Amp Rack
December 2nd, 2009
What is the difference between a stack amp head and a rack mount power amp?
I've noticed that power amps carry alot more watts per channel, but are they the same type of amp that could be used for a stack? Or are they a completely different type of amp?
They could be used for a stack. Basically a power amp is what takes the signal from the preamp and gives it some balls. A preamp by itself is pretty useless but is what shapes the sound basically. A stack head is pretty much both combined (preamp and power amp) andif you get a power amp youll need to purchase a preamp.
Testing Cubase 6 VST Amp Rack Guitar Rig Gibson SG 61 Reissue with PreSonus ADL 600 preamp
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Breville BOV800XL The Smart Oven 1800-Watt Convection Toaster Oven with Element IQ $229.99 The selectable convection heat helps make this oven smarter than ever%2E One major problem when roasting or baking in a compact electric oven is evenly distributing heat where needed for consistent food coverage%2E... |
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LINER,SHELF 18X36 4/PK $18.64 Alera Shelf Liners For Wire Shelving, 36w x 18d, Clear Plastic, 4/Pack... |
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115V AC Cooling Fan. 120mm x 38mm HS with Power Plug $15.99 Overview The high speed 120 by 120 by 38 millimeter 115V AC axial fan is housed in die cast aluminum with thermoplastic blades. Containing long life dual ball bearings, the fan can run continuously for 67,000 hours and be mounted in any direction. Includes a 4 foot power cord which allows the fan to be plugged into a standard outlet. Cooltron fans are certified by CE, UL, TUV, and RoHS; and found ... |
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Black & Decker LE750 Edge Hog 2-1/4 HP Electric Landscape Edger $79.00 You'll get great results with this Black & Decker heavy-duty Edge Hog landscape edger, one of the easiest-to-use pieces of equipment we've come across. You'll be thrilled with how quickly you can get to work, as assembly takes only a few minutes. This is an electric model, so you'll need an extension cord and an electric outlet handy, but you won't have to deal with gas or oil. And it's so quiet y... |
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Kryptonite Kryptolok Series 2 Standard Bicycle U-Lock (4-inch x 9-inch) with 4-Foot Flex Cable $31.48 Kryptonite Series 2 U-Locks offer a 13mm hardened performance steel shackle with classic bent foot design and a patented deadbolt locking mechanism.High security, pick and drill resistant disc-style cylinderRotating dust cover protects and extends cylinder life2 keys - new "I" keys for easier usageIncludes versatile EZ Mount transportation bracket$1,500 anti-theft protection13mm hardened performan... |
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1202-VLZ3 Compact Mixer $269.99 The Mackie 1202-VLZ3 Premium 12-Channel Compact Mixer builds on the legacy of the best-selling 1202-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Four studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1202-VLZ3 its high-headroom, low-noise functionality. The 1202-VLZ3 is the model of efficiency, packing more features into its small footprint than any other mixer in this class. With its outstanding sound quality, just the right amount of control, and multi-voltage power supply, the 1202-VLZ3 is the perfect choice for smaller mixing applications, anywhere in the world. Features:12-channel ultra-low noise compact mixer with highest possible headroom 4 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz ­ 20kHz) oPhantom power for studio condenser mics 12 high-headroom line inputs Advanced DC pulse transformer RF rejection 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut filter on Mic input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1202-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals |
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1402-VLZ3 Compact Mixer $399.99 The Mackie 1402-VLZ3 Premium 14-Channel Compact Mixer builds on the legacy of the best-selling 1402-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Six studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackies proprietary Active three-band EQ circuitry, give the 1402-VLZ3 its high-headroom, low-noise functionality. With its outstanding sound quality, multi-voltage power supply, and 60mm faders for precise mix control and visibility, the 1402-VLZ3 becomes the ideal choice for small and medium-sized mixing applications, anywhere in the world. Features: 14-channel ultra-low noise compact mixer with highest possible headroom 6 studio-grade XDR2 Extended Dynamic Range mic preamps with: oUltra-wide 60dB gain range o130dB dynamic range o+22dBu line input handling oExtended low frequency response oDistortion under 0.0007% (20Hz­20kHz) oPhantom power for studio condenser mics 14 high-headroom line inputs Advanced DC pulse transformer RF rejection 60mm long-wearing log-taper faders 2 Aux sends, level, pan and PFL solo on each channel 2 stereo Aux returns + EFX to Monitor 3-band Active EQ (80Hz, 2.5kHz, 12kHz) 18dB/oct. 75Hz Lo-Cut Filter on Mic input channels Switchable +4/-10 operation on Line input channels ALT 3/4 stereo bus for added versatility Control Room/Phones source matrix Rack-mountable design using optional rack ears Sealed rotary controls to resist dust and grime New Multi-Voltage power supply for worldwide use Rugged steel chassisIncludes Tracktion 3 Music Production Software for Mac or PCVASTLY SUPERIOR XDR2 MIC PREAMPSThese XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. These new pres offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1402-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-le |
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1U Rack Mount dB Display $59 Technical Pros groundbreaking new approach to industrial design incorporates advanced technology and striking good looks with rugged construction and a long list of features, providing years of audio enjoyment. Designed to set in an amp rack to view your decibel level Creates a great light show in your rack Display progresses from blue through green to red Sensitivity adjustment on both left and right channels 2 separate modes: dot and bar Built in power adaptor (no need for special plug; uses standard power cable) Plays .mp3 files from USB drives and SD Cards LCD display with ID3 Tag support for folder and track information Folder / Track browsing knob for quick search & playback Oversized jog wheels for easy control Line Inputs: Left & Right RCA Rack Space 1U Range: 5dB-140dB 110-220V SwitchableFunctions: Seamless loop and reloop (in & out) Single / Continuous Playback Repeat and Relay Playback Reverse playback Built-in Brake effect for smooth transition Scratch function BPM readout Cue, search and Pitch controls Illuminated control buttonsGet yours today; with the Sam Ash Direct 45/60day return/ price protection policy, we assure the best price and a fast, free delivery. |
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710TF-D Twin-Finity Microphone Preamp $799 The 710 Twin-Finity is a radically new UA pre-amp design, which uniquely combines both, the classic retro warmth of UA tube design and the transient bite of solid-state in a 2U, half-rack, all-metal chassis. The 710 was created specifically to add the tonal versatility and sonic inspiration missing from generic audio interface preamps.The key to its sonic flexibility lies in its innovative circuit design, featuring a solid-state transimpedance input amp simultaneously driving separate, phase-aligned tube and solid-state gain stages, which are then summed to a single output. The mix between the 310-volt single-ended class-A triode tube stage and solid-state transimpedance stage is controlled via the "Blend Knob" labeled "". Blending is continually variable between 100% tube and 100% solid-state offering a practically infinite range of unique pre-amp tones and the ability to easily dial-in your own signature sound.Like all our other preamp designs, the 710 features dual gain-stage controls (Gain/Level) which can radically vary the amount of coloration and distortion by allowing you to crank up the input gain like a guitar amp. The VU meter features a unique "Drive" mode allowing you to see how hard you are driving the input stage.Versatility makes the 710 the perfect preamp partner for any mic collection. Plus, the discrete JFET DI input circuit can also easily handle any electric instrument. Guitar and bass players will especially appreciate the 710s ability to bring out the best of both active and passive pickups. The 710 Twin-Finity is designed and built at UA headquarters in California, and includes a 19" rack-kit for mounting one or two units.Features:Dual-Path 310 volt Class-A Tube and Transimpedance Solid State PreampPhase-Aligned "Tone-Blending" of Tube and Solid StateDual Gain Stages: Wire with Gain to Creamy to CrunchyDiscrete JFET DI with 2.2M ohm Ultra Hi-Z impedanceMonolithic Balanced Output StageIncludes Power |
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AR1215 Line Regulator $549.95 The 15 amp AR-1215 AC Line Voltage Regulator is intended to protect audio, video, computer and other electronic equipment from problems caused by AC line voltage irregularities-sags, brownouts, or overvoltages that can cause sensitive digital equipment to malfunction, or, in extreme cases, to sustain damage. The AR-1215 is designed to provide a steady, stable 120 VAC output. It accepts any input voltage from 97V to 141V and transforms it to a constant 120V, 5V. Voltages beyond that range may also be converted to usable levels, depending on how far out of range they are. The AR-1215 has eight outlets on the rear panel, and one on the front panel. All outlets are regulated, spike- suppressed, and filtered against RFI with a 3-pole filter. There are no controls except the circuit breaker/on- off switch. A bar-graph meter comprised of 10 LED's indicates input voltage, while another LED indicates "In Regulation" status (i.e., that the output voltage is within 5V of 120V.) The unit is housed in a compact, single-space rack- mount chassis, 1.75" high and 8" deep (8.9 x 43.2 cm) and weighs only 12 lbs. (5 kg). Delivers a stable 120 5 VAC whenever the input AC line voltage is between 97V and 141V Eight outlets on the back panel, one on the front Output capacity 15 amps Eight-tap toroidal autoformer 10-LED bar-graph Input Voltage meter Extreme overvoltage/undervoltage causes instant shutdown, protecting equipment Extreme Voltage Shutdown indicator LED Output In Regulation indicator Low stray magnetic field leakage |
