Design : a single mic for stereo recording is like having two microphones in one Table-Top or Clip-On Use : with built-in clip for hands-free recording of musical performances, meetings, lectures, interviews, and more Ideal For Portable Dat or MD Digital Recorders Stereo Unidirectional (Cardioid) Pickup Patterns : are more sensitive to sounds from the front, less sensitive to sounds from the side; tend to reject extraneous noise and emphasize the sound you want to record. Back Electret Condenser : pickup capsules for exceptional dynamic range and wide frequency response - two critical factors in high fidelity performance. Oxygen-Free Copper Cable : for excellent conductivity, low signal loss, low noise L-Shaped Stereo Mini-Plug : fits portable recorders Gold-Plated Plug : for maximum conductivity, minimum noise 2-Way Power Supply : via internal battery (LR44 type, optional) and plug-in power with compatible portable recorders Ultra-Compact Design : is easy to carry around, inconspicuous during recording Specifications Type : One-point stereo, Back Elecktret Condenser Microphone Directivity : Stereo uni-directional (cardioid) Output Plug : L-shaped stereo miniplug (gold-plated) Effective Output Level : -47dB, 4dB (0dB = 1V/Pa, 1kHz) Output Impedance: 1.5 kohms 30%, unbalanced Frequency Response: 100 to 15,000 Hz Maximum Sound Pressure Input Level : >110dB SPL Dynamic Range: 80dB |
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Go Mic Portable USB Condenser Microphone $39.99 Go Mic - Portable USB Condenser Microphone Further expanding on its diverse line of USB microphones, Samson introduces Go Mic, the ideal portable recording microphone that clips to your laptop.Go Mic is perfect for recording music, podcasts or field recording, but its range of functionality extends beyond typical USB microphones. Ideal for voice recognition software, iChat, web casting and even Voice over Internet Protocol (VoIP), Go Mic is the ideal solution for recording on the go.Because of its custom, compact design, the Go Mic can clip right onto your laptop or sit unobtrusively on your desk. Plug and play operation also means it's completely compatible with a Mac OS or Windows, with no drivers required.High-quality components and meticulous engineering ensure the Go Mic offers remarkably clear, professional audio reproduction. Thanks to its switchable cardioid and omni polar patterns, you can pick whichever pattern is more appropriate for your specific situation. Plus, with a frequency response of 20Hz 18kHz and a resolution of 16-bit/44.1kHz, you can be sure you're getting professional audio specs in a compact, multi-purpose design.Go Mic is perfect for anyone who wants to make great recordings on a computer. And no matter where you go to record, Go Mic goes with you.Features:Portable USB condenser microphone Plug and Play Mac and PC compatible, no drivers required Custom compact design that clips to a laptop or sits on a desk Perfect for recording music, podcasting and field recording Ideal for voice recognition software, iChat, VoIP and web casting Transducer Type: condenser, pressure gradient with USB digital output Frequency Response: 20Hz 18kHz Polar Pattern: cardioid or omni Resolution: 16-bit/44.1kHz1/8-inch headphone output |
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HR2 Hot Rod Harmonica Cardioid Condenser Microphone (with Holder) $180 The Hot Rod HR-1 is a condenser microphone designed for the ease of use for the player: the harmonica can be held conventionally. Its compact cylindrical design makes it easy to hold in the same hand with the instrument. Its rugged construction of anodized aviation aluminum allows it to withstand high impact, while being lightweight and non-corrosive. The HR series can reproduce delicate and soft passages with superior quality, yet can handle sound pressure levels well above 141dB. Element: Condenser Polar Pattern: Cardiod Frequency Response: 30Hz-18,000Hz Sensitivity: -65dB +/-4dB Impedance 600 Ohms Max Input SPL: 141 dB |