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AmplITube 3 Crossgrade $239.99 AmpliTube 3. A massive upgrade of the leading guitar and bass tone gear modeling software, AmpliTube 3 raises the industry standard of sound variety, realism and creative power. If your recording or playing rig is lacking in that rich, lush expressive analog warmth, then you need to check it out. With over 160 precisely modeled pieces of vintage and modern gear available in one package, AmpliTube 3 is the ultimate tone gear collection for the player/producer/engineer suffering from tone angst.AmpliTube 3 gives you more.More Gear Infinite Combinations.AmpliTube 3 contains over 160 pieces of gear, more than double the amount of other packages, including models from the most sought-after vintage collections and modern day workhorses. Youll get 51 individual stompboxes and effects, 31 amplifier preamp & power sections, 46 speaker cabinet models, 15 high end stage and studio mics, and 17 post amp rack effects. Plus, with the new AmpliTube 3 open architechure, you can add more packages as you need them, like AmpliTube Fender and Ampeg SVX.More Feel True Dynamic Response.AmpliTube 3 gear models give you THE most realistic playing feel not just the tones but the actual dynamic response of their hardware counterparts. Nothing comes closer to the feel and touch of playing through a real rig than AmpliTube 3. Plus, with IKs proprietary VRM (Volumetric Response Modeling) technology, you can add ultra-accurate rotating speaker effects, free dual mic placement plus room ambience and response to custom craft your tone.More Power Creative Inspiration.Face it the better you sound, the better you play. AmpliTube 3 unleashes more creative power than ever, helping you to easily carve new, truly unique voicings for your guitar, bass, keyboard, drum and vocals. Our new creative effects let you create sounds you never heard before, and the new drag & drop effects configuration feature lets you quickly experiment with effects in the signal chain to get that totally unique sou |
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AmpliTube 2 Live Guitar Software $79.99 AmpliTube 2. Superior Modeling. Infinite Tone.The most popular guitar amp and effects modeling software raises the standard to an unprecedented level of high-quality emulation and extreme flexibility, for crafting the ultimate guitar tone.AmpliTube 2 offers everything needed to craft your own signature guitar tones with 5 separate modules including Tuner, Stomp, Amp Head, Miked Cabinet, and Rack Effects, on 2 series/parallel guitar rigs. 14 Preamps and EQs, 7 Power Amps, 16 Cabinets, 6 Microphones, 21 Stomp Effects, and 11 Rack Effects make AmpliTube 2 the most comprehensive guitar Amp and Effects Modeling software to date.Over 80 guitar gear emulations, including popular amp models based on Fender, Vox, Marshall, Mesa Boogie, THD, Supro, and more. Stomp Box effects modeled after rare vintage gear including models based on Arbiter FuzzFace, Ibanez Tube Screamer, MXR, Dynacomp, MXR Phase100, Electro Harmonix, Memory Man and more, with AmpliTubes unique DSM (Dynamic Saturation Modeling) technology.Only AmpliTube 2 offers each individual guitar amp component modeled separately, allowing you to freely create a staggering 20,000 amp combinations! This means you can mix and match Preamps, EQs, Power Amps and Cabinets of the most famous guitar amps of all time, to make completely new custom hybrid amp creations and get your own, truly personal sound.Thanks to its interface neatly organized the same way a guitar rig is laid out, AmpliTube 2 has a more natural organization and feel than many other other amp-simulation softwares in its category. No parameter is ever more than 2 clicks away. In addition, right out of the box, there are over 400 different programmed guitar Amp and Effects preset combinations covering virtually any famous signature guitar tone you may dream of.Features:5 separate modules: tuner, configurable Stomp pedal board, Amp head, Cabinet + Mic, and Rack 21 Stomp effects14 Amp models7 Power Amp models16 cabinet and 6 microphone models11 post-amp FX Racks2 |
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AmpliTube Fender Audio Plug In $199.99 AmpliTube Fender is the first and only official guitar/bass Amp and FX software suite made by IK Multimedia in cooperation with legendary music icon Fender Musical Instruments Corporation.With a collection of 45 pieces of gear collected from the most sought after classic and modern Fender amps (including the '65 Twin Reverb, '57 Deluxe, 59 Bassman LTD, '64 Vibroverb Custom, Super-Sonic, Metalhead and many more), cabinets, stomp boxes and rack effects, AmpliTube Fender sets a new standard for software amplifiers.From guitar to bass, from Country to Blues and Rock, Punk to Metal, whatever style you play, AmpliTube Fender is the only amp suite that gives you the worlds most influential guitar and bass tones right on your desktop.Standalone and plug-in software for all platforms12 of the most influential guitar amps of all time12 original matching cabinets9 microphones6 signature classic stomp effects6 rack effectsIncredible tonal flexibility: mix and match amps, cabinets, mics and moreSound-certified and approved by the tone gurus at Fender5 separate modules: Tuner, configurable Stomp pedal board, Amp head, Cabinet+Mic and Rack Effects2 fully configurable rigs with up to 32 simultaneous effectsDigital TunerStandalone and VST/AU/RTAS plug-inIncludes SpeedTrainer and RiffWorks T4 Recording SoftwareCan be expanded with any Powered by AmpliTube models using AmpliTube X-GEARCan be controlled live with StompIO, StealthPedal and any traditional MIDI controller400 presets included with more that can be downloaded onlinePowered by AmpliTube with exclusive DSM (Dynamic Saturation Modeling) and VRM (Volumetric Response Modeling)In the development of AmpliTube Fender, IK Multimedia has taken an unprecedented approach to raise the bar of modeling accuracy in order to nail every sonic nuance of the included legendary Fender gear. Every step in the development process has been constantly supervised and sound-certified, step-by-step, by the tone gurus at Fender to ensur |
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AmpliTube Jimi Hendrix Guitar Software $99.99 AmpliTube Jimi Hendrix is a cooperative effort between Authentic Hendrix and IK Multimedia. Authentic Hendrix was founded in late 90s, by Al Hendrix and his daughter Janie to curate and promote Jimis extensive recorded legacy. Jimi Hendrix was fundamental in the development of modern guitar amplification and guitar effects and marked the evolution of modern electric guitar sound. In only the four years between 1966, when he started his rehearsal sessions with the Jimi Hendrix Experience, and 1970, when he died in London on September 18 at the age of 27, he contributed to change the way music was made and electric guitar was played, leaving a permanent mark on the generations of guitarists and musicians that followed. He is constantly named by guitar and music magazines as the number one guitarist of all time. Based on IK's award-winning AmpliTube 2 and made in cooperation with Authentic Hendrix, AmpliTube Jimi Hendrix brings you the stomps, amps, cabinets and mics that contributed to make Hendrix's legendary sound. It's a complete collection of rare vintage gear right at your fingertips, carefully modeled with proprietary AmpliTube 2 DSM (Dynamic Saturation Modeling) technology at its best and accurate craftsmanship from actual gear of the time period.AmpliTube Jimi Hendrix is not only perfect for guitarists interested in getting that unmistakable Hendrix sound or those searching for the ultimate collection of vintage gear in one product, it's also a great add-on for AmpliTube 2 users. Most of the AmpliTube Jimi Hendrix models are brand new and not included in AmpliTube 2, making the Hendrix edition a fantastic way for AmpliTube 2 users to expand the available stomps, amps, cabinets, and mics. 5 separate modules: tuner, configurable stomp pedal board, amp head, cabinet + mic and rack effects 4 Amp models: American Vintage T, Vintage D, and Vintage B, British Lead S100 7 Cabinet models: 2x12 Open T J120, 2x12 Open SL, 4x12 Closed 25C, 4x12 Closed 75C, 4x12 Closed J1 |
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AudioFire12 Firewire Audio Interface $599 AudioFire12 offers the same high quality hardware and software as the new AudioFire8, but with 12 balanced analog inputs and outputs for 24 bit 192kHz recording and playback. If you already have a mixer and tons of microphone / instrument preamps, but you need to get all that audio into your computer then the AudioFire12 is just for you. The AudioFire12 has 12 balanced analog inputs and outputs (TRS), 2 FireWire ports, MIDI I/O, word clock synchronization, and 12 channels of full duplex 24 bit 192kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 12 balanced " analog inputs: 113dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels 12 balanced " analog outputs: 114dB (A-weighted) dynamic range +4dBu / -10dBV nominal levels MIDI I/O Sync via word clock Supports full duplex 12 channel in, 12 channel out operation at 24 bit, 192kHz sample rate Rack mountable single space breakout box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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AudioFire8 Firewire Audio Interface $499 AudioFire8 offers the same high quality hardware and software found in the popular Layla3G product, but with the addition of a FireWire interface. With the AudioFire8 you can record 24 bit 96kHz audio with low latency monitoring on any Windows XP or Mac OS X computer (desktop or notebook) with a FireWire port. AudioFire8 is the perfect center for any professional studio, whether at home or on the road. It has 2 universal inputs with mic preamps, phantom power, channel inserts, and trim knobs so you can just plug in your microphone or instrument and record whenever or wherever you want. AudioFire8 also comes with 6 balanced analog inputs (TRS), 8 balanced analog outputs (TRS), a stereo headphone output, 2 FireWire ports, S/PDIF I/O, MIDI I/O, word clock synchronization, and 10 channels of full duplex 24 bit 96kHz recording and playback. Hardware Features FireWire (IEEE 1394a) interface with 15' cable 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced " analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced " analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O at 24-bit/96kHz MIDI I/O Stereo headphone output with volume knob Sync via word clock or S/PDIF Supports full duplex 10 channel in, 10 channel out operation at 24 bit, 96 kHz sample rate Rack mountable single space interface box Heavy-duty aluminum case 32-bit / 1.6 gigaflop DSP for digital mixing Near zero latency hardware monitoring Software: Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0 GSIF 2.0 (Gigastudio 3 w/ low latency MIDI) CoreAudio & CoreMIDI PC System requirements: Windows XP 256 MB RAM (512 MB recommended) Mac System Requirements Mac OS X (10.3.9 or later) G4 or better processor 256 MB RAM (512 MB recommended) |
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Cubase 6 Music Production Software $499.99 Bristling with new features and enhancements, Cubase 6 is your go-to software for recording, editing, mixing and producing music in all its creative forms. Advanced multitrack editing tools, a new take-comping system and a revolutionary approach to MIDI form the center of a next-generation production environment, while the refined new interface gives faster access and more intuitive control than ever before. Inspiring VST3 effects and instruments like VST Amp Rack and LoopMash 2 fuel your creative imagination. Cubase 6 redefines music production software to offer a new composition and production experience that takes you to new horizons and beyond. The sixth generation of powerful toolsWith an array of sensational features and advanced tools designed to deliver the best and most harmonious results, Cubase 6 is your go-to audio workstation for recording, editing, mixing and producing music of all types. With its emphasis not only on technology and precision but also on user friendliness, usability and ergonomics, Cubase 6 empowers creative imagination to bring out the best in you. Thats why Cubase is the choice of countless musicians and producers around the world. Thats why Cubase 6 is the most advanced music production system today.Creative Composing and SequencingComposing has never been easier or more inspirational. Based on more than 25 years of experience in developing easy-to-use editing and professional composing and notation tools, Cubase once again set a milestone in version 6: With VST Expression 2 Steinberg is taking sequencer-based composing to a whole new level and offers the most intuitive and functionally complete MIDI composing and sequencing toolset on the planet.Key EditorAt the heart of MIDI sequencing in Cubase is the Key Editor: a breathtakingly powerful yet transparent tool which offers functional wealth that opens up virtually limitless possibilities for songwriters and composers. This is where melodies, chords, arrangements and performances |
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Cubase 6 Upgrade From Cubase 4/5 $199.99 Steinbergs Cubase 6 is a comprehensive top-of-the-line DAW. Bristling with new features and enhancements, Cubase 6 is your go-to software for recording, editing, mixing and producing music in all its creative forms. Advanced multitrack editing tools, a new take-comping system and a revolutionary approach to MIDI form the center of a next-generation production environment, while the refined new interface gives faster access and more intuitive control than ever before. Inspiring VST3 effects and instruments like VST Amp Rack and LoopMash 2 fuel your creative imagination. Cubase 6 redefines music production software to offer a new composition and production experience that takes you to new horizons and beyond.Get your Cubase 6 Upgrade From Cubase 4/5 today from Sam Ash Direct and enjoy the confidence that comes from fast, free shipping, the guaranteed lowest price and our 45/60-day return/price protection policy |
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D45 Stereo Power Amplifier $738 The D-45 is perfect for moderate power applications such as recording or broadcast studio near-field monitoring, video suite audio monitoring, a recording/broadcast headphone amp or a small paging system. Crown's AB+B circuitry ensures efficient use of output transistors while incorporating protection against shorted, open, mismatched or low-impedance loads. Designed, built and carefully checked to ensure reliable operation with a wide variety of loads, Crown D Series amplifiers are convection cooled. Their high reliability is particularly important in reducing maintenance costs. Specification: Signal-to-Noise Ratio (unweighted): 106 dB below full rated power from 20 Hz to 20 kHz. Input Impedance: 20 K ohms balanced, 10 K ohms unbalanced. Controls: Power, channel 1 and 2 detented level controls, dual/mono jumper. Connectors: Inputs: Balanced three-pin Neutrik combination XLR and 1/4-in. phone jack for each channel. Output: Four-terminal barrier block (two per channel) and stereo headphone jack. AC Line: Standard three-wire grounded connector. Dimensions: 19 in. (48.3 cm) standard rack mount width, 1.75 in. (4.4 cm) height, 8.38 in. (21.6 cm) depth behind mounting surface. Net Weight: 10 lbs. 9 oz (4.8 kg). Shipping Weight: 10 lbs. 9 oz (4.8 kg). Total Harmonic Distortion (THD): Less than 0.001% from 20 Hz to 400 Hz and increasing linearly to 0.05% at 20 kHz delivering rated power into 8 ohms/channel. Intermodulation Distortion (IMD): (60 Hz and 7 kHz 4:1) Less than 0.05% from 0.01 to 0.25 watt and less than 0.01% from 0.25 watts to rated power into 8 ohms/channel. Load Impedance: Rated for 4 to 16 ohms in Stereo and 8 to 16 ohms in Bridge-Mono. Safe with all types of loads. Maximum Average Power at 1 kHz with No More than 0.1% THD: 20 watts into 16 ohms, 25 watts into 8 ohms, 35 watts into 4 ohms. Output Power in Bridge-Mono Mode: 70 watts into 8 ohms. |
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D75A Stereo Power Amplifier $973 An unquestioned long-term standard, D Series amplifiers are found everywhere in the lab, on the road, in public facilities, in the studio and at home. With over 25 years of continual production of the DC-300 amplifier, the D Series is an example of Crown's commitment to developing long-term, reliable amplifier technology.The D-45 and D-75A are perfect for moderate power applications such as recording or broadcast studio near-field monitoring, video suite audio monitoring, a recording/broadcast headphone amp or a small paging system.Designed, built and carefully checked to ensure reliable operation with a wide variety of loads, Crown D Series amplifiers are convection cooled. Their high reliability is particularly important in reducing maintenance costs.For product availability and pricing please contact your local dealer.SpecificationsOutput Power per Channel in Stereo Mode with Both Channels Driven:FTC Continuous Average Power from 20 Hz to 20 kHz with No More than 0.1% THD:D-75A: 35 watts into 8 ohms, 45 watts into 4 ohms.Maximum Average Power at 1 kHz with No More than 0.1% THD:D-75A: 25 watts into 16 ohms, 40 watts into 8 ohms, 55 watts into 4 ohms.Output Power in Bridge-Mono Mode:Maximum Average Power at 1 kHz with No More than 0.1% THD:D-75A: 110 watts into 8 ohms.Signal-to-Noise Ratio (unweighted): 106 dB below full rated power from 20 Hz to 20 kHz.Input Impedance: 20 K ohms balanced, 10 K ohms unbalanced.Controls: Power, channel 1 and 2 detented level controls, dual/mono jumper.Connectors:Inputs: Balanced three-pin Neutrik combination XLR and 1/4-in. phone jack for each channel.Output: Four-terminal barrier block (two per channel) and stereo headphone jack.AC Line: Standard three-wire grounded connector.Dimensions: 19 in. (48.3 cm) standard rack mount width, 1.75 in. (4.4 cm) height, 8.38 in. (21.6 cm) depth behind mounting surface.Net Weight: D-75A: 9 lbs. 7 oz. (4.3 kg).Shipping Weight: D-75A: 11 lbs. 4 oz. (5.1 kg).Total Harmonic Distortion (THD): Le |
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DM6 USB Performance Electronic Drum Set $499 The Alesis DM6 USB Performance Electronic Drum set highlights the best of 20 years of ALESIS experience in professional electronic percussion gear. This 5-drums/3 cymbals electronic drum set features a sound module with 108 quality drum, cymbal, and percussion sounds. The pads feel great, the hardware and rack system are high quality and its quiet! UNMISTAKABLE ALESIS FEEL!Like all Alesis drumsets, the DM6 Kit features realistic, natural-feeling playing surfaces. To reduce vibration and noise, ALESIS selected natural rubber drum and cymbal surfaces for the DM6 Kit pads. This five-piece drum set gives you a dual-zone snare pad for two-sound compatibility. You can dial in a snare drum sound in the center and a rim click, rimshot, or something totally different (like a cowbell) on the rim!The DM6 Kit also comes with three tom pads, an upright kick drum pad, hi-hat, crash and ride cymbal pads. It even comes with an Alesis bass drum pedal and the kick pad will accept a double bass drum pedal as wellOUTSTANDING SOUND!The brand-new DM6 module features a collection of top-notch drum, cymbal, and percussion sounds that will blow you away. You can edit and save up to 15 drum kits for custom sounds. You get 10 presets and 5 custom slots. In addition to the sounds in the DM6 module, there's a USB output that sends the notes you play out as MIDI signal, so you can use the DM6 as a trigger-to-MIDI interface with drum-module software such as BFD, Toontrack, or Reason for a limitless collection of sounds.The DM6 drum module has headphone and amplifier outputs so you can play quietly with headphones or connect to an amp, a sound system or a recording mixer. Plug in an iPod or CD player to the DM6 stereo input jack and perform along with your favorite music.PRACTICE TOOLSThe DM6 module has a metronome, an essential tool for practicing in steady time whether you're practicing alone or with a band. The DM6 also has a built-in sequencer with 40 preset music tracks for pl |