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KM184 Cardioid Condenser Microphone $849.95 Designed for critical recording and live-sound operations the KM184 is a small diaphragm, cardioid condenser microphone. Its capsule and electronics are identical to those of the KM1240. By omitting the -10dB pad switch and making the KM184 cardioid only, Neumann is able to offer a microphone that provides maximum performance at a price much lower than previously possible. the KM184 can handle sound pressure levels of 138dB before overloading, making it particularly useful for percussion, cymbals, hi-hats and brass instruments. It is also extremely quiet (16dB A-weighted self noise), making it excellent for the caputring the subtle nuances of acoustic guitar and orchestral performances. Specifications: Acoustical operating principle Pressure/Pressure gradient transducer Directional pattern cardioid Frequency range 20 Hz ... 20 kHz Sensitivity at 1 kHz into 1 kohm 15 mV/Pa Rated impedance 50 ohms Rated load impedance 1000 ohms Equivalent SPL CCIR 468-3 22 dB Equivalent SPL DIN/IEC 651 13 dB-A S/N ratio CCIR 468-3 72 dB S/N ratio DIN/IEC 651 81 dB Maximum SPL for THD 0.5% 138 dB Maximum output voltage 10 dBu Dynamic range of the microphone amplifier DIN/IEC 651 122 dB Supply voltage 48 V 4 V Current consumption 3.2 mA Matching connectors XLR 3F Weight approx. 80 g Diameter 22 mm Length 107 mm |
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KMS105 Supercardioid Condenser Microphone $699.95 Designed with superlative vocal reproduction in mind, the KMS105 brings Neumann quality to the demanding sound reinforcement environment. With its super-cardioid polar pattern, low self noise and colorless off-axis pickup, the KMS105 complements in-ear monitor systems. By employing a unique triple acoustic filter, The KMS105 minimizes popping and wind noise, and with special mechanical and electrical filters, handling noise is virtually eliminated. Because of the superior resolution and linear high frequency response, it is very easy for the artist using the KMS105 to identify whether he or she is "on mic". Acoustical features: When compared to other handheld vocal microphones, the KMS105 offers a superior resolution of the voice, with extended frequency response and accurate transient detail. Sibilance problems common to other handheld condenser mics are eliminated. No foam is used in the basket, thus eliminating any "clouding" or "muffling" of the sound. Also, by using a studio grade DC-polarized condenser capsule, all the nuances of the voice come through with subtlety, power and focus. The K55 capsule was developed from the famous K50, found in the KMS150, KM150 and KM185 microphones. This new version features a super-cardioid pattern, achieved by specially modifying the response of the K50 pressure gradient transducer. The frequency response characteristic is developed in the acoustic realm, allowing for accurate representation of transient details found in music and speech, and thus transmitting a very "open" and detailed capture of the human voice. Specifications Type: DC-polarized condenser Acoustical operating principle: Pressure gradient transducer Directional pattern: Super-cardioid Frequency range: 20 Hz - 20 kHz Sensitivity: 4.5 mV/Pa Rated impedance: 50 ohms Self Noise: 18 dB-A(DIN/IEC 651) S/N ratio re. 1 Pa @ 1kHz: 76 dB (A weighted) Max SPL for 0.5% THD: 150 dB SPL Total dynamic range of amplifier: 132 dB Powering: 47 volt phantom (IE |
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KSM137SL Cardioid Condenser Microphone $299 The Shure KSM137 is an end-address condenser microphone with a cardioid polar pattern. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Comes with windscreen and carrying bag. Champagne finish. Features A highly consistent cardioid polar pattern Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Switchable 15 dB pad for handling extremely high sound pressure levels (SPLs) Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter reduces background noise and counteracts proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference APPLICATIONSSome typical applications for the KSM137 are listed below. Microphone use, however, is a matter of personal taste. The KSM137 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- such as double bass, electric bass, kick drum Overhead miking -- drums or percussion Ensembles -- choral or orchestral Room |