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DTX750K Electronic Drum Set $3199.99 The Yamaha DTX750K Electronic Drum Set comes loaded with Advanced Features and the acclaimed DTX-PAD Acoustic Drum Feel in larger pad sizes , Real Hi-Hat Action and Large 3-zone, Choke-able Cymbals. Get yours at Sam Ash Direct with Free Shipping and the Guaranteed Lowest Price!The Yamaha DTX750K Electronic Drum Set brings you the feel and comfort of an acoustic drum set but with the versatility that only an electronic drum set can bring. The DTX750K sits in the middle of the DTX 700 Series of professional level electronic drum sets and comes fully loaded with the DTX700 Drum Sound Module, DTX-PAD acoustic-feel snare and tom pads, Real hi-hat feel and three large 3-zone choke-able cymbal pads. Check out the features listed below.At the heart of the Yamaha DTX750K electronic drum set is the Yamaha DTX700 Drum Trigger Module. The DTX700 module is bursting with sounds and features. It has 1,268 drums and percussion sounds, 128 keyboard & melodic sounds and if that wasnt enough, there is 64 MB of Flash-ROM space for loading your own samples! The DTX700 has 50 preset drum kits at the ready, covering a wide and diverse range of musical styles and there are 60 user-editable kits for you to assemble and store. And along with 93 preset songs in a wide range of genres, the onboard training functions Groove-Check and Rhythm Gate will help you to perfect your timing, feel and versatility. In addition, the DTX700 module includes loads of built-in effects and mixing so your performance can go straight to the PA or recording mixer with no additional treatment needed. Beyond being a sensational drum module, the DTX700 is a powerful production tool with a huge assortment of great sounds and state-of-the-art features. Coupled with the DTX750K pads and rack, you will be ready for anything.To get the sensation of playing a Yamaha acoustic drum set, the DTX750K uses the acclaimed DTX-PAD series snare and tom pads featuring Textured Cellular Silicone drumhead technology. T |
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Dual LA3A Classic Audio Leveler 2 Channel Compressor $3899 The original LA-3A Leveling Amplifier made its debut at the 1969 NY AES show and marked the departure from the tube design of the Teletronix LA-2A Leveling Amplifier. The LA-3A incorporated components and design concepts from the Putnam-designed 1176LN Limiting Amplifier. Immediately embraced as a studio workhorse and still widely used today, the LA-3A remains a favorite of engineers and producers worldwide for its unique compression characteristics and sonic signature. The UA Classics reissue of the LA-3A meticulously retains all the internal and external qualities of the original: The same simple control set, class A design, and the T4 electro-optical attenuator, which is the source of the LA-3As program dependent compression. It also retains the 2RU half-rack design, and comes complete with a single-unit rack assembly--no additional kit is necessary. All the original rear panel connections and controls are also maintained, while the commonly performed LA-3A gain mod is added as an additional switch for maximum studio versatility. Features: 2 Classic Solid-State Opto-Compressors Custom UA Transformers & T4 cell Discrete, Class A Amplifier up to 50dB gain Rear Panel "Gain Mod" switch for gain control Designed by ex-UREI engineer- Dennis Fink Specifications: External Connections: Jones Barrier terminals and XLR connectors Gain Reduction: up to 40 dB Distortion: Less than 0.33% at +24dBm Frequency Response: 20Hz 20kHz +/- 0.5 dB Noise Floor: -80 dB below program at threshold of limiting Gain: 30 +/- 1dB, 50 +/- 1dB Output Level: +20 dBm nominal Input Level: 0dBm @ 50dB gain; +20dBm @ 30dB gain Attack: 1.5ms or less Release: 0.06s for 50% release |
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EMX5014C Multi Mode 14 Input 10 Channel Stereo Powered Mixer $729.99 The EMX5014C is a fully integrated mixer offering a range of features to mix, process, and deliver your sound with maximum quality and creative control. Equipped with ultra lightweight amplifier circuits, power is the priority of the 500-watt per channel multi-mode stereo power section. A total of 14 input channels accommodate mics, instruments and playback gear with a selection of mono mic/line and stereo line inputs. Connections include XLR, TRS 1/4-in. phone, and RCA. A power mode switch allows the two amplifier channels to be used with the stereo outputs, drive main speakers and separate monitor mixes, while power amp mode selector switches allow the user to configure the amp channels to suit a range of applications. MIX, PROCESS AND DELIVER WITH THE EMX5014C For sound shaping and feedback control, the EMX5014C includes 3-band EQ on each input channel, a stereo 9-band graphic EQ on the main stereo output, and a separate graphic for the monitor output. Each channel also contains a Feedback Channel Locator (FCL) indicator that pinpoints the input channel creating the problem. Additionally, channels 1 thru 6 provide single knob compressors. This Yamaha exclusive feature is great for controlling unruly vocals or tightening up a bass guitar. Onboard signal processing includes a selection of 16 professional-grade programs (reverb, echo, chorus, flanger, phaser, drum ambiance and distortion) from Yamaha's renowned SPX series processor products. In addition, onboard proprietary YSProcessing tailors the signal for optimum use with Yamaha's Club Series loudspeakers. The EMX5014C is housed in a lightweight (under 24 lb.) standard mixer format that can be used as a stand-alone unit or rack mounted with the optional RK5014 kit for space-saving convenience. |
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EQ1NV One Channel Equalizer $1600 The Great River Electronics EQ-1NV one channel equalizer is a modern twist on the classic British 1081/1083-type design. This desktop (and rackable) digitally controlled analog parametric EQ offers similar topology to vintage 1081/1083 models, but with welcome improvements. Newly designed Class-A discrete single-ended amplifiers and true inductor/capacitor (L/C) circuitry add greater clarity and dynamic range to the musicality of the vintage-era models. The EQ-1NV also has a unique discrete high-current Class-A balanced output stage. One channel, discrete Class-A design Multiple In/Out connections: XLR balanced line in and out; " -10dbV output for 'no-latency' DAW monitoring; TRS insert patch point for NV Series mic preamp (inserts EQ between NV preamp gain stages) Wide range of input sensitivity from +8dbm to -20dbm with selection between line in and insert patch point 4 bands independently enabled with +/-15db boost/cut Hi and low bands selectable between peaking and shelving Hi-mid and low-mid bands each have 3 selectable Q positions 3rd order selectable frequency high pass filter Hardwire bypass of equalizer section Internal low-noise shielded power supply (externally selectable for 110 / 220 volt; 50 / 60 Hz) 3 year warranty with registration Balanced +4dBU & -10dBV Unbalanced I/O Multi-purpose: operates with NV Series preamps and as a standalone EQ Effortless sound shaping and frequency manipulation Flexible band use; 1,2,3, or 4 bands can be used simultaneously Simple pushbutton selection between Q positions and peak/shelf Half-rack-space with internal power supply To make life in the studio (and on the road) easier, the EQ-1NV has been specifically designed to integrate with the patch loop in Great River NV Series microphone preamplifiers (with a single TRS cable), for complete flexibility in tracking and mixing. The front panel input selector / sensitivity switch offers the option of using the signal from the EQ-1NV's transformer-coupl |
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FRP16W ATA 16 Space Rack Case (with Wheels) $389.99 This FRP amp rack features an 18 inch rackable body depth to accommodate most amplifiers and larger equipment. Standard rear rack rail, 4" caster kit, 16 spaces. |
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G-PRO Molded Rack Case (Assorted Sizes) $114.99 Rotationally modeld rack case; 19.25" deep. Virtually indestructible roto molded polyethylene design. 19" rackable depth. Full sized front and rear lids. Molded-in, ergonomic side carry handles. Recessed steel twist latches. Includes 10-32 mounting screws with protective washers. Stackable design. Available in 8U; 6U & 4U space. Made in the USA. Made from recycled materials. |
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GL2800M 824 8 Buss 24 Channel Mixer $5999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes 1/4" and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes lett |
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GL2800M 832 8 Buss 32 Channel Mixer $6999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you c |
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GL2800M 840 8 Buss 40 Channel Mixer $7999 The popular Allen & Heath GL Series has grown with the addition of the GL2800M, a dedicated monitor console offering an easy to use, innovative tool set for simultaneously mixing large numbers of wedges and in-ears. With the benefits of personal freedom, a tailored mix for each musician and a quiet stage, IEM monitor systems have become increasingly popular with performers and engineer's alike. Although IEM has become a lot more affordable, the console required to run them properly is typically too large, complex or expensive for all but the biggest budgets. 16 mixes globally assigned as mono or stereo with level and pan Built-in mic splitter with ground lift switching All masters include polarity switch, swept HPF and 6dB dim function Mix 1-8 include 2 band swept frequency output EQ Engineers IEM and wedge monitors with faders, meters, inserts and XLR IEM/wedge monitor external inputs for FOH comms and IEM rack monitoring Mix AFL assignable to either wedge or IEM monitor PAFL logic includes PFL override AFL, mono/stereo AFL, PFL to wedge enable Headphones follow IEM mode, includes and 3.5mm jacks Talkback with independent selection to all mixes and external output Talk latch mode for use with switched hand held talkback mic Built-in oscillator/ pink noise generator assignable to any mix output Built-in dual supply combiner for additional power supply as a backup 4 mute groups Uses RPS11 linear power supply unit Same chassis as GL2800 Compact footprint ideal for flight casing and saving space at side of stage Solid, individual card, nutted pot construction in a no nonsense all steel chassis The best of analogue - great sound, reliable and easy to use 16 mixes with stereo capabilityStereo gives the performer a more natural listening environment but can be impractical for many sound providers as it doubles the number of mixes needed, often exceeding the capability of the console available. The GL2800M packs in a massive 16 mixes letting you c |
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GT103 GT Key Rackmount Chassis (with 3 Hot Swap Firewire 800 Drive Bays) $492 Custom configure three drives in a single rack space with the Glyph GT 103! The GT 103 combines your choice of GT Key FireWire hot-swap drives in any available capacity. The 1U stainless steel enclosure features Glyph's own Integrity, an advanced FireWire interface that improves hot-swap integrity over existing ATA-to-FireWire products. The hot-swap drives in the GT 103 can be interchanged with the GT 051 tabletop and the GT 308 8-bay 3U enclosures. The GT 103 is configurable in any combination of up to three GT Key hot-swappable drives. GT Key Hard Drives sold separately. Specifications: Includes: Cables & Hardware; FireWire cable; Power cable; Rack mounting screws; Documentation; Glyph CD Warranty: 3 years Supported drive capacity (per drive): 80GB, 120GB, 160GB, 200GB, 250GB, 300GB, 400GB Supported Rotational speed: 7,200 RPM Interface connectivity: IEEE 1394a (FireWire) Firewire 400 and 800 compatible Hot-Swap drives use Integrity Bridging Chip Oxford 911 Average seek time (read) 8 msec Max external transfer rate 400 Mb/sec (50MB/sec) Sustained transfer rate >36 MB/sec Hard drive buffer size (cache) 8 MB (120-400GB), 2 MB (80GB) Dimensions 19" Rack width, 16" deep Physical configuration 1U rack-mount enclosure Weight 11.5 lbs. / 5.2 kg (w/o GT Keys); 16 lbs. / 7 kg (fully loaded) Power Supply Universal 100-240v 50/60 Hz |
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GTR 2.0 Guitar Tool Rack Plug In $195 Waves GTR is not your run-of-the-mill amp modeling software. GTR was designed to meet the rigorous demands of engineers, producers, and session guitarists accustomed to the very best in tone and feel. We developed a brand new sampling technology to capture the unique sonic characteristics of the worlds finest guitar amps, cabinets, microphone placements and effects. Each amp and effect plug-in was meticulously engineered to meet professional needs including dual amp and dual cabinet options, MIDI control, and routing flexibility. Together with Paul Reed Smith Guitars, we perfected the sound and created the Waves/GTR Guitar Interface hardware for optimal impedance-matching. Paul Reed Smith and the PRS team worked with Waves engineers for more than a year to perfect the sound and features of the Waves GTR system. During his most recent visit, Paul arrived at Waves headquarters in Tel Aviv with crates filled with his hand-picked boutique and vintage amps, and he personally adjusted the tone during the sampling process. What's new in 2.0: Waves, in association with Paul Reed Smith Guitars, presents Waves GTR Version 2.0, the hardware/software system that puts the worlds best amps, cabinets, microphones, and effects right at your fingertips. Since its release last year, Waves GTR has received tremendous praise from critics and customers alike. For GTR 2.0, Waves top engineers went tone hunting at multi-platinum producer Peter Denenbergs ACME Recording Studios in Mamaroneck, NY. What they captured is a major advance for GTR. 3 New AmpsSweet, Cream, and Overdrive 7 New CabinetsHand selected and precision micd by Peter Denenberg from his private collection. Improved Tuner and Octaver StompBetter trackingnow even more accurate and easier to use! Complete CompatibilityFull Pro Tools 7 TDM and LE support on both Mac and PCMac - RTAS, AU, MAS and VSTPC - RTAS, DirectX and VST |
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GTR3 Guitar Tool Rack Guitar Software (Native) $79.2 GTR3 is the best sounding virtual guitar amp and effects software in the world. Period. Waves captured the finest vintage and contemporary amps from Fender, Marshall, Mesa/Boogie, Vox, and more, using revolutionary sampling techniques that go way beyond standard modeling. The result is the most amazing guitar tones you will ever hear coming out of your computer. And with GTR3s host-free Standalone ToolRack, all you need to do is plug inand play! 19 Classic and Contemporary Guitar AmplifiersGTR3 lets you cut loose with the most mind-blowing guitar tones imaginable. With 19 custom guitar amps including 6 dedicated High Gain models, GTR3 is a virtual powerhouse. Just plug it in, crank it up, and turn your computer into a stack of hand-picked, world-class amps. 16 Custom Guitar CabinetsPlay through two cabs. Record with two different mics. Flip the phase. With a huge range of speaker cabinets and perfectly matched mics, GTR3 gives you the power to mix and match equipment with unprecedented ease. 11 Top Studio MicsGTR3 delivers the unique performance of the world's most sought-after microphones by Neumann, Brauner, AKG, Sennheiser, RCA, and more. Bass Players Not ForgottenWith 7 slamming bass amps and 6 powerful bass cabs, GTR3 takes bass amplifier modeling a giant step forward. Whatever your sound, whatever your style, GTR3 has got the full rich bass tone youre looking for, with focused lows, punchy mids, and detailed highs. So when youre ready to hit rock bottom, GTR3 covers all the basses. StompsFrom Distortion, Doubler, and Delay to Flanger, Phaser, Fuzz, and more, GTR3 has everything you need to customize your tone. With features like Sync-to-Host BPM and Real-Time MIDI control, its never been easier to dial up your sound. And with Waves Tuners standard, chromatic, and alternate tunings, youll always be pitch perfect. Distortion OverDrive delivers gentle growls, screaming highs, and everything in between. Distortion drives the intensity up a notch, for even more c |
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Ground Control Pro MIDI Foot Controller $399.99 The Ground Control Pro is the finest full-featured MIDI foot controller available. Its compatible with all MIDI controlled devices and provides the flexibility, ease-of-use, and rugged reliability necessary to meet the needs of the most demanding professional players. Imagine being able to instantly reconfigure your entire sound with the touch of a single button! With the addition of the GCX Guitar Audio Switcher you aren't even limited to MIDI devices, you can also control pedal effects, select amp channels, plus many other functions. The Ground Control Pro allows you to simultaneously control up to 8 different devices, each on their own MIDI channel. It will also control up to four GCX Guitar Audio Switchers and the System Mix Plus stereo mixer. You can name each of your presets on the bright, stage-friendly alphanumeric display. And you can use volume or expression pedals to add real-time control of your sound with MIDI continuous controller messages. You can also assign 8 of its buttons for instant access of GCX loops and processor functions. This gives you stompbox style control over your processor or modeling amps internal effects. Whether you are controlling a refrigerator sized rack, using a modeling amp, or just a single processor, the Ground Control Pro is the perfect choice for all of your performance needs. Ground Control Pro features: Simultaneous control of up to 8 MIDI devices 8 assignable instant access switches Controls up to 4 GCX Guitar Audio Switchers Bright, stage-friendly alphanumeric display Name each preset Use volume/expression pedals for real-time control of your sound via MIDI continuous controller messages Hand built in the USA Five-year warranty |
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HA5500C - Bass Amplifier $499.99 Found on stages all over the world, the Hartke 5500C bass amplifier is back in classic black. Yet, it retains all the same rock-solid performance and features as the original that have made it one of the most popular bass amplifiers of all time. The 5500Cs unique circuitry ensures that every nuance of your bass performance is faithfully reproduced. Featuring two pre-amp input knobs for custom blending of tube and solid state tone and a ten-band graphic EQ, the 5500C is ideal for the player who wants plenty of power and control. But we dont stop there. A dedicated preset button allows you to set a equalization curve and two fully adjustable contour knobs provide even more shaping of your distinctive sound. A built-in compressor adds real punch to your bass sound, and also allows you to smooth out volume differences between notes.Rugged construction and professional features make the 3500C totally road-worthy. Two independent inputs accommodate both passive and active bass guitars. LEDs show you the settings of the graphic equalizer in low-light environments as well as a two-color LED that continuously shows the status of the compression circuitry in response to your playing.Electronically balanced direct output provides routing signal to professional mixing consoles for both live performance and recording environments. A ground lift switch helps prevent hum or buzz from entering the signal, and a pre/post switch allows the direct signal to be derived either before or after the amp EQ section.With all the features you need for complete tonal control, along with ample power and rugged design, the 5500C will ensure complete bass euphoria no matter what kind of music you play. 500 Watts of power at 4 ohms Tube and solid state preamp sections Passive and active input sections Bass, treble, and contour controls 10-band graphic EQ Variable compression XLR direct out Effects loop Rack Ears included |