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KSM141SL Dual Pattern Condenser Microphone (Matched Pair) $870 The Shure KSM141 is an end-addressed condenser microphone with mechanically switching dual polar patterns (cardioid and omnidirectional). Designed for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments. Champagne finish. Set includes: Two KSM141 mics; two windscreens; one carrying case. Features A mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications Ultra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar diaphragm for superior transient response Class A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion Premium electronic components, including gold-plated internal and external connectors Subsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration Three-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs) Three-position switchable low-frequency filter to reduce background noise and counteract proximity effect Performance Characteristics Extended frequency response Low self noise Exceptional reproduction of low-frequency sounds Can withstand high sound pressure levels (SPL) High output level No crossover distortion Uniform polar response Superior common mode rejection and suppression of radio frequency interference ApplicationsSome typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed. Acoustic instruments -- such as piano, guitar, drums, percussion, strings Wind instruments -- brass and woodwind Low frequency instruments -- |
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ME3 Headset Microphone $139.95 A headset microphone of exceptional sound quality, the ME 3 is intended for music and speech applications that require maximum movement and close proximity signal reproduction - applications with high on-stage sound present no problem. The headband is comfortable and immovable, enabling use during exertive dance or sports activities. The super-cardioid condenser design offers excellent feedback rejection. Super-cardioid design capsule Adjustable headband Excellent feedback rejection Evolution wireless mini pin connector |
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MXLV69ME Cardioid Tube Condenser Microphone $299.95 The MXL V69 is a large diaphragm Tube Condenser Microphone. Its classic sound enhances vocal and instrument performances in professional and top level home studio environments. The extremely low noise level, wide dynamic range and warm sonic characteristics make the V69 a perfect complement to all digital recording devices. Includes a deluxe flight case, versatile shock mount, dedicated power supply, Mogami 7-pin and XLR microphone cables and wind screen. Highlights Internally wired and supplied with Mogami cable Vintage Tube Sound 25mm (1") large capsule condenser Complete microphone system with Mogami 7-pin and XLR Cable Vintage cosmetics 24 carat gold plated grill Durable brass enclosure Supplied with carrying case Specifications Type: Condenser, pressure gradient mic Capsule size: 25mm Tube: 12AT7 Frequency Range: 20Hz-20kHz Polar Pattern: Cardioid Impedance: 200W S/N Ratio: 69dB (Ref. 1Pa A-weighted) Equivalent Noise Level: 14dB(A weighted IEC 268-4) Max SPL for 0.5% THD: 140dB Size: 55mm ~ 215mm Weight: 500g Metal Finish: Black/Gold |
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MiC - USB iOS Microphone $199 MiC by Apogee is the most compact studio quality USB microphone available for iPad, iPhone and Mac. About the size of an iPhone, MiC makes it easy to capture your best take with incredible quality, anywhere your music takes you. Record any sound you can imagine, from vocals to vibraphones, acoustic to lap steel guitars, pianos to percussion and everything in between, and build a track right on your iPad with GarageBand.MiC is a premium digital converter featuring PureDIGITAL technology, which delivers your voice, or acoustic instruments true tone to your iPad, iPhone or Mac without compromise. You will notice the sonic difference between MiC and other similar products immediately.Its easy to tell if MiC is connected properly by the status LED on the front of MiC. If its green, you are ready to record and the light becomes your input level indicator. If it turns red, you are rockin' the MiC too hard and need to turn your level down with the input gain control knob.MiC features an input gain control knob. This rotary style wheel is conveniently located on the side of MiC for easy thumb access. With the level indication LED as your guide, the