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HR2 Headphone Amplifier $104.95 Furman HR-2 Headphone Remote Stations (sometimes called satellites) are passive devices intended for use with the Furman HA-6A Headphone/Monitor Amplifier, to increase the number of headphone stations beyond the six provided, and/or to locate them more conveniently. With the use of a simple adaptor, HR-2's may also be used successfully with any stereo power amplifier of 50 watts per channel or less to convert them to use as headphone distribution amplifiers. (The Furman SP-20A Half Rack 20 Watt/channel Power Amplifier has the required adaptor built in.) Each HR-2 box can accommodate two sets of headphones, each with its own volume control. USING THE HR-2In rehearsals, headphones are often used to keep sound levels down to avoid disturbing neaighbors. In the recording studio, headphones are most often used in the overdubbing process, where new musical tracks are recorded in synchronization with previously recorded tracks. The musicians doing the overdub hear the already recorded tracks in their headphones, and play along with them. Because of the presence of open microphones, headphones are much preferred to speakers for cueing overdubs. In many situations, it may be sufficient to plug all headphones directly into an HA-6A or other headphone amp. However, in a larger studio, or when each musician must have easy access to his or her headphone volume control, it is more practical to use several HR-2 Remote Stations at strategic locations around the room. In this case, the HA-6A (or the stereo power amplifier substituting for it) would most likely be installed in the control room. The HR-2 Remote Stations connect in "daisy chain" fashion to the SPEAKER B-SATELLITE/REMOTE output on the rear panel of the HA-6A. This output is a male 3-pin XLR connector, so that ordinary microphone cables can be used. The HA-6A connects to the first HR-2 box; another mic cable connects the first HR-2 to the second HR-2; a third mic cable connects the second HR-2 to the third HR-2; and s |
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Helix 18 Universal USB / Firewire 14 Channel Mixer $599.99 The Helix Board 18 Universal is part of the new generation of USB / FireWire mixers from Phonic. The Universal mixer features a FireWire and USB interface that can individually stream up to 16 independent channels of audio to the computer and return two tracks for monitoring, all at screaming fast transfer rates of up to 24-bit/96 kHz with a zero latency. Pre/post switches on each input channel ensure users can adjust the outgoing USB/FireWire signal between a pre fader and post fader signal with the utmost of ease. An onboard 32/40-bit digital multi-effect processor provides 100 popular programs, tap-delay, test tones (pink noise, 1 kHz, etc) and foot switch jacks. There are 8 extremely low noise Mic preamps, each with phantom power, spread across six mono Mic/Line channels with 75 Hz low cut filters, and four stereo Line channels. Each Mic channel has a 3-band EQ (six with swept mid), and two stereo channels have a 4-band EQ. A 10-band system graphic equalizer can be assigned to Main Outs or AUX 1. Stereo RCA inputs and outputs make the addition of digital and analog playback and recording devices effortless. Additional features include three AUX sends, two stereo Aux returns, input and output solo, two true subgroups and a rack mounting kit. Steinberg Cubase LE 4 digital audio workstation software included. Features:Pre/post setting for swapping USB 2.0/FireWire input channels sent to computer from pre-low cut, -EQ to post-EQ, post-fader 18-input small-format analog Mixer with extremely low noise circuitry 96kHz USB 2.0/FireWire interface for streaming 16 independent channels of audio to computer with zero latency 2 channels of monitoring from computer via USB 2.0 / FireWire interface, can be assigned to control room monitors, Main mix & AUX 1 Channel 15/16 routed to computer can be selected from main mix, group 1/2 and AUX 2/3 DFX, our 32/40-bit high definition algorithm digital multi-effect processor with 100 programs plus tap delay, foot switch jacks and v |
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INUKE NU1000 Ultra-Lightweight 1000-Watt Power Amplifier $199.99 iNUKE Series power amplifiers pack massive amounts of output power into exceptionally lightweight, rack-mountable packages. Behringers revolutionary high-density Class-D technology combined with ultra-efficient switch-mode power supplies ensures that this feather-light powerhouse will drive your rig effortlessly for many years to come.Superb transient responseThe fine folks at Behringer have spent years fine-tuning the high-density Class-D technology that gives the iNUKE 1000 its oomph. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, the NU1000 amp reacts instantly to even the most demanding electronic bass impulses.When this amazing amplifier technology is combined with our state-of-the-art switching-mode power supplies, these amplifiers provide tremendous punch. And because they are so much more efficient than conventional designs, they run cooler and dont require the massive heat sinks and heavy toroid transformers typically associated with their conventional counterparts.Sublimely simple operationThe front panel controls and indicators provide your systems vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as clip LEDs to indicate when the signal is distorted and you need to reduce the input signal.The rear panel is just as elegant, with combo XLR and 1/4" TRS input connectors making the iNUKE compatible with virtually any source, balanced or unbalanced. Professional twist-lock speaker sockets are provided to ensure every drop of output power gets to your loudspeakers.The rear panel is also where youll find the switches that enable iNUKE amps to work in either dual mono, stereo or mono bridge mode. A built-in CROSSOVER switch enables the amp to operate in biamp mode, sending low frequency content to passive s |
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JCM800 Reissue Guitar Amplifier Head $2350 The all-valve JCM800 2203 is one of the most highly respected 100 Watt Marshall heads in the company's long history. Evolving from the legendary 100 Watt 'Plexi' head, it was Marshall's first amplifier to feature a Master Volume (MV) control. The very essence of simplicity, the JCM800 2203 is a one channel, all-valve amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life 'edge' immediately set the standard by which all other rock amps were judged and it remained the 'industry benchmark' throughout the entire 16 years of its production life. Now it's back by popular demand and Marshall has taken this opportunity to give it a Series Effects Loop that features a true Bypass switch that takes the loop completely out of the circuit, thus ensuring the original tone isn't compromised in any shape or form. The Level Switch allows you match the loop to either stompboxes or rack units. |
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JDI Jensen Equipped Passive Direct Box $199 The worlds finest passive direct box! It employs the legendary Jensen JT-DBE transformer which is renowned for its warm Bessel response curve. Virtually zero phase distortion, exceptional signal handling and the advantage of true isolation to eliminate hum makes the Radial JDI the choice for live sound reinforcement.Features:Jensen Transformer equipped passive DI100% isolation eliminates ground loopsVirtually zero phase & harmonic distortionExceptional signal handlingHigh common mode noise rejection The Radial JDI is considered by many to be the worlds finest direct box. It is a passive DI that employs a Jensen isolation transformer for optimum audio performance offering outstanding linearity at all frequencies, combined with extraordinary level handling without introducing distortion. Being completely passive, the plug & play JDI does not require any powering and has the unique advantage of eliminating 60-cycle ground loops. This makes the JDI a definite favorite with informed audio engineers. The JDI is great for guitars, bass, and keyboards and is particularly adept with high-output, broadband instruments such as active instruments and digital keyboards. The JDI may be rack-mounted using the J-Rak and is also available in a stereo (2-channel) version called the JDI Duplex and the 6-channel rack-mountable JD6. |
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JS3 3 Way Mic Signal Splitter $259 The Radial JS3 is a Jensen Transformer equipped mic splitter that allows a balanced source to drive multiple destinations via standard XLR connectors. These passive devices feature a premium nickel laminated core transformer for exceptionally low harmonic distortion without the usual phase shift caused by lesser steel core transformers. The undisputed benefit of 100% transformer isolated provides better than -90dB common mode noise rejection (CMR) thus eliminating troublesome hum & buzz caused by stray voltage and ground loops. These problem-solvers offer a simple yet highly effective interface for microphones or direct boxes, and with the addition of the -30dB pad, consumer and line level devices may be employed without distortion or fear of overload due to saturation. The Radial JS3 mic splitter features a rugged 14-gauge steel construction for maximum durability. A unique book-end design creates a protective zone for switches and connectors against the harsh environment of concert touring. An internal welded I-beam skeleton houses the PC board creating a virtually indestructible monocoque design that makes it impossible to torque the circuit board. This eliminates stress on the solder points which can cause cold solder joints to develop. This innovative design also has the unique advantage of allowing up to 8 units to be rack-mounted using the Radial J-Rak. The J-Rak is a heavy-duty rack shelf that allows the splitters to span across a vertical array using only two 19 rack spaces. |
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Layla3G PCI Audio Interface $499 Layla3G is the third generation of Echo's flagship PCI based multitrack digital recorder. The original Layla premiered seven years ago to critical acclaim, including a TEC award nomination. Since then Echo has been perfecting the art of making high quality recording products at affordable prices. Now you can get all of the features of the Layla24 for a new low price, but with better converters and dual mic preamps!! Layla3G is the perfect center for any professional studio. It has 2 universal inputs with mic preamps, 6 balanced analog inputs, 8 balanced analog outputs, and a stereo headphone output. ADAT lightpipe, optical and coaxial S/PDIF, and MIDI are included as well. Layla3G comes with a 15' cable and PCI card that connects to the audio interface. Layla3G is compatible with PCI-X (3.3 or 5 volt) motherboards and Power Mac G5 computers, as well as older systems. Hardware Features 2 auto-sensing universal inputs (mic/guitar/line): Meters, trim knobs, phantom power, & channel inserts 6 balanced 1/4" analog inputs: 113dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels 8 balanced ?" analog outputs: 114dB (A-weighted) dynamic range; +4dBu / -10dBV nominal levels S/PDIF I/O (coax & optical) at 24-bit/96kHz ADAT optical digital I/O MIDI I/O Stereo headphone output with volume knob Sync via word, S/PDIF, ADAT, or MTC Supports full duplex 16 channel in, 16 channel out operation Rack mountable single space breakout box Heavy-duty aluminum case 15' cable to connect to PC PCI bus mastering interface: Bus powered; Works with PCI-X (3.3/5 volt) & Power Mac G5 A/D & D/A converters in external breakout box 56-bit / 100mHz DSP for digital mixing: Near zero latency hardware monitoring Software Features Software console for monitoring, metering, and setting levels Low-latency drivers support all major pro audio software: Low Latency ASIO 2.0; GSIF 2.0 (Gigastudio 3 w/ low latency MIDI); WDM kernel streaming mode; CoreAudio & Core |
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M135 Smart Gate Pedal $118.99 If you're addicted to the indispensable juice of a high gain amp or a string of stomp boxes, you need this pedal. Because along with your hot-wired tones, you're probably getting a generous helping of noise. Equipped with three selectable types of noise reduction, Hiss, Mid, and Full, the Smart Gate bites down on sizzle and hum but lets the smallest detail of your playing through. With its uncanny ability to sense precisely when -and how fast -to engage, this little genius will never get in your way, so you can wring every last bit of sustain out of that chord without being cut off. Originally designed by Scholz Research and Development, the Smart Gate has been completely updated with a hardwire bypass, precise threshold trigger, and new cleaner circuitry. Open or closed, it adds virtually nothing to your signal.MXR hasalso squeezed this baby down from half space rack size to a slender stomp box, leaving plenty of room underfoot for your newly tamed effects. Controls: Footswitch toggles Effect On/Bypass (red LED indicates on) Trigger Level knob allows adjusting the threshold level of gate Three-position switch selects type of noise reduction: Hiss, Mid Range, or Fuji Gate LED shows level of noise reduction Power: Single 9 volt battery or Dunlop ECB-003 AC adapter (not included). |
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M8Lx Merit Series Power Conditioner $99.95 A Merit Series Power Conditioner is the perfect low-cost AC power solution for any rack mount system. Install an M-8Lx into the top slot of your rack, and the eight switched outlets in the rear panel will power up and protect all your equipment up to a 15-amp load. The M-8Lx features two slide out, swiveling light fixtures to provide discreet illumination of your equipment on stages, in studios, and in other dark places. A dimmer knob lets you adjust the lamp brightness to just the right level. |
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MS8A Input Switcher and Monitor Controller $745 The MS 8 monitor switcher has eight balanced stereo inputs and two balanced stereo outputs. One stereo output is fixed, the other is variable to feed a power amp or powered speakers. All inputs and outputs are tip ring sleeve 1/4" jacks. The left input jack, when used alone, will provide a mono feed to both left and right outputs.Features:8 Stereo Inputs2 Stereo Outputs one fixed one variableBalanced 1/4" jacks1U Standard Rack Mount EnclosureOptional headphone amp with volume controlApplicationsAdds 8 additional stereo inputs to any monitor systemA/B Source Comparison left input becomes mono stereo outputQuality Control departmentsAudio and Video duplication systemsRetail Pro Audio displays allows easy A/B comparison of audio devices |
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Musician's Survival Kit $57.99 When the gig is on the line and something unexpected happens, it 1s nice to know that you are prepared. Throw Hosa Musician Survival Kit into your gig bag and you will have at your fingertips the most useful collection of adaptors, connectors, Y-cables and accessories imaginable. These pro-quality items are indispenseble for the repairs and "workarounds" that you may need to keep the show on the road.Adaptors:2 x GPR-101: RCA Female to 1/4" Male2 x GPR-104: 1/4" Female to RCA Male1 x GPP-105: Coupler - 1/4" Female to 1/4" Female (Works with Stereo or Mono)1 x GPM-103: Headphone Adaptor - 3.5mm Stereo Female to 1/4" Stereo Male1 x GMP-112: Headphone Adaptor - 1/4" Stereo Female to 3.5mm Stereo Male1 x GXP-143: XLR Female to 1/4" Male (Works with Balanced or Unbalanced)1 x GXP-246: XLR Male to 1/4" Male (Works with Balanced or Unbalanced)Connectors:2 x Dual Banana: Connectors (1 red, 1 black)1 x PLG-025: Mono 1/4" PlugY-Cables:1 x YPP-111: Mono 1/4" Male to Two Mono 1/4" Females1 x YPP-117: Stereo 1/4" Male to Two Mono 1/4" FemalesAccessories:1 x MHR-225-100: Microphone Holder (25mm)1 x WTI-148G: Hook & Loop Cable Wraps (5 pieces)12 x RMC-180: Rack Screws and Washers |
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Nova System Multi Effect Pedal $499 The Audible ChoiceNova System is the complete, floor-based effects solution for the dedicated guitar player who knows quality when he sees it. Its unique inclusion of an all-analog programmable distortion/overdrive section under preset and expression control makes it the perfect choice whether you want to trim down your rack setup, step up from your pedal patchwork or simply just want the ultimate combination of operational simplicity and audio superiority.Add to this an array of effects taken straight from the king of floor-based processors; G-System and you have top-notch compression, EQ, noise gate, modulation, pitch, delay and reverb right at your feet. All you need is a guitar and an amp and youre good to go first class.Genuine, Analog Drive CircuitWhat makes Nova System so remarkably different is the NDT - Nova Drive Technology - a unique, new drive and distortion circuit that gets you the best of both worlds: World-class analog distortion and overdrive with digital control. This is the real deal no modeling. While the NDT is 100 percent analog and physically separated from the digital effects, its control potmeters are digital. This way you can tweak, store and recall as many drive settings as you want - you can even hook up an expression pedal and control the amount of distortion in real-time. Its wide gain range covers your every need from light breakup to heavy distortion.Top-Notch EffectsEquipped with TC branded quality effects from delays and reverbs to compressor, EQ and modulation, Nova System is the obvious all-in-one solution for any guitarist who wants setup simplicity without sacrificing tonal fidelity. All neatly programmable and storable in 60 user presets. Its 30 factory presets give you a demonstration of just what this unit provides; great sound quality and an immense versatility of effects combinations all designed to get you started right out of the box. |
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Nuendo 5.5 Native DAW $1799.99 Steinberg Nuendo 5.5 is the most comprehensive maintenance update in the product history of Nuendo. The latest incarnation introduces more than two dozen new features, perfectly tailored to the needs of post-production professionals. The new take comping system, advanced multitrack editing functions and automated tempo detection make Nuendo the fastest audio editing solution available in the post-production sector. Plus, exceptional plug-ins such as the VST Amp Rack guitar-modeling suite further enhances the sound designer's toolbox.AUDIO EDITING ON A WHOLE NEW LEVELGrouping events and editing across multiple tracks has never been easier. By utilizing the new multitrack editing feature set you can cut, fade and trim multiple tracks at once. All events included in a group folder are physically handled as one single track. Plus, the advanced transient detection function detects hits of percussive audio material in next to no time. Thanks to the preview feature and two specialized filters, called Peak and Beats, working with single hits, rolls and ghost notes is more accurate than ever before.In Nuendo 5.5 audio material can be quantized just like any MIDI material, offering numerous possibilities to fix timing issues and to change the groove of live-recorded audio material. To preserve phase relationships between tracks, the individual slices on all tracks are still grouped and moved at once. Nuendo 5.5 automatically creates cross-fades between slices to ensure seamless transitions between them and fill gaps that might be introduced during quantization. A few clicks and all audio tracks are matched to whatever audio source you desire. With the Slice Rules you can decide which sources will get a higher priority during slicing.Track Edit GroupsSimple and efficient the new Track Edit Groups tool refines the work with multitrack recordings in Nuendo 5.5. Saving time and effort, this new function allows multitrack editing with single-click actions. When recording amb |