gain control knob allows you to fine tune for the perfect level without having to look at software.FeaturesPureDIGITAL connection for pristine sound qualityStudio quality cardioid condenser microphone44.1/48 kHz, 24-bit analog-to-digital conversionStudio quality microphone preamp with up to 40dB of gainNo configuration, just plug in and recordControl knob allows easy input level adjustmentMulticolor LED for status indication and input level monitoring Designed for vocal and acoustic instrument recording; also great for recording interviews, podcasts, voice overs, and audio for DSLR videoAll metal constructionExtremely compact and portableWorks with GarageBandBus-powered by iPad, iPhone or Mac (no batteries or external power required) Made in the U.S.A. Get your Apogee MiC - USB iOS Microphone today from Sam Ash Direct and en |
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Mouse Cardioid Condenser Microphone $1249.99 Sporting a unique rotating capsule, the Blue Microphones Mouse is one of the most versatile and snazzy-looking mics youll ever lay eyes on. The Mouse is a cardioid condenser which employs a hand-selected single-membrane, large diaphragm capsule. Enclosed within a rotating spherical grille, the capsule can be positioned and adjusted in the smallest of spaces. Perfectly suited for broadcast and voiceover work, youll find the Mouse equally at home in front of a kick drum, acoustic bass, electric bass amplifier, snare drum and any other sources where accurate reproduction of low frequency transients is desired. Characteristics Polar pattern: Cardioid Transformer balanced Class A discrete amplifier circuit Blues famous hand-built large diaphragm capsule Larger-than-life sound with a boost in the upper and lower frequencies and a strong presence Integrated suspension shockmount and rotating head for optimal placement Hand-tuned and tested Includes cherrywood storage box Suggested ApplicationsBroadcast/Voiceovers, Bass Guitar Amplifiers, Kick Drums & Modern Acoustic Bass Technical Specifications Acoustical Operating Principal: Pressure Gradient Directional Pattern: Cardioid Frequency Range: 20Hz 20KHz Sensitivity at 1 kHz into 1kohm: 21mV/Pa Output Impedance: 150ohms Rated Load Impedance: Not less than 1kohm S/N ratio CCIR468-3: 74dB S/N ratio DIN/IEC 651: 85dB-A Noise Level DIN/IEC 651: 8dB-A Max SPL (0.5% THD) into 2.5kohms: 140dB Dynamic Range (2.5kohm load): 132dB Supply Voltage (IEC 268-15): 48V Phantom (35V min) Weight: 980g Dimensions (mm): 165x65 Warranty:Blue Microphones products all feature a standard 1-year warranty, and are extended by an additional year when registered online at the Blue Microphones website. |
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NTK Cardioid Tube Condenser Microphone $529.99 The NTK is a tube microphone designed exclusively for recording professionals who want what only the best can offer. The NTK has a large (1) capsule gold plated membrane, with twin triode tubes hand graded and selected especially for use in the NTK. The NTK delivers the wide dynamic range, ultra low noise, and the quality and warmth demanded when choosing a tube microphone. NTK, when professional performance counts. Features: Large capsule with gold-plated membrane Ultra low noise Wide dynamic range Class A valve circuitry Hand-selected and graded twin-triode tube Dedicated Power Supply High strength welded and heat-treated steel mesh head Durable satin nickel finish Internal capsule shock mounting High level of RF rejection Specifications: Capsule: Externally polarised 1 pressure-gradient condenser Active Electronics: Unity-gain closed-loop impedance converter; vacuum-tube input with bipolar buffering Pickup Pattern: Cardioid Frequency Response: 20Hz - 20kHz (+/-6dB) Output Impedance: 200 ohms (100 ohms per leg) Sensitivity: -38dB re 1V/Pa (12mV @ 94dB SPL) +/-1dB Equivalent Noise:12dB SPL (A-weighted per IEC268-15) +/-2dB Maximum Output: > +29dBu (@ 1kHz, 5% THD into 1k( load) Dynamic Range: > 147dB (A-weighted, per IEC268-15) Maximum SPL: > 158dB SPL (@ 1kHz, 5% THD into 1k( load) Signal/Noise Ratio: > 82dB (A-weighted, per IEC268-15) External power supply: 100-120V / 200-240V AC (user selectable) 50Hz / 60Hz, 25VA maximum Packed Weight: 4.53 kg (Mic only 760 gm) |