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PB 4X4 Rack Power Strip $49.99 The PB 4x4 features ART's "4x4" distribution on the back of the unit -- four of the eight rear outputs are 1.25 inches apart. This allows the user to plug in wide power cables and multiple wall wart devices, and still have eight total power outlets to choose from. Built into the PB 4x4 is a Surge and Spike Protection System, designed to protect powered equipment from harmful electric surges and spikes. The unit also has RFI and EMI filtering. The PB 4x4 also features a front-located on/off power switch (which lights up when turned on), and a front-mounted circuit breaker reset switch. The unit has a total power capacity of 1800 watts, and has a front-mounted, 15 amp circuit breaker. The rugged, all-steel chassis occupies 1U rack spaces and is intended for installation into standard 19" equipment racks. Applications for the PB 4x4 include Live Sound Systems/PA, Permanent or Fixed Installations, Church, Club and Practice PA Systems, DJ Sound Systems, Home and Project Recording Systems, and Monitor Systems. The PB 4x4 features a one-year warranty. |
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PD8 8 Outlet Rack Power Strip $69.99 The PD8 provides you with a cost-effective solution to power management by utilizing EMI/RFI filtration across all 8 outlets. With present demands on power utilities, voltage spikes, power surges, electrical noise, and power failures are commonplace. This garbage in the power delivered can reduce the fidelity of audio systems, cause premature failure, or result in extensive damage or destruction of electronic equipment. Protect your investment the right way with the PD8. New PA System and effects processors $1000 New guitar amplifier $750 New digital recorder $900 Protecting all this gear from dangerous surges and spikes PRICELESS!Features: Watchdog protected circuitry with front panel L.E.D. indicator noting "Go" or "No Go" protection status. When the green L.E.D. is lit, protection is on. Surge protection alarm Full 120 volt, 15 amp, 1800 watt output 8 protected U-grounded power outlets on rear panel 14-gauge 3-prong 10' power cord 15 amp input - breaker protected Spike and surge protection EMI/RFI filtration Touring quality construction Specifications: Dimensions 19" L x 8" D x 1 3/4" H Weight 7 lbs. (less packaging) Housing Quality Black powder coated chassis Electrical 120V, 50/60 Hz, single phase Max. amps 15/ unit Max. watts 1800/unit Spike/surge protection Line to neutral, neutral to ground, line to ground Surge protection alarm yes Response time < 1 nanosecond Max. clamping voltage 330V Max. spike current 65,000 amps Max. surge energy 1665 joules total (555 per leg) Noise filter (EMI/RFI) Frequency 150 kHz -100 MHz Attenuation up to 68 dB Certification UL 1449 Listed |
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PD8L Rack Mountable Power Conditioner $89.99 Proven reliable and dependable for more than 15 years, ETA Systems PD8L is a 15 Amp, 1800 Watt, rack mountable power conditioner with rack lights designed to prevent electrical damage to sensitive electronics by employing sophisticated spike and surge protection. As well, utilizing EMI and RFI filtration to remove Electro Magnetic and Radio Frequency Interference, the PD8L supports a pristine production or recording.PD8L Key Features:15 Amp, 1800W Capacity8 U-grounded AC Outlets - SwitchedFront Panel Circuit Breaker ProtectionFront Panel Pull out Rack Lights with 2 position DimmerSpike Suppression across all 3 legs of the AC PowerEMI & RFI FiltrationWatchdog Circuitry Go or No Go Status IndicatorAudible Surge Protection Alarm14-Gauge 10 foot power cordUL1449 ListedWHY IS POWER CONDITIONING NECESSARY?Power protection is a must in this age when Power Utilities are overloaded and stressed causing AC electricity full of voltage spikes, power surges, electrical noise, and power brown outs or complete failure. At any time any one or combination of these issues will compromise the fidelity of your sound and video systems, cause premature failure of expensive gear, and/or can result in extensive damage or total destruction of your gear. WHY ETAS PD8L POWER CONDITIONING?ETA Systems Power Distribution Conditioners are unique in their protection across all three legs (L-N, N-G, L-G) of the incoming AC power. This is essential because noise and electrical anomalies can travel across any of these three pathways. The PD8L boasts a higher joule rating (1,665 joules) and lower clamping voltage (330V) than the competition, which means better protection for your buck.Applications: DJs, Bands, Nightclubs, Group Fitness Studios, Touring Road Racks, House of Worship most any live sound reinforcement application.Remember, accessories ship fast and free from Sam Ash Direct |
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PL-PRO DMC 19 Inch Rackmount 20 AMP Power Conditioner $439.95 The Classic Series from Furman brings together superior protection and outstanding performance in a sturdy, rack-mountable design. The Classic Series features Furmans revolutionary Series Multi-Stage Protection (SMP), Linear Filtering Technology (LiFT), and Extreme Voltage Shutdown (EVS). Together, these technologies comprise what is, without question, one of the world's most advanced and comprehensive transient voltage surge suppressors. SMP (Series Multistage Protection) Exclusive Furman Technology Provides the Highest Level of Surge and Spike Protection Available. LiFT (Linear Filtering Technology) Lift Offers Linear AC Power Filtering to Ensure Clean Power for Unequaled Audio & Video Clarity. EVS (Extreme Voltage Protection) Advanced EVS Circuitry Detects Dangerous Voltage Irregularities and Safely Powers Down Itself and Connected Equipment in Unsafe Conditions. Dual Smooth Track Retractable LED Lights Illuminate Equipment In Your Rack & Diagnostic Lights Warn You When Voltage is Outside of Nominal Range or When Protection Has Been Compromised. Isolated Outlet Banks Minimize Inter-Component Interference and Noise Contamination. 9 Total Outlets (8 Rear with Three Widely Spaced For Bulky Transformers) and One Front Panel, Rear Panel BNC Connector Powers any Standard Gooseneck Lamp. Large Digital Voltmeter/Ammeter with Discrete Dimmer Button Displays Line Voltage and True RMS Current Draw. |
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PLX1104 Stereo Power Amplifier $749.99 The compact PLX1104 brings the same performance and technology as the rest of the PLX2 Series, plus even greater value, to applications that don't require bridged or 2 ohm operation. Designed to power one or two speakers from each amplifier channel (4 ohm minimum loading), this model offer a simplified feature set while retaining genuine, uncompromised PLX performance and technology. Weighing just 13 pounds (5.9 kg), the "plug-and-play" PLX1104 is perfect for ultra-portable rigs, as well as reference-quality playback. Delivers 325 watts per side at 8 ohms and 550 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight sw |
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PLX1802 Stereo Power Amplifier $969.99 The PLX1802 is an excellent choice for users who need to drive up to four loudspeakers from each amplifier channel (2 ohm loading), or when extremely high power bridge mono operation is required. The PLX1802 features built-in subwoofer processing, filter switches, and front panel indications of bridge mono status. Rated at 330 watts per side at 8 ohms, 575 watts at 4 ohms, and 900 watts at 2 ohms. In bridge mono mode, puts out 1200 watts at 8 ohms and 1800 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a large, heavy AC transformer (typically 20 lbs. / 9 kg) with a highly efficient |
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PLX1804 Stereo Power Amplifier $849.99 The PLX1804 brings the same performance and technology as the rest of the PLX2 Series to applications that don't require bridged or 2 ohm operation. Designed to power one or two speakers from each amplifier channel (4 ohm minimum loading), this model offer a simplified feature set while retaining genuine, uncompromised PLX performance and technology. Weighing just 13 pounds (5.9 kg), the "plug-and-play" PLX1804 is perfect for ultra-portable rigs, as well as reference-quality playback. Rated at 600 watts per side at 8 ohms and 900 watts at 4 ohms. The PLX2 series is a range of premium quality, high-power amplifiers designed for the most demanding live performance uses. Built on the third generation of QSC PowerLight technology, PLX2 amplifiers combine light weight, superlative audio quality and proven QSC reliability. With power ratings up to 3,600 watts, PLX2 amplifiers are capable of providing plenty of clean, undistorted output to the most power hungry speaker systems. Choose from either 1/4" or XLR balanced inputs and banana plug or Neutrik Speakon outputs. MechanicalPLX2 series amplifiers have the refined, rugged good looks usually associated with high performance racing cars, competition bikes, professional power tools, and high power machinery. A solid, cast-aluminum front panel adds professional style to any rack while also acting as an integral I-beam, rigidly tying the chassis together for years of on-the-road reliability. Additional mechanical touches such as the side stiffening rails, rear rack ears and cable tie anchor points attest to QSC's years of experience and attention to detail. QSC has even designed the integrated front handles so the amplifier slides into a rack without scraping the installers fingers on the rack sides. The exterior appearance of PLX2 amplifiers conveys what's inside - simply and truly, 13 to 21 pounds of the most advanced professional power amp on the planet. PowerLight TechnologyPowerLight switchmode technology replaces a lar |
Categories: Sound Equipment amp rack, amp rack build, amp rack car, amp rack case, amp rack rails, audio, guitar, hardware, music, rack