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PG27-LC Cardioid Condenser XLR Microphone $149 The PG27 microphone is an excellent tool for multi-track recording. Equipped with a large-diaphragm capsule, the PG27 provides a natural, clear reproduction of instruments and vocals.This microphones is durable enough for everyday use and practice, but sophisticated enough for advanced recording by the most discerning artists.Designed with a flat frequency response and high SPL handling, the PG27 naturally reproduces a wide variety of acoustic, amplified and vocal sound sources with professional clarity. |
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PG81 Cardioid Condenser Instrument Microphone $129 The Shure PG81 is a sensitive, flat response mic ideal for acoustic instruments. Perfect for Acoustic Guitar, Cymbals, Piano, Strings, Woodwinds, Ensembles. Specifications: Cardioid, Condenser, Flat Response, 40 Hz to 18 kHz. Comes with 15' XLR to XLR cable. |
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PRO35 Cardioid Condenser Microphone $189.99 Designed for sax, toms, brass and percussion, the PRO 35 excels in high-SPL applications and is ideal for active stage performances. Its extended frequency response captures subtle nuances of the performance. The included UniMount clip permits accurate positioning and provides shock resistance while protecting the element. The microphones cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of the desired sound source. Features: UniMount clip permits accurate positioning, provides shock resistance and protects element Cardioid polar pattern reduces pickup of sounds from the sides and rear, improving isolation of desired sound source Extended frequency response captures subtle nuances of the performance 6' (1.8 m) cable permanently attached between microphone and power module Specifications: ELEMENT Fixed-charge back plate, permanently polarized condenser POLAR PATTERN Cardioid FREQUENCY RESPONSE 50-15,000 Hz LOW FREQUENCY ROLL-OFF 80 Hz, 18 dB/octave OPEN CIRCUIT SENSITIVITY -45 dB (5.6 mV) re 1V at 1 Pa IMPEDANCE 250 ohms MAXIMUM INPUT SOUND LEVEL 145 dB SPL, 1 kHz at 1% T.H.D. DYNAMIC RANGE (typical) 115 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO 64 dB, 1 kHz at 1 Pa PHANTOM POWER REQUIREMENTS 11-52V DC, 2 mA typical SWITCH Flat, roll-off WEIGHT (MICROPHONE) 0.3 oz (8 g) WEIGHT (POWER MODULE) 2.9 oz (81 g) DIMENSIONS (MICROPHONE) 0.98" (25.0 mm) long, 0.40" (10.2 mm) diameter DIMENSIONS (POWER MODULE) 3.66" (92.9 mm) long, 0.74" (18.9 mm) diameter OUTPUT CONNECTOR (POWER MODULE) Integral 3-pin XLRM-type CABLE 6.0' (1.8 m) long (permanently attached to microphone), 0.10" (2.6 mm) diameter, 2-conductor, shielded cable with TA3F-type connector ACCESSORIES FURNISHED AT8418 UniMount microphone instrument mount; AT8538 power module; soft protective pouch AUDIO-TECHNICA CASE STYLE M12 |
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Perception 170 Cardioid Condenser Microphone $99 The Perception 170 is a small-diaphragm true condenser microphone offering outstanding build quality and excellent value. The lightweight diaphragm delivers outstanding clarity and transient response and conforms to the stringent standards defined for AKG recording products.The Perception 170s design is based on AKGs six decades of experience in making microphones and on input from sound engineers around the world who use AKG products every day.Its -inch small-diaphragm true condenser transducer brings AKG studio quality to the project studio and all other areas of recording. A switchable preattenuation pad enables the Perception 170 to be used close to sound sources delivering up to 155 dB SPL. The heavy-duty, all-metal chassis and reliable gold-plated XLR-type output make the Perception 170 an excellent choice for a variety of live sound applications, too |
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Perception 220 Cardioid Condenser Microphone $179 The Perception 220 is a large-diaphragm microphone designed for a variety of studio applications, yet is rugged enough to use on stage too. The Perception 220s true-condenser capsule features a cardioid pattern that minimizes off-axis pickup and delivers beautifully-balanced response. The sound is warm and clear with an unmistakable presence that brings out the best in instruments or voices. The Perception 220 features a switchable bass cut filter to minimize boominess and proximity, and a 20-dB attenuation switch for use in high SPL fields. The microphone features rock-solid construction quality with a heavy-duty chassis, stainless steel, dent-resistant grille screen to protect the capsule and a gold-plated XLR-type output. The Perception 220 comes with a metal screw-on spider-type shock mount, extra bandanda metal carrying case. |
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RE2 Handheld Wireless System $529 TheRE-2 Series Wireless Microphone System brings sophisticated professional features to an affordable price point. The RE-2 is a completely programmable frequency agile system with one-touch Auto-ClearScan, operates over 28MHz (6 TV channels), XLR Mic or Line level output and many other features.RE-2 Receiver Features:One touch Auto-ClearScan Programmable in 25kHz steps across 28 MHz operating bandwidth Backlit LCD displays the Group, Channel, Frequency, transmitter battery level, diversity operation, and RF and Audio signal level meters Balanced XLR audio output for Microphone or Line level signals and a 1/4 inch line level jack Fourth generation Secure-phase diversity and advanced audio circuits Unique Guitar setting Detachable 1/4 wave antennasHandheld Transmitter Features:RE 410 Condenser Internal 1/2 wave antennaLow handling noise, crisp condenser sound and off mic performance. Perfect for schools, houses of worship and any other multitasking application.RE-2 RECEIVER SPECIFICATIONSReceiver Type: Synthesized PLL Frequency Range (RF): A Band 648 676 MHz (TV Channels 43-48); B Band 696 724 MHz (TV Channels 51-56); D Band 798 822 MHz; E Band 841 865 MHz Number of Channels: 1112 possible channels Programmable: in 25 kHz steps Modulation: +/- 40 kHz Diversity: Digital Secure-Phase True Diversity RF Sensitivity: < 1.0 mV for 12 dB SINAD Image Rejection: > 60 dB Squelch: Tone Code plus Amplitude Ultimate Quieting: > 100 dB FCC Certification: Approved under Part 15 Power Requirements: 12 V AC/DC 300 mA Antennas: Detachable 1/4 wave Dimensions (H x W x D): 1.72 x 7.50 x 5.90(43.7 mm x 190 mm x 150 mm) TRANSMITTER SPECIFICATIONS:Microphone Head: Electro-Voice RE-410 RE-410 Classic Cardioid Condenser Audio Gain Adjustment: 40 dB (handheld 26 dB) Power Requirements: 9 Volt Alkaline Battery Battery Life (Typical): > 8 hours with 9-Volt Alkaline Typical Handheld Antenna: Internal 1/2 wave Dimensions, Handheld: (L) 9.4 (240 mm) longCon |
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Reactor Multi-Pattern Condenser Microphone $499.99 The Blue Reactor is a boldly beautifully designed multi-pattern large diaphragm condenser microphone. It features Blue Microphones premium condenser capsule, fully discreet Class A solid-state components, and a unique Blue designed preamp for silent switching between patterns (Cardioid, Omni or Figure-8).Unique to the Blue Reactor is the rotating swivel head. It rotates up to 90 degrees making the Reactor the perfect mic choice for positioning in tight spaces and pointing the mic exactly where you need to. A Stylish LED backlight on the pattern selector utilizes a magnifying element to select a pattern, further adding to the unique groundbreaking look of this extraordinary microphone.Its a uniquely stylish design that will definitely get some serious reaction from your visiting artists or studio clients, and thats Before they sing into it! Once they sing into it all bets are off! Whether employed for the recording of vocals, acoustic instruments, percussion, or any sound that demands to be captured in style and substance, the Blue Microphones Reactor is sure to please the ears and eyes of all! Includes custom designed storage case, Pop filter and shockmount.Get your Blue Microphones Reactor Multi-Pattern Condenser Microphone today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy |
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Spark Cardioid Condenser Microphone $199.99 Spark, a cardioid, solid-state condenser microphone, with high-quality, fully discrete components and an innovative Focus control offering two sonic signatures. Along with its striking design and ability to capture a wide range of recording situations, Spark also comes with a custom shockmount and pop filter in a professional wooden case for $199. |
